“Strange Days for America” by William David


These strange days with many strange ways.
Blind people with eyes that can see,
… yet they can’t.

Minds that can open, but won’t.
Everything a craze,
Things just aren’t what they use to be,
… I hear the people rant.

People should do something, but don’t.
Up isn’t up anymore,
… But down is still down.

For some, doing wrong is okay like never before,
The ends justify the means they expound.
Left is so far left that right isn’t right anymore.
… I hear the voices screaming all around.

But these days, nobody can talk about anything,
For it may surely offend.
Someone, somewhere, somehow looking for something
Always on moral grounds, many pretend.
… I can’t help but wonder.

Why can’t we come together and work it out?
While some sensationalize the petty
With so many real problems to worry about.
It ain’t looking too pretty.
… This is such a blunder.

With hate and division some continue to shout.
These strange days and their ways cannot win out!
It’ll be up to you and I,
You know we’ve got to try.
… To restore our lives before they’re torn asunder.


After a successful career as a Senior Architectural & Engineering Designer working with international mining and Land Development companies, William David is retired now and living in Tucson, Az. He likes spending time now devoted to his passion: writing and reviewing poetry. William writes for his pleasure and for the pleasure of those who might read his poems.

“WASPLEG” by Lynn Hoggard


WASPLEG—THE SEVEN-DEADLIES DEATHWALK

Wrath lets our inner darkness tell us what’s real.
Avarice shares nothing with others, then builds a wall.
Sloth can’t get off its ass to fix a meal.
Pride, of course, extends the distance we fall.
Lust lets the groin walk the walk—it just wants a feel.
Envy would visit a pox on the belle of the ball.
Gluttony gorges itself enough to seal the deal.


Lynn Hoggard received her Ph.D. in comparative literature from the University of Southern
California and taught at Midwestern State University, where she was professor of English and French and the coordinator of humanities. In 2003, the Texas Institute of Letters awarded her the Soeurette Diehl Fraser award for best translation. Her poem “Love in the Desert” was nominated for the 2017 Pushcart Prize by Word Fountain, and her books, Bushwhacking Home (TCU Press, 2017), and First Light (Lamar University Press, 2022) won the 2018 and the 2023, respectively) Press Women of Texas awards for best book of poetry. Her poem “In the Garden” was nominated for the 2018 Sundress Best of the Net award.

“Aging With God:  #20” by Alan Altany


Being old
is a surprise,
varicose veins,
unknown bruises
& thin skin,
fear of dementia
& being forgotten,
endless loss
of loved ones,
death as a lately
new companion,
totally fatigued
by distractions,
beauty in disguise
everywhere,
regrets fading,
hints of wisdom
awakening at last,
doctors’ appointments,
afternoon naps,
still dreaming dreams,
blessing of ambiguity,
immersed in mystery
more than ever,
flabby ideas of God
reduced to a lean
& powered simplicity,
waiting patiently
for the bird of dawn
in the midst
of dark nights
for the ages.


Dr. Alan Altany has BA & MA degrees in Catholic theology, and a Ph. D. in religious studies (University of Pittsburgh). After an academic career, he is a semi-retired professor of Comparative Religions at a small college in Florida. He writes with the steadfast support of his golden retriever, Zeke.

“Inspiration” by DS Maolalai


I could do with
another beer. my wife
doesn’t like it
when I get like this.
there’s nothing a beer
makes you want
as much as a cigarette
but I stopped smoking
so much because of her
lately. second to that is
another beer. damn it –
I’m an artist. I can have one
if I want. what is the point
of writing poetry
if not to justify bad behaviour
in the name
of stacking up
some inspiration.
look at this.


DS Maolalai has been described by one editor as “a cosmopolitan poet” and another as “prolific, bordering on incontinent.”

“The Path We Take” by David Radford


The path we are on runs above the surf
narrow and flanked by cliff and rolling turf
Silky strands swaying in a verdant land
reached out to caress the extended hand

Every now and then it would cross a ledge
There some risk as it flirted with the edge
With firm resolve and movement very slow
passed was the danger from the waves below

Deep unrest surfaced in the sun kissed sea
Wind and waves warned of a strong storm to be
Silky strands swaying in a verdant land
reached out and now struck the extended hand

Swirling clouds formed a chilling barrier
blocking calming rays for roiling water
Waves were dispatched with more force than before
to brutally pound a weakening shore

No longer does the path flirt with edges
Now the path crosses their collapsed ledges
Boulders by the sea obstructing the way
and crossing them risks being swept away


David Radford is a retired college professor who loves gardening and the great outdoors. Creative writing has been a welcome change from the technical writing his career demanded.

“Empty Shower” by J H Martin


When it rains
I sit beneath
A mountain cherry
And wait for it clear

No wine
No song
No dew-drop tears
I am not the man I was

Sitting here
Watching listening
The grey fades out
Like brushed ink wash
And welcomes back the blue

Smiling
But not overjoyed
I get up from
The cold stone bench
And go to make fresh tea

Time is short
This cup is empty
There is no mountain cherry


J H Martin is from London, England, but has no fixed abode. His writing has appeared in a number of places in Asia, Europe, and the Americas. For more information, please visit: https://acoatforamonkey.wordpress.com/

“Standup” by Ronald J. Pelias

 
Nicole Nelson, pleased with herself that she had successfully taken her two children, six-year-old Riley and four-year-old Renee, for their annual pediatric check-up with the promise of a Panera pastry if they were well-behaved, found herself watching her two girls negotiate whether one bear claw finger was equal to one-fourth of a blueberry muffin. Nicole smiled listening to her daughters bargain, and in that moment she surprised herself by how she was flooded with such love. She remembered how she and her brother, Noah, fought over such matters when they were children, how they always needed an intervening parent to resolve their differences. Her girls, though, were managing just fine without her. As two bear claw fingers and one-third blueberry muffin moved from plate to plate, a deep calm found its way to her. Then, a voice from a nearby table broke into her world.

“Lovely girls you got there,” an elderly man said.

“Thank you,” Nicole replied, taking in the man who appeared harmless, perhaps just lonely and just wanting to make conversation. Strangers, she took pleasure in remembering, often made flattering comments about her girls. “Can you both say thank you to this gentleman?” They both look up from their treats to do as their mother had suggested. “The oldest one is Riley and the youngest is Renee, but she prefers to be called Rainbow.”

“Well, hello Renee and Rainbow. It’s nice to meet both of you.”

“Say hello girls,” Nicole urged and they complied. Nicole was pleased with their performance. “Do you have any children?”

“Yes, four boys. The first went into the Navy. The second joined the National Guard. The third became a member of the Special Forces and the fourth—he never served. He’s a Democrat,” the man answered, enjoying what he considered the wit of his own remark. Nicole, knowing the man assumed she shared his perspective and expected her to appreciate his humor, gave a small laugh, but instantly felt uneasy having done so. She was uncomfortable by his insertion of politics, a politics that she surely didn’t support. Her discomfort, though, went beyond his assumption of commonality. His comment brought her to Noah, a democrat, who died in his second tour of duty in Iraq in a war he did not believe in. He called it a war of sand, sun, and stupidity. But Noah served because he believed it was his duty. “Finish up, girls. We have to get going,” she said, swinging her body away from the man.

In the car, she felt her anger build and tried to hide the tears that were running down her face from her daughters in the back seat. She wished she would have said something, said that he was wrong, said that he shouldn’t talk about his own son that way, said that her brother deserved respect for what he did. She wanted another chance to speak up, and for a moment considered going back in to tell the man what she thought, but she wondered what she would do with the girls and doubted if she would have the words she wanted or the ability to control how her words might come out. She left the parking lot feeling agitated and continued to blame herself for letting the man think what he said was acceptable. She became increasingly sure it was not.

Several weeks later, Nicole Nelson dropped her girls off at their schools and decided to stop by Panera for a cup of coffee and a bagel. After picking up her order, she saw across the dining area that same man sitting alone at a table. She felt her body flush, her heart race. She knew she had to act. This was her opportunity, but her emotions were overwhelming her, making her question again if what she would say would be right. She found a table as far away from him as she could. He did not see her, but she held him clearly in her sight. She tried to get control of herself. She stared at him, searching for what she could do. Take several deep breaths, she said to herself, and as she did, she flashed on the time Riley was teaching Renee how to play “rock, paper, scissors.” She reached for the notepad and pen in her purse and scribbled three sentences, each on their own line. When she finished writing what she decided to say, she wrapped her bagel and cream cheese in a napkin, put all her belongings in her purse, and checked to make sure the lid on her coffee was secure. She stood up, determined, and marched to his table. She slapped her note down. She turned just as quickly and left.

The man was confused. He did not recognize the woman who seemed so angry with him. He picked up the paper and read: “I am a democrat. My brother was a democrat. He died in Iraq.” Crazy democrat, he thought. Sorry she lost her brother. He held the note and turned to another table where two other men were sitting. “You won’t believe what just happened,” he said.

It took Nicole several minutes in her car before her breathing returned to normal. For a moment, she felt an ease she hadn’t felt since her last encounter with that man. She had her say. She did what she needed to do. She did it for Noah and for her girls. She knew they would always standup for each other. Backing out of her parking space, she caught a glimpse of the three men laughing. Seeing them in such good spirits, she realized her gesture was nothing but a joke on herself. She drove away, wanting to forgive herself.


Ronald J. Pelias spent most of his academic career calling upon the literary as a research strategy. Now he just writes for the pleasures and frustrations of putting words to the page.

“Ghost I Am” by Michael Lee Johnson


Here is a private hut
staring at me,
twigs & branches
over the top—
naked & alone.
I respond to an old 60s doo-wop
song: In the Still of the Night
Fred Parris and The Satins.

Storms are written in narratives,
old ears closed to a full hearing.
I’m but a shelter cringing.
In age, nightmare pre-warned redemption.
Let’s call it the Jesus factor,
not LGBT symbols in Biden’s world.
I lost my way close to the end.
Here is this shelter in heaven
poetry imagined spaces
prematurely still not all the words fit,
in childhood in abuse
lack of reason for bruises
rough hills, carp that didn’t bite,
and Schwinn bike rides
flat tires, chains fall off, spokes collapse—
this thunder, those storms.

Find me a thumbnail
image of myself in centuries of dust.
Stand weakened by nature
of change glossed over, sealed.
Archives.
Old men, like a luxurious battery,
die hard, but with years, they
too, fade away.


Michael Lee Johnson lived ten years in Canada during the Vietnam era. Today he is a poet in the greater Chicagoland area, IL. He has 296 YouTube poetry videos. Michael Lee Johnson is an internationally published poet in 45 countries, a song lyricist, has several published poetry books, has been nominated for 6 Pushcart Prize awards, and 6 Best of the Net nominations. He is editor-in-chief of 3 poetry anthologies, all available on Amazon, and has several poetry books and chapbooks. He has over 453 published poems. Michael is the administrator of 6 Facebook Poetry groups. Member Illinois State Poetry Society: http://www.illinoispoets.org/.

“Frogs and Stars” by Marilyn Lou Berry


The croaking of tree frogs, in springtime orgies in a forest never truly silent, pierced the dark in harmony with the clicking of the bats. That same piercing chased me through the forest. I don’t mean followed. I mean chased. I walked briskly on paths lit only by moonlight. 

Browsing deer crossed my path before and after me. Why are they not afraid of being smothered by the croaking and the clicking?

I leaned against a tree to rest. I zipped up my jacket. A midnight chill competed with the croaking and clicking to imprison me.

Something bright from above, a meteor, no doubt, rescued my entrapped earthly gazes to redirect them to a more ethereal realm. I imagined the constellations to be, not the Big Dipper, but grandpa; not Orion, but Aunt Sally; in general, family members.

To hell with frogs and bats. I wanna be absorbed by the runaway cosmos. They say the universe is expanding rapidly and infinitely. If I could just stretch my arm to the farthest heavenly body, I’d know all the truths there are to know. I’d be dead and alive at the same time.

If the rest of me caught up with my farthest reach, would I lead the rest of the universe behind me to infinity?


Marilyn lives a retired life in a small-town arts community jam-packed with muses and surrounded by ocean, forest and wildlife. She is visited by deer daily along with a multitude of other critters. She fills her time with writing, reading, beach walks, gallery visits, and so much more.

“Round Young Virgin” by Kevin Fisher


Before I was seven, we always spent Christmas with my grandma. She lived in tiny house nestled between two active train tracks we would flatten pennies on.  She would hold our hands as we watched TV and the trains shuddered past. She wore an apron always, even to make coffee. For Christmas, we had a pine hand-cut at nighttime by my dad from the railway land.  Grandma wrapped presents in large boxes so everything was a surprise. A bracelet for my younger sister Bea might come in a detergent box.  An action figure in a TV box.  By the end of Christmas Day, we were ankle deep in scraps of wrapping paper.  And grandma didn’t drink.  Dad knew his mother didn’t know Campari was alcohol so that’s what my parents drank there.  Grandma even tried some.  She thought it was some foul soft drink from back East.   Dad gave me a small glass every once and a while so Grandma didn’t get suspicious. 

The year she died; I started having Santa questions.  Like how? I live in a city where everything is delivered, and often never arrives.  Like why toys? Why not food or other things kids might need?  Now a doubter, maybe this was the end to Christmas.  I don’t tell this to my parents or my younger sister Bea.  It is a magic trick. I want to watch to see how it all actually works.

We are now on our way to stay with Glamma, my other grandma.  We leave late, and Dad drives through the night.  Mom keeps telling Dad she is “hopeful this time.”  We stop for bathroom breaks and snacks at all the rest stops so they can whisper to each other in parking lot.

We arrive Christmas Eve morning.  Glamma opens the door for us.  She pulls Bea and I through the doorway quickly one by one like we are parachutists.  She grabs my shirt to tell me “There are men out back.“  Dad is still in the car, so I’m sent out to check the “perimeter.”  At Glamma’s house, parents are no protection. The door slams behind me. I am in her back yard where men empty garbage cans as a few matted restless dogs wait to see what they drop. 

            I go to the back door and knock for a while before Mom comes out holding a smelly pink turkey.  She tosses it into the snow.  She pulls me into the house as the dogs circle the turkey and begin pulling it apart.  Bea asks Mom if there are presents, but Mom is on the phone asking stores if they have any turkeys left.  It’s always bad news, and as she hangs up it gets louder and louder.

Glamma says that that turkey was “just fine” and Mom says “nothing defrosts for a week.”  Dad is eating potato chips with his coat still on. “Do we have a tree?” I ask Dad who shrugs. “We may not be staying,” he says and smiles.

            Glamma brings out her fudge for Bea and me. She makes dark, rich, dense, sweet fudge that takes two hands to hold.  Bea won’t eat it. It scares her.  I like it, but you have to eat it slow so you don’t black out. 

Glamma drags a fake tree in from the garage.  She yells to me for help, and we pull it through her house together.  It still has tinsel from past years.  Glamma says fake trees are just as good as real ones if you spray them with Pine Sol.  We get stuck it in a bend in the hallway and I smell sour breath behind me.  A giant hand reaches down and pulls the tree free.  Uncle Clarence drags the tree into the living room, clearing several side tables of their lamps and magazines as he does. 

Mom is crying in the kitchen. Dad, with his coat off now, tells her he never really liked turkey and would prefer one of Uncle Clarence’s smoked hams.  Uncle Clarence smokes hams in his garage which my Aunt Lori hates because it makes her car smell.  “Where’s Aunt Lori?” I ask and Mom gives me a bug-eyed “shut up” stare.

            The tree is there but no presents.  I begin to understand perhaps there are no presents.  Maybe doubt, my doubt, is the reason.  Maybe there is a no present rule for both naughty children and little know-it-alls.

“We have to decorate the tree.” Glamma says as she grabs Bea’s wrists and drags her to the garage.  “Let’s see what we can find.”  My sister goes limp, but Glamma still manages to drag her away. 

“Why don’t you go with Uncle Clarence to get a ham for dinner?” Mom says giving me my coat. 

The door is open and Clarence is already outside so I run.  I don’t have to hurry.  Once I get in the car, we sit awhile. Clarence stares ahead.  The plastic seats are cold. I wonder if the car won’t start, but I don’t want to ask him.  Then Clarence turns the key and puts the car into gear.  Clarence’s cars have extra gears he adds somehow, and we shoot onto the highway.  There isn’t much traffic so it takes me awhile to realize, as we shoot pass every car, that we are going 140 miles an hour.  The car seems to lift off the road, and shake like a dryer full of sneakers.

            “Our car doesn’t go this fast.”  I say.  Uncle Clarence looks at me sideways like he is remembering I am here, and he lets off the gas so we coast down to 100.

“You like ham?” He asks.  I nod.

He takes his hands off the wheel to look for something and the car weaves between the lanes.  He pulls twenty dollars out of his wallet and grabs the wheel again. 

“When I say go, if you can pick this twenty-dollar bill off the dashboard, it’s yours.” He tucks the bill behind the window visor. “Go” he says and floors the gas.   I thought it would be easy.  All I have to go is lift my arm, but it won’t move.  I can feel the seat springs.  I am slipping up out of my seat into the back. 

“Stop.” I say. “Had enough?”  He asks.  “Yes. YES.” And we coast back to 100.  He laughs and takes the twenty dollars back.

            Uncle Clarence lives in Kentucky, which I remember as a long trip. But it doesn’t take long today.  We spin into his driveway in way that lifts a spray of gravel and stop.  I open my door and get out. 

 “You go in. I can’t just yet.”  Uncle Clarence tells me. The back door of Clarence’s house is open.  Inside all the nice furniture and family photos are gone.  The deer heads, old batteries and dozens of old Playboys in piles are still there.  Uncle Clarence finds me wandering around the house looking for hams. He says “Hams are in the basement.  Get a big one.”

Dozens of moldy hams hang from the ceiling. They bump into me as I move through the dimly lit basement.  I finally find a small ham I can carry, but Clarence tells to get a bigger one. He is busy packing. The new ham I can only get up the stairs if I stop every few steps. It is greasy with salty fat, and slips out of my hands a couple of times.  Clarence is sitting in the car when I roll it out the front door.  He gets out of the car and throws the ham over his shoulder. Then he slams the door of his house so hard that I can hear the windows shift.  It is now dusk.  His car is cold and full of boxes.  But we are going home.

            Clarence doesn’t go back the way we came.  We get off the highway to stop in front of a house with the lights on. Clarence kills the engine, and we sit. “Are we going home?” I ask when I think I won’t get yelled at.  But Clarence ignores me, drinks from a flask and eventually falls asleep.  A little later, when carolers come by, I see Aunt Lori answer the door.  It was really cold and dark now.  I know Clarence will be mad if I go in to the house so I find one of Aunt Lori’s sweaters in a box to wear.  I fall asleep. I dream I am lying naked on a giant frozen metal ice cube tray.  The kind that sticks to your skin. I wake up and my hands are blue in the moonlight. I go up to the house and ring the bell.

            Aunt Lori calls Mom and puts me on the phone. I think Mom might be mad because she is both crying and talking, but she tells me she’s coming and not to get in the car with Clarence again.  Aunt Lori gave me something to eat which is good because Glamma only ever has potato chips and the same dusty hard candies to eat. When I go back out Uncle Clarence is gone and Aunt Lori has started picking her stuff off her lawn.  At Glamma’s, there are still no presents under the tree.  Dad has his coat on and wants to go home or really anywhere, but Mom talks him into staying.

“What about the presents?” I ask “Tomorrow.” She says as she quietly hides Dad’s shoes.

            Bea and I sleep on the floor in the television room.  I wake up once when I think I hear Santa after all.  It sounds like he’s in the kitchen.  I crawl until I can see Glamma squatting in front of the open fridge pouring the last potato chips crumbs from a bag into her mouth.  ‘

When I wake next morning, my sister is reading a picture book.  “Did Santa come?” I ask.  She gulps and shakes her head sadly, and goes back to her book.  If there weren’t presents, I didn’t want to go out there either.

            Bea and I went in together. Uncle Clarence is there. “You didn’t wake me up.” He says grabbing me by my pajamas, but he laughs.  There are presents for Bea.  For me, an unwrapped Texaco truck I saw Dad buy at the gas station on the drive here.  And a pile of old Playboys wrapped in an animal pelt with a note “Enjoy. Santa” even though I knew there was no way I was going home with them.


Kevin Fisher is an editor and writer for the Cornwall Chronicle. He also writes plays and belongs to writing groups at Ensemble Studio Theatre. Kevin is a trained epidemiologist who worked in HIV prevention advocacy for two decades. He graduated from Brown University and received his JD from New York University School of Law and his master’s from Columbia University Mailman School of Public Health. He is a climate activist with 350Brooklyn and an avid long-distance walker.

Issue 8: August, 2023

It’s hot here in Phoenix, but we are working again. Our goal is to publish Underwood twice a year going forward. Also, we are moving forward with our plans for a podcast page. You should see that shortly so do look for it.

For everything else, please stay tuned.

“September Again” by Caithlin Ng


The clock struck three in the graveyard. The light, shimmering like pale lakes in the grass, made of the trees and leaves a sea of shadows. The steeple of the stone church rose into the clear blue sky, within which the ancient bronze bell was encased like an egg. Once, twice, the heavy pendulum swung, and the final chime pearled and ebbed in the country air. Beneath the earth, the buried dead might have stirred, but there were none amongst the living who remembered their names. Time and wind had sanded the inscriptions away, leaving the gravestones empty slates that marked only memory of memory.

Beneath a yew, a girl sat noiselessly. Her legs were folded on the bench beneath her, and her hand lay languidly open upon her knee. Her gaze rested lightly on the stained glass across the yard – a long panel of blistered colour, glittering like a window of jewelled ice. From outside the church, the figures in the scene were mere outlines, their faces and features turned inward towards a single worshipper. She could only guess at who they might be: Jesus, Mary, Joseph. Translucent in the light, diaphanous as silk. She ran her fingers softly up her arm and shivered in the early September warmth.

A rustle came from behind her but she remained still. Her fingers stopped where they had climbed to her collarbone. She did not have to turn to know: the way the foot pressed against grass, the measured pace as it drew near. She felt a breath against her neck, and then a single, cool kiss.

She turned her head up then, giving a small smile. A boy rounded the bench and sunk onto the seat beside her, unravelling his long legs out before him. Where the girl was stillness, he was all perpetual movement: his fingers knotted and unknotted themselves; his eyes skimmed across the graveyard like light against water; even his legs shifted and bent at the joints, his whole being made of static electricity. Side by side, the two inverted and reflected each other – a pair of not-quite mirror images.

How have you been? the boy asked.

Good. Busy, tired. Feeling a little worn through, at times.

‘Good’ still the word you would use?

The girl laughed. Maybe not quite – but some days are better than others.

The boy looked at her, and his eyes were like twin nebulae. She marvelled, as always, at the fullness of him: his exuberance and vibrancy, his totality of life.

It would be easier – if only –

She stopped. It was as if the words were amassing in her throat, unable to release themselves. Her hand fell to her lap, furling tightly until the knuckles were pale. She turned to the boy and opened her mouth again, but before she could speak, a rustling came from up the path.

They both looked to see the woman and her dog ambling towards them, slowing to a halt when they were near. The dog wandered amiably into the grass, while the woman gave the girl a friendly smile.

Afternoon. It’s a nice day, isn’t it?

The girl nodded politely, any intended words shedding like scales. The woman peered curiously at the bench she was sitting on, slowly reading out the small font cut into the wood: For the boy who never sat still.

That’s a rather lovely one, she said. Doesn’t it make you wonder who that was?

The sudden absence beside her, the nothingness of empty space. The girl’s fist unfolded like a dying moth, although an unmistakable scent of salt and ginger lingered in the air. Across the yard, the deities bent and folded, sending prayers in a language only they knew.

Yes. Yes, I suppose it does.


Caithlin Ng is a writer from Singapore, now based in London. She holds a BA in English from the University of Cambridge and an MA in Modern Literature from University College London. Having specialised in transnational feminist literature, she is interested in issues of identity and intersections. Her poetry and prose have been published in Rust + Moth, Notes, Footnotes, and the UCL Publishers’ Prize.

“September Again” was previously published on 22 June at Eunoia Review.