“Making Promises I Won’t Be Able to Keep” by Dan Cardoza


Mary lost both of her breasts and perky nipples. We had a good laugh. After all, it was still possible we’d both catch up with them in heaven.

Our gallows humor was reminiscent, of when Bart Simpson asked the Sunday School Teacher, “Ah, ma’am, what if you’re in a really bad fight, but you’re a good person, and you lose your leg to gangrene and it needs to be amputated, will it be waiting for you up there?” Up there, at the ceiling, is where Bart pointed.

We were a few Rosary Beads short of ungodly, atheists really. We regularly shared a laugh or two about an imaginary afterlife. Our playfulness was just one of the acquired bitters that zested our wry banter.

Before we could discuss purchasing them, Mary died. There was nothing funny at all about that.

~~~

My lovely Mary and I met at Stanford, “Creative Writing, I would like you to meet Levi, pre-med.” After graduation and my residency, we were off to the races: heavy dating, a short engagement, marriage, followed by a promising future together.

We remained in the Bay Area and bought an income expected home in the suburbs, began working on the 2010 Census, the ubiquitous 2.5 children. Somehow we ended up with just two. We truly lived each day together as if there was no tomorrow, and as is often the case, surprise, there wasn’t one.

~~~

Right until that grey Monday, the day when Mary abruptly ended, we were supportive of each other’s loves, hopes, and careers. Mary was a terrific human being, a wonderful author, and highly read. I’ll be honest. I’m an average orthopedic surgeon, a decent bone mechanic. On my best days, I’m very good at cutting, drilling and cinching ligaments and tendons to bones. Everything at work has gotten so routine. There have been times, I wished I’d specializing in a more humanistic form of medicine, like repairing or replacing the pathos valves in weak hearts. I’ve been conscientious and overprotective of mine, unnecessarily so, for the longest time. Mary took very good care of it. And Mary was very quick to tell just about anyone, how well I cared for hers. But I didn’t show it enough.

Ok, our marriage wasn’t perfect by any means. In fact, we broke our wedding vows, once. We each experienced a quintessential midlife affair, exactly on time per Gail Sheehy’s book Passages. Our feet got dirty, feet of Clay as they say.

It was Mary who told me about the meaning of, ‘feet of clay.” As it turns out, the phrase was coined by a bygone king named Nebuchadnezzar, a shrewd and imperfect ruler of Babylon. What the phraseology means is that we all make mistakes, I think. I know we admitted to ours, one each, short affairs, hot, so not worth the price of betrayal. Yet our mutual infidelity was nonlethal poison. All it left was a bad aftertaste. Trust was tarnished but never lost.  

Mary and I were very honest about most things, brutally real. And before we married, we promised we would always keep our word. Our affairs eventually developed enough distance to become part of our repartee.  It’s because we both knew love was never part of our infidelities. We agreed, we’d even forgotten the color of their eyes, if not their names, if they had children, or if they had any interesting hopes and dreams. It became obvious over time, the later areas of interest were constructs singularly meant for us.

We were horn-dogs, Mary and I. We couldn’t keep our dirty hands off of each other, as we would tease. Hell, we did it a time or two after her Taxol treatments, in the tidy and antiseptic assigned recovery room at Mercy Hospital. Now that’s radioactive love. What love can’t fix it can mend. I admit our sex wasn’t as vigorous as home. And honestly, we’d spent most of the downtime behind the curtains holding on each other tightly. After all, closeness was what we were really looking for all along.

There are times the acidity of cancer can eat holes in a marriage. It can metastasize quickly, so much so, you can fracture and splinter along known fault lines. One can only bare sadness for so long, before it takes your mind somewhere else. We’d seen this happen to others. There’s often a high tide of sorrow before it demolishes a relationship. We defined this as martial urban decay. We were fortunate, this never happened to us.

Oh sure, at first, there’s support and new found affection. There’s directed attention, roses he’s never bought you before. And with successful treatment and time, there may be cancer-free trips to Europe, or Puerto Vallarta, if just to bleach in the sun and celebrate.

Then, it’s back to sex every two weeks or so, the waiting mortgage and the ever demanding children.  Back to the collective 401-k’s, and of course the predictable spike in divorces. Yes, divorce, because the couples aren’t whole, either together or apart. The important things we keep hidden deep inside turn up missing or worse, they became forgotten. The whole damned family develops PTSD.

At a bar once, during a break at a knee replacement seminar, in Santa Clara, a physician friend of mine spoke about empathizing with a loved one, “Jesus, I can’t explain it. It’s not something I signed up for, that’s for sure. Nothing is ever the same.”

“Ted,” I said. “Each day, nothing is ever the same. Signed up for? What the hell, its marriage, not the damned P.T.A.?”

“You know what I mean Levi, even with newer and bigger breasts, it’s different.”

I haven’t seen Ted since that day. I don’t do objectification. Oh, well, he was a damned cheat at handball anyway.

~~~

The thing of it is, nothing is ever the same when you love someone. Thank goodness for that. We are built to evolve and move forward in life, not dwell in stasis, or worse, move in reverse. Sure, love needs a tune-up once in a while, in any relationship, really. And certainly, we need our separate space, our private thoughts, even away time from each other. Something Ted never understood was how Mary and I had actually grown closer, since…

Ok, we didn’t use the term a lot, breast cancer. Why? It scared the hell out of both of us, the possibility of losing what we had, each other, our future.

But somehow, we came to terms with it all, shared love right up to the end, and beyond really, though of course, it’s different now. I miss her mind and her great ass. I miss the infinity of her natural perfume, the real essence of who she was.

So now it’s time I explain our agreed promises. When we married, we promised to be honest, just short of the occasional white lie: the length of the German Brown I caught on a fly-fishing trip with some buddies. Mary, she’ll be home in just under an hour. It was always more like two or three.

Sure she came home, after shopping the mall for those important things, new shoes, a fresh novel, that surprise birthday cake, I told her I never wanted again. The one I loved and thanked her for. The years do that to you. Ten years of marriage make you enjoy each other’s harmless crazies. But we kept our promises. We were sublimely and brutally honest.

The second promise was that if something ever happened to the either of, whomever survived would somehow, someday move on, and be open to another love. If love is goodness, we agreed to be open to finding it again.

It’s been two years now, who the hell is searching, not me. I just started titrating from 100 mg. of Zoloft last week. I’m jittery as hell about the possibility of any new love.

The third thing we promised each other, or rather, I promised her occurred right before she died. She made me promise that I would take her wedding dress into the deepest part of the forest somewhere in the Sierra’s and burn it in a white funeral pyre.

“Yes, Levi, I’m dead serious.”

“But why?”

“Some crazy bitch is going to try on my wedding dress, I just know it. You won’t even know Levi. It’ll be her dark little secret. I exist, there is only one of me,  you have to promise”

It’s then our eyes crash and freeze. I let it all sink in.

“Understood,” I say.

And now I’ll explain our final and fourth promise that we made to each other. This one we made before we got married. We agreed to keep each other’s secrets to our mutual graves.

She did that, the better half of ‘us.’  She was the brilliant and the delicate sadness part of us. I’m certain she died with no secrets.

As for me, the clumsy, aloof and arrogant one, I’ll die with kept secrets. 

When she developed post partum depression from her two miscarriages, I lied and told her I understood how bad she felt. I really didn’t, even though it comforted her.

And there was the time, I surprised  her with the good news of my vasectomy. That was the day she’d broken all the plates in the China cabinet. She eventually forgave me. I never regretted what I did and never asked for forgiveness although I received it. This I kept to myself. Two children were never enough in perpetuity.

This guilt is on me and my own anxieties about my version of what it’s like to be a man, with all my weaknesses and feelings of insecurity. I barely felt competent and responsible enough to raise the children we had.

~~~

Mary’s in a custome cherry-wood box now. The box sits on our redwood mantle. I burned her wedding dress a week after the funeral and burial. Hell, I burned up all her clothing. Grief has a way of giving you what you’re expected to able to handle, and then some. It allows for the most exquisite creativity.

A month later, I paid a Craigslist masseuse.  Just to show Mary how much I missed her, and how quickly I’d moved on, exactly as we’d promised each other. Somehow, I get the feeling she was aware of my struggle. It was that painful.

It wasn’t long after I ripped a few kitchen cabinet doors off their noisy hinges. A week later, I broke our widescreen T.V., I never watch it much anyway, too much violence. It was seismic, a rolling earthquake. I miss her, it felt good.

I even tried church one Sunday and yes, the damn rafters shook. And after, I drove the long way home and threw up, out the window. I cursed myself as a damned bigot and pounded the steering wheel. The next week, before surgery, in a bathroom at the main hospital, I carved on the stall, ‘Mary loves, Levi.’

Shortly after, I asked another surgeon to cover my scheduled 2:P.M. surgery.

~~~

So let me bring you up to speed. Five years have passed. Five years after the loss of a loved one feels like an eternity. There have been a few changes though. I live in a high rise condo now, in San Francisco. I’ve dated a time or two, but I’m still single. At this stage in my life, it’s not about being rusty, or someone not being good enough, it’s more about making promises I won’t be able to keep.


Dan’s poetry, fiction, and nonfiction have appeared or will soon appear in Apple in the Dark, Aphelion, BlazeVOX, Bull, Cleaver, Coffin Bell, Entropy, Gravel, O: JA&L/Open: Journal of Arts & Letters, Lowestoft Chronicles, Mystery Tribune, New Flash Fiction Review, Poetry Northwest, Running Wild Press, Spelk and Your Impossible Voice. Coffin Bell has nominated Dan for the Best of the Net Anthology, 2020.

“We Thought You Knew Better” by Elizabeth Wadsworth Ellis


He was scheduled to appear a third time, but having met him after his first concert no one told me he was scheduled to appear here again.  “We thought you knew,” they said. None of us knew it would be his last.

He was that kind of friendly celebrity who talked to his audience, a genial host, and we were guests at his party, this musical performance. Admirers in the audience would run up the aisle and throw notes to him on stage. I did, too. He would read them, requests mostly. “’For Nancy? I never did it to Nancy so I’ll do it for Nancy. [LAUGHTER.] This one’s for Nancy.” He picked my note up. He did not read it aloud.  After the concert I drove home, relieved the babysitter and went to bed.  The phone rang. It was him. He invited me to visit him in his hotel suite near the airport and I accepted his offer. It’s been over thirty five years now and I remember only two things about that night: that in giving his fingers massage they were wiry from the playing the guitar for a living, and that he asked me and I declined.  He was married and I didn’t want to be that kind of groupie.

I searched for a suitable gift to give him the next time, the 2nd time I would see him in concert. I clearance to go backstage to deliver what brought him fame. I was escorted backstage before the concert where he and his musicians were eating together. A large table was set up with food.  He got up from the meal, came over to me and accepted my gift with grace. I left then and took my seat in the audience. “No gift can be accompanied by a claim,” John Berger wrote. I wondered afterward how many other people, how many other times in his career fans had given him the same. People in power receive trinkets.   

Even the White House has a Gift Department with rules of what is and is not acceptable or even legal; graft, an attempt to corrupt, bribe, or garner favor or influence. Ordinary people will send a stick of gum. “I can’t keep all this junk!” I heard an official say while cleaning out his office.

I heard that a woman in New York City waiting in line for an ice cream cone noticed Paul Newman waiting as well.  Afterward she looked for the cone. She remembered buying it.  Mr. Newman told her, “It’s in your purse.” Paul Newman signed my parachutist log book, but in my family showing off and tooting your own horn was not acceptable.  “Who do you think you are? Better than us?” One-upmanship was roundly despised; however, if you caught a fish you can bet John J. P. caught a bigger one, and it was said John S. P. sired nine children to prove his manhood.    Did people fawn over him?  Celebrities resent countless invasions and intrusions. Celebrities complain that interviewers ask repetitive boring stupid questions. Attractive people attract people with the traits we admire, traits we crave and wish for ourselves.  This singer was neither buff nor washboard abs.  His charm was his warmth, his charisma.   This morning his name came up and I realized I never wrote about it; that in accepting his offer I put my kids in their pajamas in the back of the station wagon bundled up in blankets still asleep and drove there.  They were still asleep when I returned to the locked car.  If they stirred they fell back asleep and slept through. It was not unusual to sleep in the car. They’d slept in the car many times on long drives home from visiting grandparents at night or long drives on an overnight trek when we couldn’t afford a hotel and we all slept in the car together. Still, what I did was reprehensible. “We thought you knew better.”    


“He shoots, he scores!” She writes, she draws, she’s published. Publication is proof, validation, value. Vindication.

“Smokestacks” by Paul Brooks Balkan


Capturing blueberries on the woodline,
deep in railway valleys‒
in rusty fields.
Placing quarters on steel rails
squashed by roaring locomotives.

Tacking hide on smokehouse bricks,
with care forever.
Forgetting beauteous fields
within white winters,
where you saunter in childhood.

Toiling away in factories,

because they rose up.

The sky was grassy hilltops and
fat trees alone in fields.

Smoking pots and boxes
rose on our horizon,
like dragons,
serpents of the Old World
come to burn the New.

Capturing bramble weeds in thin woodline,
deep in crowded railway valleys
and rusty chain fence.
Placing quarters on metal tables‒
our shining scraps taken for rent.

Tacking hide on smokehouse walls,
is tacking eviction notice on that great big smokestack
in the distance.

Forgetting fields of simple, joyful labor
not in winters
of childhood,
but forever.

Remembering for every second
cages of smog
in the sunset.


Paul Brooks Balkan is a poet based in the Vermont area.

“It’s All Speculation” by Max Talley

Louise Nyles waited in an empty Conde Nast office. Strange, no receptionist outside, just Louise’s name on a sign taped to a door. Inside, a meeting table with six leather swivel chairs, and framed magazine covers displayed across the walls. Though the Art Attack interview was slated to focus on her painting career, inevitably she would be asked about Philip. Alive or dead, her husband remained a looming storm cloud.

The bastard picked the right moment to die—that was for sure. December of 1989. At the tail end of the New York art speculation boom which made his fame and fortune. Their fortune. Now, in mid-February of 1990, the world felt different in downtown Manhattan. The art obituaries had been written. The failure of Warhol’s final paintings to sell, a panicked retreat by Japanese buyers who had broken all records in purchase prices for Van Gogh and Picasso, an auctioneer at Sotheby’s reduced to tears in January after no offers came, even at the opening bid.

It became personal two weeks ago when Louise’s SoHo gallery, Dorn-Saxby, informed her in writing they would cease representation as of April 1st. She being the April Fool. The incestuous art world didn’t know yet, so no reason to broach the subject today. Louise would kill for good press right now.

Being married to a legendary eighties artist had initially been a boon, but soon became an albatross. Louise could actually draw, paint, and even sculpt, while Philip stuck household objects to his canvases’ thick impasto of random paint splashes. Pieces from Philip’s Fork series and Ashtray series sold for $50,000 to $70,000 each, while her work peaked at under ten grand. Louise had grown used to being treated like an add-on, a plus one in the fizz of gallery opening, wine parties that she trundled through on a weekly basis. She suspected niceties directed toward her, were in fact attempts to get closer to Philip’s iridescent glow of success and art scene notoriety.

Most in-the-know knew they’d been separated for two years. He lived in their renovated West Village brownstone, while she shuttled between a tiny apartment paid by his monthly allowance and the Harlem painting studio she rented herself.

Louise felt a sense of guilty relief upon hearing of his fatal heart seizures. Philip had been warned repeatedly after previous heart attacks and bypass surgery. She hoped to benefit as the surviving Nyles. A towering redwood tree felled to reveal vibrant life at the carpet of the forest. No, the damn art market collapsed . A fickle market at best, fueled on hype, hokum, cultist belief, and unfounded speculation.

The door clicked open. “Hello?” A woman in her mid-thirties tapped in on heels, wearing a jacket and skirt. She shook a boyish bob of dark brown hair away from her eyes. “I’m Emily Duran, and it’s an honor, Ms. Nyles.” They shook hands.

“Louise is fine.” She knew the type. The downtown gallery scene was replete with young ladies between twenty-two and thirty-five dressed in black. Graduates from liberal arts colleges like Bard, Vassar, and Bennington. They swam about on the blurry periphery as assistants or event photographers, determined to be part of that world. At some point, they discovered they weren’t and would never become professional artists. The talent or opportunities they hoped for never materializing. By then, they’d witnessed the darker side, had endured relationships with married gallery owners or temperamental painters. They usually went skulking back home to Philadelphia, Chicago, or Cleveland, never to be seen again.

“Have some water.” Emily filled two glasses from an Evian bottle. She sat across the table from Louise and set her microcassette recorder between them. “Before we start,” Emily said, “my condolences over your husband. Philip Nyles was an artist, a legend.” Her mouth trembled. “Though I never interviewed him, I knew him casually, from various events.”

“Thank you.” Louise scrutinized Emily. Hangers-on frothed and trailed in Philip’s wake at gallery openings. Those “may I get you a drink, I love your new work, let me refill your wine glass, want to smoke a joint, where’s the after-party?” people.

Emily looked fragile for a moment, but smoothed her wrinkling jacket and sat up straight to switch on the recorder. “You’ve been showing at Dorn-Saxby Gallery for ten years. Will this relationship continue into the nineties?”

Louise danced around the truth. “I am currently represented by Dorn-Saxby, and it is 1990.” She smiled. “However, with the art world upheavals, I think it’s important to also branch out to Los Angeles, San Francisco, and Santa Fe—which is the fourth largest art market in America now.”

Emily cocked her head. “Upheavals? You mean the Wall Street Journal article on the speculation boom ending and the art market crashing?” She gazed up, in-between taking notes.

“That’s right,” Louise said. “I also sense the death of Warhol in 1987, Basquiat in ’88, as well as Keith Haring’s recent passing have wielded a cumulative effect. Art buyers get skittish. Who are the new champions? Do they gamble on untested artists or just wait and see?”

“So you think we’re in wait-and-see mode?”

“As an optimist, I’ll say yes.” Louise didn’t believe herself at all. Whatever was or had been in Manhattan was now over—dead and buried.

Emily paused the recorder. “I didn’t want this assignment.” She fiddled with her silk scarf. “I’ve followed your career, thought you deserved more…” Her words trailed off. “Also, since I knew your husband professionally, I told my editor I wasn’t detached enough to be a good interviewer. But he insisted I could get to the bottom of the mysteries.”

“Mysteries?”

Louise had dated Philip in her mid-thirties, then married him at thirty-nine. But by age forty-five he no longer wanted to sleep with her.

“We have a deeper, more important love,” he’d said in their 11th Street brownstone. “We’re creative partners, bonded through our work.”

“So less-important physical love is reserved for assistants and groupies?”

“I am not in love with anyone else,” he’d insisted, almost pouting. Deflecting.

“Except yourself.” She frowned and soon made the small second floor den her bedroom.

After that, when they ventured out together to parties or openings, Louise developed a radar for Philip’s affairs. She couldn’t read it in him. Philip acted flirtatious toward man and woman alike, telling boisterous jokes and relaying stories about famous artists that always ended by shining a flattering light upon himself. No, Louise gauged it in the women. Charmed, blushing, touching his arm or hand, laughing a bit too hard at well-worn anecdotes. Some undoubtedly loved him, while others saw that numinous glow, wanted to be rescued from their squalid East Village studio apartment, minimum wage, bottom dweller on the art pyramid lives. To be recognized, gossiped about, and desired, instead of treated like the anonymous, bow-tied wine servers in starched white shirts consigned to the outskirts of every event. “May I fill your glass? Would you like the red or the white?” Smile.

Louise came back into focus. “Please, continue.”

Art in America praised your genius, saying that after thirty years of painting, you retained your initial primitive style and infantile technique.” Emily paused. “Were you flattered?”

“Not really.” Louise connected the dots. Emily had shadowed Philip at parties, running errands, proffering drinks. Maybe three years ago, then Emily later disappeared from his orbit. Philip’s affairs lasted a year at most. Consistent in his attraction to women between thirty and forty, even as he aged toward seventy just before his death.

Louise was forty-nine now, and every morning she stared in horror at fifty rushing relentlessly at her in the bathroom mirror. Maybe this Emily still retained bitterness after being dumped. Louise never forgave the young boy who rejected her to play with another little girl in a Long Island sandbox decades ago.

“As artists, was there competition between you and your husband?” Emily asked.

Louise laughed, drank Evian, coughed and continued laughing until Emily appeared uncomfortable. “Philip was world famous. His galleries had waiting lists of buyers wanting a future creation, sight unseen.” Louise paused. “While I have a small coterie of buyers who are from New York or nearby. My art is valued lower. I’d rather compete with myself. It’s less frustrating and humbling.”

“There was talk, perhaps unfounded, that his Tea Cup attachment series was created by a warehouse of minimum wage workers, and—”

“—those prints he signed, now attributed to other artists,” Louise finished. “Yes, it seems every dentist in Florida bought one.” She stared directly at Emily. “My husband became entangled with various younger women. Even after heart problems and warnings from his cardiologist, he drank nightly, chain-smoked Camels, and snorted drugs. He got distracted from creating new art. From what I know, he spent valuable time buying off girlfriends, paying for their…operations, and fighting fraud charges with lawyers. That forced him to raise cash. Sometimes using dubious methods.”

Emily’s face reddened as she stared downward. “You believe no one else shared your husband’s vices?”

“Ha!” Louise thumped her hand down on the table. “I’ve been in rehab and at detox centers. I wish half the gallery world would check-in too. My point was, while many of us lived lives fueled by alcohol, drugs, and promiscuity, we weren’t doing so after a quadruple bypass operation.”  

“I…I wouldn’t know those details,” Emily stuttered.

“A girl in every port. In Berlin art circles, Germans nick-named Philip—”

“Enough.” Emily stopped the tape again. “I apologize.” She wiped her brow with a handkerchief. “I got off-topic. This interview is about you. What do you see for your future art?”

“Different light and more space in my work, less clutter. The Southwest is calling.”

Emily rubbed her forehead while wincing.

“Are you alright?”

“Just a migraine.” Emily swallowed Advil with water. “Last question. I apologize if it’s sensitive. There are allegations your husband might not have died from an overdose of heart medications, but in fact committed suicide, or that someone else may have been involved.”

“Pure speculation,” Louise said. “Philip took twelve pills a day for his heart issues. We’ve lived separately for the past two years, but I know his short-term memory has been weak since he turned sixty. He could have easily forgotten a morning dosage and doubled it. I begged him to hire a live-in nurse after bypass surgery. He never listened to me…” She rolled her chair backward. “We’re done, right? I need some air.” Louise had revealed too much. She clawed at the recorder, extricating the cassette.

“Hey, wait!”

“Use your notes, or memory. You’re a pro.”

Outside, the sky hung gray, wind gusting litter into the air. Louise shielded her eyes with sunglasses from the soot and whatever Manhattan’s harsh elements might throw against her. She tied her graying hair back and wrapped a Cat in the Hat scarf about herself, then merged into the hurried street pace of pedestrians. After walking ten blocks down Broadway, Louise could see the purple banner with gold lettering flapping in the breeze outside Dorn-Saxby Gallery. A grumbling tour bus idled by the curb. “See the famous SoHo art scene before it goes extinct,” she imagined a guide announcing.

Frederick Dorn sat on the edge of a desk just inside, flirting with the latest young blonde receptionist, Britta or Gitte.

“Freddie, I was in the area. Came to pick up a few pieces.”

“Hey, Louise.” Dorn stood and hugged her. “Glad you dropped by. We’re holding a demonstration today.” They moved into the main exhibition room, where her work had hung many times in the past. No longer. The entire floor lay covered by tarps and a giant piece of canvas was affixed to the center of them.

A Slavic-looking man with hair in a tight bun wore strange plastic clothing, gloves and booties. He immersed himself to the neck in a bathtub of paint.

“What is this?” Louise turned toward the gallery owner.

“The future.” Dorn smiled. “That’s Abzorba,” he whispered. “Performance artist and human paintbrush.”

New York pedestrians and a Japanese tour group from the waiting bus formed a circle around the man, gasping and taking photographs. Abzorba rose out of the tub, his face grim and determined, before laying down on the eight by ten strip of canvas. He began to roll about, straight across then diagonally, paint splashing and spreading everywhere.

The audience broke into applause. The artist raised his paint-spattered chin, basking in their approval.

“And that will sell?” Louise asked quietly.

They moved toward Dorn’s rear office. “In time it will,” he said. “Installation art, performance art. That’s the future.” He studied her critically. “I wish you could adapt.” Dorn opened the back room which once served as her spare painting studio. Now, several television monitors sat on carpeted pedestals playing videos of a woman’s stomach operation from different angles. “Bianca Mendoza’s gallbladder series is astonishing,” he said. “Incredibly cutting edge art. A surgeon visiting from Brazil yesterday offered us $50,000.”

Louise sensed herself shrinking away, a speck of dust, soon to be a sub-atomic particle.

Dorn pointed to a medium-sized canvas with thick variations of the color brown rising above its surface. “You know Miklos from Budapest, right?”

Louise nodded to mask her ignorance.

“Instead of paint, he uses a variety of animal dung. Stunning.” Dorn sighed. “Miklos is considered the foremost excremental artist in all of Eastern Europe.”

Louise felt dizzy. “I don’t know…”

“Weezie, I love your work, but two-dimensional abstracts aren’t selling right now. Buyers in 1990 want your heart, your soul, your bodily fluids!”

Dorn and Louise bundled four smaller paintings together. “Uh, someone called for you.”

“A buyer?”

“No.” Dorn paused. “He wanted your mobile number. I didn’t give it.”

“Thanks, Frederick.”

                                                            #

With the canvases propped under her arm, Louise hiked toward the uptown subway stop north of Houston Street. Dark clouds hung low around downtown towers and parapets, while passersby looked gray and gaunt. Pigeons showing discolored plumage clucked and flapped about trash bins. Metal gates creaked in alleyways between buildings where gargoyles leered from cornice moldings above. Positively Medieval.

Louise read movie ads pasted to the plywood walls surrounding construction sites: Jacob’s Ladder, Pretty Woman, The Godfather Part III, a giant airbrushed image of Madonna plastered on the side of a building. She heard rap and rock and reggae and Puerto Rican music she couldn’t summon a name for. En route, her mobile phone rang inside her purse. She removed the walkie talkie-sized object and answered.

“Darling, it’s Sergio,” the man said. “I’ve solved all your problems.”

“What?”

“I’ve found a buyer for your pieces,” he said. “Twenty-thousand to add to the existing twenty you tucked away. Now you’ve got enough for a deposit on that delightful condo in Santa Fe.”

“Really?” She dodged around two surly males reeking of booze. Louise felt confident her phone could serve as a brick to ward off any human wreckage. “Somebody wants two of my paintings?”

A long interstice of silence followed where Louise thought they may have become disconnected.

“Love,” Sergio finally said. “After the market crash? I can’t ask or get ten grand for one of your pieces anymore…”

“Okay, so it’s $20,000 for three?” Silence. “Not four?” Her voice cracked.

“Four pieces,” he said in a solemn tone. “But before you scream, you won’t have to split the money with Dorn-Saxby. So you haven’t devaluated that much. Just subtract my 20% and the rest is yours.”

“20%? You were getting 15% through December.”

“Sweetheart, take a Valium. God knows I’ve swallowed them daily since the crash. I sent the statement regarding managerial fee adjustments—to your Harlem studio address.”

“Oh, I forgot.” Louise never checked her mailbox in that lobby. Too dangerous to linger. Drug addicts often lay sprawled in the vestibule. She raced upstairs to her third-floor studio to avoid making contact with a single living soul. “Please send future mailings to my apartment.”

“Yes, definitely, Louise. But what about the offer?”

“For which? The green paintings, my stomach bile series?”

“No, the blue ones.”

“Oh, the bacteria series.” Louise shook her fist to repel a cab edging toward her on the crosswalk. “It’s terrible, awful. Such an insulting offer.”

“So you’re not interested?”

“Damn it, you know I am,” she said. “Have them sign a bank check to me by Monday. I leave for New Mexico end of next week.”

As Louise rode the subway uptown, she thought of Nestor Garcia. A real estate agent, and professional flirt. As Nestor showed her houses and condos around Santa Fe, their flirtation became serious. Her one week reconnaissance mission stretched longer as they began an affair. Idiotic. He was thirty-nine, not a painter, musician, or a creative soul, but he certainly became an art enthusiast upon hearing of her husband’s death. Even in the Southwest, Philip Nyles’ name commanded recognition, and the whispery respect that a large bank account earns one.

Louise hadn’t explained about Philip’s previous wives and four children, all vying for the inheritance. At present, his will was being contested in court, with only the competing lawyers earning money. Not enough to go around. Philip had wasted countless thousands on medical bills, lawyer fees, his absurd collection of objet d’art from across the globe. Eventually Nestor would realize. Then Louise would know if this foolish fling was just that or perhaps her last chance for a serious relationship. Her mother had warned, “Never be single after fifty, especially in a crowded, manic city like New York.”

At the 125th Street stop, Louise carried the paintings toward her nearby studio. Creeping gentrification had not yet reached this neighborhood. Vacant lots sprouted weeds and garbage, condemned brick buildings showed boarded-up windows, rusted signs hung outside long-closed stores, and watchful people lingered on stoops. The blat-blat-blat of youths dribbling basketballs sounded from a nearby playground.

Louise hustled up the stairs to be startled by Laroy on her landing.

“Yo, Ms. Nyles,” he said. “I knocked. Thought you might be in the zone.”

“Laroy, I’ve known you for two years. It’s Louise,” she said, gasping for breath. They had met when she moved in.

He was fascinated by a middle-aged, white woman renting a painting studio in Harlem. Laroy loved to study her canvases when she had finished, though admitted, “The colors are sweet but I don’t understand this abstract shit at all.”

“Nobody understands abstract art,” she’d said. “You just feel it or enjoy it on a non-logical level.” Louise hired him for odd jobs: painting, fixing windows, even bringing occasional bottles from the liquor store he worked part-time at. A wise decision. No one in the building hassled her with Laroy as a protective spirit.

“How are things at Uptown Liquor?” She asked, since he lingered on the landing without clear direction.

“Place gets robbed every week. It’s crazy.”

“Wow. Aren’t you scared of getting shot?”

“No. Most of the homeboys remember me.” He pointed vaguely in the direction of the basketball courts. “I just give them the cash. They leave me alone.” His face sank into a frown as he scratched his head. “Listen, two men been by asking for you, yesterday and this morning. White dudes in suits. Like cops.”

“I told you about my husband’s death.” She set the paintings down. “Probably lawyers, or their assistants.” She rubbed her face. “Maybe the landlord. I’m behind on rent.”

“Uh, the landlord looks like me.”

“That’s Myron, our apartment manager. He collects our rents for the company downtown.”

“If you say so. But those men seemed eager to find you.” Laroy wandered toward the stairwell. “Give me a shout if you’ve got any new projects.”

“Will do.” She locked and bolted the studio’s door behind her.

When shadows grew long outside her window—the ancient fear of night and being lonely and widowed amid the thrumming pulse of Manhattan rising vampiric until dawn creeping into her consciousness—someone pounded on the door.

Louise pulled the boombox’s plug from the wall socket and sat huddled in the corner, silent. Laroy always drummed three taps up high, his code. This was a conventional knock-knock.

“Mrs. Nyles?” Solid pounding again, then footsteps descending on the hard iron staircase.

Never answer your door to the unknown in New York.

                                                            #

On Wednesday, Louise called Nestor in Santa Fe. “Hey, I’m flying out Friday. Hope to put down a deposit on that place I loved, and…I want to see you too.”

“Louise,” Nestor said. “I’m busy now, a client is closing on a house. Let me write down your flight and arrival time. I’ll pick you up.”

“I’m landing in Albuquerque not Santa Fe.”

“No problem. Less than an hour drive.”

She told him the details.

“See you soon, Louise. Got to run.” He disconnected.

Louise took her Pan Am flight from La Guardia to Albuquerque Sunport. During landing, she stared out at the low buildings, the spread of desert and snow-capped Sandia Mountains rising up. Maybe people were right, the light really was different in New Mexico. Softer, more artistic.

Beyond the gates, eager family members waited on arriving passengers, but no Nestor. Perhaps she’d landed early. Louise walked just outside the terminal basking in the sunshine. Fifty degrees felt warm and comfortable for February. She called Nestor on her mobile phone. No answer. She winced but wouldn’t let it spoil the start of her new life; she’d escaped.

Louise tried Nestor again, at his office number. A receptionist at Plaza Real Estate answered.

“He’s out of the office today,” she said. “I can take a message.”

“Well, I’d hoped to speak to him…”

“I understand,” the receptionist replied. “Nestor’s up in Taos skiing with his wife. Could I get your name?”

“No, I have to, uh, go.” Louise clicked her phone off. In the distance she saw a handsome Latino man approaching her and smiling.

“Mrs. Louise Nyles?” he asked when close.

“Yes…”

“Detective Sanchez, Albuquerque Police. May we speak?” The beaming man led her into a room behind the baggage carousels, where lost luggage got stored. And indeed, several molested-looking suitcases lingered on a large wheeled cart.

“What’s this about?”

“I’m afraid I need to request you return to New York City.”

“Seriously? Why?”

“Full autopsy results came in for your deceased husband. Philip Nyles’ death was no accident. Someone deliberately gave him too much heart medication.”

“What? How does this involve me?”

“You are one of two people sought for questioning.”

“So it’s all speculation?”

 Sanchez didn’t reply.

“And if I refuse?”

The detective’s smile flatlined. “You are not under arrest, but are required to return for questioning. The dinner’s quite good on the flight. Southwestern chicken, I believe.”

“You said two people.” She thought for a moment. “Not the writer Emily Duran who works for Art Attack Magazine?” Her ears felt clogged with wax, the detective’s words a blur.

“That name came up.” Agent Sanchez frowned. “But she’s unemployed.”

Louise watched daylight swooping through the automatic doors leading out to cabs and shuttles, studied the oversized Georgia O’Keeffe prints hanging along the walls. “It’s all speculation,” she repeated, but Sanchez wasn’t listening.

He crooked an arm into Louise’s elbow and led her reluctantly toward the gates and flights, while she recalled her mother’s recent words.

“There are two types of people, Louise. Those who leave Manhattan to never ever return, and those who try and try to get away but keep getting dragged back. You probably don’t want to hear which type I think you are.”

“You’re right, I don’t, Mom.”


Max Talley was born in New York City and lives in Southern California. He likes to write fiction and essays, paint surreal images, and play guitar, and believes road trips are so essential for inspiration. Talley is associate editor for Santa Barbara Literary Journal.

“The Moon’s Thief” by Rachel Racette


She awoke under the dark starlit sky. Gasping her first cold breath, puffs of smoke bursting from her lips as she steadied her pounding heart. She rose, soaked to the bone, clad in nothing but her own milky skin and long twisted pale hair.

He stood there, offering a hand wrapped in rags, bright eyes crinkling from beneath his wide-brimmed hat. She smiled, returning the gesture he hid beneath layers and layers of cloth, and took the offered appendage.

(Once upon a time, the Moon was very lonely. For longer than she could remember, she had illuminated the night sky, alone save for the dazzling stars. But the stars, for all their golden glory, were cold and distant. Ignoring her every call and cry. Why? She did not know.

No matter what the Moon did, she remained alone, shunned by the very ones who should have understood her. Still, she called out, despite the silence ringing back at her. For a long time she continued, speaking just for the sake of something, growing more and more despondent.)

The woman beamed as she followed behind her companion, one hand held tight in his, lead through the shadows unfamiliar and frightening. Still, her companion never let her trip or stumble, guiding her as easily as if they stood under the blazing sun.

She bit her lip, laughter threatening to burst, but she knew she had to be quiet for now. Her other hand clutched the rough fabric of her borrowed coat closed as they ran, numb fingers twitching. Everything hurt. Her senses burned with the rush of input; sounds, tastes – the differences made her head spin. Every touch sent her senses alight with scorching white pain; the feel of his coat was almost as cruel as the dirt and rocks and even the grass pressing against her feet felt like hot blades stabbing into her pale flesh. But still, she pushed onward, even as her mind burned and swirled in dizzying spirals, knowing he was there to catch her if she fell.

Being down here was agony, and she loved it.

(After so many years, the Moon stopped giving her silent neighbors any more of her attention. Instead, she focused her sights on the world below; the one for whom she shone her gentle light. And what she found, made her shine brighter than ever.

Little creatures; humans, dancing beneath her light, creating their own in return. She liked it when they did that, because despite the distance; their light was always warm and welcoming.

For a time, her loneliness was sated, and she filled her long quiet nights with the human’s warmth, their laugher and sorrow and passion. For the first time, she did not feel alone.)

They burst from the treeline, racing downhill through tall grass beneath the dim light of the distant stars above. Almost there, almost home, she chanted. Pushing herself faster and faster, nearly side by side with her companion. Sprinting, unimpeded until they reached a wooden cabin, the doorway a dark gaping maw that they didn’t even hesitate to leap through. Now, wrapped in her companion’s arms, the woman laughed. Laughed loud and long and with ringing power as they fell into the soft comfort of his darkness.

(Until one day, inevitably, the Moon decided watching wasn’t enough.

She realised she was still so alone, for the people never spoke back to her, never called to her in conversation like she did them. She was just a dim source of light to the life below. Suddenly, those orange lights weren’t so warm.

But the Moon would not give up, the life below was still so much better, so much closer than the wretched stars. She would not give up, she held out that someone, someday soon, would call on her.

They had too.

Then one day, someone did.)

On her back, the pale woman stretched, curling in the softness of her companion’s bed, waitingpatiently with her eyes closed as he went around lighting candles and his fireplace. Casting the room in warm gentle light.

Along the walls hung grand tapestries and artwork. The warped wooden shelves held a multitude of treasures glittering gold and silver, gems shinning with pride from their chosen places. Anything heavier sat slew across the floor, forgotten amongst the various thick volumes of books stacked high, appearing ready to collapse at the slightest shift in the breeze.

The air tasted of smoke and the tang of magic, several vials and powders remained open upon a nearby desk, threatening to spill their contents across the pages laid across the polished wood surface.

Finally, he turned, casting aside his hat, boots as he approached her. The woman smiled, reaching out and nearly pulling the man onto the plush bed beside her. He fell with a gentle thump and a breathless chuckle.

(Atop the tallest mountain beneath her light, stood a man. Wrapped in dark flowing clothes, his face hidden beneath a wide-brimmed hat while fabric wrapped around beneath his eyes.

“Moon!” Called the man. “I am the greatest Thief in the world; I have stolen from countless Kings and Queens, I have tricked monsters out of their possessions and swept treasures from beneath the hands of gods, and now I have come to steal you.” He boasted, eyes bright as he stared up at her.

“You sad little creature.” The Moon sighed. “You cannot steal me. I am untouchable, and I am far too large for you to contain. Even if you catch me, your land and people would not allow me below.”

“Does it matter what they will allow?” Called the Thief. “You are the Moon; you light paths of shadow for weary men, your will commands the tides, you, who are worshiped by men and gods alike. Who would dare say what you can and cannot do?”

The moon said nothing, for once, she was silent.

“I will steal you.” The Thief insisted, pressing a fist to his chest. “I swear I will.”)

The Moon grinned, lips pressed against her Thief’s cracked lips, stealing his breath and warmth as they lay against the furs and pillows and other soft things he’d stolen for her. She settled her palm against the rapid thump of his heart, warmth blooming in her own chest as her pulse matched his.

The things he’d done for her comfort she never dreamed she’d be able to repay, but when she pulled back and looked into her Thief’s bright eyes, saw the time clawing across his face, the weakness growing ever more noticeable under his skin, she saw only satisfaction blazing in his gaze. Perhaps her Thief did not care.

Perhaps it was enough that she was His.

(Years passed, and the Moon forgot about the Thief who swore to steal her. She held no fear, no delusions the man’s plans would actually work. Yet, a small part of her wondered, what if she could be stolen? She wondered what it would be like to travel as his treasure.

There would be no silver glow upon the land, no light to guide the weary through the dark, yet, the human’s often used their light to see, instead of hers. Would it really matter if she was stolen? Would anyone notice? Would anyone care? Would anyone try to put her back?

The Moon began hoping for the Thief’s return.

And return he did, with magic in his hands and words she had not expected on his lips.

“Let me steal you,” The Thief asked. “I have long heard your songs, your cries for companionship. Is it worth it to stay alone up there in the cold?”

“No.” The Moon said. “But would I be happy with you? Would you keep my loneliness away?” She asked, soft and afraid, bursting with hope.

“Yes.” The Thief said. “I take care of what is mine.” He said, his gaze outshining her light.

“Steal me away.” The Moon begged, and so the Moon was stolen. Right out from the gazes of the stars, from the gazes of the men staring up into the now frighteningly dark night sky.)

The Moon smiled, and gave everything to her Thief without hesitation, without regret. She had been stolen by a Thief, but not once had she felt trapped, or alone. Nor would she in the years to come. Yes, she had been stolen. Yes, she was His, but he was also hers. And neither of them would have it any other way.

(They say a Thief stole the Moon. Stole her light for himself, stole away the safety of the night. Now that she was gone, the Moon was suddenly very important indeed. Even the stars, who had callously ignored her, searched with all their being. But the Moon was never found.

Eventually, the Moon returned, happy and brighter than ever. Never a word was spoken about her absence or how she returned, but every once in a while, the Moon disappeared, stolen again and again only to be put back. The world moved on, and legends sprang up of a Thief so daring he stole the Moon not once, but many times, and despite the pattern of the thefts, he was never caught. Returning the moon only to steal her once again, no matter what anyone did to keep her in the sky.

They say a Thief stole the Moon, in truth, it was the Moon who stole a Thief, and used him to escape her loneliness.) 


Rachel Racette, born 1999 in Balcarres, Sask. Love writing characters and creating new worlds. Always loved books of fantasy and science fiction as well as comics. The world is beautiful and terrifying, it is a world of imagination.

“Assumptions” by Ryan Lowell


Tonya had no idea. She was asleep when Corey and his buddy Larry got the car stuck out in the woods on an otherwise quiet Sunday night, she was asleep when Corey came stumbling into the house around midnight, and she was still asleep when he fumbled with his lunch box out the front door, still buzzed, at six twenty in the morning. The police officer, on the other hand, did know what happened. It was fairly obvious that the two young men were out driving around drunk doing donuts and then decided to go off-road in a sedan that was not supposed to go off the road. Tonya wouldn’t know anything until Corey got a ride home from work, and then she would likely wonder why. Because she was going to need the car they shared to get herself to work that night. In the end, he could hear her saying. It was her current phrase of the month, something she seemed to say before everything. Before that, it was in a sense. In the end, Corey thought as his trusty buddy Larry dropped him off at work, she’s not gonna be thrilled about this. He tossed a handful of gum in his mouth and thanked Larry for the ride.

            Corey punched in and went out to the warehouse and started loading his truck. It was cold in the unheated warehouse. Loading his truck with a quickness only achieved when he was trying to stay warm, Corey decided there were two reasons why the cop had let them off. One, and probably most important, his driving record was impeccable, and the cop would have seen that he held a CDL. Second, the cop felt sorry for him. Corey vaguely remembered his voice cracking as he spoke of his career in driving and lying about his wife having their first child in her belly.

            Need to stop drinking, he thought, pushing a pallet jack into his truck. The classic overreaction. He’d made this statement to himself roughly a hundred times since he was seventeen, and every time it didn’t go well. Because seldom are we sincere with ourselves. He was too young to quit doing dumb shit. Even with the gray hair he’d been sprouting since age twenty six, the gray hairs which he had accepted with grace, the gray hairs which Tonya had requested he color.

            “Corey!” His dispatcher screamed from the warehouse floor.

            Fuck, Corey thought. Here we go. He stopped about ten feet from his boss, and stood. Keeping his distance, so his dispatcher wouldn’t smell the booze oozing from his sweaty pores. “What’s up?”

            “You remember delivering a safe on a Friday?”

            Corey looked up, squinting deep into his memory. Friday was a long time ago, a lot of alcohol ago. “Yeah,” he said. “On that dead end street.” By now he knew he’d fucked up. He just wasn’t sure how. But he was curious.

            “Do you know who signed for it?”

            “Yeah, it was the neighbor. ‘Cause the people weren’t home, and I called the number you  gave me and left a message. I was sitting there waiting probably twenty minutes. So this kid comes over and says he can sign for it, he knows the people.”

            “What did you do with the safe?”

            “He helped me drop it down off the truck. It was like, two hundred pounds. We pushed up next to the garage. He said it’d be fine there.”

            “Well, the customer called asking where the safe was, and Jen told them it delivered on Friday. They said nope, they were gone all day Friday, and they don’t see a safe anywhere.”

            “Brian, you know we do this type of shit all the time.”

            “Yes — when the customer says it’s okay.”

            “I just assumed, because obviously he knew the people.”

            “You assumed. And you know what happens when you assume? You make an ASS out of YOU and ME.” Corey had heard Brian give this line to other drivers many times, but it was the first time he’d heard it directed at himself. He’d rather it was directed at someone else. He felt like an idiot, remembering the stupid smirk on the kid’s face as they shook hands before parting ways. Brian said: “Did he have a vehicle?”

            “There was a pick up truck parked on the street.”

            “What kind of pick up?”

            “Red Ford F150.” Which was not true. He just wanted to sound certain of something.

            “You better hope they know this creep and he just hid it somewheres,” Brian said, heading back towards the office. “Because that’s on you if he stole it.”

            Corey finished loading his truck. He pulled the door shut and went to the break room. He took his paperwork off the counter. One of the other drivers came in from the warehouse. “Morning,” Corey said.

            “Yup, hey, are you delivering that nice pallet of hardwood flooring today?”

            “Yeah. Some place in Stonington.”

            “Why don’t you swing that by my house on your way outta town. I’m redoing my bedroom floor.”

            “Fuck off.”

            The other driver smiled, and said: “My old lady will sign for it.”

            At least they hadn’t taken away his regular route. The Downeast route. Or the Gravy run, as the other drivers called it. But Corey had earned a good regular route. Because aside from occasionally giving other people’s freight to punk kids in pickup trucks, normally Corey did exactly what his dispatcher liked: get the freight delivered, don’t call unless you need to, and don’t complain. Punch out, go home.

            But today there was much distance between each stop. Windshield time, they called it. Which translated to thinking time. Not necessarily a good thing when one’s life is in the toilet. Taking stock, pondering why he’d made some of the decisions he’d made in life, such as giving up on learning a trade (as his parents wished) and instead going to truck driving school (as a friend had suggested). He reached in his lunch box and ate cold Pop-Tarts for breakfast, thinking about how much better a McDonalds breakfast sandwich and hash brown would be. He couldn’t afford luxuries like that, not while trying to scrimp and save so they didn’t have to share a car anymore. But things could be worse: he could easily be eating a crappy breakfast in the county jail instead.

            His phone vibrated on the dashboard. He tilted the phone and read the text: So where’s the car

            Whaaaaat?

            No punctuation, which cemented her intention to sound pissed off. But how would she know? Fuck that. Don’t respond yet.

            He pushed his phone back across the dash. Glad that he hadn’t bragged to her in the morning about being let off by the police. That would have been embarrassing. No, fucking silly, considering his present life status:

            Ain’t it crazy, babe?

            What were you doing?

            Oh, you know, we were ripping pills off my dashboard and drinking beers and doing donuts out on Route 46. Just a typical Sunday evening.

            And how old are you?

            Yes. I am thirty.

            And he knew the foolishness of his juvenile behavior and somewhere in the back of his mind he was well aware that at some point something was going to happen that was going to force a change in him, and that something was probably going to be bad and until then, he was not letting go of his infantile lifestyle. But he almost had, about six months ago when she got pregnant. Suddenly everything was going to change. No more getting wasted every weekend with his buddies and doing stupid things out in the woods. No more pounding vodka and cranberry juice cocktails before dinner and then passing out afterwards. Soon he would have a little human to worry about after dinner. And early in the morning. Then she had a miscarriage.

            He was on a winding narrow road, trying to find his first delivery. Old homes sparsely spread and half the mailbox numbers not readable, either because there were numbers missing or the numbers were too small. He slowed for a stretch, then sped back up and blew right past the number he was looking for and didn’t realize it until he was a quarter mile down the road. He kicked the flashers on and backed up, not concerned about another car coming — he hadn’t seen another vehicle since town. He kept backing up directly into the long driveway, trying to avoid the low hanging branches that dangled above. He put on his hat and gloves and jumped out. The woman was supposed to be home — she needed to be home, because he needed a signature — but there were no cars in the driveway and no garage. Hoping she was home and she was hot and she was desperate for a handsome young delivery man. He knocked on the door.

            The door opened immediately, as though she’d been waiting for him. “Hello,” she said. Much older than he’d expected, hoped. “You must have my treadmill.”

            “I sure do,” he said. Fuck, he thought. She seemed to have a hard time standing — clearly she wasn’t going to be much help dragging that heavy box off his truck.

            He went back to the truck and climbed in the back and with his pallet jack moved the treadmill box onto the lift gate and lowered himself and the treadmill down to the ground. He heaved the box up on it’s vertical end and pushed a two-wheeler under it and rolled it to the front steps. Technically, his job was finished. He was only supposed to get the freight to the door, then it was up to the customer to get it from there. But he couldn’t leave it outside. No way she was getting it into the house on her own and wasn’t it supposed to rain later? So he wrestled the treadmill up the few steps and into the house. She was watching him the entire time, not saying a word, probably making sure he didn’t ding her door trim with it. He pushed it inside enough so that the front door would close, then he rose and wiped sweat from his temple. All done, he thought.

            “Thank you so much,” she said. “I’ll be right back.”

            She was going to get some tip money, he thought. Nothing special, five bucks maybe. But that was lunch money, baby. He’d take it.

            She was taking a while. He started thinking about all the other deliveries he had to make that day, before going home and figuring out a way to drag his car out of the woods. Then she returned, but she didn’t have any cash. She was holding a toolset.

            It would’ve taken me all day to assemble that fucking thing, Corey thought, defending himself from himself. He was back on the road. A half hour or so to the next delivery. Surely, she had a son or something who could come over and help put the treadmill together. She’d seemed disappointed, but she had given him a bag of frozen chocolate chip cookies on his way out. A nice old lady. Made him think of what his own mother might be like in ten years. Sweet and sincere and somewhat naive. Then thinking that that time was really not that far away. The next ten years were going to cruise by and no amount of self-induced abuse could slow it down. Hoping, praying that she was doing whatever she’d researched about avoiding the same fate as her mother; he didn’t want to watch her mind deteriorate like that. Then thinking, maybe that was why she wanted them to have kids so badly — she wanted to have a grandchild before her memory began to fade, anticipating the same fate for herself as that her own mother. He hadn’t told her about the miscarriage. They hadn’t told anyone, because nobody knew she was pregnant.

            He pictured his car out there in the woods again. Luckily, it hadn’t snowed since that first storm back around Halloween but it was still going to be a pain in the ass. Hopefully that dumbass still has his chains, he thought, glancing at his phone to see if she’d texted anything else. She had not. She must have gotten up when I left and saw Travis’ truck, only thing that makes sense. Don’t matter she’s gonna find out eventually and then he stopped thinking about that when he saw someone up ahead walking on the side of the road.

            It was unusual seeing anyone walking on the side of a road out there. He let his foot off the gas. The person was dressed in dark clothes, hood up. Some weirdo goth kid, he assumed. His phone was vibrating again. Leave me the fuck alone, he hissed. He leaned forward, enough to glance at it and see who it was, as though there was any question. He didn’t text with anyone else. He couldn’t read the message, all he could see was that it was Tonya. When he looked up, the goth walker was only about fifty feet ahead and suddenly leapt sideways into the road.

            One thing he’d learned, driving behind the wheel of a vehicle which could easily kill other people, was never to overreact. In certain situations, it was better not to react at all. Instead of killing one person, you might kill several, including yourself. In this case, he didn’t do nothing. He closed his eyes and pulled the wheel slightly to the left. But he knew he was going to hit this idiot and now he was only hoping not to hear anything.  Because he’d once heard a story from a female trucker who was driving down south somewhere and coming up on a bridge overhead, and a man hopped off the bridge and landed directly on the hood of her truck. And while the whole thing was disgusting and disturbing, and she kept asking herself why that person decided to pull her (not that he’d chosen her on purpose, but he had chosen someone and that someone happened to be her) into his terrible death scene, the thing that stuck with her the most even years later were the sounds on impact, the simultaneous grunts and thuds. “And what if I’d only stopped for a shower back at the Pilot an hour ago?” She’d said. “What if I’d been twenty minutes behind where I was?” Hours later, Corey would wonder how different things might be if he’d stuck around the house for an hour to assemble that fucking treadmill.

            It was a girl’s face. He’d ascertained that much, as she turned her head to the left, in the sliver of a second before he pulled the wheel and veered into the other lane, certain that he’d at least clipped the suicidal bitch. He hit the brakes and skidded to a stop with his left front tire edging the ditch on the wrong side of the road. He checked both mirrors — no sign of her behind him. He hadn’t felt or heard a hit, and while he was selfishly glad that nothing like that would remain engraved in his head, it didn’t mean anything. He’d probably hit her. He cut the wheel hard to the right and pulled forward, back onto the right side of the road. He grabbed his phone to call the police. Something told him no. Perhaps subconsciously he wasn’t yet ready to engage with police again. He dropped his phone in the cupholder. Then he punched on the flashers and kicked his door open.

            Halfway to the back of the truck, he crouched down and scanned underneath it. He continued on, thinking why, why would you jump in front of a truck? Why not down a bottle of pills instead? It’s a much cleaner way to go. He continued to the back of his truck.

            He stopped when he saw her in the ditch. She rose slowly like a little monster, her arms and legs caked with mud and dead leaves. Her hood was down and her dirty blonde hair all over the place. He moved closer. He said: “Are you okay?”

            At first she said nothing. She just stood there, holding her muddy hands out as if for him to see. But clearly she was okay, at least physically. Mentally, another story. “Yeah,” she said. “Sorry about that.” Like she’d just grabbed his hash browns or something.

            “Well, what the hell was that?” Not that he expected a decent, reasoned response. He was angry, now that he knew she was okay.

            “I don’t know,” she said, wiping her hands on her pants. “I’m sorry. Please don’t call the cops.”

            “Are you fucking serious?” Studying her face, which was pretty underneath the gaunt, sad expression.

            “Would you mind giving me a ride?”

            “Are you fucking high?”

            “No,” she said, climbing out of the ditch.

            “No,” he said. “Definitely not. First of all, I’m not supposed to have anyone in the truck with me.” But he didn’t get into the second or third reasons, he just stopped talking, and kept looking at her. What he should do, he knew, was call the police. Have them make a report. Then leave them to deal with her. Then he felt bad. Obviously she’s harmless, he assumed. 

            “Fine,” she said. She turned and started walking. He wanted to grab her and spin her around, and explain how she’d almost just killed both of them. Make her understand. He felt like he was dealing with Tonya, when she was in one of her irrational moods. Making him feel guilty about something he knew he shouldn’t…and then just walking away like that was the end of it. Nope, he thought. Because who the fuck knows? Yeah, he could get back in the truck and bounce, and then the next day be reading about her jumping out in front of somebody else. Nope. “Where are you going?” He yelled.

            Turning her head enough so he’d hear her, she said: “Does it matter?”

            Talking, even walking, just like Tonya.

            “Where you gonna go?” He glanced around, to make sure nobody was watching this ridiculous scene.

            She stopped, turned to him. He thought she was crying. She stumbled a few steps toward him, then a step back. Putting on a hell of a show. Mumbling to herself now, tears or spittle building on her big upper lip. Then he decided to take her. Enough of the show. He looked up and down the road. Still nobody coming. He went over and grabbed her by the waist and pushed her to the passenger side door and yanked it open. “Up!” He yelled.

            She was acting like a dead person, making him make all her moves. He grabbed her leg and placed her foot on the step, then shoved her butt up into the seat. She made no noise, she put up no fight. But she wasn’t helping, either. He tossed her other leg in and threw the door shut and rounded the front of his truck and got in.

            “What’s your name?” He asked. The first words spoken since he’d poked the gas pedal five minutes prior. She pretended not to hear him. Gazing out her window at the burnt blueberry fields and rolling hills beyond. His gaze went to her midsection, up a little, then back to the road.

            “I said, what’s your name?”

            “Sadie.”

            “Is that really your name?

            “No.”

            “Where you from?”

            “Nowhere.”

            “What’s wrong with you?”

            “Nothing.”

            “So that’s why you were trying to kill yourself? And you do realize you could’ve killed us both, right?”

            She looked at him. “Obviously, I wasn’t trying to hurt you.”

            “Oh, okay. That’s good. That makes me feel better. And you do realize how selfish you’re being, right?”

            “What do you mean?” Still looking at him.

            “Suicide. Don’t you think it’s a little selfish? You don’t have to deal with shit anymore and you leave your family and your friends and whoever else to sit there grieve and think about it and probably feel bad in one way or another for the rest of their lives.”

            “I don’t think you get it,” she said.

            “Get what?”

            “Do you have anything to eat in here?” Her eyes rummaging through the messy space between the seats.

            “I got my lunch cooler, which contains my lunch.”

            “Fine.”

            “There’s a store right up here.”

            “No,” she said. “Don’t stop.”

            “I think there’s a bag of chips in there.”

            “What kind?”

            “Does it matter?” Knowing he was sounding mean, but he didn’t care. “Beggars can’t be choosers. So how far you think I’m taking you?”

            “I don’t care,” she said.

            He looked over at her and said: “Then what’s your story? And why are you trying to hurt yourself?”

            “Does it matter?” Mocking him.

            Corey almost cracked a smile. His phone vibrated in the cupholder. He wondered what Tonya would think if she knew what he was doing right then. He shouldn’t have picked her up. Shit, it’s not like she’d persisted. He’d forced the issue. What the fuck was he thinking? And knowing he was lucky to have Tonya, any other girl would’ve left him by now, all the dumb things he’d done. Tonya put up with his shit. That’s how he thought about it. When he thought about why he liked her, the way people do when they’re riding high on the relationship wave, the first thing he thought about was that she put up with his shit. Like that was a respectable character trait.

            “Do you mind if I change?”

            “You might want to wait until we go by the store. It’s right up here.”

            The store was in view now, up on the right. He liked this store because they sold plastic wrapped chunks of pepperoni and cheese at the counter. He stopped there often. Peripherally, he noticed Sadie wiggle down lower in her seat. As they flew by the store, he felt her looking at him, but she said nothing. “What?” He said.

            “Nothing,” she said. They had passed the store. She looked back out her window. Then she took her backpack and plopped it on her lap. Corey glanced over at her she was setting her clothes on the dashboard. He almost said something. His eyes meandered back to the road. But  he could see her digging deep into the backpack, then her hand came up and went directly to her mouth. He said: “What was that?”

            “I have a headache.”

            “Oh.”

            “You sure your girlfriend won’t mind?”

            “What?”

            “Me changing.” Setting the bag down at her feet.

            He made a face. He didn’t look at her and he didn’t say anything. First, she took off her boots. She dug her back hard into the seat and pushed her waist up and wiggled her pants down. She pulled her sweatshirt off and then a t-shirt, rolled everything up and stuffed her bag. She didn’t change her socks. He almost said something.

            “You can look,” she said.

            He shook his head. What the fuck was he doing? Imagine if a cop rolled by and saw her without a shirt on? And why had she seemed to slouch like that when they went by the store? Obviously she didn’t want to be seen by someone. He should’ve said no to her changing. Better yet, he shouldn’t have picked her up in the first place. He was asking for trouble then, and now trouble was sitting there looking at him, almost naked with nasty socks dangling beneath her pale white legs, and naturally his mind turned dirty, if only for a few seconds. But that thought was easy to squeeze — she probably has something, he told himself, knowing it was a dumb thing to assume, just because she was literally dirty and a little mysterious and so yeah, that meant she’d fuck anything. “Put your fucking clothes on,” he said. But without sounding harsh, without sounding mean.

            “I am,” she said. She pulled on a pair of jeans, then a long sleeve shirt. She dug a gray baseball hat out of her backpack, and put that on. She pulled it down snug around her brow, and, watching her, he noticed her bob and dart her head around, as though she was seeking a mirror. He almost told her there was no visor on her side, but he didn’t. She’d figured it out. He didn’t want to talk anymore at all — he wanted to pull over and tell her to get out. His phone made another noise. He didn’t look at it.

            “You seem like the girlfriend type,” Sadie said.

            He didn’t want to acknowledge her. In his head, he was shaking his head. He said: “What does that mean?”

            “It means I bet you always had a girlfriend.”

            He wasn’t sure whether or not this was a compliment. He leaned towards the idea that she was calling him needy. But he decided to deflect, as she had shown she could do quite well. “I’m gonna take a guess at something here. Because I know you’re full of shit.” He paused, to let her respond.

            “Okay.”

            “I’m assuming you’re in trouble for something, and that’s why you’re trying to bolt for Canada. You do realize you need a fucking passport to cross the border now, right? Do you even have a driver’s license? I mean, you can’t just stroll across the border anymore.”

            “What do you and your girlfriend do for fun?” She asked, looking away.

            He thought about the question. They went around a long curve and crossed a town line. He said: “We play cribbage.” And he expected a sarcastic, maybe snarky, response to this. He looked at her. Her head was down and propped against the window; the baseball hat turned a little sideways the way a skater would wear it.

            “Hey,” Corey said. She’d probably fallen asleep. Who knows how long since she’d last slept. “Yo, Sadie,” he said. “Or whatever your name is. Yo, wake up.”

            No, he realized. She ain’t asleep. He leaned and grabbed her by the arm. He pulled her away from the window. Her body flopped towards him. He held her up, and with his other hand gripping noon on the steering wheel, he looked at her pale and doomed downlooking face. Blood dripped down on her clean jeans. Jesus. He pushed her back against the door.

            He drove with both bare trembling hands on the wheel, thinking barely thinkable thoughts. He took her by the arm and pulled her down gently to the floor. The baseball hat fell on the seat where she’d sat. Her head rested on one of her muddy boots. He turned down a road he wasn’t supposed to go down. At the end of the road there was a farmhouse on the ocean which currently served as a wedding venue in the summer but a hundred years ago served as an inn for island-goers waiting for the ferry. Corey didn’t go that far. He turned the truck onto a dirt fire road before that. The fire road led to a huge house he’d delivered a tacky statue to last fall. He remembered the rich prick saying he only summered at the house. But Corey didn’t go that far. He stopped the truck on a straight stretch where all he could see was trees and cut the engine. He couldn’t look at her. He thought about Tonya for a second and how she wouldn’t have approved of any of his moves since Sunday around noon. He thought about how the buddy he was leaning on to help him later that night was normally knee deep into a twelve pack by suppertime. Then he got out of the truck and went around to the other side.

            He threw her over his shoulder. He took her backpack and slung that over his other shoulder and he stomped into the woods, thinking: Because when and if they ever find her, they’ll assume she was all by herself and she overdosed on something and wandered out here, all fucked up. And then he was done thinking, and he kept on for a while, focusing on his footsteps. He stopped and looked back at the truck, which he could barely see even through the leafless trees. He decided to go a little further.

            “Stop,” a low-pitched, smoky voice said.

            Corey stopped. He looked up. The crossbow was pointed down at him. The bearded man sitting in the tree stand took off his bright orange hat, and dropped it to the ground. “What do you think you’re doing there, bud?”


Ryan S. Lowell is a fiction writer. His work has appeared in the Worker’s Write Journal and Underwood Press: Black Works. He lives in South Portland, Maine.

“The Age of Immigrants” by Bryan Grafton

      He had seen the small diminutive gray gravestone for the first time that morning as he drove down the street on his way to work in the new subdivision. It beckoned him like an enchantress luring him, saying to him come hither and take a look at me.

    Juan Garcia Lopez, that was his Mexican name, not his American name, was a carpenter by trade and he worked for a Mr. Don Landers, a developer and home builder by trade of the River Bend subdivision there in the heart of Texas Hill Country. Now since the concrete had been poured and settled for a couple of days on the first home he was building there, it was time for them to get to work framing up the house. Juan was Mr. Landers’s foreman and Juan had half a dozen other Mexican nationals like himself working under him but Mr. Landers had made it perfectly clear to all, in no uncertain terms, that he was the boss here and  you did what he told you to do or else.

    So since Juan was way early that day as usual, he parked his car along the street, got out, and walked less than ten yards over to the stone that was calling him. The stone had its back to him so he walked around in front of it to read it.  It didn’t even come to his knees and therefore because of its diminutive size Juan thought that a child had to be buried here. Engraved upon the face of the stone, in a space a little larger than the size and shape of a legal pad was the name H. Junker, no first name just the initial H. This stone tablet, not even two inches thick, was anchored and stood upright upon another stone about the size, shape, and color of a dull concrete block. And to top it off, there was a dove perched on top. Not a real dove, but a stone dove, dead square center on top, fastened to and sitting there as if it was on its nest.. The gravestone sat under three giant live oaks that had to be at least two hundred years old, their trunks and branches intertwined, their leaves spreading out and towering a good thirty feet into the sky blocking out the hot Texas sun, and providing a circle of cool shade below some thirty feet in diameter. Live oaks that never shed all their leaves at once, are green all year round, and thus classified as evergreens. All cemeteries everywhere have evergreens in them thought Juan. How appropriate these live oaks were here for this lad.

     Juan read the name out loud, H. Junker, the man without a first name, a name lost in time, known only to his family. But no family was buried there beside him. Only his lonesome dove kept him company. Juan read further. Next word under the name was an abbreviation, GEB. and what was under it was the answer as to what that meant for there was the date of June 13, 1880.  The line under that read GEST. and the date of June 4 1896 written below it.  Even one who could not read  German understood that GEB  was short for born and GEST short for died. After all this was The Texas Hill Country and it had been settled by Germans, tons of them. They even buried their dead in German and that was why the stone was engraved in German not English. Juan did the math. The poor lad never did make it to his sixteen birthday.

    Juan had made the assumption that the youth lying here was a boy. An initial was sufficient for a boy he thought. If a girl was buried here, her first name would have been spelled out he assumed. Though he had no facts to back up that theory of his. After all, what did he know about Germans anyway? He was from Cuernavaca Mexico and now he was on the horns of a dilemma as to what to do next.

     So he bent over and placed his two hands on what would  pass for the shoulders of the grave marker and said unto it, “Rest in peace mi amigo.” Then he stood upright and crossed himself.  Juan considered this youth, whoever he was, whatever his name, his amigo. He did this because he assumed  that this lad had come to this country, America, in his youth just like he had. Juan was the oldest of a gaggle of dozen children. He left home at sixteen to help his folks out by removing one more mouth for them to feed. Sixteen, just sixteen. This Junker kid never made it to sixteen. Whereas Juan was here in America at age sixteen working on a construction crew. He had lied about his age to get the job. Said he was eighteen. Said he was here legally. He wasn’t. But he was here nonetheless and his life had been a life on the run for the past seven years now, constantly looking over his shoulder. He touched the stone again like he had  before but this time he swore that he felt something. Felt as if he was bonding with a fellow immigrant somehow and a tingling feeling electrified his entire body. 

     He went back to his car but before he got in, he got out of the way as Mr. Landers drove by and waved.  Thus Juan was not the first one at work that day as usual. He prided himself on getting there early. Getting there early and staying late had gotten him his job as foreman.

       At work later that day Mr. Landers came up to Juan and said unto him, “I see you were looking at that grave marker there. I need you to get rid of it for me Juan.”

    Don Landers had his reasons for needing to get rid of it. No one was going to buy that lot even if it had three giant live oaks on it because of that grave marker. When he bought the land he had seen it there and even though he thought it might lead to some problems, he went ahead and purchased the land anyway because he had gotten a bargain. Don Landers knew that the heirs of the estate of the deceased owner no longer lived around here, were old themselves, and wanted to get rid of it. Hence he made them an offer they didn’t refuse. He asked his attorney if the title work showed a cemetery on the land and was told no. Then he told his attorney about the Junker stone. He was worried he said that the state or federal government or some society of some kind or other would step in if they found out about it and want to make it an historical landmark or something and prevent him from removing it. Prevent him from selling the lot that is. His attorney said that all he knew was that Native American groups got upset about their ancestors being dug up. He knew nothing about anybody else stepping in to preserve gravesites he told him. Told him if he was worried about it, he should check it out with an attorney who did know that area of the law. Don Landers never did.

    “Juan,” continued Mr. Landers,  “See to it that that gravestone disappears. Do it at night when no one is around and I’ll see to it that you get a little something extra in your check this week. Okay?”

    “Okay,” said Juan.

    After all what else could he say but okay. He had to do what Mr. Landers told him or he’d lose his job. He didn’t want to lose his foreman job and have to start all over again someplace new. A new employer might ask him a lot of questions. Mr. Landers asked him hardly any questions at all when he hired him. Besides his check was little enough now and a little extra something for ‘Juan Lopez’ would be greatly appreciated.

     Juan Garcia was Juan Lopez on Mr. Landers’ books. When Mr. Landers asked him for his name, Juan recited all three of his names as was customary in Mexico, Juan Garcia Lopez. Juan being his first name, Garcia being his father’s last name, the father’s name was in the middle in Mexico, the middle being the place of honor, and his mother’s maiden name Lopez came last. Mr. Landers being ignorant of that wrote Juan’s name down as Juan Lopez, his new American name. Juan never corrected him when he got his first paycheck. Best not to rock the boat. Not to  cause trouble. Leave well enough alone. If Mr. Landers wanted him to be Juan Lopez, he’d be Juan Lopez. Juan knew that Mr. Landers had done likewise for the rest of the crew and they too said nothing, also not wanting to call  attention to themselves, cause any trouble. Juan also knew that they like him, were undocumented and that was why Mr. Landers hired  them in the first place. They would  work for less, much less, keep their mouths shut, happy to be in America, happy to have a job at any price.

     Mr. Landers did keep records though, deducting their wages as a business expense, paying their social security under the false names and numbers they had given him. He did so because he, like most Americans, was scared to death of the most powerful evil ruthless organization known to man, THE IRS.

    At the end of the day Mr. Landers nodded to Juan and Juan nodded back. The die had been cast and Juan had been thinking about it all day. He knew what he was going to do now. That night at the bewitching hour of midnight Juan stood before the grave of the youth H. Junker. He had parked his car a good half mile or more away in a mini mall and walked the distance with an obvious shovel in his hand. If he saw a car coming, he darted off the road into the shadows of the trees next  to the ditch, ducked down, and waited for it to pass before he continued on his mission. He had made it there unobserved and began digging, and began talking to H. Junker.

    “Don’t worry amigo. I am not going to disturb you. Only bury your stone with you that’s all.”

    Juan’s plan was to dig a hole, the length of the stone, directly behind the stone. Then ever so gently tip the stone backwards and lay it on top of the remains of H. Junker. His only fear was digging up bones. He had no idea if there was a casket there or not and if so how deep it was. Maybe the poor boy, and by that he meant financially poor as well as un pobrecito, was buried in a pine box that had disintegrated through the years and was now in bits and pieces. All Juan knew for sure was that he had to bury the stone deep enough so that it wouldn’t be discovered if the owner of this lot ran some water or power lines there.

   “Forgive me for what I am about to do but it is for the best, for the best for both you and me, mi hermano. Don’t worry I am not going to remove you or your stone. This is where God put you and this is where you will remain.”

    Juan finished the job that night but when he pried the stone loose and tipped it backwards, he dropped it a couple of inches above the ground so that his fingers would not get caught and smashed under it. Evidently those last few inches were a few inches too far for when the stone hit the ground the dove broke off.  Juan crossed himself, picked up la paloma, stared at it and said, “I hope this is not a bad omen mi amigo.” Then he placed it at the top of the fallen stone where it should be, left it there, filled in the new dug grave, covered it over with the red earth of Texas, and walked back unseen to his car.

    That night he slept a fitful sleep, for the dove appeared to him in a dream with a smile upon its beak that seemed to be saying, “Don’t worry. I’m fine. It’s alright.”

    Juan went back to work the next morning. When Mr. Landers got there he looked at Juan, said not a word, just jerked his head  down the  street towards where the stone of H. Junker once was. Juan said not a word in return, just nodded his head yes.

    But that was not the end of it for Juan for curiosity was killing Juan’s cat. So he went to the library after work that night  and looked up the name Junker on one of the computers there. All he got was that The Junkers were a class of wealthy landowners in Prussia, Prussia then being in northern Germany and now what is part of Poland. Juan did not believe that this boy buried here, by himself, in the middle of south Texas was descended from a Junker upper class family. No this poor immigrant lad was probably penniless. After all, how much money could a fifteen year old have anyway. And whoever bore the cost of burying him put him here, by himself, not in a family plot because he wasn’t part of their family. Maybe it cost them nothing because H. Junker was a ranch hand for the local rancher who once owned this land. Maybe not. Maybe just a charity case. All Juan knew for sure was that this boy left his home to die in a foreign country. Just like he was going to do. He asked the librarian if they had any records of any old local newspapers from 1896 that he could look at to see if he could find an obituary. The librarian told him no. Told him he should check at the courthouse for that. They’d have death records there, she told him. Juan thanked her, said he would do that first chance he got, excused himself, and went back to his small square one room apartment.

    The second day he wanted to stop again and look at the spot where the Junker boy was buried but didn’t think it a good idea. Someone, a prospective lot buyer, or just gawkers looking over the new subdivision might see him there by himself. Report him as a suspicious looking ‘Mexcan’ who had no business being there. Also maybe his men would see him there and start asking him what he was doing there. He didn’t want to have to lie to them and come up with a convoluted concocted story that they would know was bogus. So he didn’t stop. Drove by and went to work.

    Since Juan didn’t dare ask his boss for some time off to check the county death records at the courthouse, he decided that maybe Mr. Landers could help him. After all, he was a local.

   “No Juan,” said Mr. Landers, “I don’t know of anyone by the name of Junker. Besides, I’m English not German.”

    That was true.  Mr. Landers was part English on his mother’s side but what he didn’t know was that he was part German on his father’s side. Don Landers great grandparents came from Saxony in 1896. Their name was Oberlander but they Americanized it, Anglicized it to Landers during World War I. That was because the Germans had then become the Huns, the Bosche, baby killers, committers of atrocities in Belgium. The German community here in Texas was frowned up, always speaking German, not English, their stores having everything labeled in German so the rest of the folks couldn’t read anything and had to ask for help. They even had their own German newspapers that they seemed to relish reading with delight. Their own German festivals with only German folk, food, and polka music.  By God if you come to this country, be an American, not a German, the non Germans scolded the Germans.  Consequently Don Landers’ great grandparents dropped the obvious Ober, too German, from their name and shortened their name to Lander. But then decided to add an ‘s’ to it thinking that way it made them English somehow.

    Juan let it go. He’d search the county records as soon as they had a rainy day and couldn’t work.

    But on the third day he did stop. He parked on the street and looked over at the three live oaks guarding the grave. The wind was up some and rustled through the branches making  it look like they were waving at him to come over here and take a look at something at their feet  for every so often a gust of wind would blow the branches straight down pointing them to the ground. Again Juan became entranced and responded to their beckoning call, got out, walked over, and found what they had been pointing at. It was the dove that had broken off the stone. On this the third day the dove had risen from the dead for there it was sitting upright, looking at him. The grave was undisturbed. In fact one couldn’t tell that there had been a grave there at all. That was his and Mr. Landers’s little ever so big secret now. How it had come to the surface Juan had no idea. Maybe in the darkness that night and being in such a hurry to get done and get out of there he actually forgot to bury it. Or maybe he did bury it but not deep enough and the wind blew the soil away exposing it. And then again maybe it was God telling him that he should have never done such a thing. That he should have never desecrated this boy’s grave.

    He picked it up and held it in his right hand, extended his arm before him, and was about to address it in Shakesperian fashion but then he noticed the time on his wrist watch and stopped. He was fifteen minutes late to work. Had he been anchored in place, captivated with this enchanted setting and somehow had gotten himself lost in time. He looked down the street and saw Mr. Landers and his crew hustling about. He’d have some explaining to do. Then he saw a van, then another, and then another pull into the construction site. He looked over at his car and some more vehicles of the same nondescript variety, all black, all with tinted windows, driving by. Juan looked back to the construction site. Men and women, government agents of some kind or other, of every shape, size, and color, armed and kevlared, were being regurgitated from the vehicles. They buzzed out in pell mell fashion and were everywhere at once.  Some swarmed about  taking the men into custody. He saw Mr. Landers  being led away to a vehicle in handcuffs just like the man next to him. Other agents were squawking on their cell phones, calling in the success of the raid, getting further instructions, requesting further information. Others were documenting those who had been nabbed by typing their names into their laptops, checking their lists, checking them twice. Others were going through Mr. Landers’s truck confiscating his records and grabbing everything they could get their gloved hands on. Others just stood around not knowing what to do. In racial slur terms it was a Chinese fire drill gone bad loading men into Paddy wagons. Or in common sense terms, it was typical overdone screwed up government inefficiency.

   It was time to get out of Dodge. Juan walked as nonchalantly as he possibly could  the few yards to his car taking furtive glances every now and then at the construction site. He got in his car, closed the door, and reached  into his pocket for his keys. It was then that he realized that he still had the dove in his hand. He let go of it, got his keys, started the engine, and rode away. The horsepower of his old rusted out Ford Mustang making good his escape. No posse followed him.

    He got back to the boarding house and the second he went through the door his landlady rushed up to him, stopped him, grabbed his hands in hers, and held him arms length at bay in front of her. She was a sweet little old shriveled up thing, a widow, and she had taken a liking to Juan right from the start, taken him under her wing in a motherly hen fashion as one of her brood.

    “Juan,” she said, “they were here looking for you. Well actually they were looking for a Juan Lopez. But I knew they were looking for you since they said they were looking for a Juan Lopez who worked for Mr. Landers. I told them there was no Juan Lopez here but they didn’t believe me. They demanded to see my books. I had to let them see them. But they never asked me at all about a Juan Garcia, even though I’m sure they saw your name in my receipt book.”

    Thank God for Mr. Landers’s ignorance thought Juan.

    “Gracious abuelita,” replied Juan to the grandmother he never had.

    See released her death grip on him and went to the closet. She took out two suitcases, handed them to Juan and said, “I packed your things for you. A few things are left but I will see that they find a good home.”

    She reached down and took out an envelope from her little old lady knitted, grandma smelling, sweater pocket.

    “Here,” she said thrusting it before him, “take this. It’s your damage deposit and the rest of the prepaid rent for the month.”

     “I can’t take this,” said Juan shaking his head, refusing to take it.

     She stuffed it in his shirt pocket over his objections anyway.

     “Gracias.”

     “De nada,”

     She reached up and placed her hands on Juan’s cheeks, pulled his head down to her, and kissed him on both cheeks.

    “Now go,” she commanded, dropping her hands. “Vaya con Dios Juan.”

     Juan turned and left without another word. Those ever so beautiful Spanish words, vaya con Dios did not ring hollow with him. They rang ever so true for now he knew he would need God to be with him, to help him make good his escape. His run for the border. Not the Mexican border. The Canadian border. He lit out on Interstate 35, his interstate underground railroad highway that ran all the way to Canada.

    He didn’t remember that the dove was still in his pocket until he stopped just short of Ft. Worth for gas. He took it out and placed it on the dashboard.  It was his St. Christopher figurine.

    Juan never made it. He got nabbed. By a girl. In Minnesota of all places. And now today, fifty five years later that girl was burying her husband Juan in the family plot. Her family plot. The Swanson family plot where her folks were buried along with her three sisters and their husbands on three sides of them. When she was laid to rest next to Juan the circle would be completed, unbroken, everyone would be together, again, forever.

    The graveside service was over now. Juan’s widow got up and went over to the grave diggers and said something to them. Then she went over to the casket, opened her purse, and took out the dove, Juan’s dove, and placed it dead center among the flowers on top of the casket. She came back and took her five year old great grandson’s hand. The youth was a Swede through and through with his fair skin, light blue eyes, towheaded mop of flaxen hair, and he asked his great grandmother, “Why did you place that bird on Great Grandpa’s casket Great Grandma?”

    “He told me to Sweetie. He said he wanted to be buried with it. It was his good luck charm, he said. Saved his life once.”

     “Where did he get it Great Grandma?”

    “Oh he said that a boy gave it to him a long time ago.”

    “What was the boy’s name Great Grandma?”

    “I don’t know Sweetie. I don’t know. He never did tell me his name.”


Author is a retired attorney who started writing stories for something to do in his rusting years.

“The Lunchbox” by Lauren Ostrander


“Excuse me? Excuse me, sir! Can you tell me where I am right now?” The man Billie directed the question toward continued past her as though he hadn’t heard her. He stepped up into his truck and drove off.

Billie tried, again, to pull up her Maps app but it wouldn’t load. Her phone stopped working once she took the unmarked exit. She needed to pee but once she pulled into the gas station, an overwhelming urge to leave consumed her. Her heart started racing and she had a hard time regulating her breathing. She tried turning her car back on but the key just clicked in the ignition slot.

Just stay in the car and lock the door, the logical part of her brain directed.

Billie took a deep breath, and decided to go inside. Sitting in her car that wouldn’t start wouldn’t help her get out of here any faster. She didn’t need to pee anymore.

The gas station was a Shell, but it had no words on the sign. Not even to list the price of Regular versus Diesel. It was just a large yellow shell outlined in red. It looked innocuous enough. Billie could see through the large floor to ceiling windows a stack of what looked like Coca Cola 12 pack cases, alongside a large pyramid display of 7-UP and Mountain Dew bottles. The colors were right, but there were no labels. Just lots of red, yellow, and green.

She pushed open the door, and a bell tinkled to signal her arrival. The cashier, a woman with brown hair in a braid, sat with her elbows propped up on the counter. She stared off into the distance. She didn’t blink or move when Billie let the door slam behind her. On the right, there was a small end-table and on top of it was a lime green metal lunch box with swirls of red and yellow and the initials E.B.D printed on it in light blue. Her mouth went dry.

“That yours? It’s been there for a while now.”

Billie whipped around. It was the cashier. She was in the same position but her eyes were fixed on Billie.

“No, it’s not mine.”

“Sure looks like yours.”

A wave of nausea washed over her. She felt hot and cold at the same time. What is that supposed to mean?

Billie swallowed and nodded. “It’s not. I’m sure of it.”

“Sure.” She sounded as bored as she looked. The cashier resumed staring off into the distance. Billie pulled her phone out of her back pocket. It wouldn’t even turn on.

“Those things don’t work around here.”

She looked back toward the cashier but she sat in the same position, her eyes zoned out on the drink displays at the back of the store.

Billie gripped her phone even tighter and moved away from the counter. The fluorescent lights beat down on her and made her eyes hurt. She glanced at the candy that lined the shelves. Gum, Nutter Butters, Skittles, Reese’s Peanut Butter Cups, Hershey’s, Sweet Tarts, Sour Patch Kids. She tried to distract herself. You can only pick one candy, Billie, so make it count.

Her mother told her this when she was little. Her brother had no trouble at all, grabbing the first thing he saw and running to the front with their father to purchase his choice. Billie, on the other hand, saw all of the options. So many different candies. Did she want chocolate or something sour? Or maybe fruity? Should she get a Reese’s or a Kit Kat? Or maybe some Mike and Ike’s? And what about a drink? Coke? 7UP? Mountain Dew? The decision was too much and Billie broke down. There were too many choices. Her mother ended up letting her fill up her lunchbox that she took everywhere with her with as much candy as it would fit, but she had to split it evenly with her brother.

That lunch box was metal and lime green. She had painted on red and yellow swirls with nail polish one night after she’d gotten grounded for something her brother did.

Yeah but your initials weren’t in blue. I’m pretty sure anyways.

Billie looked down and saw she was gripping three pouches of Skittles and some Sour Patch Kids. She put the Sour Patch Kids back and grabbed a water, eyeing the display of Cokes she saw outside.

She went up to the counter and put her stuff down. The counter was white linoleum and had writing all over it in different colored pens. James + Lydia were here in green. Baxter Smith, 2015 in red. E.B.D. in blue. It was circled and underlined.

“Do you know who wrote this?” Billie asked, trying to sound as uninterested as the cashier looked. The cashier scanned her water and looked at what she was pointing at.

“That was here when I started working here. No clue.”

Billie exhaled through her nose. There are probably tons of people with those initials. It’s really not that weird.

“Do you need a box?”

She looked behind her and the lunchbox was gone. Her head moved imperceptibly, as if she shook her head from side to side.

“What?” She looked back at the cashier.

She stared at Billie unblinkingly. “Do you need a bag?”

She looked down at the counter, at her initials. “Uh, no, no. I’m good. Actually, do you have a bathroom?”

“Out of order. Some girl died in there last week.”

Billie looked up. “What?”

The cashier sat back down and propped her elbows back up on the counter but continued looking at Billie. “Yeah, she OD’ed in there. That’s at least what I assume after what we found in her lunchbox. She walked in there and never left. The guy on shift didn’t even notice until multiple people kept complaining that there was a horrible smell coming from one of the bathrooms.”

“That lunchbox was hers? Why’d you ask me if it was mine?”

The cashier shrugged. “I saw you looking at it. Thought maybe that girl stole it.”

“Did you ever get her name?”

She shook her head. “Police found a bottle of coke and some skittles in there, too.” She passed Billie’s bag across the counter.

Billie’s face felt slack. She opened her mouth to say something, anything. To ask another question she knew the answer to, to make conversation so she didn’t have to go back out to her car, but instead she just grabbed the bag. It felt like nothing, like it was empty. She wished she’d gotten a Coke when she’d had the chance. She stepped outside, and saw a car pull in. She started walking slowly back to her car.

A man approached her, looking confused, almost panicked.

“Excuse me, miss? Excuse me! Can you tell me where I am?” He waved his hand frantically.

Billie walked past him, thinking of how that Coke is going to haunt her, got in her car, and put the key in the ignition. She turned the key and it started immediately.


Lauren Ostrander is currently an MFA student at Mississippi University for Women studying short fiction. She is also a fiction and nonfiction editor for MUW’s in-house literary magazine, Ponder Review. Her short fiction is forthcoming in In Parentheses magazine.

“Little Plastic Psychosis: The Good, the Bad, and the Ugly” by Silver Webb


“Pearls used to be treasure. Now, they’re all plastic. What good are they to me?” Blondie stretched back inside her underwater castle, let her tail fin luxuriate in turquoise currents, her thick tail undulating, scales of holographic rainbows, hips like weapons of destruction. And her breasts. Well, like two pearls, real ones, the bright peaks of which were hidden by her gold hair.

“You can’t even lust after treasure like a normal…mermaid?” Toucan Sam said, wearing Kahuna shorts, scuba fins, and a bulbous brass diving helmet over his head.

“No need for a pause when you say ‘mermaid,’ Toucan.”

“Well, you don’t look like any mermaid I ever seen. It’s down here somewhere, damn it. A chest of gold. Real gold. Real pearls. Start looking, Blondie. Like I said, we’ll split the treasure.”

“Why should I trust you? Besides, you can’t move.”

“Keep floating on your back, Blondie, they’ll think you have bloat. Then I take the gold for myself.” His eyes glowered through the round window in his diving helmet. He was probably crazy. She’d read that happened, stuck in the tank for too long, like being sentenced to solitary at San Quentin. It made you nuts. But Toucan was harmless enough. Sunk into the gravel, he was just a plastic decoration to hide the air vent.

“How can I do anything with that dreadful music playing?” Blondie sighed as the water vibrated with the soundwaves of twangs and whistles, some spaghetti western playing on the television in the living room beyond the tank.

“Look who’s here,” Toucan said.

Where the water hit the glass, Blondie saw faces. The older man. And then the doughy man-child, with those innocent, angelic eyes, running back and forth in that ridiculous red cowboy hat, holding up a plastic revolver, shouting, “Pew pew!” He smiled his sadistic smile and tapped the glass with the tip of that revolver.

“Don’t count him out.” Toucan laughed. “He’s a fast shot.”

“It’s a plastic gun, Toucan.”

“So? You live in a plastic castle.”

“I’m not scared of him.”

“Never turn your back on a ten-year-old. How do you think I lost my arm?”

“The day I take advice from a one-armed deep-sea diver, is the day I hang up my fins.” Blondie swished in a slow circle around Toucan, let her rounded cheeks and long tail, the arch of her jewel-strung lower back, the river of hair, and her soulful, deep lapis eyes take him in entirely.

“What is this?” he asked, suspicious.

“I’m the only treasure in this tank. Too bad your feet are stuck.”

Bubbles drifted up in a sudden burst from his shorts.

“That must be embarrassing when that happens.” Blondie meandered to the glass and continued her seduction for a wider audience. She ducked and bobbed, winked and flirted. The man and his son pointed, excited now. Of course they were. A one-inch tall sex dream was living in their freshwater gulag.

The man-child gestured with both hands. Blondie realized she was tilting and straightened herself, turned with a dismissive flick of her tail and meandered behind the plastic algae plants. But then the kid made a dirty move. A dirty, sneaky little move. Fish flakes. On the surface of the water, a tsunami of them. That rotting bloom of stench drifting down. Her nostrils quivered.

“It’s sick, if you ask me,” Toucan said. “Feeding fish to other…mermaids.”

Blondie gulped greedily.

“Hey, Blondie!” Toucan shouted. “Bring me some, would you? I’m starving! They never feed me.”

“That’s ‘cause you’re strictly decorative. Get your own.” Blondie’s lips suctioned the surface, searching out every last drop, even when her mer guts started to ache. At the last second, she saw a shadow on the water as the tip of the plastic gun broke the surface. She ducked down, tried to dive, and barely outswam the pistol. Toucan was right, the kid was fast.

“You’re tilting to the side,” Toucan crowed. “Too greedy. Shouldn’t have stuffed yourself, Blondie.”

“Screw you,” Blondie muttered, her stomach bulging.

“I wish you would.”

“You’re too ugly.” Blondie decided not to tell him about the chest of treasure, just out of his peripheral vision, sitting amidst the plastic plants. “I’m too good for you. And you’re molded into that suit anyway.”

“I haven’t peed in two years,” Toucan sighed. “Oh, to get back to the open seas.”

“The only way you get there is the big flush.” Blondie turned on her back, stretched out, her slender fingers drifting through water.

“You better not float,” Toucan warned. “They’ll think you have fin rot.”

“Fin rot is for fishes,” Blondie said.

“Blondie, have you looked in the mirror lately?” Toucan let off another stream of bubbles. “There’s no such thing as mermaids.”

Blondie dove, but something was wrong. She wasn’t descending. And as hard as she flipped her tail, up she went, stomach skyward. She saw in the reflection of glass, a lumpy goldish, belly up. Not a mermaid. A plain fish. Impossible. Some kind of a mirage, like those western gunslingers on T.V., lost in the desert, saw delusions on the horizon. But the reflection just stared back at her. Fish. No such thing as mermaids.

Then the kid with angelic eyes locked his gaze on her. Blondie struggle downward, in circles, latched a fin on her little plastic castle.

Angelic eyes stared at her fish eyes, and her fish eyes stared at Toucan Sam’s eyes, and Toucan Sam’s eyes stared at angelic eyes. A circle of deadly tension.  

The kid held up a stick with orange netting on the end. And smiled.

“Help me,” Blondie hissed at Toucan. “I know where the treasure is. I’ll show you.”  

“Toucan is no fool! The next fish might be more reasonable, might help me out. The next fish might not turn her nose up at pearls!”  “Toucan, you son of a—” Blondie’s last words died as the orange net swept down on her.


Silver Webb is the editrix of the Santa Barbara Literary Journal, which spotlights work from Santa Barbara and beyond. When she is not inviting eye strain at the computer, she drinks hurricanes, contemplates ill-advised tattoos, indulges in yarn art, and blasphemes the art of cooking. www.silverwebb.com

“Gilead” by Reid Mitchell


Ten days after Sergeant Jeremiah Waters got away from the reb prison camp, sick in the head from summer heat and prolonged hunger, he met Gilead.  He’d come out of the forest and into a clearing.  Later he’d remember black-eye susans and clover and the sound of a dog yapping nearby.  He’d remember looking toward a brilliant sun in a white sky.  He closed his eyes and saw bright yellow where he’d been accustomed to see blackness.  But he never remembered tumbling down into the patch of browned grass nor whatever rock or tree root split his forehead.

“You can’t rest, friend, you got to move.”

Waters had never seen a man so black.  He’d learned that most of the so-called negroes down south were brown or even lighter–their very skin tone proof of the lust of the southern aristocracy.  This huge man’s skin reminded him of blue-black ink with which he wrote while in the academy.  Gilead prided himself on pure African blood.  In Mrs. Stowe’s novel, the most intelligent negroes were those with an admixture of white and black blood and Waters had thought that such must necessarily be the case.  But Gilead proved an adept and able man, one of great strength and cunning.

Gilead said, “I see you are on the run, young master.”

“I think I’m coming down sick.”

Gilead put his palm on Water’s forehead.  This was the first time ever Water’s skin touched black skin.  He could tell no difference in the way it felt and the skin of his father or of the soldier Wilkins or the reb to whom he’d given his watch.

“We better get you somewhere you can rest,” Gilead said and raised Waters to his feet.  “Any other with you?”

Waters said, “I came by myself.”

Waters thought they walked for hours.  Never looking back, the black man stayed just three steps ahead.  With the woods in shadow, it was hard to measure the passing of the day.  After a while, Waters began to hope that the man would stop and let him rest, perhaps offer food.  His leg muscles–stringy like a horse’s bridle–were no longer strong as they had been before his prison days.  He needed to stop.  But Gilead continued, his broad back rising and falling with every confident step.  Waters thought to reach out and touch the back, even lean up against it momentarily, to try to draw in some of its vigor, but he could not bring himself to do it. 

They emerged into a ragged clearing.  There was a small log house, a tumbledown shed, a corral with one horse and a dead mule, an acre of cotton and a patch of corn.  Water wondered what was a slave doing living here all alone?  But he could only conclude that this must be the man’s home.  He hurried to close the three steps between myself and the man.

“What’s your hurry?”  Gilead sounded amused.

Waters spoke with difficulty.  “Is it safe?”

“Safe enough.  If we’re careful.  Slow down.”  Gilead brought his arm around Water’s shoulders.  Waters finally permitted himself to slump against the black man.  “Finally, I can rest,’ he said  as the man half-carried him.  It seemed he barely needed to touch the ground with his old broken brogans–Gilead almost lifted him above the earth.

Gilead opened the low door to the shed and stooped to usher Waters in.  The soldier looked meaningfully back at the house, but Gilead shut the door just enough to block the view.

“No sir.  I wish I could keep you in there but it wouldn’t do.  News travels in this neighborhood.”

“It’s all right.”  Waters recognized some wisdom in Gilead’s words.  He regretted how dark it would be in the shed and how hot–it was no more than a windowless building with a packed earth floor.  But to rest in safety, away from that camp, out of the wilderness… This was more comfortable than anything he had hoped to see again.

Gilead acted both apologetic and satisfied.  “Have to be,” he said.  While Waters rested on the packed earth, he made a lying-place out of a blanket, some straw, and a broke-down saddle.

The sergeant said, “Water?”

“Thirsty?”  Gilead smiled.

“To wash.”  Then, correcting himself, “Both.”

“Wait here.”

Waters had no real choice.  Gilead left–shut the door and shut him in–but came back quickly with a bowl of water and a clean rag.  Gratefully, the soldier scoured himself of prison grime.  But the bath irked his pride a little, because Gilead stood watching.  His eyes made Waters feel oddly scrutinized.

“You’re sick,” Gilead said.  “You better eat and sleep.”

“Can you get me to our lines?  Where is our army?”

“Eat and sleep now.”  Obedient, Waters sat down to wait for the food, but fell asleep instantly. 

Doing his business in the camp sinks one day, Waters had spotted a small piece of bone amidst the excrement.  Some poor soul must have swallowed it whole and passed it through his guts undigested.  Waters reached into the mess, plucked the bone from it, and went a few steps upstream, to wash the bone more times than Pilate washed his hands.  As he went back to the barracks, he kept this small knob concealed in his fist, afraid that another prisoner might somehow guess he had such a delicacy.  Only after lights out, when the darkness made him feel safe, did he try to suck whatever dry nourishment might be left in this shard of a bone from an animal he could only hope had been fit to eat. 

When Waters escaped, he had fetched this piece of bone along.  Each morning, after sleeping out in the woods, he had to decide anew whether to gnaw it down to bone-meal, for the nourishment, or save the dry bone for the juice.  There was a small indentation along one side, which his tongue could caress and, as it could trap salvia, sometimes he fancied there was a particle of real meat and gristle clinging to the bone.

Food had been his greatest problem.  He owned nothing with which to hunt, nothing with which to fish.  Flat, pale mushrooms grew at the base of trees, but, ignorant of southern botany, Waters didn’t trust himself to tell the wholesome from the poisonous.  He harvested green pecans, filled his pockets with them, and ate a few every day.  A couple of nights, when he came nearer human habitation, he found stands of corn and he stole roasting ears that he could not cook but at whose hard kernels he could nibble.  Some days, like Nebuchadnezzar–or a sick dog–he fed on grass.  This was no worse than the prison camp and it was in the camp, he believed, not during his arboreal sojourn that he grew weak and sick.

When Gilead shook Waters awake, he found himself sprawled across the blanket, his nose in the saddle: the smell of leather and sweat and horseflesh.  He sat up too quick and, head throbbing, had to lie back down. 

“That’s all right, young master,”  Gilead said, “I’ll just leave it here.”

“Don’t close the door.”

Gilead served Waters fatty bacon and cornpone and a cup of make-do coffee–roasted acorns maybe or parched corn.  To Waters, it tasted like a Sunday dinner.  Gilead stood over him while he ate.

Gilead said, “You’ll be as healthy as a horse in just a few days.

Waters thanked him.  Gilead walked out, pulling the door closed behind him.  But he must have had an afterthought, for presently the door opened again.  “Name’s Gilead.”

“Sergeant Jeremiah Waters.”

“Yes sir.  Sergeant.”

Before Sergeant Waters had arrived at that flea-bitten collection of shanties the rebs called a prison, his one thought was how to escape it.  All the long train ride from Virginia south, several days of sitting on shuntings or moving so slowly that the boxcar barely rocked, he sized up his companions, wondering whom he could rely on, whom he could take with him.  He never doubted that he would escape.

The men on the train disappointed him. 

            Some looked sturdy, some counted themselves brave, some had long service and scars to recommend them–but not a man really understood the true nature of the war he fought.  Waters knew that slavery and the slavocracy have long poisoned the nation, but these men couldn’t see it.  Waters could not trust those men who said that this was a white man’s war and even less those who joked about “Sambo’s right to be killed.” He said to himself, give me a plain soldier who understands what he fights for.

All of them had heard about darkies helping Union soldiers find their way back north after they’d made an escape.  Hiding them, showing them back roads and secret ways, bringing food out to where escapees waited until it was safe to go on, nursing them back to health.  But these soldiers blamed the negro for the war and cursed Lincoln because he had shut down prisoner exchange for “nigger rights.”

“It’s not nigger rights,” Waters said.  “He’s standing up for the right of every man who wears Union blue.”

Wilkins, a man from Waters’s company, with a beard like a goat’s and a leg as plump as a hog’s, said, “You reckon the niggers is worth it?”

Waters said, “As much as the rest of us.”

He said, “That ain’t saying a hell of a lot.”

Wandering lost in the woods, Waters laughed at himself sometimes.  Back on the train, escape had meant organizing the men, leading a troop, perhaps a mad, gallant rush at the walls under fire.  He never thought it would be as simple as bribing a guard with a watch he hadn’t even paid for.  And the saddest part of the whole funny business is that the old man approached him before he even thought of it.  That had been the joyous beginning of a painful, laborious journey that for the time being had ended at Gilead’s.  Waters didn’t know if he should head north toward Grant’s army, or west toward the mountains, or east toward the Union navy.  Like a runaway slave, he guided himself by the north star, followed the drinking gourd, travelling by night, hiding in the day.  If he could recuperate, he knew he’d be home soon.

Wilkins had been chewing a plug of tobacco during that talk on the train south.  Rebs always had tobacco; they were always eager to swap it for something good.  The bulge in Wilkins’s cheek made him look an idiot.  That goat beard of his stunk of tobacco juice.  He said, “I didn’t join the army to fight for the niggers.  I joined for the Union and sixteen dollars a month.”

Waters said, “Like the President said, some niggers are willing to fight for you.”

Wilkins said, “They can have all the glory they choose.”

Three times a day, Gilead brought pretty much the same food, some combination of hog and corn.  Some meals the sergeant’s gut turned and he pushed the food aside, something that worried Gilead.  Except for meals, Waters rested.  Gilead took away his clothes to boil, as nothing else would clean them.  Out of a habit developed in the prison barracks, Waters saved out the bone and hid it, telling himself that he wanted to keep it as a memento of his hard times in the camp.  Actually he feared to let it out of his reach. 

Gilead gave him a suit of his clothes to wear, coarse nankeen shirt and trousers, far too big.  That didn’t matter much.  Even his own uniform would have been oversized for his shrunken body.  At every meal, Waters would promise Gilead, “I’ll be better soon.”

“Better,” Gilead said.

Evenings were best.  Waters was too sick to sit up long, so Gilead would open the door and carry him out on a pallet.  Then Waters could lie in the twilight, watching the light thicken.

Gilead told Waters that his master had been a improvident man, a slave himself to cards and whiskey and other unlawful pleasures.  He had hired Gilead out to a number of craftsmen, a blacksmith, a harness maker, a man who kept a stable and broke horses.  Allowed to retain a portion of his wages and borrowing the rest from the stable-owner, Gilead eventually bought his freedom.  Too much money in a lump had been his former master’s undoing; he drank himself to death in a year.  Gilead repaid the debt in five years time and had hidden himself away in the wilds, where he squatted on a piece of land he himself had cleared.

One morning in the shed singing woke Waters.  He was lying on my stomach and could see cracks of light between the earth and the wall.  Gilead had never sung before.

“Tramp tramp tramp the boys are marching

Cheer up comrades they will come.”

The shed door opened and Gilead entered.  Waters sat up–stiffly, head ringing, throat dry–but he sat up.  That was good.  That was hopeful.  Gilead handed out the same tin plate with the same food as always on it.  Waters bit off a piece of pone and chewed it; then, with the recovering invalid’s excitement, he realized he was actually hungry.  He smiled.

“Pie,” he said.  “Blueberry pie.  Or maybe some applesauce, like we get in the fall.”  Fall: the air chilled, the trees loaded with apples, the boys and girls courting as they went among the trees to pick them, the sound of the mill making cider.

“Blueberry pie,” Gilead spoke with derision.  He pointed to the cornbread and bacon. “That suits me.  It’s been suiting me all my life.”

Waters felt ashamed for even appearing to question his rough fare. 

“Now, later this year, maybe I could catch us a coon.  You like coon?  Bake it with sweet potatoes?  Maybe a possum?”

With all the politeness he could muster, Waters thanked him and refused.  He did not care to insult him but he didn’t think opossums and racoons would ka good eating.

“Then you better eat what you got.”

Gilead stood over and watched him eat the cornbread and bacon.  Then he reached behind the door and fetched out a burlap bag.

“You ain’t so sick now.  You can earn your keep.”

“What?”  

“Laying by time is over.”

“Gilead?”

“Get off that bed.”

Waters still could not understand.  He wondered if he were still sick with fever and all this a hallucination.

“Get off that bed.”

Gilead reached down and placed his forefinger and thumb underneath the soldier’s jaw.  The tips of his fingers found the spot where jaw joined skull; then he squeezed appraisingly.  When his grip was firm, he pulled lifted Waters from the pallet.  His head brushed the ceiling, his toes swept the floor.  Gilead set Waters on his feet and put the bag in his hands. 

He said, “You think I can afford to feed a layabout the rest of his life?” 

Pinching Waters’s shoulder, Gilead shoved him out of the shed into the sunlight.             It had been hot in the shed but the dark had provided the occasional illusion of cool.  This light seemed composed of pure heat.  The roof-line of the cabin, the bag in his hands, the dying grass he stood on all reflected heat into his eyes in waves of light.  Any way Waters turned, there were swells of heat, whitecaps, rising from the ground, coming down from the sky, the whole sky it seemed as it was diffuse to be said to come from the sun alone, coming from all objects within sight or touch, so that his own body tortured him, so that every part of his body that touched some other part of his body or just the fabric of his clothes was scorched by another.  Out of instinct Waters bent his head.  The heat rising and the sweat running out the line of his hair blinded him anyway.

“Welcome to Georgia,” Gilead said.  “Welcome to August.”

The field to which Gilead steered him was white and green like the ocean.  Gilead placed the strap of the bag on his shoulder, and Waters waded in, dragged the burlap behind.  He staggered up the line of plants, tearing half or a third or two-thirds of an occasional boll, missing far more bolls than he found.  Walking bent over hurt his back.  The plants tore his palms.  This was hard work.  Waters had read about what hard work it was in many an abolitionist tract but this day he grasped the authentic fact.

Gilead waited at the end of the row.  When Waters reached him, he took the bag and dumped the cotton into a bushel basket.  Then he handed the bag back and pointed.

“Pick it again.”

Waters wanted to protest, but it occurred to him that perhaps this was some kind of joke produced by Gilead’s odd humor.  So he worked his way down the row, picking a few of the bolls that had got pass him the first time.  He was even slower this time, with legs stiff and fingers bleeding.   Again Gilead met him at the end of the line.  This time he stared at Waters with contempt.

“Again,” he said.

Tossing the back to the ground, Waters said, “Damned if I will.”

Gilead shoved him and he lost his footing, falling into the cotton.  Gilead immediately pulled him up and back on his feet.  On his command, Waters went up the row, pretending to pick cotton, but actually just grabbing at anything, cotton bolls, leaves, empty air.  Once again, at the end of the row, Gilead took the bag and emptied in the basket.  He took the basket over to a piece of canvas and poured its contents out.  On his knees, he sifted the cotton, felt it, placed it into several piles meaningless to me.  That done, he summoned Waters.

“That’s trashy cotton.”

The phrase meant nothing to Waters.  Gilead pointed down.  There were rocks, sticks, and dirt in a heap in the middle of the canvas, all the trash the soldier had gathered up while picking the cotton.

“So?” Waters said.

“Don’t be saucy,” Gilead said.  “Take off your shirt.”

“You go to perdition.”

“Take off that shirt.”  Waters started running but in seconds Gilead had grabbed him by the scuff of his neck.  Damn exhaustion, damn infirmity.  Gilead ripped his shirt off and threw him on the ground, where he lay like an old newspaper.  Then, Gilead stood astride him and systematically whipped with a cowhide.

Just the touch of the sun on the naked back had been painful.  This cut the skin; this might break the spirit.  This was pain Waters had often heard about; stories about whippings had helped convert him to abolition.  As had been the case with picking cotton, he had failed to imagine this pain.  Salt from his body entered the stripes as they appeared.  He counted the lashes up to fourteen and then could count no more.

It was over.  Waters fainted and when consciousness returned, he was no longer outside.  He lay on his stomach on the floor of the shed, cotton lint covering him, stuck to his body with dried blood and dried sweat.  Flies and gnats swarmed in the air around him; they regarded him as a feast.  Waters rolled over but when his back touched the ground, he had to roll back.  His nose almost touching the earth, he saw a beetle making its way toward him.

Gilead was there too.  Waters could hear breathing above and beyond him; he heard the sounds of mirth as well.  But Gilead stooped down and began to wash his back.

“Yeah, boss,” Gilead said, “they used to treat me like that.”

“You can’t do this to me.”

“I saved your life.”

The water stung as if instead of ministering to the sergeant, Gilead whipped him again.  The drops that ran across his skin felt like fire-ants crawling.

“I might have started you on cotton too soon,” Gilead said, with a curious sympathy in his voice. He rolled Waters over and looked directly in his eyes. “We’ll start on shingling tomorrow.”

Waters said, “I am no man’s slave.”

“These are unusual times, unusual circumstances, boy.  Nobody can predict what he might come to.”

“I’m a white man, Sambo.”

“I wouldn’t run if I were you,” Gilead said.  “If I don’t track you down, the rebs are bound to.”  Nonetheless, from that night on he kept the door of the shed locked.  Whenever he let Waters out, he kept him carefully in sight.

Waters lay in the hot darkness and decided that the next day he would attack Gilead when the door opened, that he would stun him, maybe kill him, and escape.  He searched for an old friend hidden in the broken saddle that pillowed his head, the dry bone with its indentation and its knobby head.  Its taste and texture had remained familiar to his tongue.  As Waters waited for morning and the opening of the door, he sucked on the bone.  Saliva came to his mouth and helped soothe his dusty thirst.  By morning Waters was engrossed in a dream, debating the war with Wilkins as they drank coffee and ate blueberry pie.  When Gilead shook him awake, he had to think hard to remember where he was.


Reid Mitchell is a New Orleanian who spent the last decade teaching in China. In the twentieth century he was an historian of the American Civil War.

“The Way They Were” by Paulette Callen


Old barns and empty sheds
hold most of what
you need to know
of your uncles.
In the doorframe rows
of knife-nicks mark
the growth of
Jesse, Dale, and Jim.

Tacked to a low beam
like tenacious last leaves
of autumn—sepia
photos of little boys
grinning in home-cut hair
and hand-me-down clothes.

Under the stained and rutted
workbench, safe
in a tin box for half
a century—leavings:
a pack of yellowed cigarette papers
two steelies
a fishhook and home-made fly
a skeleton key
three limp, smudged ticket stubs to a movie show
a shell casing
a rusted pocketknife
a guitar pick and a chipped arrowhead
that look oddly related.


Paulette Callen has returned to her home state of South Dakota in retirement, after 30+ years in New York City. Varying degrees of culture shock in both directions — but always, the place she returned to has been made home by a dog.

“A Collection of Obituaries for the Victims of Fallen Scaffolding” by Laura Miller


Caroline McPherson

Remembered (and lauded) for her famous end-of-autumn parties (that always managed to balance the fine line between the year’s two centripetal holidays, never too thankful in spirit or too heavy in joy), Caroline McPherson had a heart of silk. 

The week before last, Caroline passed away in a collapse of building scaffolding in the center of Manhattan. The cause of said tumble has yet to be determined, but her sister Pauline McPherson-McPhee believes it was Caroline’s crushing amount of love for life that tested the building’s support system, and ultimately won.

Caroline was stubborn, but only stubborn in the name of love. She nearly married three times—once to a small business lawyer, once to a juice salesman, and once to a vegetable farmer—but all three times she found herself kicking at the breaks because something else was waiting for her: New York City. 

The lawyer flew to New York City to donate his time to the excavation team working in the building’s rubble.

The juice salesman was last seen drinking red juice outside the McPherson home, chanting indecipherable prayers as he held up bottles of said juice. 

The vegetable farmer has created a donation box for Caroline’s mother, Ms. June McPherson, requesting non-vegetable food products so he can cook vegetable and non-vegetable meals for the McPherson family, which solely consists of June and Caroline’s dog Mupp, both of whom have stopped eating.


Sandra S. Saunders

A baker, sewer, sister, and friend, Sandra S. Saunders was the daughter of a doctor and sister of a now-pet-shop-owner, then-aspiring-cellist. Sandie, as her friends and family lovingly called her, was honored by her sister via a request to print the ‘i’ in her nickname with a star replacing the dot. Unfortunately, our publicationcannot stylize the typeface in that way, but the request has been duly noted and respectfully withheld.

As a valued member of the textile community, Sandie had a large group of friends in a knitting group, many of whom “kept her going,” according to Whitney Clark, president of Nightly Knitters Group, Inc., LLC. One short week before the scaffolding collapse that took her life, Sandie had been brokenhearted by a man she told her relatives (and friends in NKG, Inc., LLC.) she would marry in the nearest future.

According to Suzie Klein, the woman who shared an office with her who was out on a sick day the day of the collapse, said, “He was the best thing that happened to her in the last two and a half years; she floated on happiness in every moment of every day because of that man. Then he walked away. I wonder what he’s thinking now that she’s gone.”

When reached for comment, the man in question, Harvey St. Quinn, a lawyer of prestige for the City of New York, said, “She’s dead?” After, he slid down the backside of his mahogany office door, rolled up his silk tie and stuffed it into his mouth to muffle a scream, and wept silently for twenty-five minutes, eventually coming-to completely horizontal on the rouge carpet in his office in a puddle of self-inflicted sorrow, because, as Sandie’s officemate Suzie noted, “If he hadn’t left her like he did, I don’t think you’d be here asking me questions about her death. They would’ve been on their honeymoon that day.” Mr. St. Quinn emerged from his office, stark-faced and subtly shaking, and in the midst of profuse apologies (up to and including: “What have I done, why did I leave her, how did I make this mistake, when will I forgive myself [can I forgive myself], who am I?”), Mr. St. Quinn knelt to the floor and whispered her name over, and over, and over.

Editor’s note: Mr. St. Quinn started a GoFundMe to raise funds for NKG, Inc., LLC., as they jointly knit a quilt in Sandie’s honor; expenses include quilting supplies and shipping/postage to send the quilt across the continental U.S. to be knit by any member interested in participating.


Thomas “Moss” Tomlin

Moss was fascinated with life’s habit of turning on a dime. How irrelevance spun—in one full circle—to permanence. As a kid, Moss asked his parents from where the nickname “Moss” originated, especially when starting with “Thomas” as its base, to which they replied, in jest, “Like garden moss, you’re always there, whether we like it or not.” Moss’s wife, Petunia Dash-Tomlin, joked that his parents did him a favor by prescribing Moss as his nickname versus schoolyard bullies developing a nickname on his behalf. 

Moss spent a majority of his time daydreaming about moving to the countryside. He thought a lot about quiet, and how quiet starts, and where quiet begins and where quiet ends. Mrs. Dash-Tomlin posits that Moss was quiet up until the moment he died, rendered silent not by fear but by finally hearing the answers to his pile of quiet questions.

Mrs. Dash-Tomlin would like to note a few things about Moss: she knew she loved him the moment she heard his voice, and the casual greatness in its natural vibrato. In the beginning of their marriage, she dreaded the ends of nights like a crow fears the end of autumn, and at the end of their marriage, she dreaded the thought of his death like a woman dreading the thought of her husband’s death. Mrs. Dash-Tomlin would like to call specific attention to Moss’s delicate eyes and the equally delicate manner in which he saw everything and everyone. Winter was his favorite season, but she loved him with the hottest day of July. She wasn’t much of a writer, but she tried to write poems for him and when he slept, she whispered them to the silence of their room (“With you for miles / I am here” was her favorite line). Mrs. Dash-Tomlin, who would like to be referred to as Pettie from here on out, would like to note that Moss was a slice of peach pie and even on his worst days was a three-day-old slice of peach pie. If he had had the opportunity to live on a farm, he would’ve loved every moment: quiet expanding outward like a halo across tuba-brass fields, quiet rising on the back of the sun, quiet in what he heard when Pettie read poems to him in his sleep. 

Pettie would like to note that Moss had an insatiable need to not be disappointed in anything—not when a season failed its quest to ripen its crop so when he bought it from the store it would be ready within two and a half days, not when a restaurant was too full to be seated, not when they couldn’t have children, and certainly not when he died. But it is she who is disappointed now, when her husband’s obituary suddenly became about her—disappointment is never intended, her mother taught her. Disappointment is always welcome but never invited, she amended for herself. Disappointment has a room in your head, but you mustn’t furnish it, Moss revised.


Jayda Linnea

One of Jayda Linnea’s favorite things about the universe was the banana peel’s ability to hold a secret. Her father wrote messages on the bruised crescent for her to find during lunchtime at school. Love U. C U LTR. U R MY MOON. As an adult, she published a book of poems titled You Are My Moon (In/And Other Words To Live Through The Dark).

Why Jayda loved the city her family will never know. Why she loved spaceships, roasted summer corn, sleep (in excess), small chat with bank tellers, poinsettias, and all sixty-four colors of crayons—these things they might begin to understand. 

Jayda’s relationship with her partner was taut; what started as the Christmas-bowed puppy of everyone’s under-the-tree dreams became the downtrodden family dog lying in wait by the porch door to charge at the fence and set itself free when the owner (Jayda) looked away. But let their story be for another time.

Every day, Jayda kept a journal of words in her pocket or in her purse or under her sleeve or in the elastic band of her brassiere, in which she jotted down a word or two. The journal will be displayed at her wake. Donations in memory of Jayda can be made to Merriam-Webster’s ever-going fund to assist in teaching the youth how words are an ocean if you learn how to swim.


Their Story, at Another Time

The first line in Jayda’s obituary should’ve included how she was a poet who saw a missed train as a secondhand arrival for someone else, and died when a building’s scaffolding tumbled down, after watching a man tempt death, albeit unsuccessfully.

But—before the obituary:

A man sat on the ledge of the NQRW platform in Times Square on the morning of Jayda Linnea’s last day.

The morning felt birds-eye from the get-go, Jayda experiencing an already-haggard Manhattan morning neither here nor there but where a rogue crepuscular pigeon rests before dawn, observing the stoplights alternating at a pace slowed by morning, debating when to swoop in to snag a crunch of lemon agave muffin from an innocent passerby.

Everything felt just out of view while still remaining in view—an awful paradox, she realized, when the man knelt on the swiss cheese stripe running along the length of the platform.

Not many months before this, Jayda went to a poetry event sponsored by the MTA and the chairman of the board introduced the poets scheduled to read. After name-dropping for approximately four minutes, the chairman recited a poem.

“This may come as a shock to most of you,” he said, looking across the crowd with a knowing smile, “especially to my coworkers—and no, I’m not retiring just yet.”

A light buzz followed a sardonic set of poetry-snaps.

“I wrote a poem on the subway ride down here and I’d like to recite it.”

Jayda’s patience for impromptu poetry written and/or recited by people who did not appreciate poetry lived somewhere in the final swirl of water nearing a drain. She didn’t care to remember his poem. It sounded like sour lemonade, or being nauseous in elementary school, or more specifically, the helpless feeling of requiring dire assistance from a school nurse after drinking gone-bad lemonade when parents are an entire phone call away.

But on the morning of her last day, when the man tossed his feet over the ledge of the platform, promptly escalating the situation from kneeling-as-if-tying-shoelace to enacting-possible-death wish, Jayda remembered a line from the chairman’s poem:

A subway has an engine and in my heart I have my heart.

A heart doesn’t have a heart, she thought when she heard the line read aloud. But this man might throw his heart in front of an engine.

Still birds-eye, she noticed the lack of movement from anyone else on the platform. She thought what she’d read about bystanders must be true, having never been in a situation in which she’d have to consider bystanding. Later, if she were to tell the man who loved her about what happened that morning—a man nearly jumped to his death in front of her, one of those horrid newspaper headlines come alive, a horror story blown into frame, a life lost while other losses lived—would she have remembered the detail about no one reacting?

A guy in a full tweed suit and hat emerged from an until-then invisible door along the wall. Jayda used one of the recherché MTA-provided public restrooms in a subway station a week earlier. The faucet in the tiny magician’s box knew nothing about stopping and everything about running dry.

Before she left Iowa for New York, her mother called her rough-hewn. Her father said she was an avenue with no streetlights: long and nimble and traveling somewhere without seeing an inch in front of herself. Years prior, in a college course called On Poetry & The Expanding Sense Of Self, a professor called her “Genius.” Once, a flight attendant said she had beautiful hair, rivers of hair.

After hesitantly plucking a music bud from his ear, a businessman nudged his Gucci loafers closer to the ledging man and gently shouted, “Hey.”

The man on the ledge glanced over his shoulder, scanned the area as if waiting for a courier to deliver an important package, grimaced, and shook his head. 

“It’s been too long a day, man,” he said. “Too long a night, too. Too much of everything.”

The man in Gucci stepped closer and extended a hand. “Hey man, come on, let’s move away from the edge.”

“It’s about time I go.”

The man hovered his body above the platform, pushing the palms of his hands into the STAND BACK FROM THE yellow line. She couldn’t imagine witnessing this man’s death on the tracks, but also couldn’t imagine moving her body at all. Not one nerve moved as the scene unfolded, tugging her in as a bystander in a plot rife with them.

Overcome by an angel (or ghost?) haunting the MTA, the man on the ledge suddenly launched himself to his feet.

“I won’t,” shouted the man.

The man in Gucci held his chest in place with the palms of his hands. Jayda counted to five in her head, twice. Everyone else stood without the hint of a quiver. The man walked off, disappeared around a grimy pillar, into a crowd that didn’t know this group’s brand of anxiety. 

The journalist who covered the incident on the NQRW platform (“Manhattan Man Attempts To Throw His Life In Front Of W Train”) was the same journalist to cover the initial report of the crumbling scaffolding. To his editor’s chagrin, the journalist described the sound of the shifting rubble as “a schoolyard at its busiest hour: hysterical shrieks from a jungle of metal.”

Despite the debacle on the platform, Jayda arrived at her office not a minute later than usual, some strange proof that not everything lasts as long as it feels.

These were the tasks Jayda accomplished before the building began to shake: switch from sneakers to stately loafers, pour office coffee over office mug of ice, peel quote-a-day calendar page (“One must not dread what they think they might lose.” —Max S. Bloom, writer & philosopher), email with four cohorts, research the word “receival” after suspected improper usage in an aforementioned cohort’s email, renew The New Yorker subscription, contemplate phone call to father, decide not call the man who loved her.

The man who loved her had a bizarre fascination with the magician’s trick of sawing a person in half.

“There’s so many variations of it,” he explained to her over dinner the night preceding this. “Modern audiences don’t appreciate the illusion like they did in the past, but the fact that there are so many ways to practice the trick is what makes it a true art form.”

“The end result is the same, no?” Jayda asked, two-thirds-hearted in this conversation.

A single ice cube roamed and clinked in her glass of white wine as she rotated her wrist, the cube an awry metronome to a dinner conversation with a man whose love for her created an absence in her. His excitement for this particular subject shifted his shoulders forward and leaned his body close to the plastic flame of the perpetually flickering candle on the table between them, casting his face with artificiality against his genuine excitement about the idea of a body getting fake-cut in half.

“Yeah, I suppose. But the way in which the magician propels to the end…that’s what’s so magical.”

The rosemary on her chicken dish was accidentally thyme.

“A body sliced in half is a body sliced in half. I think the only magic about it is how it turns something impossibly grim into a performance.”

Jayda was Googling the variety of ways a body can be fake-sawed when the building first shook. The surface of her iced coffee jittered around the lilypad ice shards.

The man who loved her was right—there are many ways to go about completing the illusion—and for a moment she thought about calling him as coworkers around her buzzed with jittered pleasantries about “everything being okay.” She didn’t know it and never would, but the call she didn’t make would have been the last time they’d speak, and also the last time she’d speak to anyone.

After the building’s first tremble, smack in the center of a city that was immune to symptoms similar to an earthquake, a few people in her office stood up from their desk chairs and read each other’s faces for acknowledgement. After the second, some employees outspread their arms like surfers finding balance on the slow hill of a wave, the office manager pressed her body against a wall, and an accountant fled. An intern lit a cigarette. Not thinking or looking at the screen, Jayda’s fingers typed the word “tremor” into a sales spreadsheet. There was a science behind earthquakes, some equation of magnitudes, maybe? She couldn’t recall the vocabulary words associated with earthquakes but all the words about dying rushed forward with white flags waving.

She seemed a veteran of a childhood cutting coupons with mom rather than credit card swipes without her. Before settling into an office job with a desk chair that never felt consistently comfortable even for an hour, Jayda took up a nannying job for a boy named Till (short for nothing) while studying in Columbia’s MFA program for poetry. The initial hiring flyer was posted in her upper Manhattan apartment building on the wall of slate-grey mailboxes by the boy’s mother who lived ten blocks north of Jayda. When Jayda asked who the woman knew to post the flyer in her building, politely named Square Park by impolite architects (their impoliteness defined by a single elevator shaft for a building that clearly demanded three, Formica everything, and a basement with both a washroom and a dryer room, the navigation between which proved inconvenient at its very best), the mother said, “No one; not directly, at least.”

Jayda knew herself directly. She knew her parents directly most of the time, their octagonal relationship rarely skewed with indirection over things, other than her moving to New York. The man who loved her knew her indirectly but liked to believe his relationship with her was the most direct relationship in his life (it likely was). In the early morning, when guessing between night or day was a gamble, she knew him most indirectly, after the shape of her sleep was disfigured by his insistent sleep talk and subconscious need to converse while dreaming out his dreams.

One afternoon, following a full, sleepless night of the man who loved her addressing the bedroom as though it were an auditorium of anxious graduates blindly glomming advice from a quarter-famous commencement speaker, Jayda found herself six minutes away from losing her nannying job. After sending Till off for his afternoon nap, a rush of sickness swept across her body. How she managed to get herself horizontal she’d never known, but her hands found the coppertone plush area rug and she laid herself across it, pinned the lip of the rug to the edge of her torso, and rolled herself across it two times. When Till emerged from his bedroom an hour later, he took in the sight of her on the floor for the length of a yawn and then exclaimed, “Hotdog!” like a foodman in the 1920s at a ballgame.

“There’s construction going on downstairs, right?” a sales rep asked the collective office, an open-floorplan most employees despised until this moment. The human body does not seek isolation in moments of terror.

Maybe the subway platform man wasn’t all wrong that morning. Passersby shook their heads and grimaced as the man on the ledge slunked away, sobered by the shock of not going through with his intended action. Perhaps he was only a little bit wrong to cause worry among everyone standing there, but also right in his act of taking charge of something of which he’d not had charge prior to that moment.

The third shake sent everyone running. The industrial-chic Edison bulbs swung like metronomes, trendy bean bag chairs sifted into level disks, papers shook free of folders, succulents and plants broke loose from pots; to Jayda and her colleagues, the moment was simultaneously superluminal and molasses.

The employees sprung into action, resulting in a flood of people on Park Avenue as every last person exited the building. By the time she reached the ground floor, Jayda’s body was a rollercoaster: not the body feeling the result of a drop, but the metal holding itself in place, shaking against the weight of the experience. About half a block away from the main clump of people waiting for further instructions, Jayda found a quiet spot under the shadow of the building’s scaffolding.

As the scaffolding fell, there was no rush. The block remained static as people caught their breath, but everything in Jayda’s head whizzed to conclusions: did I say goodbye to him nicely, did I unplug the coffeemaker, did I finish signing my will, do I have a will at all I can’t remember, did I have a great love, the kind of love people harvest in films and books and songs, did I have that at all, can I die without having that and what success did I have, and my father, was he happy or did he see the boogeyman under every woman’s bed and my mother, was she successful in something other than love because I know she didn’t have love especially when the boogeyman reported all my father’s undoings or were they wrongdoings, is it wrong to fall out of love with one person and use the falling from one love to propel you into a new love or is that human nature, is that mother nature, is that the only way to avoid breaking everything apart, to fall quietly from one thing to the next; if the answer is my dad was always in love but with another woman and my mom loved for most of her life but not all of it then maybe I’m a conflagration of the two, is that the right word, no, maybe I’m a conglomerate of all the love which would mean if I’m remembering my arithmetic properly I too can find love or success or make amends with the boogeyman of my heart, maybe he’ll let me confess maybe he’ll let me sleep maybe he’ll let me go. 

A weatherman reported the blueness of the sky after the collapse with a cyanometer (“The sky was at forty-four today: a shade of blue so bright it is usually…unseen”). The field reporter who filmed live (although she wished to the devil it was not live) reported on the scaffolding collapse with a shaky microphone from her shaking hands, and stuttered mightily through her spiel, dust gently billowing behind her beige-suited figure as though wind over an ocean seeking the nearest sail.

The journalist offered to write the obituaries of those lost to the scaffolding: three people in total. It was inescapable, really—he assumed his editor would ask and he felt most qualified anyway; he’d seen their faces, the final expressions, the moments before a pulse vacated the premises of a body.

Years before her death, just before Jayda boarded a plane to New York, her father harped on a warning about the electricity running sprints on subway tracks.

“Be careful, the track’ll zap you like it zaps the rats: quickly.”

“If I don’t end up coming back to Iowa,” Jayda began, before her father interrupted by hugging her so-long. “Blame it on the electricity.”

The electricity in her heart, it turns out, wasn’t strong enough to save the muscle that housed it. But it was reliable enough to keep her alive under rubble, aware enough to feel the sensation of being saved when a firefighter’s hand reached toward her, his ashed jacket blurred in the foreground of her blurring vision, and kind enough to queue her lungs to release a final breath that could only be categorized as relief.


The Man Who Loved Jayda

The man who loved Jayda was told of her death by a police officer, over the phone, which he thought was pretty fucking rude. 

“Do you know how much I love her?” he asked the police officer, out of shock or out of sadness he did not know.

“I’m sorry, Mr. Wyatt.”

The police officer called him ‘Mr. Wyatt’ like a five-year-old would refer to their parents’ close friend, using the first name as the name to follow the title. His name was Wyatt Mark, arguably a surname bait-and-switch.

Jayda’s body was flown to Decorah, Iowa, a town reminiscent of a movie set that lost funding halfway through: sturdy homes with well-thought floorplans lacked fresh paint, unique storefronts with names too idyllic to succeed (i.e. Edy & The Crazy Pickle Deli), people in a constant state of smiling. Decorah was a breath away from having its sheet blown off, uncovering the truth of what was there: a cloaked man pulling levers or Jayda’s father speaking rhymes or god himself, paring his fingernails over his state of un-undoing.

After Jayda’s funeral, where Wyatt was mostly ignored or avoided (like most things, he could not tell which), he walked through downtown Decorah, searching for a sign of Jayda anywhere. In his reflection? There she was. Hidden in the bricks’ grout of her elementary school? Yes. Inside the mailbox slot on the corner of her childhood homestreet and Main? He saw her algae eyes glowing within the rectangle, curling up at their corners when he gasped.

Yes—Wyatt was losing his wits. He overheard Jayda’s father say this to an aunt of Jayda’s at the repast.

“The man is crazy,” is precisely what her father said, stirring an inky coffee with a red plastic straw. “Just like the city that took her.”

Decorah was Kafkaesque. Jayda’s father was Kafka. Jayda would’ve liked this comparison, Wyatt thought, as he pulled his tie from his neck so it hung scarflike.

Wyatt wanted to marry Jayda, and he would’ve married her there in Iowa if that was something she wanted him to do. Had she lived, he wondered when she would’ve taken him to visit Iowa. In what way would she introduce him to her parents, family, and friends? Would there have been a hug from her mother and a firm handshake from her father, versus the overall indifference to his presence at the funeral, which was likely a result of their fear of facing their reality: he was the man who kept Jayda in the city that killed her.

Wyatt found a spare bench on a spare strip of Main Street and watched people pass. Not many people, he thought, maybe the fewest people he’d seen in one place since walking into a lecture hall five minutes early on the first day of a college semester. 

He stood, stretched, and walked on. He stopped in Arty’s Artisan Arctic—an ice cream shop with a menu caffeinated by midwestern business owner dreams—and took a seat at the bar. The shop was a riff on the classic ice cream shoppe from decades’ past, with a steel bar top running the length of the space, guarded by an at-and-ready line of steel cherry vinyl bar stools, and walled in with time-worn photography of ice cream, kids with soft serve mustaches, and candy spilling out of jars.

The flavor selection was gently disconcerting: the amount of nontraditional flavors was too high to maintain long term. Do M&Ms not shatter after being frozen for a week? Does pretzel salt oxide cream after 72 hours? Wyatt wanted to ask Arty these things, who leaned over the counter to straighten out four cups indicating the serving sizes available. Instead, Wyatt asked for an extra-large cup of Grasshopper’s Delight (mint-chocolate-chip) with two scoops of The Worm’s Playground topping (chocolate cookies) on top.

As Arty scooped hefty piles of green-nearing-teal ice cream, Wyatt pictured Jayda’s face in the reflection of the bar, her features strewn about by the mismatched catches of light on the brushed metal surface.

A few funeralgoers had asked Wyatt about Jayda’s death, as if he had facts or figures to provide context for the thing that would keep everyone up at night for years to come.

“How did the scaffolding fall?”

“Did anyone survive?”

“Was God there that morning?”

Wyatt didn’t have any answers for any of the questions, only additional questions. 

He thought a lot about the onlookers from surrounding buildings who felt the phantom shake of their corporate grey carpeted floors after hearing an excess of the usual city siren symphony; the people who saw the bricks blow out into dust as the scaffolding collapsed. Was it in slow-motion for those who watched? Did the scaffolding shift downward with the gusto of an elderly man shuffling to bingo, or maple escaping its tree, or a lover watching their just-then-ex turning their back and walking away—the kind of slowness defined in high school classrooms in June, or when the phone rings in the late, late night.

When Wyatt thought long and hard about something, he pressed his thumb and forefinger into his bottom lip until he felt the outline of his teeth. At the funeral, his gums started bleeding.

Wyatt slapped money on the counter and was off, his resolve fading. He wandered north for ten minutes and found himself amongst a slew of Victorian homes decorated with mums, pumpkins, and various multigourds. Bicycles tossed in the grass, stray baseballs scattered about lawns, a partially wound chartreuse hose snaking across a front walkway, a swing swaying with nothing at all. Wind blew across a yard and shook blond leaves into his path on the sidewalk. The galloping in his chest settled. Maybe she didn’t feel anything when the scaffolding fell. Maybe she was writing a poem in her head, or thinking of a poem, or imagining her life as poetry, something free verse and loose like her hair on Saturday mornings, dark like how she liked her coffee, warm like how he hoped she felt him in her heart.

Out of sympathy, Jayda’s mother asked Wyatt if he wanted to say a few words before the closing prayer. His selfmade speech-gone-homily went on like this:

You don’t know me, and I’m sorry for being a stranger up here instead of a warm face, like Jayda’s. My name is Wyatt, and I was in love with Jayda. Well—I am in love with Jayda, but I’m working on how to change that into the past tense. Thank you, Mr. and Mrs. Linnea, for allowing me to say a few words about the girl we knew.

Her face—specifically in the frequent moments when he told her about her beauty she chose to ignore—splashed in front of him. He took a long, deep breath for a long, dark pause.

Jayda was a poet—a beautiful one, too. She wrote poetry because she didn’t know how else to give away her feelings. I’ve been trying to find poetry in what happened to her, and I remembered a word she used all the time: “contretemps,” which means “an unexpected, unfortunate occurrence.” It also means “mischance,” which is the definition I prefer. I can’t help but wonder how all of this is not the story of an unwritten poem of hers instead of reality. I can’t stop saying the word “contretemps” in every silence that finds me, and I can’t remember who I was before her, and I can’t unhear the beauty in her last poem when she read it aloud on the night before she died, trying to work out an ending to it, while an ending waited for her the next day.

After an uncomfortable farewell to her parents and a lurching cab ride to the airport, Wyatt caught his flight to New York not by the grace of god—but a different kind of grace, found in an airplane window when the glare of an eye-level sun reflects a version of your face you’ve not yet met, or the graceful way her possessions in his apartment packed into only one 18” x 18” x 18” box, or the grace in how, two years later, the newspaper clipping of her obituary slipped from a magnet on the refrigerator when he wasn’t home, the ghost of a weather worn memory making its way through the house to find an exit, all swift and discreet, fatigued from looking at the world birds-eye.


Laura Miller is a designer and writer working in New Jersey. Her short stories are published in The Journal of Compressed Creative Arts, Vending Machine Press, apt, Crab Fat Magazine, District Lit, Four Chambers Press, Menda City Press, Anomaly Literary Journal, Stylus Literary Journal, The Walrus Journal, and 99 Pine Street. She won first place for her novella “Ellipsis” for the Jimenez-Porter Writers Prize, and second place for both “Front Lawn” and “The F Train Downtown” for the Jimenez-Porter Writers Prize. She is currently working on her first novel.

“Georges Seurat Visits Indiana in July” by Richard Luftig


He tells me he has never seen a field of corn.
I tell him it’s just row upon row of the same.

But he says: Look at this summer
and see all the colors you have ever known.

Mustard and thistle. Tumbleweed.
Low shady sunsets that pick out

flowers in the fields from
the dark foliage of trees

among a knob of hills.
Winds that breathe and blow

over bent-down grasses.
Crickets gossip along a limestone fence.

Lazy Susans grow up
one slope and down another.

Off in the distance a copse
of young pines and farther

still a creek with shale
slaked dry and white.

In a garden he points out snap peas
lined in their pods like rosary beads.

See, he says, how time moves
away not even leaving a shadow,

this world that only hints
of past lives, past loves.

And look, he says,
how one can get lost

in the crowded moment
of a single dot.


Richard Luftig is a former professor of educational psychology and special education at Miami University in Ohio now residing in California. His poems and stories have appeared in numerous literary journals in the United States and internationally in The United Kingdom, Canada, Australia, Europe, and Asia. Two of his poems recently appeared in Realms of the Mothers: The First Decade of Dos Madres Press. His latest book of poems, A Grammar for Snow, has been published by Unsolicited Press.

“Circus Island” by Marco Etheridge


You see a pair of Bactrian camels standing against the railings of a makeshift corral, placid and stoic, as if it makes no difference to them whether they are looking out over the arid steppes or a busy roadway on the outskirts of Vienna. An impatient Austrian honks at you and you hit the gas to push the big van forward.

You drive past the Danish bedding shop, past the supermarket, turn at the car dealership just as it is written on the hand-drawn map. Albert-Schweitzer-Gasse, the delivery street, loading docks to your right and then the backside of the same camels ahead of you. You steer the van left into a straw-strewn driveway and stop before a flimsy gate. There is a hand painted sign hanging from the top rail: Circus Horvat.

You sit inside the van and look out over the circus camp. The corral is made of sectional cattle fence and covers a crumbling parking lot. A motley of caravans and trailers cluster on a narrow strip of land beyond the corral. At their back is the river.

The circus people and their animals are marooned by the restrictions of quarantine and a new disease, trapped amongst the sleek shopping outlets on the edge of the city. They cannot travel and they cannot perform, yet the animals must be fed, just like the stock on your father’s farm.

A trio of shaggy llamas wander past the gate. There are goats and sheep, a dog or two, and a gaggle of Chinese geese. On the far side of the corral you see a pair of dairy cows. You wonder at that. Why cows? Can they be taught to do tricks?

A giant of a man emerges from behind one of the caravans. He lumbers across the corral, one huge hairy arm raised in greeting. A crooked smile breaks through the expanse of his black beard and random animals are drawn into his wake. The bear-like man pauses before the gate and turns with outstretched arms. His voice comes in a bellow that matches his girth.

“Back now, get back my friends. We must let our visitor in.”

The animals obey his commands as if the giant speaks a language they understand. Then he is through the gate and standing beside the open window at your elbow.

“Welcome, my friend, welcome to Circus Horvat. I am Josip, Josip Babić, at your service.”

The giant speaks an old-fashioned sort of German with a heavy Balkan accent. The sheer volume of the man’s voice stuns you, but you manage to find your own words and your manners as well.

“Pleased to meet you, Herr Babić. My name is Günter. My father sent me with this load of feed for the animals.”

“And we are very grateful, friend Günter. But please, call me Josip. The circus family stands on no formalities, unlike the good Austrians. You bring us help, so you are now part of that family.”

Josip raises a meaty arm and gestures across the corral. You look at that finger, big as a sausage, then past it to the far side of the corral. You see a shed roof supported on poles and under the roof a meager collection of bales and burlap sacks. The giant is speaking again, and his voice fills your ears and the entire van.

“I will open the gate. If you would be so kind as to park beside our humble feed shed, we will unload your treasure.”

He slaps the door of the van and steps forward to the gate. It swings open in his hand like a child’s toy and you drive the van across the corral. You stop the van at the shed, turn off the engine, and slide down to the cracked pavement.

The llamas have fallen in step behind Josip as he stalks to the rear of the van. He scatters them with a wave of his arm.

“Back now, you greedy children. Leave us in peace.”

You hear his booming laugh as you walk to the back of the van and open the doors. Then he is beside you, laughing all the louder.

“Look at this, just look at it! Günter, you are a savior to Circus Horvat. Bales of alfalfa for the llamas and camels. They will be your friends forever. And what do we have in the sacks?”

“Feed corn,” you say, “and some carrots from the cellar. I am afraid they are old and soft.”

One of the giant paws lands on your shoulder.

“I have never seen a goat turn up its nose at a carrot. Come, we shall unload this bounty and then you will share our hospitality, poor as it is.”

Before you can reach into the van you see Josip with a burlap sack in each hand, forty kilos apiece and swinging like small grocery bags. You heave out one of the bales and follow him under the shed roof. The van is unloaded in the twinkling of an eye and the two of you are standing beside it as the animals eye the new pile of food.

Curious, you look about the corral for more exotic creatures.

“Josip, are there lions or tigers?”

“No, we have none of the big cats. They eat a great deal and are very expensive. Very much trouble. Not useful like elephants are. Alas, we have no elephants either, but they are wonderful beasts, wonderful. I have worked with the elephants when I was a younger man like yourself. Do you know that they are wiser than men? When once you look into an elephant’s eye, you cannot doubt this. You will know it.”

You look up at the big man and see that his gaze is far away, out past the hills of the Wienerwald. You want to know more about this strange world.

“Josip, what do you do here at the circus?”

“Eh, what’s that? Why, I am a strongman and a clown, but in truth I do a bit of everything. We all of us do, of course. The circus requires a person to have many skills. Ever since I am a boy I am in the circus. I am born to it as they say. Yet in all of those years, never have I seen such sad times as these. We cannot set up the bigtop, cannot perform, and they say we cannot travel.”

The great voice is softer, and you hear the sadness in it.

“My father told me that the circus was going to Croatia.”

“Yes, the spring camp is home, as least for the animals and the few of us that tend them. When the summer begins everyone comes back and we travel the circuit. But this season, who knows?”

Josip spreads his hand wide and smiles at you through the black beard.

“The thing to remember is that the circus survives. Through great wars, hard times, disasters, still the circus comes to town. The players may change from year to year, but the circus goes on. And speaking of the players, it is time you met them and received their thanks. Come.”

Then he is leading you into the labyrinth of caravans and you have no choice but to follow. Dogs trot along next to you, sniffing and darting. A calico cat peers sphinx-like from the atop the safety of a tall crate. Josip squeezes through a narrow gap between two trailers and you emerge into an open-air kitchen. Three people are sitting at a sway-backed table while a fourth, a child, tends to a camp stove. You look again and see the cook is no child, but instead a very small man. Josip calls out to them and the little person joins the others.

“Friends, this is Günter, who has brought an entire shipment of feed for our beloved creatures. Please, if you will.”

To your great embarrassment they rise from their chairs and being to applaud. Josip joins in, his hands slapping together like cannon shots. You feel yourself blushing and then you catch the eye of the young woman, or she catches yours, and you duck your head. You feel one of Josip’s hands scooping you forward.

“Günter, allow me to introduce our family. This is Madam Dragica, trainer of the world’s most intelligent dogs. She is also our nurse, veterinarian, and surrogate mother when we need one.”

Madame Dragica nods in a stage curtsey, one ankle crossed in front of the other. Then her eyes are on yours and you see the decades there, but her face is years younger than those piercing grey eyes.

“This is Petar, master of the horse, but as we have no horses at the moment, he is the master of the llamas and camels. And this is Ivan, Europe’s smallest clown and fearless human cannonball.”

The two men give dramatic bows, one very tall, the other very short. Ivan winks at you and it makes you laugh aloud.

“And this, this is Martina. She is lighter than the air itself, defying gravity from the heights of her trapeze. When she is not weightless, her needle repairs all of our costumes.”

The woman is young, but older than you are. She does not curtsey, and she does not bow. She gives you only a nod; without a smile, yet not with a frown. She is not pretty, but she is so beautiful you cannot breathe and when her dark eyes do not waver you drop yours because you must. Even with your head bowed, you feel those eyes like a pinprick that will not yield.

You know that they have all seen you, but there is nothing you can do. It is Josip who rescues you.

“Ivan, coffee for our guest, if you please. And Petar, if you would be so kind, a round of Rakia for everyone.”

He nudges you with an elbow like a battering ram and his stage whisper is loud as a shout.

“One small one won’t hurt anything, and we won’t mention it to your father.”

You are herded to a chair. Ivan bustles coffee around the table and Petar pours clear firewater into heavy shot glasses. The flared glasses sit in a battered tray and he fills each to overflowing. The tray goes round and then the Rakia is in your hand. Icy trickles slide down your thumb and forefinger.

“Günter, his father, and their generosity!”

They repeat Josip’s toast and throw back their shots in one go, so you must do the same and the ice turns to fire in your throat. Glasses are spun upside down and click to the table and yours follows.

Then everyone is talking at once and there is much laughter and you are happy just to be sitting here at this table. Ivan asks you about your farm, but you have little to answer. Yes, you say, my father and me and our farm and no one else. You feel a moment, a stillness, and then Petar is telling a story about Ivan being squashed beneath a fat woman who fell into the circus ring during a show in Salzburg. Everyone is laughing again, and you are glad of it.

You look across the table and Martina’s eyes catch yours and pin you where you sit. She is laughing with the others, but her eyes gleam with something other than laughter. You drop your head to your coffee while Ivan retaliates with a story of Petar falling from his horse. You laugh with the others and are more careful with your eyes.

The talk goes around the table, and with it more waves of laughter. You listen and laugh and drink your coffee. Your cup is empty, refilled, then emptied again. You are happy just to listen to their words, even knowing that your father is waiting and there is work to be done.

As if reading your thoughts, Josip slaps his hands against his massive thighs.

“Well, my friends, we must not keep our young man from his father. We would not wish to cause him worry.”

He pushes himself up from the table and the others do the same. Hands reach out to you and you take each one in turn. The last hand is Martina’s and the touch of it scorches you like the Rakia that burned in your throat. Then her fingers are gone from your flesh, but the fire remains.

Josip leads you away amidst the chorus of their farewells. You follow the giant as he threads the way back through the maze of caravans. He stops beside the van and you stop as well. The big man is smiling down at you, one hairy hand extended. Your hand disappears into his as you shake it.

“Günter, my friend, you are always welcome at Circus Horvat, whether you bring gifts or no. You understand this, yes?”

You nod your head and manage to murmur a goodbye. You climb into the van and shut the heavy door. The air inside is damp and vegetal and the smell of it surrounds you. You turn the key and the engine rumbles to life.

Josip is standing at the open gate as you drive through it. The big man steps back and raises a hand. You return his wave.

The two camels stand at the fence, but they are not watching the passing traffic. Their stoic eyes are on you, and you alone, as if committing you to memory. They know they will see you again.


Marco Etheridge lives and writes in Vienna, Austria. His work has been published in Canada, The UK, and the USA. His mantra is write, travel, repeat. All of his credits and other fine stuff is available at his website: https://www.marcoetheridgefiction.com/

Review: Black Works


Reviewed by Kevin Torrey

It takes a great deal of skill to tell a story without excess verbiage. Some authors spend 20 pages detailing a scene down to the last missing eyelash without advancing the story. Others use action as a substitute for plot.

But sometimes a writer comes along who uses dialogue so well that he can carry the story and still save the rain forest. Eric Luthi uses conversation the way a good artist uses color – it fills the emptiness between the lines with emotion and meaning. And often, the reader can picture the scene through the dialogue alone, which is where the real story lies. After all, this is not an action novel. It is a story about human connection. The characters have real depth, as if they are people the author actually knows. The reader would recognize them, were they to pass them on the street. The story has a genuine, gritty quality, yet lacks the jaded, reality television feel so often displayed by contemporary writers.

It is a quick read, but the characters will stay with you, making you sometimes wonder what they have been up to since you finished reading the story. Maybe Eric will tell us some day.

It would be nice to catch up.

Available at Amazon.

Issue 4: September 2020


It has been a hot summer and it’s not over yet. We hope that the heat makes you write faster and not less. We have been busy here trying to get our own house in order and some regularity to our publishing schedule.

We now have five platforms we publish to: Rue Scribe, Underwood, The Purpled Nail, True Chili and Black Works. And we are getting ready to add one more for you mystery writers out there.

We are fans of Arthur Conan Doyle and Sherlock Holmes and Mr. Watson, too. So, what better name for our newest venture than “Baker Street.”

We are, however, still putting it together. Gather your mystery and suspense stories together and look for the submission window to open in January, 2021.

“To The Sea” by Rebecca Pyle


I know how I feel about the rain only when the faces of others come up to me like hard-to-differentiate blooms: everyone’s a daffodil then, or a hyacinth, or a lazy tulip, or wild roses. All their eyes are dim and downward, looking at the ground; they’ve become, in color, like the sandy dirt color of sidewalks, pavement: and they’re tipped low, thinking old thoughts, or new thoughts, or none, feeling the bright mystery of being wet, the conundrum of clothing normally comforting becoming uncomforting gradually as it becomes wet.

That’s rain, the climate of rain.

Rain and snow always make one hungry. Rain or snow make food always taste better.

I go soon to live in a rainy place, ruled by the dim sparkle and promise of rain.

In rain, I think you falter when you are sure of something; and when you are unsure, you irritably come to rapid full conclusion. Does he love you, or love you not? You know when it rains. Did you do badly or well? In rain or snow, you will not allow yourself to come to any conclusion about that sort of judgement; all judgements are as good as what they are next to.

In moving you shift your background, fully. I mean in moving very far, where you hear the sound of music, accidental and repeated, but never ceasing. You are moving to where you love the sound of human voices; they’ll become the hammock of your old age. Their voices which they have no idea are so lovely.

Fish you’ll have for supper or lunch at least once a week, and you’ll never cook it yourself. You’ll go by the waterside. Neptune’s your lunch partner; he’s sorry you never received an answer after your application to become a mermaid. It isn’t, he says, because there were no answerers; it’s because when there are no answers, that means no, he says.

Yet he meets with you whenever you have a meal of fish, looking like the person who knew he should have offered you a job but didn’t.

Given you that great a gift? He says.

It would be too great a gift, I find myself saying. The fish you are eating is rich in butter and lemon, but not quite enough salt.

Most have regrets, he says.

Regrets, you say.

Your greatest regret? He says.

I don’t live on my own island, I say.

That would truly be a curse, he says. You’d worry about nothing but climate. Whether Winter has a right to clobber Fall. Whether Fall is worth anything compared to Winter. What an indifferent irresponsible young sap Spring is, compared to Summer. And dealing with Summer like a guest who won’t go away.

Surely more than that happens on an island, I say.

Absolutely nothing but that happens on an island, he says. It’s worse, now, because of the sulky desperation about Save the Planet and Climate Change. Your little island can’t be the scientist or the politician or the philanthropist who figures it out and Saves the World. You’re just tiny you, and you’ll succumb even faster than everyone else.

Thanks, I say. But I could have been a mermaid, sealed away from all this worry.

Ignorance is not bliss, he says. You would always suspect you were being fooled. More tea?  There is nothing more wonderful than tea with fish. Go to sleep now. Fold your arms up and sleep here at the table. I’ll tell the restaurant folk you’ve been working day and night on a novel about climate, and there’s almost nothing left of you, and the fine food put you into a sweet downdrift of rest.

But they’ll close, I say.

No, no, he says. They won’t close. With Neptune here. I’m their supplier.

And I wake hours later. But I am no longer in the restaurant. Neptune did become tired of waiting for me or the restaurant was adamant it must lock its doors and employees must go home to bed. I wake in a bed which ripples like wheat in the water, and I feel a great silver tail instead of legs, and all the painful memories of my former sexual life I feel acutely for a moment and then it is gone. All a merman can do is hold my waist now, or touch my hair. I’m no longer a place for the Trojan Horse to come to rest.

Where am I, I say to everyone, but I’m like a country girl who’s come to the big city: no one understands my language.

I see Neptune up above, on a sea hill, on a carefully moored enormous throne; he has listeners. It’s spring, he’s crying to them.

What’s spring, they’re crying back.

I am dying, and happy to be dead.


Rebecca Pyle, named at birth for Daphne du Maurier’s and Hitchcock’s Brit masterpieces, Rebecca, is both writer and artist with work in Guesthouse (forthcoming), JuxtaProse, The Menteur, Gargoyle Magazine (forthcoming), Cobalt Review, Common Ground Review (forthcoming), and The Penn Review. American Rebecca Pyle has lived the past decade or two in Utah, not terribly far from the often cloud-draped Great Salt Lake and its many small islands continually hosting migrating birds. See rebeccapyleartist.com .

“Passage” by Paul Burnham


Three hundred miles south of Caracas, high in the mountains above the Rio Tomasi, the rain began. Gentle at first, touching the tops of the highest trees. After eight months of drought, these trees inhaled the memory of water. Limbs that drooped began to lift and spread. Brown and brittle grasses awoke, catching the rain, funneling the droplets to their roots.

The drought had transformed the land. Where the river’s width and depth had warranted a ferry crossing, a child could now jump from one side to the other. Above this, an empty reservoir let the dwindling stream pass unchecked through an open outlet.

In the lower valley, where the empty riverbed passed through parched farmland and vacant villages, twenty-two prisoners languished in a sweltering courtyard. The sixteen-foot cinderblock wall defined their horizon. And just above the wall, between the two strands of barbed wire, sixty miles to the south, the prisoners observed giant clouds rising in the mountains.

“Is this the storm, Viejo?” one prisoner asked.

Viejo closed his eyes and inhaled through his mouth, tasting the air.

“Is this the one?” the prisoner asked again.

The old man offered an almost imperceptible nod. “We must hope,” he said. And when he opened his eyes, he seemed disoriented, as though he had just arrived too quickly from another place.

“Hey, Viejo. Will I really need to swim?” another prisoner asked while making paddling motions with his arms, as though the courtyard were filled with water. He laughed at the old man, but the other prisoners didn’t laugh.

Viejo smiled at the man’s mocking. “Gordo, how long have you been in Santa Marta?”

“Seven years, Viejo. And a storm has never filled that barrel.” With his chin he pointed to the salvaged wine barrel next to the prisoners’ quarters. A black tin pipe ran from the rain gutter into the barrel. “It won’t hold water even though we have rain for a week.”

Light shown through the empty barrel where the staves had shrunk and separated. An iron band had slipped off and lay on the dry ground. “It is dry,” Viejo said. “Too dry today. But soon that barrel will overflow and you will wish you had learned to swim.”

“You’re a strange man,” Gordo said. “You’ve been in Santa Marta for a month and you’ll have us believe we will swim away from here. There’s not even a barrel of water to bathe in and you teach these men to swim.” Gordo kicked the ground and a dust cloud filled the space between himself and Viejo. “You’re crazy. All of you. The guards only give us water to drink and you think you’ll swim away from Santa Marta.”

 “Don’t worry, Gordo,” another prisoner said. “The fat fish don’t need to swim. They float. We’ll hang on to you when the water comes.”

Gordo lifted up his stained and faded tee shirt. His belly glistened in the noonday sun. He laughed while rubbing the enormous bulge. “This is my insurance policy,” he said. “Just in case Viejo is right.”

The blue sky above the courtyard suggested no hint of rain. Not a single cloud offered shade. But to the south, billowing clouds pushed higher and now flattened against an invisible ceiling.

Viejo squinted as he looked across the wall. The other prisoners turned their gaze on the clouds, and especially on one that rose higher than the others. One prisoner pointed to it. “That one,” he said, “I have seen these before. They are like a great anvil.”

Viejo squinted harder. “I think you are right, Chino. And I think the blacksmith is about to drop his hammer.”

Chino slapped Gordo on the back. “You better eat a good dinner tonight. You may need that insurance policy in the morning.”

Gordo climbed onto the table. “A ride to freedom,” he shouted. “For any fool who shares his dessert with me tonight. Freedom. Tomorrow morning. Prepare for the ride.”

All the prisoners laughed this time, including Viejo. The one guard—in the stilt tower beyond the wall—yelled at them. “Shutchyermouths, you dogs.”

“You’ll be struck by lightning,” Gordo yelled back. “Give me your dessert too, and I’ll let you live.”

Gordo’s bravado prompted more laughter. The guard aimed his rifle and fired one shot over the prisoners’ heads. The bullet ricocheted off the far wall as they ducked and scattered, still hooting and laughing.

That evening, after dinner, Chino found Viejo in the courtyard. “There’s electricity in the air,” he said to the old man. “Do you feel it?”

Viejo ran his hand over the grey hairs standing on his forearm. “I feel it. The storm is growing.”

“But not here,” Chino said. “Only to the south, and those clouds are far away.”

“And they are on our side of the mountains, which means they will fill the river that passes through Santa Marta.” Viejo leaned closer to Chino. “Listen to me. Don’t be fooled by the dry ground here. The river will grow and you will need to swim. That is our way past these walls.”

“Tonight?” Chino asked.

“Not tonight. Tomorrow night.”

The two men heard someone approaching and cut off their conversation.

“Is that you, Viejo?” Gordo called out.

“Yes. Chino and I were—”

“Let me guess. You were giving swim lessons again,” Gordo said. “And you’re excited about those clouds—about a storm so far away.”

“No swim lessons tonight,” Viejo said. “Did anyone give you dessert?”

Gordo patted his belly. “No one wants my help. You’ve taught them all too well to swim.”

“I know you don’t believe the old man,” Chino said. “But can you feel the electricity? The energy? Something is different tonight in Santa Marta.”

Gordo looked around the courtyard. Cigarette ends glowed orange where other prisoners gathered. “I feel it. Something is different,” Gordo said. “Perhaps it’s the fear this old man puts into our hearts with his talk of floods.”

“Not fear, Gordo. But hope.” Viejo said. “Two months ago, before I was sent here for protesting the dam, I spoke with an engineer. We stood between the old dam and where the new one would be built. I asked him why the government would not build a passage for the fish.”

“A passage for the fish?” Gordo asked.

“Yes. The engineer called it a fish ladder.”

“A ladder for fish.” Gordo said flatly.

“Not a ladder for climbing over this wall,” Viejo said. “But a kind of structure to let the fish swim past the dam.”

“A big slide.” Gordo said.

“Yes. Like that. But not too steep, so the fish can swim up and over the dam. A passage.”

“Why do you care where the fish swim?” Gordo asked.

“With the old dam, fish could go only downriver. Never up. In my lifetime, all the fish have disappeared from above the dam.”

“And this is why you are in Santa Marta?” Gordo asked. “For a fish?”

“Yes. For a fish. For many fish. For a way of life. I wrote letters to Caracas, to the legislature, even to President Maduro.”

Gordo shook his head. He put his arm around Chino, who had been fascinated with the fish ladder. “That was a mistake,” Gordo said. “To disagree with Maduro in a letter, with your signature. And you know the legislature is against him.” Gordo pulled Chino closer and pushed out his chest. “Chino and I stole cattle in Brazil, to smuggle. The military detained us at the border, and confiscated our cattle. We are in Santa Marta for stealing cattle, and maybe for other crimes. But you, you are here for a fish.” Gordo patted Chino on the back. “I will leave you to your swim lessons. Good night.”

“Good night, Gordo.”

Gordo crossed the courtyard and joined the other prisoners playing cards under a kerosene lantern. Viejo and Chino spoke long into the night, walking along the wall. They guessed at the strength of the wall and at the height the river might reach.

Nine weeks earlier.

Two men stood in the riverbed of the Rio Tomasi. One, an engineer for the new dam. The other, a villager that fished the lower reaches of the river. An old man. He had written letters to regulators, asking them to consider the fishery, to consider building a fish passage at the new dam. And though he had never threatened or been undignified in his language, the regulators felt the firm tenor of his letters—an inexhaustible resolve—one that bordered on anger born of injustice, one that wouldn’t be diminished with payoffs, one that peasants had wielded in revolutions. They worried that the old villager—whether living or martyred—would recruit others. They feared the legislature would give him an audience. But most of all, they knew the contractor would issue no more bribes if the project stalled.

The two men stood in the riverbed and talked of fish and the drought. The engineer humored the old villager. He didn’t know this was the same man who had agitated village and town councils for a hundred miles down the river.

“Such a dry year,” the villager said, as the two of them looked upstream at the vestiges of the old dam.

The engineer folded his arms and leaned back, looking up at the clear sky. “It’s a blessing, really,” he said. “With this drought, we don’t need a bypass pipe to carry the river through the construction site. Not that I want the drought to continue. Of course not. But it makes our work easier.”

“So you saved a lot of money?” the villager asked.

The engineer leaned forward just a little. “I thought we were talking about the weather, not boring things like money,” the engineer said, feigning mild disgust.

The villager laughed. “I suppose money is boring. But I’m a practical man, and depending on how you bid the project, I think you might save a lot of money if the weather cooperates.”

“And lose more if it doesn’t,” the engineer said. “Once we finish the first level of the new dam, it won’t matter what the weather does. We can let the river go right through the new outlets while we continue building.”

“Those outlets are for the turbines?” the villager asked.

“That’s right. This new dam will generate enough electricity for every town between here and Paraima.”

“But there are no transmission lines to Paraima. Only to Venécia. The opposite way,” the villager said. “And I understand Vensoluz intends to sell this electricity to Colombia.”

The engineer leaned back again, arms still folded. “What do I know? I’m a hydraulic engineer.”

“Perfect,” the villager said. “I have a question related to hydraulics.”

The engineer suggested they walk upriver and finish their conversation in the shade of what remained of the old dam. When the old dam stopped their progress, the two men sat and reclined against the cool concrete base.

“What’s your question, my friend?” the engineer asked, folding his arms again.

“How is it the Brazilians and Colombians build passages for fish, but we do not?”

“A fish ladder? You’re talking about money again, not hydraulics. But I’ll tell you. The crest of the new dam will be 340 feet high, seventy feet higher than the old dam,” the engineer said, patting the concrete at his back. “The cost is prohibitive—so I am told. For every foot that a fish must swim straight up, it must also swim ten feet straight ahead.”

“So the problem is space?” the villager asked.

“Space, yes. But financing is the real problem.”

“How much?”

“Every foot adds eighty-five thousand Yankee dollars,” the engineer said. He pulled his cell phone from his shirt pocket and tapped at the screen. “About twenty-nine million dollars total.”

“That’s 290 million new bolivars,” the villager said.

Both men sat quietly—the engineer hoping the villager would grasp the scale of the project, and the villager dividing 290 million bolivars by his daily revenue from fish sales.

“I have one more question,” the villager said.

“Go ahead.”

“Is there another way to let fish above the new dam? You know, a less expensive way?”

The engineer unfolded his arms and shifted on the ground, stretching his back. He turned and faced the villager. “Yes. But there is no guarantee it will happen. I have witnessed this phenomenon only once, many years ago. It was…how shall I say it?…a miracle of nature.”

The villager turned and faced the engineer. “What was this miracle? How did it happen?”

The engineer slipped his cell phone into his shirt pocket. He began:

I was working in Argentina. We had just dismantled an old dam, much like this one. There were no provisions for a fish ladder there either. But the river carried many fish. Different fish than here. Trout and salmon. Beautiful fish. Green and blue and red. They couldn’t pass the old dam and they would never pass the new dam. They spawned in the lower river.

When the old dam had been cut down, the river spilled over the low crest into a pool of clear water. I looked into that pool when I took flow measurements. There were no fish there. Just clear water and the colorful rocks.

The old dam had stood for ninety years. Only a few fish survived in the headwaters. They dwindled and were decimated by disease. You know? Like a village that doesn’t marry with another village.

The old man nodded.

One day, while I was measuring flows on the crest, I looked into the pool and thought it such a shame that the trout and salmon now had only to jump three feet to get above the temporary crest. But they had learned for ninety years that they could not pass and so they remained in the lower river. The river was open like this for several weeks.

That night I had a dream. I walked along the river where the fish were preparing to spawn—far below the project. In my dream, I walked upriver, waving my arms and calling to the fish, encouraging them to swim farther. It was night in my dream and I wasn’t afraid. I went into the freezing water and swam with them. Bumping against them. Jockeying with them. I swung my arms over my head and slapped the water, and pulled my cupped hands down toward my waist. The current was swift, but I was strong enough to overcome it. I swam until I arrived at the pool. There I could hear the roar of the water coming over the crest, crashing, plunging. Thousands of fish had come to the pool. They swirled in a giant circle, faster and faster, and they began jumping into the waterfall. Their tails thrashed at the air, and the water knocked them back into the pool.

I leaped with them into the waterfall. I fell back again and again. Then, one by one, the fish began making their way above the crest. In my dream I felt heavy. The crest was still too high for me. Nearly all the fish were gone and I wanted to follow them into the headwaters. On my last try, I thrashed with my legs and I swung my arms around and around, pulling at the water. But then I fell back into the pool and awoke.

Both men were quiet again. The engineer became pensive, lost in his own memory.

Water trickled over the crest and gurgled in the pool. The villager followed the trickle down the concrete face. Algae, bright green and slick, had spread in a narrow streak where the water ran. His eyes settled on the pool, no larger than a washbasin. Bellbirds called to each other in the trees beyond the riverbed.

After the long silence, the villager spoke first. “This is a beautiful dream, and maybe the beginning of a miracle, but still only a dream.”

“Yes. The beginning,” the engineer said. He appeared disoriented for a moment, as though still caught in the dream. He continued:

A storm arrived that night. A thunderstorm. As wide at a city. The storm started high in the mountains and then moved into the valley—the reverse of typical storms. The next morning, when I went to measure flows, the river was rising, but only a little. I measured the flows and went to the lower project. Then, in the late afternoon, the flows increased rapidly. I worried they would overwhelm the outlets, so I warned the contractor to remove his equipment from the site.

I walked upriver to the old dam, and as I walked I noticed fish in the rising river—where I hadn’t seen them before. By the time I arrived at the old dam, the downstream pool was deeper and the water surface was nearly to the crest. The fish were not yet jumping as they had been in my dream. But they began to swim in a great circle, swirling, faster and faster. Within a few minutes the water level had risen to the crest itself. The fish began to break away from the circle, and one by one they swam up and over the crest. Hundreds at first. But more arrived. I climbed up the hillside and watched them into the early evening. The water grew dirty from so much rain in the mountains. But the fish were so numerous I could see their backs on the surface. Green and blue and red. Fish that would not spawn for another two months joined in the escape. Yes! An escape. These fish had been held prisoner for ninety years below that wall of concrete.

After sunset, after I could no longer see the river, I went back to my truck and found a flashlight. At the river again, under the narrow beam of my flashlight, I saw flashes of green and blue and red passing upstream. At midnight I left to get some sleep.

The next morning, just as the sun was coming up, I arrived at the site and saw that the river had gone down. The surface of the pool was too far below the crest; the fish no longer had a way to pass above the old dam. Over the next month other storms arrived in the mountains, but these were typical storms, always moving from the valley into the mountains, and so the flows were not so large—and never again large enough for the salmon and trout to pass into the headwaters.

A year after the project was finished, I visited the site to conduct a final inspection. I went on a Friday. My family was with me this time—my wife and two sons and daughter. On Saturday, we drove high into the valley, above the cattle ranches, and made a picnic next to a small stream. Our daughter—she was five years old then—she waded into the stream and laughed as she tried to catch the fish with her hands. Green and blue and red. So many fish swam there. It was this way now in all the little streams high in those valleys.

Santa Marta

The sun rose to another clear day. Hot. Blue sky. Except to the south. The anvil-shaped cloud that had menaced the mountains the day before had collapsed into itself during the night, and a new one formed on this morning. First puffy and light. Gentle looking. But by noon, the top had flattened and the sides grew dark. A double-headed anvil.

“Another storm, Viejo,” Chino said.

“I’ve been watching it since sunrise. This one is bigger. Ten times, maybe,” Viejo said, not moving his eyes off the southern horizon. “Are you ready to swim, Chino?”

Chino looked around the courtyard. “Some of the others think you are giving us false hope. They have been talking with Gordo.”

“What do you think, Chino?”

“What do you mean?”

“Do you think there is harm in having hope?” Viejo asked. “Do you think it is dangerous to hope?”

“Perhaps. Yes. Some of these men have been here fifteen years,” Chino said. “Some have watched their friends die trying to escape.”

“Perhaps? Yes?” Viejo said, repeating Chino’s words. “It is either perhaps or it is yes, but not both.”

Chino shrugged, not committing to an answer.

“Chino, I want you to live through this escape,” Viejo said, facing his friend and grasping his shoulders. “It is dangerous to hope. Hope is what drives you into the unknown, into the dark, into the water, into newness and vitality. Hope is almost the most dangerous thing on the earth.”

“Almost?” Chino said.

“Yes. Almost. Hope drives us to wake up in the morning, to watch for the sunrise, to anticipate the harvest of corn or fish. But there is more than hope. Something more dangerous. Something more powerful.”

Viejo stopped to let Chino think for a moment, to let him wonder, to let him clear a piece of ground where the next words could be planted.

“Chino,” the old man said, pausing again to let the gravity of his words weigh on his friend. “Chino, you have hope. I have hope. Many in this prison have hope. I believe even Gordo has hope. But we must have faith. We feel hope when we cast our net into the river. But faith is the act of casting. It is faith that brings the fish into our arms. We feel hope when we hold a bag of corn seed at the beginning of the rainy season. But faith is the act of sowing. There is no middle ground with faith. Faith is not only a place of feeling, but a place of doing.

“I have taught these men to swim. All but one. To learn to swim is to ask the water to arrive. Our practice is a petition to the river, to the rain.” Viejo pointed to the enormous cloud growing on the southern horizon. “We have asked that cloud to fulfill a promise, to let us swim out of here.”

Chino looked above the wall. The highest strand of barbed wire cut the cloud in half. Even as he watched the cloud, it began to collapse into itself. Lighting flashed on the concave sides.

“I have hope, Viejo,” he said. “And faith, I think.”

Viejo nodded slowly and smiled. “You have faith, Chino. When you swim, that is faith.”

– – –

That same afternoon, as the engineer was packing up his equipment at the old dam, he heard splashing below the crest. He went to inspect the noise, to see if he might find an otter or paca at the little pool of water. As he walked onto the crest and looked into the little pool just below him, he saw a bass swimming in the clear water. Green and gold with black bands on its sides. He looked upstream, across the crest. A paper-thin sheet of water ran across the concrete. The bass couldn’t have come from there. He looked downstream, but only saw other small pools, scattered and separated.

A gust of wind came from the south, and with it the smell of earth and rain. He walked back across the crest, toward the temporary access road. As he put his equipment in the bed of the truck, he heard a rumbling sound. Not as loud as thunder. Something like a locomotive in the distance. He went to the edge of the road and looked down onto the crest of the dismantled dam—now running water knee-deep. The downstream pool had grown to the size of a house, and began spilling into the dry riverbed. Where he had seen one bass, there were now a dozen. The downstream pool rose to the crest and the river grew as wide as a highway. More bass swam in the pool. Other fish arrived from below. He started his truck and drove to the lower site, to verify the outlets were clear of debris, and to make sure the contractor had removed equipment from the riverbed.

– – –

Just after sunset, the rain arrived at Santa Marta. The storm that had started in the mountains now moved across the valley. Giant raindrops pelted the dry earth, first sending little dust clouds into the air. But as the rain fell harder, the dust in the courtyard settled and the ground turned to mud.

The prisoners gathered under the overhanging corrugated-steel roof that extended from their quarters. The downspout shook and water began pouring into the old wine barrel. Water spurted from between the loose staves. One of the prisoners lifted the iron band and pushed the staves into place. Gordo stood close to the barrel and watched the water rise. He pulled off his tee shirt and went into the downpour, arms extended to the sky.

The men had to shout over the noise of the rain on the steel roof. Gordo yelled to the others. “Come out and have a bath. Come out. Come out.” He retrieved a bottle from inside his pants, and took a long draft of the smuggled sugarcane whiskey. “Come out and swim, you fishes. Swim, Viejo.”

He walked to the far side of the courtyard and shouted at the guard. “We are going to swim away tonight, you fool. Swim. In Santa Marta.” But the rain hammered on the roof of the guard tower so loudly that the guard heard nothing else and only saw a drunken prisoner displaying his contraband.

 Viejo gathered the other men—still twenty strong—and lined them up under the overhanging roof. “Remember to swing your arms,” he shouted over the deafening rain. The old man swung one arm and then the other, showing the men to cup their hands on the down stroke. “Remember to cup your hands. Swing your arms out of the water behind you.”

Chino and another prisoner walked along the line of men, helping them with their form as Viejo shouted directions.

“Yes. That’s it,” Viejo encouraged the men. “And lie flat. Don’t try to stand. Keep your shoulders low in the water.”

The rain fell harder, drowning Viejo’s voice. He went to each man and shook hands, offering encouragement. Some of the men looked terrified. Others smiled and embraced Viejo. “Hope, my brother. Hope,” he shouted to each one. “All this time, we have had hope. Now we must have faith. We must swim.”

Gordo braced himself against the far wall and pressed his ear against the cinderblocks. He thought he heard thunder reverberating in the wall. Maybe something quieter than thunder—not a noise, but a movement. For the first time since Viejo’s arrival in Santa Marta, Gordo began to feel the opposite of hope.

Fear.

He dropped the empty bottle and staggered across the courtyard, slipping and falling and rising on the way. When he came into the light of the kerosene lantern, his eyes were wide with terror. White and red. Bloodshot with whiskey and panic.

“You tricked me, old man,” he wailed at Viejo. “You tricked me.”

But Viejo was busy instructing the men to brace themselves for the initial flood. He reminded them to let the courtyard fill with water, and then swim.

Gordo went from man to man, looking for Viejo. When he finally found the old man, he shared what he had discovered across the courtyard. “The wall is shaking over there,” Gordo said, pointing into the darkness. “The wall and the earth are shaking over there, but not here. Can you hear me, Viejo? There’s no flood.”

Viejo called to Chino. “The wall is going to break on that side, Chino.” He pointed in the same direction Gordo had pointed moments earlier. “Go out and see if the guard can hear you. Ask him what he can see outside the wall.”

Chino ran along the inner wall of the prisoners’ quarters and then into the courtyard, within view of the guard tower that stood outside the wall. There was no lantern burning in the tower tonight. Maybe the wind blew it out. He strained his eyes and searched for a burning cigarette. But he saw only darkness. He moved closer and shouted. No response. And then, with a mixture of joy and horror, he realized the tower was gone.

When he reached Viejo and the other men, they were clinging to columns and walls. Even Gordo stood on the table, shaking.

“Viejo,” Chino shouted. “The guard tower is gone. Washed away, I think.”

The men who heard Chino cheered at the news. Gordo now lay facedown on the table and began crying, howling. He grasped the edges of the table and prayed. Hail Mary…pray for us sinners now and at the hour of our death…

Viejo went among the men and told them to climb as the water rose, and to let go and swim only when the water was no longer rising. “Look for something that floats, but you may not find anything,” he said to each man. “When the water comes, pull off your pants, tie a knot in the legs and fill them with air, as we practiced. Put these under your arms or around your belly. If they hold air, good. If not, then swim as hard as you can. Have faith!”

Chino caught up to Viejo and told him again what he had seen. No tower. “And what about Gordo?” Chino shouted. “Do you think that table will float?”

“No. The legs are metal,” Viejo shouted. “But this afternoon I removed the bolts and I told Flaco and Pelón to each grab a plank when the water comes. The wood is heavy, but it will float, and they are the least likely to swim well.”

“But Gordo is there already.”

Viejo looked at Gordo, sprawled on the table, convulsing, praying, crying. He ran into the rain, and as he approached the table a loud thump and then a rushing sound came from across the courtyard. Viejo grabbed Gordo by the arm just as the water hit them. He held Gordo long enough to get them both to their feet. The planks separated from the metal legs, and Flaco and Pelón jumped into the rushing water. The kerosene lantern hissed and sputtered and went out. Six feet of water. The men began climbing. Water poured through the breach—ten feet deep and rising.

– – –

Every minute a hundred fish swam upriver past the foundation of the old dam. Farther downriver the fish swam past excavators and scaffolding and trucks. A dozen men shined lights into the canyon, watching the river tumble and devour their equipment. The engineer stood with them, as surprised as they were at the flood. No men were lost, but this would delay the project, and the river would run deep enough for fish to swim upriver and into the headwaters for a month.

The engineer borrowed a flashlight and climbed down the canyon wall. He stood on the scaffolding that had been bolted to the bedrock face, and shined the light across the rushing water. Many fish swam upriver. Hundreds. Thousands. Green and gold with black bands on their sides.

– – –

Viejo shouted to Gordo. “Hold on to the column and climb. Let the water lift you.”

“But I can’t swim,” Gordo cried. “I can’t swim.”

“You don’t need to,” Viejo shouted. “You’ll float. Remember? Just let yourself float.”

Viejo reassured Gordo as the water rose. He looked out across the darkness and saw Flaco and Pelón clinging to the planks. The water stopped rising within four feet of the top of the walls. Viejo ordered the men to swim for the breach. “Unless you want to stay in Santa Marta,” he offered. Viejo counted the men: eighteen holding to the columns and walls, two on the planks, and he and Gordo on their own column.

Gordo began crying again. Viejo didn’t let go of his arm. Chino and the others began moving along the wall—sometimes finding a little handhold, sometimes swimming—toward the breach.

“Gordo,” Viejo said calmly, pointing with his chin at the other men. “Gordo, those men are leaving Santa Marta. Do you wish to leave with them?”

“Yes, Viejo,” Gordo whimpered.

“Then lie flat and hold on to my belt. Only keep your head above water—just enough to breath. If you try to climb on top of me, we will both drown. Do you understand?”

“Yes, Viejo.”

The old man let go of the column and swam slowly into the courtyard. He felt Gordo’s weight come onto his belt as the frightened man also let go of the column.

“How are you doing, Gordo?”

“I’m floating, Viejo. I float very well,” Gordo said, first laughing and then crying. “I float. I float.”

The old man slowly and calmly repeated the measured strokes of a frog. Pull. Kick. Glide. Gordo alternated between laughing and crying and praying. When the two men arrived at the breach, the other men had already been swept into the current. Viejo saw their heads bobbing, arms swinging. Some had inflated their pants. He tried to count them, but they were too far away.

The two men pushed off the wall and the current quickly pulled them into an eddy. A saddled horse, dead, but not yet stiff with rigor mortis, bumped against them, rolling, pushing them under. Viejo planted his feet against the saddle and pushed hard. Gordo pulled on Viejo’s belt, and they both went under. Gordo felt Viejo go limp, and he let go of the old man’s belt.

When Gordo came to the surface, he was out of the eddy and in the current, moving quickly away from the prison walls. He flailed, and screamed for the old man. “Viejo! Viejo! I can’t swim.” But Viejo didn’t respond. Gordo went under again.

A few feet away, Viejo’s head broke the surface. The old man moved his arms steadily under the surface, keeping his mouth just above the water. He let his face sink back into the water, until his eyes were only an inch above the surface. In the darkness, he searched for the silhouette of a hill or high ground. The rain continued and the clouds didn’t part, but a weak moonlight illuminated the valley. Far away—maybe five hundred yards—Viejo saw the outline of trees.

In the darkness, he let himself sink lower in the water. He reached down and felt for Gordo’s head or shoulders. He grabbed the back of Gordo’s shirt and struggled to pull the big man up. At the surface, Gordo coughed and cried, and then turned, trying to climb on top of Viejo. But Viejo pushed Gordo away and yelled at the terrified man. “If you grab me again, I’ll let you drown right here. Now roll onto your back.”

Gordo screamed again and then went under. Viejo quickly swam around Gordo and grabbed the back of his shirt again, pulling him to the surface. Gordo tried turning again, but Viejo kicked hard against the water and stayed at his back.

“Stop turning, Gordo. Stop it,” Viejo shouted. “Stay on your back and I’ll pull you.”

When Gordo saw that Viejo meant to stay with him, he rolled onto his back.

“There. Now lie flat,” Viejo said, more calmly now, trying to soothe his friend. “Let me pull you along.”

 Viejo swam harder now, pulling Gordo behind him, sometimes swinging his free arm, just as he had taught the other men, and sometimes pulling under the surface.

Gordo uttered the Hail Mary many times, whispering, whimpering—until around midnight, when the two men reached the shore. Viejo felt the ground first and pulled Gordo into the shallow water. They crawled up the bank where Gordo lay down and sobbed.

“Viejo,” Gordo started. “You saved my life.”

The old man lay flat on the ground, chest heaving, and didn’t speak for a long time.

“I didn’t save your life, Gordo. You could have climbed onto the roof at Santa Marta and waited for the river to go down. You might have been hungry for a few days, but you would have lived.”

“Long enough for the guards to come back,” Gordo said.

“Yes, the guards would have put you back in prison, in Santa Marta or elsewhere.”

“Then you saved my life, Viejo.”

“No, Gordo. You could have saved your life without my help, without Chino’s help. When I was teaching the men to swim, I could see you wanted to escape. You had hope. But you were too proud to learn, too proud to ask for help. You had hope, but that is all. No, Gordo. I have done more than save your life. I have freed you from Santa Marta. I had faith that we could be free.”

Gordo closed his eyes and shivered. Viejo continued. “Promise me one thing, Gordo.”

“Anything.”

“Before morning, I will walk far from here, far from you, far from Santa Marta. Promise me, Gordo, that you will not go back to Santa Marta.”

“Of course, Viejo. I’ll never go back to Santa Marta.”

The old man waited for his friend to begin snoring before he left. He found the road going south, toward the mountains. He followed it until sunrise and then spent the day in the forest, foraging and hiding. When night fell, he continued south. For a week he walked—at night—until he found his way into the mountains, into the headwaters of the river.


Paul Burnham works and lives in the mountain west. He is a civil engineer by day and a river rat or powder hound by night.

“Ducks” by William Hayward


Dear God, why couldn’t you have made me a duck? I thought as I watched them sitting in the rain and shitting on the pavement. They looked happy. When it’d started to rain they still looked happy. I could almost see their rigid beaks curving upwards when the first drops hit their heads and they stood up to waddle down towards the lake. It was all the same to them. Water from the sky or water from below. They were always wet. I don’t even think they get cold. I’m cold. And my clothes are soaking wet and wrinkled from when I was sleeping.

I’d come to London for the day with the company I worked with for a job. Just picking up debris from a construction site and tossing it into barrels and skips. They thought it would take the whole day, but we finished before the sun went down. Before we started they handed us all train tickets home. It was for the ten o’clock train. With time to kill, I went into a bar and used the rest of the money in my wallet drinking and playing the boxing machine. I had my payslip that the company gave us to collect the cash for the job, so I wasn’t worried about having no money left. But when I left the bar I had no train ticket. I went back to look but it was gone. It could have fallen out anywhere during the day. I hadn’t checked since leaving the site.

‘Ahh Will. The champion fool. You tactless hack. You whiny miserable bastard how could you do that? what are you gonna do now?’ I beat my head in frustration before deciding what to do. What I did was make my way to Hyde park and fall asleep on a bench. I knew I could take my payslip to the London branch office in the morning to get my wages and get the train home. 

I don’t know how long I slept. You never do. I closed my eyes watching the stars twinkle and laugh at me and woke up with rain and thunder laughing at me. Sitting up I felt miserable. My whole life was a waste and I knew it and the weather knew it and the ducks knew it. Lightning flashed from the sky and hit somewhere, and thunder rolled around the park. Growling like an animal in my ears. I didn’t move. “What’s the point in moving,” I said to the ducks still on the pavement and waved my left hand at them. “Have you read Hemingway? Have you read John Fante?” I asked them. “You haven’t read a damn thing and your smiling at me like you know more. If I was a duck I’d be under a tree. I’d learn to burrow and go underground. I’d hide under a bench. Your wet all day. Why not try and stay dry for once? You don’t know a thing.”

The ducks stared at me and shook their tails. 

The park was pitch black. Only a few streetlamps showed anything. My head was cloudy from sleep and hadn’t cleared and when I blinked the rain from my eyes I saw flashes of red and blue. The blue was the same colour as the lightning that flashed almost lazily across the sky. I stood up and wandered away from the lake. Following the streetlamps. I’d seen there was a tunnel under a bridge by the edge of the park and I made my way there. When I got to the tunnel I saw that the floor had a two-inch puddle of water covering it from a crack that ran from one side of the roof to the other. I stood in there with my feet buried for a few minutes watching the storm when I heard voices. Stepping back out into the rain a bit I saw a doorway etched into the side of the tunnel that I hadn’t noticed. A man and a woman were sitting in there pushed right back against the metal door so the rain wouldn’t touch them. They looked up when they saw me and stared as I stared at them. After a few seconds, the man nodded at me and moved further away from the woman so there was a space for me in the middle. I hesitated for a second feeling uncomfortable before settling between them. 

The doorway was wide, and the door was set far back. There was a line on the floor where the rain couldn’t reach any further inside. We sat in silence for a while. The lightning had become more frequent and it seemed as we stared that it was dancing and singing. It hummed and flashed and seemed to creep into the bones of the earth as it struck. There were so many flashes that the thunder seemed constant. It rolled across the sky and beat against our ears begging to be let in. I was feeling pretty warm and comfortable until I felt a weight on my lap, and saw they’d started holding hands across my body. 

“I’m Joe,” The man said. “And this is Beth.” 

“I’m Will,” I replied.

“You got some clean clothes boy. I don’t see many of the homeless around here wearing stuff like that.” He said laughing a little. Letting go of Beth’s hand and fingering my sleeve like we’d known each other for years. 

“I’m not homeless. I’ve just lost my train ticket.” 

“Oh yeah. So, did we,” he said. Then he laughed again, and Beth laughed with him. I just sat there and wondered why I hadn’t stayed on the bench.

Both of them were dirty. He had mud and dirt in streaks all across his face. She had a lot of old makeup on that had been running from the rain, so she looked like an out of work clown. Both of them had rips in their clothes and I could see skin through some of them. 

“We’ve been sleeping in this park for nearly ten years you know,” Joe said and waved his hand out at the park like he owned it all. Some thunder crashed as he did it. “Ten years we’ve been either on that bench over there or here. I know every spot there is.”

Beth chimed in then. “It’s true, he does. One time when some guy we know was being chased by the police he came running straight to that bench that we usually sit on. He ran right up and said, ‘help Joe’ and all Joe did was look around once and tell him to hide in the boating shed on the lake. The police came a few minutes later and they didn’t even know there was a boating shed.” 

Joe touched her hand again by my lap. “I know all the best spots for privacy and beauty and my girl here knows how to get us money. We all need that money am I right?”

He nudged my leg and I nodded. Then he smacked his leg and grabbed my hand. “Of course, I don’t mean we’re thieves or anything like that. You’ve got nothing to worry about boy.”

“Well, that’s good,” I said and pretended to laugh a little. It was better to listen to them then be back out in the rain and the heat from their bodies was warming me up a little. 

“No of course not, he knew that Joe,” Beth said and hit him softly on the arm. 

They laughed together like no one would suspect them of anything sinister. 

We watched the thunder for a while. Its noise was tremendous. Like steel drums crashing together. They were used to it and watched it all like it was nothing. To me, it was like the whole world was breaking apart.

“I guess you’re wondering how long we’ve been together,” Beth said suddenly. Squeezing Joe’s hand on my lap.

“Fifteen years,” Joe said proudly. It looked like they’d practised this speech often. Probably to everyone who would listen. “We met in this park back before any of this happened.” He gestured to their clothes.

“I was a working girl then,” Beth said. “I still am I guess but it doesn’t seem as bad when you have someone who loves you.” 

“I offered to pay triple what she asked for just so she would notice me,” Joe said smiling, “Of course she didn’t take it. She thought I was crazy.”

“I still do,” Beth cut in.

Joe waved his hand “Maybe I am. I had a good job at the bank in those days. I had money falling out of my wallet. But one look at her eyes; it wasn’t anything else, her eyes, they sent me spinning. One second I’m pulling sixty grand a year, the next I’m cutting days off work to see her… Most girls would have left me after I got fired. Every single working girl would of. Everyone I knew. From the bank to my own family turned away. But not Beth. She understands what it means to feel like I do. I feel too much. It cuts into my heart,” He had tears in his eyes as he spoke.

“When I worked at that bank I wanted to die. It was like having a knife slowly twist into my heart every day. And every day it would get deeper in and every day it would get more painful. With Beth, every day is like the knife is being pulled out a little.”

I could tell from how he looked at her that he really believed everything he was saying. I didn’t know if he had always felt like that or if he’d just convinced himself it was true over the years.

“I wasn’t happy until I met Joe,” Beth cut in. Not willing to give up her side of the story. “I didn’t even know pleasure until him. Even now I don’t do what I do because I enjoy it. It feeds us and one day Joe will get another job and I won’t have to do it anymore.”

Their hands were still conjoined on my lap and their eyes were like little stars as they reflected the lighting back out into the night. For all their lies I liked them. They were normal people living life as it came to them. Joe wasn’t feeling any better with her and it damn sure wasn’t true that Beth didn’t get any joy or pleasure from what she did. She looked like the kind of person that could hump a bicycle pump and still get off. But they loved each other, and they might even have believed what they were saying. Anyway, it didn’t really matter. What did I know about it all? I was just assuming. And I was liking them more and more. 

“I’m really not homeless you know,” I said. I wanted them to know that I really was just a bit lost that night. It felt important to me that they didn’t think I was a bum. They obviously didn’t care but it mattered to me. “I was getting some drinks in a bar after work and I just lost my train ticket.” 

“Really?” Beth said. “You poor boy.” And she touched my leg slyly just above the knee. Both of them looked sad.

“That’s rotten luck kid. The number of times that happened to me when I was working,” Joe chuckled. “How come you’re sleeping put here then? You haven’t got a credit card or anything for a hotel?” 

“I haven t got anything except my payslip that I can take to the offices tomorrow. My bank account is empty. I never believed in credit. I always knew I’d just run up debt.” 

They looked like they didn’t believe me. They kept glancing at each other. But they kept their mouths shut. They didn’t want to offend me. 

“Besides,” I added, “There isn’t any point in just spending money for the sake of it. I thought I could handle one night out here,” I laughed, “Of course I didn’t reckon on it raining so much.”

A bolt of lightning hit something close by and a few seconds later the noise rumbled across the sky. The light from the electric burned into my eyes and dazzled me. It was like seeing God. I thought about the ducks out there and wondered what would happen if the lighting struck the lake. I imagined them all cooking like in an oven and the smell wafting over to us. 

They still looked doubtful, but they didn’t say anything. They just looked out at the storm. There was a different atmosphere now they knew I wasn’t homeless. They sensed the money I might have. They could smell it and they clearly thought it was mighty rude of me not to offer a single penny. But they were polite. They didn’t say a word.

“Really,” I said trying to make them believe, “If I had anything I wouldn’t be out here would I.”

They each nodded a bit and Beth stuck her hand out in the rain.

“It’s coming down hard isn’t it,” She said. 

“Mmm,” said Joe. “I haven’t seen it this bad in a few years have you, Beth?” 

“No Joe. Not since… was it five years back that man got killed by that falling tree?”

“Oh yeah. Mr Foggerty? I think that was his name anyway. Slept under the big tree by the playground?”

“Yeah him.” Said Beth.

They both clearly distrusted me now. I’d always found it odd that as soon as people thought you had something. Something they wanted they treated you different. These reacted by not saying a damn word to me. 

“Bad night,” I said, trying to get back their friendly voices. They had been comforting. It stopped me thinking about everything. About how I’d messed up. “Really bad night.”

There was a small silence before Joe spoke.

“Where do you live then kid?”

My relief almost hurt.

“Birmingham,” I said.

“I should have known from the accent,” He said almost laughing.

“I could tell,” Said Beth. She wasn’t laughing. “I love the accent.” 

I could see how she made her money as a working girl. Even with her makeup running down her face she was appealing. Her eyes had a sadness in them. Deep down in their centres and it made you want to take her in your arms. She was getting old though. I could imagine the money was getting harder and harder to pull in. It didn’t look like Joe did anything except find new places in the park for her and the clients to go. I wondered how he’d really lost his job. 

“You know I used to come to this park all the time when I was working,” Joe said. “Even before I met Beth. I used to sit on that bench that you were sleeping on earlier… yeah, we saw you. And I’d just watch people.” He paused as he looked out in the night. The funny thing about storms is that sooner or later you forget that they are there. He looked past it all. I looked past it all. 

“I used to see some things. I saw families break up. Lovers having arguments… too personal for a public park. Girls pick up men. Men pick up women. I saw women come to the park and ignore everybody until they saw a black guy. Chinese men come and ignore everyone except white women. Everyone sniffing around for something. Men ignoring everyone and just looking around for a place to be alone… places like this they are good places to be alone. You can be surrounded by hundreds of people here and not be noticed.”

He was quiet for a while. “I don’t miss anything about that job except the money.” He finally said still quite quietly.

“Baby you made the right choice,” Beth whispered. Too quietly. I didn’t even think he could hear her. 

Joe didn’t speak. He had shifted a bit away from me. It was obvious he didn’t want to speak now. Everything he’d said seemed to have taken something from him. Some kind of energy. He seemed drained and fed up.

A duck wandered by and waggled its feathery ass at us as it walked. I watched it stroll past. Beth did too. Joe was looking out at nothing like he wasn’t there. 

“It’s when it gets cold like this… that’s when things start to get desperate,” Beth said, “Both of us start to think more about money.”

“I don’t think about it,” Joe snapped. He was still looking out into the dark park. “I think about my old job. When you work there you feel constricted and when you leave you feel empty.” 

“There just isn’t any way to win,” I said for the sake of saying something.

They both ignored me. The rain was slowing up. But the thunder carried on getting louder. Joe pulled a half-empty bottle of wine from a rip on the inside of his coat. He was using the inside lining as a big pocket. Beth reached over and took a big drink and then another. I hadn’t figured them as drinkers. 

Joe took it back and hit the bottle. It was strong stuff. Port. And the bottle was one of those big litre ones. Even with half gone they could get pretty drunk from it. I took some when he offered the bottle. It was sweet and bitter and it rolled down my throat like an old friend. It warmed my bones right up. Even more than them pressing on either side of me. 

We passed it around like that for a while not speaking. Beth drank. Then Joe. Then me. Big gulps. You could hear the swallow of each sip over the thunder. It crept its way into our heads. Beth was getting pretty loose. We were getting loose. We started talking again. 

Beth kept reaching behind me and touching the back Joes hair and then mine. Joe started giggling when he saw and said to me “I like you Kid but you have to pay if you want her,” Before giggling again. 

I didn’t want her really. It was cold and the rain was still drizzling and besides, I couldn’t afford it anyway. Joe seemed to want me to want her. He kept reaching over and lifting some part of her clothes to show her skin. 

“Look how smooth that is.” He muttered to me sometimes. Looking proud for reasons I couldn’t work out.

It looked smooth from what I could see. Which wasn’t very much. Sometimes when the lighting flashed around and I was looking at them their whole faces would be lit for a moment and it was like someone holding a torch on them for a split second. Beth started leaning close and kissing me quickly on the neck. Joe leaned close and said remember you’ve got to pay for her. 

I leaned back more against the door to get away, but Beth came with me. She wanted to say something. Joe stood up and mumbled he needed a piss. 

“We haven’t eaten in four days. Ninety-six hours. Joe spent the last of the money of this bottle. He always buys one when we get unlucky like we have been recently. He says it’s the only thing that makes it all seem okay.” 

I could see the shape of Joe as he walked further into the shadows.  His shoulders slumped.

“He gets fed up in bad weather like this. When no one comes to the park. No one asks him about where anything is. He feels useless. Like he can’t provide for me.” She put her hand on my leg. We looked out at the park together. Joe came back and sat down. Beth leaned over and bit the bottom of my ear.

Joe saw and grinned at me.

“I really don’t have any money,” I said. I should have known when they brought out the wine what they wanted. Joe just laughed and rubbed his fingers together. I wanted to leave them, but the wine held me down. It was like a great red weight balancing on my mind. I was drunk. Too drunk.

“People always say that when you ask them for some change. Its why we have to use Beth. You ask them for some help, and they lie to you. They lie so damn easily it’s disgusting. The lies roll off tongues as if they’ve always been there,” Joe shrugged.

“I’m not lying.” 

“I know Kid.” 

He was still grinning at me. My head was swimming from the drink. Beth was massaging my thigh. Joe raised his hand and started to rub his fingers together again. The night started to come undone. Thunder crashed and I felt rain hit my ankle. We all looked up at the sky at the same time. The stars bled from the sky as we looked at them. They bled silver and bronze and it covered everything. It floated into the ground and swept its way onto our bodies and into our mouths, I stumbled out the doorway and tried to throw it up. All that came out was wine. I put my fingers down my throat and pulled them back out before more red came up. My fingers were still silver and bronze. I could hear joe and Beth coughing behind me. Coughing and laughing. They didn’t seem to notice the colours. The silver and bronze filled my belly and hardened up in a little ball. I could feel it hardening all over me. It filled my brain and my eyes and my pores and my little moustache. I saw the lakes rise up against it all and drown us. The stars kept bleeding and the sky wouldn’t shut up.  

When I woke up in the doorway I knew they had probably robbed my payslip. They couldn’t even cash it without my work ID, but I knew they would have taken it. They’d both screwed me, and I’d paid. 

I touched my pocket and opened my wallet. I was surprised they hadn’t taken the whole thing. The payslip was gone as well as the few old coins I kept in there. I walked and sat back down on the bench I’d slept on before. It was six in the morning and people were starting to walk by. I reached into my coat inside pocket to check and see my work ID card was there. I hadn’t checked on it since leaving work. It was. I saw a little bit of paper sticking out from behind the ID card. The corner of it was wet and it ripped as I pulled it out. It was my train ticket.

I sighed. It had stopped raining. I thought about running to the office and waiting to see if they showed up. But I felt too ill. Too weak. I decided to stay sitting on the bench for a while and watch the ducks waddle in and out of the lake. I didn’t want to move. They went in and out in and out. One after the other. They don’t know a damn thing. Dear God.


William Hayward was born in Birmingham, England. He has been writing for five years, ever since he first read the author Leonard Michael’s and fell in love with short fiction.

“Helicopter” by Tim Jones


The helicopter was not his choice.  Aerodynamics would have been much better.  A twelve year-old Brandon was not only charmed by the highbrow and sexy sound of the word, he was thoroughly consumed by the idea of flight – squinting through Ray-Bans at the rapidly shrinking Earth, goosing the throttle and confidently pulling back the yoke to shake off life’s banal strictures and point himself toward a limitless horizon.  Aerodynamics as the topic of his Middle School Science Fair presentation was, for Brandon, a foregone conclusion.  With the effortlessness of destiny, an artful and scholarly vision had come to him:  an interactive display centered on a 3D model wing, blown by a fan motor that would run on a D-cell battery, and perhaps also float colorful little streamers.  This apparatus would demonstrate the core principals of weight, lift, drag, and thrust, the seamless mingling of learning and entertainment easily driving the judges wild.  The Science Fair had been announced at morning assembly with the mythic solemnity of a royal wedding.  “Each entrant must present an original topic, with no duplication, collaboration, or outside assistance,” aspirants were warned.  A buzz ran through the school, with good topics both jealously guarded and wildly speculated-on, but Brandon’s singular passion and depth of knowledge on the topic of Aerodynamics made him certain it was uniquely his.  He even cavalierly whispered his delicious secret over boloney sandwiches and GoGurts one day to Daniel Stenbock, a bit of a dim bulb, and not Science Fair material.    

On the day topics would be selected, Brandon waited in a long line of entrants to make his declaration to Miss Van Slyke, the willowy and pert recent gift to the school from the state college put in charge of that year’s Science Fair.  Her shimmering straight hair, maddening ribbed sweaters, short skirts, and long, flawless legs had lately been knocking around his adolescent brain almost as frequently as the thrill of flight; his stomach grew queasy when he stepped before her.  “Aerodynamics,” he said, trembling.

“Oh, sorry,” she frowned, looking at her clipboard.  “Somebody took that one.  Daniel Stenbock.”

 Standing exposed now before the perfect Miss Van Slyke, the idiot Stenbock’s treachery stung, but that prickly rush was quickly overwhelmed by the novel effects of a triple-narcotic cocktail, the sting and slam of which Brandon would come to know well and experience many more times: the rubbery, stupefying paralysis of being looked at by big, expectant female eyes, the dreadful fast-boil fear of disappointing her, and the primal spasm that arrests involuntary twitching or flailing to impose false cool.   “Helicopters,” he sputtered, naming the first semi-close thing that came to mind.

“Awesome,” Miss Van Slyke mumbled, but it did not seem to please her.

Brandon figured Stenbock was too dumb to also pirate his 3D display, so for the new helicopter set-up he would keep the fan and streamers, simply swapping a rotor blade for the wing.  But when he told his parents of this plan, his father thought the arrangement too technical, and that a diorama would better engage the judges.  The next night his father brought home an intricate scale model of the venerable Sikorsky S-70, better known as the Blackhawk, to be assembled as a father-son project, and ultimately featured as the centerpiece of this diorama.  It would hover heroically over the display area by means of translucent fishing line, his dad said.  Initially, Brandon was given the job of gluing the fuselage together, but was quickly shooed away for smearing glue and making fingerprints. 

A few days after starting the father-son project, Brandon’s father emerged from the basement, tenderly carrying a stunning tableau: the Sikorsky painted as a Fire and Rescue chopper poised tensely above a hillside made of Styrofoam, Elmer’s Glue and brown felt; it unwound a dangling stretcher basket to an injured hiker below.  The display was exquisite.  Even the faces of the tiny figurines his father had included were rendered in painstaking detail.  The macho Rescue pilot had a thick walrus moustache and wore jaunty sunglasses, while the hiker’s face was twisted in such bone-crushing agony that imagining what had happened to him on that craft store hillside gave Brandon bad dreams.  His dad said that painting with the microscopic brush under a magnifying glass had made him go half-blind, but he was sure the judges would appreciate the detail.  Brandon’s mother could not have been more proud.

When the awards were announced, and the project was given only a pedantic Honorable Mention, Brandon felt bad for his father.  Other parents looked at him and his shabby award ribbon with a resigned sympathy that seemed a little more like pity.  When he thought about it later, he had to conclude that their reaction was probably because of how his parents had cornered and loudly berated poor Miss Van Slyke.  Later she would give Brandon a hastily-printed Special Certificate for “Superior Craftsmanship” and in pressing it into his hands, seemed happy to be rid of him.  His dad hung it on Brandon’s bedroom wall, near the Sikorsky, which was strung from the ceiling with lengths of the translucent fishing line.  

That helicopter hovered unfailingly over his shoulder, always vigilant, ever-poised, seeming ready to unspool its umbilical, to hook onto his backpack strap and whisk him safely over the precipice of any impending stumble.  The Science Fair wasn’t the first time his parents had swooped in to kick up dust, or hooked-on to hoist him over an obstacle.  His father had been threatened with a lawsuit over his reaction to a blown Little League call that he could not let go.  His mother had found her way into every classroom as the tireless Volunteer Helper Mom, a position she created for herself when his Kindergarten teacher failed to nurture Brandon’s finger-painting gift, and had maintained each successive year by simply showing up with him at school daily and not leaving until the 3 PM bell.  Though not uncharacteristic, the Science Fair was when he first noticed the depths of their ostensible consumption.  He started wondering if other kids, like Daniel Stenbock, also felt the cool of an ever-present shadow hovering overhead.

A few months after the Science Fair, Brandon and his mom walked together into the schoolyard one morning.  “So I’ll be starting high school soon,” he said to her tentatively.  “I’ve been thinking maybe I should start getting ready.”   She said nothing, and this encouraged him.  “Maybe do a little more on my own.  You know?  To get ready…” 

His mother stopped next to the baseball backstop, turning as kids milled around them.  Her look was serene, but cautious, as if she had expected this, and had rehearsed an answer.  “You might think your dad and I are a little too hands on,” she began with a deep breath.  “But raising a child, especially one as exceptional as you are, is a sacred responsibility.  We signed up to do nothing less than our very best.  And how you turn out is a reflection to the whole world of our effort.  So maybe we try a little harder than others to do our very best.”

The din of adolescent chatter filled Brandon’s ears as he looked around at kids gamboling and slouching, screaming and whispering, strutting and shrinking, all unfettered, unsupervised, he the only one with a Helper Mom.  “Well, some of the other kids…” he stammered.  “Their parents aren’t as…I mean they don’t…”

He felt himself rising, a curious lightness tickling his knees and spiraling through his chest, as if flaps had deployed to thrust him skyward.  His mother smiled knowingly.  “Other parents don’t love their children the same way we love ours,” she chided.

It was only her hand that she placed gently on his shoulder, but it felt like the tubular steel of the Sikorsky’s landing skids crushing down.  “Someday, Brandon,” she said, “you’ll fly away.  But until then, you’re our responsibility.”  A soccer ball whizzed crazily toward them.  His mother deftly stepped in front of him, taking the ball’s blow on the shoulder.  Brandon looked into the schoolyard to see Daniel Stenbock smirking.  The idiot had done it on purpose.

High School, by virtue of its implicit mission to foster self-sufficiency and process pimply slackers into revenue-generating citizens, provided Brandon a little freedom.  Though he had to recite to them each day’s activities and obligations, and homework was still sometimes a group endeavor, he was often able to walk alone, in sunlight, without a looming shadow overhead.  Coincidentally, he noticed that the pitch of the Sikorsky model strung from his bedroom ceiling seemed different, perhaps nudged when his mother dusted it.  Instead of hovering, the nose now pointed up, as if ascending.  In his first week he signed up for the Cross Country team, and decided to give Band a try.

He had played the trombone before, sucking horribly, but had been encouraged to keep flailing away by teachers who needed extra bodies.  He sat with the other freshmen, their nervous chatter filling the noisy auditorium, waiting for tryouts to begin.  A few seniors huddled with Mr. Schulnick, the Director, ignoring the sweating noobs.  The room hushed when a long-legged girl streaming long, radiant hair swept in with an electrifying white-toothed smile.  The other seniors melted as she flitted among them, kissing each on the cheek, squeezing shoulders, pressing her chest into theirs.  This was Vanessa Rivington; she had pulled off the Triple Crown of secondary education performing arts: Student Band Director, Show Choir, and the lead in Oklahoma!  Even a clod like Brandon knew the story.

 “I’m super-excited!” Vanessa beamed at the freshmen.  “Our amazing director, Mr. Schulnick, and I, your Student Director, will evaluate each of you individually.  Don’t be nervous!  Be awesome!”

 Brandon’s audition sounded like a castrated harp seal with flatulence being assaulted.

“Awesome,” mumbled Vanessa, but it did not seem to please her.

“We might try you in percussion,” grimaced Mr. Schulnick.  “Ever played the tambourine?”

“Way to go Bran-douche,” sneered Daniel Stenbock.

It was rare for his father to leave work early, but when Brandon’s mother called after the audition he appeared, grim-faced and resolute.  His father dialed a number he had recently programmed into his cell, and Brandon overheard his half of the call:  “I’d like to speak to Mr. Schulnick please…Oh, he’s left for the day?  I’ll speak to the Principal then…yes, it’s urgent.” 

They emerged from the Principal’s office after about an hour the next day, his father shaking hands with Mr. Schulnick, who looked unnerved, perspiration rolling from his balding scalp.  His mother beamed.  “We’re going to try some private lessons,” Mr. Schulnick informed Brandon, sounding as if he was convincing himself both that this was a fantastic idea and that he was elated.

Brandon wouldn’t have really minded switching to the tambourine, but was happy to see his parents satisfied, so dutifully showed up for the lesson.  When he saw that it was Vanessa Rivington who would conduct it, his guts liquefied, and it was only a question of which orifice would falter first. 

“Ready for your lesson?” she asked, patting the empty chair beside her.  “It’s Brandon, right?”

He nodded as he sat, his throat suddenly parched.   

Vanessa’s abundant hair swayed as she reached for a sheet of music on the stand before them, sparks dancing from her polished nails.  Brandon had to look away, feeling scorched by the senior’s beauty and regal bearing.  Girls his age wore makeup, but they were all Kool-Aid lips and garish rouged-up puppet cheeks compared to Vanessa’s mature, artful, enchanting face.  Her eyes were round and expectant, dark caramel candy drops in a rosy shadow sliced by the lithe curves of raven lashes.  Paralysis from the first of three familiar narcotics stung and wracked him.  He fought to stay lucid as Vanessa’s plump lips announced their first practice piece as “When the Saints Go Marching In,” thready panic making his trombone impossible to lift.  Finally the third drug, barbiturate calm, kicked in and he could see the notes on the sheet.

“Show me what you got,” Vanessa smiled.

“Um,” she said, biting a plump lip after he had finished.  “Interesting.”   

“Terrific!” cried Brandon’s mother.  It probably shouldn’t have surprised him that she materialized, but he sat dumfounded at her stealth, and in awe of her dedication.  She must have hidden in the rafters, he thought.  “Good start, don’t you think?” she cooed to a confused Vanessa. 

Four years of largely ineffective tutoring, plus quarterly parent-teacher meetings with Mr. Schulnick, allowed Brandon to hold second chair through graduation. 

            There were nightly phone calls his first semester away at college, a running group chat used by the three of them throughout each day, and trips home every-other-weekend at his mother’s insistence so that she could do his laundry.  But on his own, he also experienced freedom again, a soaring, unfettered happiness at limitless possibilities that at times felt like he had always imagined flying would.  He bought a pair of knock-off Ray-Bans at the Student Union, and considered growing a moustache as virile as the rescue chopper pilot figurine, though he could manage little more than a scraggly, late-pubescent dirty chestnut fuzz. 

            Both his parents were as interested in his grades as they had always been, his mother reminding him of assignments that were due, and making sure he studied, his father proofreading and offering helpful re-writes of his essays.  His dad also seemed especially interested in whether he was making friends, or attending parties, while his mom often asked cloyingly if he was meeting girls.   

Kaylee had long, ruler-straight hair, and it brushed his cheek when she sat down in the seat beside him in the lecture hall one day.  She smiled and asked if he had last week’s lecture notes.  Brandon heard himself answer that he did, but his voice sounded to him like a surreal, dragged-out echoing yelp, as if coming off of a slow, warped LP amplified ghoulishly through a tin pail.   She put long, slender fingers capped by flawless flame-red fingernails to her sternum and introduced herself, then did this magical fluttering trick with her eyelids and lashes.  Brandon felt his heart inflate and collapse in an instant, becoming a shriveled pit that plummeted into his gut with alacrity.  Kaylee asked shyly to borrow his notes.  Had she asked for a kidney, he could not have agreed more readily. 

He said he would e-mail her, lying that he had typed the notes up already, but had forgotten his laptop.  In truth, he wanted to conceal all his flaws from her, poor penmanship among them.  That night he created a masterpiece – typing, spell-checking, re-reading, editing, and even supplementing with extra nuggets from the textbook.  He e-mailed her the file, and dreamed of a reply. 

Brandon spent most of that week thinking about Kaylee – her smile, her hair, those fluttering eyes.  She was arguably gorgeous, but neither Prom Queen perfect nor Pom Squad plastic.  She had a fresh, natural look with a preference for crumpled flannel, suggesting a genuineness to Brandon, and that perhaps she liked the outdoors.  And maybe she, like him, gravitated to books and science, and for their first date they could hike a well-lighted, not-creepy trail, settling to rest at its end on verdant grass to talk of the cosmos.  Their eventual wedding would almost surely be an outdoor one.

He lost his nerve when she found him in class the next week and thanked him with a diffident smile.  Agonizingly, he could do no better than mumbling “no problem” to the floor.  After that, he never seemed to score a seat next to her, and despite his willingness, Kaylee never again sought his notes (with sweaty horror one night, he conjectured that she had found them insipid, indecipherable).  He thought of her constantly.

Just before Thanksgiving he spotted her on the Quad.  She strode with feminine grace, swishing hair behind her that must have smelled of honeysuckle and promise.  Long legs carried her to him against the stately backdrop of academic brick and limestone plus autumn’s full splendor of scarlet, yellow, and orange leaves, the sun ladling out the last embers of its golden light.  With a strength he did not recognize, Brandon set his feet on the quad’s brick.  “Hey Kaylee,” he said, trembling.

She had earbuds in and gazed straight ahead, stumbling and pausing finally at the shadow looming in her path.  “Hey…you,” she said cautiously, seeming a bit unpleased.  Brandon stood shot-through again with the empty helplessness and rabid panic of that old three-narcotic cocktail, fumbling desperately for the synthetic, iced calm to kick in, but it was too late.  Kaylee replaced her earbuds and kept walking.   

Brandon’s mother was intrigued that Thanksgiving when she found out about Kaylee, but vexed that the girl seemed, in her estimation, shallow.  “She sounds like trouble,” his mother said.  “Thinks she’s better than you.  Well, let me tell you, there is no one better than you!”

In retrospect, it should not have surprised him that his mother insisted on staying overnight after she drove him back to college that Sunday.  She got a hotel room off campus and stood waiting outside his dorm that Monday morning.  It was early, a chilly gray day, late-autumn frost hoary on the grass, kids shuffling by, still half-asleep, hunched under backpacks and the weight of impending Finals.  “Let’s find this girl of yours,” his mother said.  Brandon’s stomach filled with both hope and dread, confounded by both the mortifying thrill of getting close to Kaylee, and also the nut-shriveling terror of what his mother might say.  She seemed to drag him on a translucent line toward the center of campus.  “As long as I’m here, I need to speak to one of your professors, too,” his mother said.  “That jerk who’s giving you a hard time in Sociology.”

It was the ruler-straight hair that he spotted from a distance.  Kaylee stood with a group of girls outside the Math building, lush, shiny hair spilling over a hoodie.  Brandon saw her laugh at something one of the others had said.  Turning, she looked right at him with a happy smile that seemed meant, somehow, for him.  That was when he knew for sure that he was in love with her.

He remembered his mother.

“It’s ok.  I don’t think you need to…” he stammered.  But she had already made off toward the group.  “Mom, you don’t even know who she is!”

“I saw the way you looked at that one,” she said, pointing.  “I know which one.  I know her type.”

He was unsure whether following his mother would make him look even more pathetic than he already felt, so hung back, consumed by both withering shame and an impossible hope that whatever was said might somehow work.  He watched his mother walk up to the group and beckon Kaylee aside.

Kaylee stepped away from the circle with a befuddled, but sunny smile.  Brandon could only see his mother’s head bobbing and hands dancing; Kaylee faced him, appearing to listen with the earnest interest and kind helpfulness of one asked if perchance she had seen a lost dog recently.  Gradually, Kaylee’s face melted to confusion, eyes narrowing, lips falling open.

Brandon strained to hear, edging closer.  There was a moment of quiet as Kaylee’s face went blank.  “I’m sorry, I don’t think I even know anyone named Brandon,” he heard her say.

A flash of sick heat ran through him as he became intently aware that he stood alone. 

His mother became more animated, even pointing with accusing zeal at the girl.  Brandon watched Kaylee’s face dissolve from puzzlement to concern, then quickly to alarm, clicking through emotions like the channels on a TV being changed by an impatient child.  She shrank back as Brandon’s mother intensified her harangue.  Kaylee’s darting eyes caught his just before the clutch of friends closed protectively around her, and instead of a bewitching flutter he registered a sour conflation of recognition, pity, and fear in them. 

He wished he could run away, wished the ground would open and swallow him, but he knew that at some point he would have to retreat across campus, towed behind his mother.  An awestruck crowd was beginning to gather, some swiveling their heads from his ranting parent to him.  Among them he spotted Daniel Stenbock, apparently just smart enough to get into college, and looking delighted to exhort the crowd.  Kaylee’s friends bunched around her tightly, a few of the braver ones shouting back at his mother, but this just seemed to enrage her more.  Her hands waved and chopped above her head as she cursed them, whirling like the blades of the old Sikorsky.  Brandon stood clutching the strap of his backpack, his only wretched hope that the trusty old umbilical would descend from the sky to hook onto him, whisking him away once again.


Tim Jones is a fiction writer living in Northern California. His proudest achievement is helping to raise two children, now college-age, without hovering too much. This story was inspired by parents he met along the way, who probably had good intentions, but may have tried a little too hard.

“Nobody” by Linda Rhinehart


Nobody will tell you
How much it hurts at first
And then keeps on hurting
Until you are amazed
That this is how much you can bear;
Nobody will tell you
How hard it will be to speak
As if every topic under the sun
Could be spoken of but that one
How it will hang like a stone in behind your unfamiliar breasts;
Nobody tells you how the years fly by
When you live inside your own head
And how each and every misplaced joke
And every laugh will cut you
With the ease of a sharpened bread knife;
Nobody will tell you
That the last time you will be loved
As you yearn to be loved
Is when you are held in your mother’s arms
Over Christmas break
And nobody will tell you
That you’re the one who has to love now;
Nobody will tell you
How surprised you will be
At how strong you will be one day
When all this is over
But not really
And how a butterfly hatching from a caterpillar
Couldn’t compare to faith can hatch from a human mind;
Because if anyone had told you
Then you wouldn’t have done it at all


Linda Rhinehart, 31, is an editor and amateur writer and poet who has lived in the United States, Wales and Switzerland. She enjoys cats.

“The Plumber’s Dream” by Mark Tulin


Roberta decided to come into the coffee shop and harass Harold again. She ordered a pot of chai rooibos and took a seat at the next table.  Harold ignored her as best as he could by looking down at the keys of his computer, which made him appear hard at work.  

            “How’s the next Nobel Prize winner?” Roberta leaned over and whispered to Harold. 

            Harold looked up angrily.  He hated Roberta’s cheap sarcasm.  She was his landlord, rich as hell, drives the most expensive vehicle while raising his rent at every opportunity.  She was an elitist snob who only read books on the New York Times bestseller list and believed that only a small number of brilliant people were capable of writing good books.

            “Oh, sorry, Harold.  I don’t want to interrupt the next great American novelist,” and put her hand over her mouth to cover a tittering laugh.

            A few months ago, Harold allowed Roberta to read one of his stories. That was undoubtedly a mistake. She went through every sentence with a fine-toothed comb and pointed out several questionable spelling and grammatical errors. She thought that the plot was weak, and the story’s premise had been done too many times before.  There was not one thing she liked.

            “Roberta!” the barista called, “Your chai rooibos is ready!”

            Roberta took the tea back to the table and decided that it needed a little more sweetening. She squeezed the brown bear until it squirted honey and made a loud, farting sound that she had hoped would annoy Harold. 

            Roberta thought that Harold should give up his foolish charade and stop acting as if he were an intriguing mystery writer, a la Raymond Chandler, by wearing a trench coat and a fedora as if it ever rains in Santa Barbara.

            At fifty-two, Roberta inherited a vast fortune from her father, who owned a professional Lacrosse team, and flaunts her wealth with lavish clothing and high-end automobiles. She had shoulder-length over-bleached hair, a painfully skinny figure, and a tight face from all the Botox treatments.  She may not be the youngest and prettiest woman in Santa Barbara, but she sure as hell was the richest.

            She had been Harold’s landlord in the Mesa for the last five years. He once was a successful plumber who had his own business. He dreamt of becoming a fiction writer since his early days as a plumbing apprentice.  His father, who was also a plumber, discouraged the idea of Harold becoming a novelist and persuaded him to pursue a more practical path.  At fifty-seven, Harold decided to retire from his business, rent an apartment on a hill overlooking the ocean, and live off of his modest savings.

            “Why don’t you try something that you’d be good at Harold, like fixing a clogged toilet?  You can help people more with your drain openers than you could with the keys of a computer.”

            Even though Roberta was well-read and collected magnificent works of art, she didn’t have a creative bone in her body. She was entirely materialistic—only concerned with what type of car you drove, where you lived, and whether you were a success or not.

            “Pretty soon you’ll run out of money, Harold, and then what are you going to do? You’ll be a pauper or perhaps become one of those homeless people who live in a tent under a bridge.”

            Harold ignored Roberta and scrolled down his e-mails, reviewing all the rejection notices he received from the past month—Atlantic, New Yorker, Antioch Review, and The Paris Review, among other notable literary journals.  He tried to be positive about all of his rejections but wished that he knew how to break into the world of published writers. The editors wrote back the same line: We are sorry that your story doesn’t fit our needs and hope that you’ll find a home for the work elsewhere.

            He drank his cappuccino while telling himself not to be discouraged; rejections are not failure. Not trying is failure.  He believed that all writers go through hard times; even the great ones like William Faulkner and Stephen King have had numerous rejections along the way.  

            He looked up at Roberta, who was smiling at him in such a condescending way that it made his stomach churn.  He had thoughts of strangulating her with one of her imported silk scarfs, stuffing her into the trunk of her metallic blue Bentley, and driving it off a cliff somewhere in Lompoc, thus ending the evil injustice that she represented to the world. 

            “When the day finally arrives when I’m successful, Roberta, you’re going to feel sorry that you mocked me when I was struggling. You’re going to feel awful that you weren’t supportive.”

            “Does that mean you won’t autograph your bestseller for me?” Roberta said with a sly grin.

            “Nor will I give you a free copy or mention your name in the acknowledgments. Why can’t you ever be positive for once? Why can’t you give me some helpful suggestions on how to get published instead of berating my work?”

             “Harold, don’t be naive.  Everyone doesn’t have a chance to do great things, and as far as you, like it or not, you don’t have the talent to become a successful writer.  I’m not one of those people who will sugarcoat the truth, Harold. I’m telling you for your own good.” 

            “I not only have talent, Roberta, but determination. I work on my craft every day and, although I’m not a Hemingway or a Faulkner yet—maybe, just maybe, I’ll get there one day.”

            “Harold, you’re one helluva dreamer.  No matter how hard you try, my deluded tenant, you’re not going to be another William Faulkner.  And from what I see, you’re not even going to be a mediocre writer. You sit around and contemplate your navel between sips of cappuccino while fantasizing about all the admiration you’ll get once you win the Nobel.”

            “You may not think I’m working, Roberta, but a lot is going on up here,” and he tapped the top of his head.  “I’m working on a great story for the New Yorker as we speak. It’s a humorous, inspirational piece with a lot of bite.”

            “Yeah, what is it called?”

            “Leaky Faucet,” said Harold.  “I write what I know.”

            It took much strength for Roberta to keep from bursting out in laughter.

            “That’s an interesting title,” she said while pulling back her bleached hair and tying it with a black scrunchie.

            “It’s based on a true story, Roberta. It’s about a gritty Philadelphia plumber who quits his profession to write poetry.  He’s an intelligent and sensitive man despite having a blue color job and a less than desirable circle of friends. Slowly, through his poetry, he unveils his hidden genius to the world and gets rid of his snakes and plungers for metaphors and meter.”

            “Sounds like a real winner,” Roberta said sarcastically, nearly choking on her chai rooibos.

            “Never mind,” said a furious Harold, and he got up from his chair to get another cappuccino.

            “No matter what I tell you, you’re going to think it’s a lousy idea.”

            Harold spent as long as he could, chatting with a flakey barista about a recent Bob Dylan concert he attended at the Santa Barbara Bowl, hoping that Roberta would get the message that he wasn’t interested in any more of her put downs.

            Roberta stayed for another thirty minutes and eventually got tired of humiliating Harold.  When Harold did look up from his computer, it was to stare onto State Street, watching the tourists walk by and wondering about different ways he could end Roberta’s life.  He could send her a letter bomb, light her house on fire, or put arsenic in her chai rooibos. Harold sat distracted with a pencil to his jaw, feeling angry with himself for sharing his story, Leaky Faucet, with someone who didn’t appreciate his talents.  Because of Roberta, he felt like crap about his writing and couldn’t concentrate. 

            “When you decide to give up that pipe dream of yours,” Roberta said, pointing to his computer, “give me a ring.  Quite a few hot water heaters in my apartments need to be replaced.”

            Harold’s anger burned like a furnace. “Not on your life, Roberta. I’d rather dance with a saber-toothed tiger than practice plumbing again.”

            “Oh, well.  I tried to save you,” said Roberta, picking up her Gucci bag and making annoying clomping sounds with her Prada heels as she left the coffee house. 

            A month later, Roberta would mysteriously disappear.  She had gone to New York for a few days to visit a friend and never returned. Her sister had called the police, who questioned Harold not too long after.

            “When was the last time you saw Roberta Westin?” asked the detective who vaguely resembled the old TV detective, Columbo.

            “At the Coffee Cup on a Wednesday afternoon, about four weeks ago.  She was drinking tea and not acting any different than normal.”

            “Did she tell you anything that could help us locate her whereabouts?”

            Harold couldn’t help but smile at her disappearance and secretly hoped that she had a particularly gruesome demise.  “No, officer.  She didn’t talk about going anywhere.  We just chatted about my writing.”

            “Thank you, Mr. Blevis.  I think that will be all.  Sorry to inconvenience you.”

            At the request of her sister, who strongly suspected Harold of foul play, the detective returned two weeks later and questioned Harold again.

            “I’m sorry to bother you, Mr. Blevis, but are you sure you don’t know anything else to add about Ms. Westin’s whereabouts?”

            “No, sir.  I’m afraid I don’t.”

            “What was your relationship with Ms. Westin?”

            “I was her tenant.”

            “Did you have any arguments with her or resent about anything that she had said to you, like say, your alleged writing career?”

            “No, sir.  She made some good suggestions.  I thought that she was trying to be helpful.”

            “How was your owner-tenant relationship?”

            “Fine. I paid the rent on time and never complained. She didn’t have any problems with me as far as I know.”

            “You have no resentment about her raising the rent periodically?”

            “I don’t like it, but I understand it’s a business.”

            “Mr. Blevis, Roberta’s sister said that the two of you had major conflicts over your story ideas in the past?”

            “Sure, we disagreed.  But I understood where she was coming from. Roberta has strong opinions and felt that I should quit writing novels and go back to a career as a plumber.”

            “Do you have any thoughts of harming her for some of those strong opinions?” 

            “No, detective–certainly not. I have no ill feelings toward her, if that’s what you’re implying?”

            About six months later, Harold received a letter in the mail announcing that his rent would be increased by over twenty-five percent, and, at the bottom of the typed page, was Roberta Westin’s signature.  When he realized that nothing tragic had happened to her and that she was still alive, Harold felt an overwhelming sense of disappointment. 


Mark Tulin is a former therapist from California. He has two poetry books, Magical Yogis and Awkward Grace, and The Asthmatic Kid and Other Stories due out in August of 2020. You can follow Mark at Crow On The Wire.

“Just Brunch” by J. Z. Wyckoff


All Bee had read was the subject line, and already she felt saliva pooling in the declivities of her mouth. In the body of the email he’d pasted a photo of his back yard set up for an old party, and below it were a few words about finally coming together, with social distance of course. Clearly written to entice, there was also a list of probable menu items, the fantasy of which, after months peering in the window of her favorite still-shuttered breakfast spot, had taken on the dimensions of the divine.

At once she could almost see the champagne flutes spitting with pulpy mimosas, could almost taste the ‘patatas bravas with a rosemary tomato relish and poached eggs,’ the ‘bread pudding French toast made with homemade challah,’ and the ‘dark chocolate banana cannoli.’ The guy throwing this thing was a chef, after all. A chef with time on his hands. She didn’t know much else about him except that his last restaurant had closed before the pandemic, and that he was recently divorced at about forty to her thirty. She wasn’t interested, but they had a couple of mutual friends.   

Picturing that mimosa must have made her nearly drunk already, for somehow she convinced herself that the whole thing would present minimal risk. And the weekend was going to be hot, and she’d been so good, had done everything she was supposed to: bringing groceries to an elderly neighbor, checking in on the Lord-of-the-Flies-turned kids she’d tutored on the side of her also-shuttered retail gig at Couture Clash clothing boutique downtown, online dating with zero luck and as many actual dates, and filling virtual tip jars for local bartenders, servers and haircutters with the dregs of her unemployment checks.

Besides, her roommate Cammy was breaking their pact quite openly now. At first she’d been sneaking around, coming home at night as though she was just at work, which for her had stayed open, but she must have fallen asleep at her new boy toy’s place one evening. Then she came clean: he had six roommates, they were bros, but he was sweet. Still, the exposure was significant.

There was also this flirty smoking thing Cammy had been up to with their newly-bearded neighbor on their stoop. They’d sit there for hours, fewer and fewer feet apart these days, smoke swirling in and out of their mouths, making visible the air, she thought, like the pink stuff you have to drink before a CT scan. You’d think it would be alarming seeing air do that, but its daily effect was one of etching away at the very possibility of social distance, at least with this roommate in this cramped city. For if she asked them to move, they’d just be putting someone else at risk.

If he isn’t careful, I’ll just bounce, she told herself, thinking again of the host. But as an accomplished chef, he probably would be. Of their mutual friends, Serena was her closest, but she just had a baby. Deidre would be there though. She didn’t see Deidre that often, but Deidre was fun. The night they met, a couple of years ago now, had bonded them forever. They’d been introduced at a show through Serena, and a handful of hours later they were all swimming naked in the ocean, untouched by the cold, as the sky began to glow. Anyway, Deidre had already replied to the email, ending with a string of party-hat emojis and her signature clinking-bottles emoji. A green light and a trigger if there ever was one.

***

The morning of, she felt like she was twenty-two again, tiptoeing out to buy champagne and fresh OJ on her way somewhere she knew she shouldn’t go. Cammy was still asleep, but even if she’d been up, making messes and shuffling around in her ridiculous balloon-size Hello Kitty slippers, Bee wouldn’t have said a word.

Masked the entire walk, she passed dozens of boarded-up businesses and navigated at least as many homeless encampments, with gloves and masks littering the streets. Seeing it like this month after month, after a partial reopening then shutting down again, her heart broke for the city, but also, more recently, two thousand miles from her mother, for her own broken place in it. Yet here she was in a tank top and a pair of stretchy jeans she hadn’t worn in months, toting a bottle of champagne she hoped wouldn’t be bubbly in the extreme. She felt her privilege in every exposed inch of her pale skin, even if her unemployment would run out soon, even if she didn’t have a fallback plan. She’d called her mother yesterday to vent about things, but she hadn’t picked up. Her mother was practically living in her backyard garden these days. And when she wasn’t gardening, she was sewing masks with prints of various flowers. In fact, the very mask Bee had on was one her mother had sewn with a print of red and yellow poppies. A splash of color for this city of cement and glass and now quite a lot of plywood too.

There was a standing offer to come live with her mother in her quiet widowed life, which was a kind of fallback plan, she admitted, but it wasn’t much of one, in a town she barely knew. Though her heart did swell whenever she saw pictures of that garden her mother had begun from scratch when she moved into her little cottage after Dad died.

Nearing the four-unit building, she was just feeling for her hand sanitizer when she saw the garage was open. It was below street level, so the descent was dark, but at the back of the cobwebbed space a purple balloon hung from a nail above a backlit door. She walked toward it, past three sedans and an oddly muddy SUV, then took three deep breaths like she was readying her lungs for a free dive. Just Brunch she repeated, elbowing open the door.

***

The first face she saw was the host. Daniel was his name. He was sweaty as he lifted his glass of what appeared to be rosé. ‘Bee! You found us,’ he shouted, smiling gamely under a partial canopy of giant ferns. It was the same smile he’d given her the first time they’d met, except now he was divorced. In the back of her mind she knew this could get complicated, even as she swooned over the long picnic table covered with bagels, lox, capers, fruit, bacon, the patatas bravas with poached eggs, his bread pudding French toast, a large French press, and a sort of meringue cake he’d called a ‘pavlova fruits rouges’ with a sprig of mint on top. Oh, and there were the cannoli beside a trio of sunflowers in a vase.

She held up the champagne as she neared the group. Deidre had turned and raised her glass too. Another guy, introduced as Iz, smiled rather sheepishly from the end. None of them had masks on. Quickly she pulled hers off too, but less out of self-consciousness for being the only person with one on, than as a kind of saying yes to finally seeing smiling faces with them off. For at once this warm space seemed the perfect sanctuary from the new way of things, as though the past had a locality inhabitable and complete. Deidre even stood with crow’s feet at her eyes, and wrapped her in an epic chest-compressing hug, which simultaneously dazzled her senses with the first real embrace she’d received in way too long, while it sent through her electric eels of alarm.

She opened the champagne quickly for an excuse to stand back and away. Immediately it bubbled over, to the delight and laughter of the group. And for the next hour the four of them clinked glasses, savored bites, and got loud in the way people cannot resist when a collective buzz takes over—and more so when no one has had much occasion to drink collectively in a while. There was a peculiar kind of release as well, as if the whole thing was over now that everyone was good and tipsy. And they were sweet people, each of them. They had joy in them, was the word that came to mind. And to be here like this was joyous after inhabiting such sadness and uncertainty for so long.

And the pandemic didn’t even come up. They talked at length about food, going around the table with stories of delicious meals that stuck out in their memories. Daniel, who said to call him Dan, went into elaborate detail about an evening of pintxos in San Sebastian—particularly a plate of freshly foraged horns of plenty, saffron milk caps, and St. George’s mushrooms sautéed in herbs and arranged around a single uncooked red-orange yolk that, as the sky glowed the same color over the azure bay, had come to rank in the top ten highlights of his life. She’d known he’d run a high-end restaurant, but she hadn’t known until today what esteem it had risen to, almost-but-not-quite garnering a Michelin tire, as he called it. ‘Because tires float like a life preserver when associated with your name,’ he said. ‘Even when the economy pulls others down.’

She was about to ask him his plans in this scary new world, but he continued on enchantingly about the dishes they used to produce, relying solely on two farms and ranches less than a day’s drive away. She felt herself beginning to be at least mildly pulled to him, his earnest grin, sharp nose, with strong hands and plucky forearms that looked like they could acquit themselves as well outside the kitchen as in. At some point, however, as they laughed after a story of calamitous failure during the ambassador to Andorra’s visit to his last restaurant, she glanced up at some movement in a neighbor’s window and saw a woman scowling down, her young child climbing precariously onto the sill to see as well, until she picked him up and spun around, away. Their bubble had been pierced. Dan had seen it too. ‘Oh, she’s always a pill,’ he said. ‘As if I didn’t endure two years of that kid wailing.’

***

The conversation then swung to children, of whom Dan had one, a fourteen-year-old boy who was staying with his ex-wife. Deidre said her daughter was on a pot farm up north. She’d just come back from up there herself after a few months. This wasn’t a surprise to Bee; Deidre had been there before. Looking at her though, it was easy to forget that Deidre had a grown daughter, as she was still in her early forties and did things like live on pot farms and swim naked in the ocean. When they first met, Deidre’s stories of parenthood made Bee feel young and free by comparison, but now, alone in this new world and still living with Cammy (ugh) as she aged like a barreled cheese, something vital seemed to be missing from her life.

‘Which reminds me,’ Deidre pulled out of her cloth bag a zip-lock with a single massive purple bud and a sizable tapered joint inside. ‘Any takers?’

As she fired up the joint, the twisted paper end flared up, and Bee felt her eyes getting big at the possible exposure from sharing such a thing. ‘Oh, and maybe more appropriate to brunch I have these little butter cookies.’ Deidre then opened another zip-lock and slid them out onto a plate. Bee did take one of those. They looked innocent enough, though she knew whatever Deidre made would pack a punch.

Afterward, she held up the plate to Iz, whose face was now a little flushed, though he’d been relatively subdued compared to the rest of them. He declined, preferring the joint, and reached across the table. As he did so, he caught her eyes lingering on him a bit more than was polite (where were her manners, she’d just been away from people for so long!), and cleared his throat in that way, she thought, that people who are disinclined to share much that is very personal, work themselves up to do so. But Dan cut in. ‘Your daughter is in India still, right?’

Iz sighed, looking at the joint without taking a puff. ‘Honestly, I can’t keep track anymore.’

‘Those artist types,’ Dan said with a wink, giving Deidre a quick look. If he was playing matchmaker between Deidre and Iz, it was working, for Bee had seen them making eyes at each other already. Maybe he was hoping they’d pair off.

Now he turned to Bee. ‘Did I tell you Iz is an amazing woodworker? His gallery show last year was really some of the most sensual sculpture I’ve ever seen.’

She gave an impressed look, but she was more concerned with how it had been having his daughter so far away right now.

‘You should tell her about where you get the wood,’ Dan continued to Iz. ‘You’ve been up there, what, six or eight months now?”

‘Well, it’s hard to leave,’ Iz said shyly. ‘It’s a pretty cool place.’

Pretty cool?’ Dan said. ‘It’s incredible.’

‘Why don’t you tell her about it,’ Iz said, finally taking a puff. He blew the smoke up, away from the table, then waved the excess with his hand. Bee couldn’t help but think of Cammy and her neighbor and the smoke that filled her lungs whether she wanted it to or not. But this smoke felt different, enveloping her in some other reality.

‘Okay,’ Dan smiled. ‘Well it’s over fifty acres with a house, a studio, a large duck pond, a vegetable garden, and a fruit orchard. Iz has taken care of it for years, and in exchange he’s gotten to hew fallen redwood and oak trees and walnut, right?’

Iz nodded, then spoke a bit about not taking from the forest but harvesting what it gives, and finding sculpture there, waiting. ‘The owner was one of these survivalists,’ he said. ‘So he had this property up near Fort Gregg just in case, with everything set up. But he died a year ago.’

‘And he left it to you,’ Dan said, flashing a look to Bee.

‘He did,’ Iz said. ‘It’s getting sorted out. Just slowly.’

‘Lawyers,’ Deidre huffed. ‘If I never meet another one in my life, maybe I can forget they ever existed.’ Bee remembered that Deidre once said her ex-husband was a lawyer as she went on about how far she’d felt from lawyers and lawyering up north in the redwoods and the blackberries just beginning to redden. She then described an experience on a kayak in a nearby river with her daughter recently. ‘It was an estuary, really,’ she said. ‘The longest undeveloped estuary in the state. You start by the ocean as the tide is coming up and you follow a light current on a finger of salt water that gets narrower and narrower. What paradise it was with the cypress and their hanging moss above a lone elephant seal on the bank and baby otters playing in the reeds, then dipping into a stand of towering redwoods with walls of blackberries in the clearings. Then, farther up, under these huge fluffy cottonwood, we saw the sweetest family of ducks among purple iris, wild ginger and leopard lily. But the best part was that there wasn’t a human soul around.’

‘Wait,’ Bee said suddenly. She’d been lulled by Deidre, could listen to her for hours, but had these two really managed to be away from the city for most of the pandemic? ‘So you both have been up north for months until… when?’

‘Actually, I just drove down early this morning,’ Iz said.

‘Me too,’ Deidre said, glancing at Dan.

‘Isn’t it sad to be in the city now, with all the masks and things closed?’ Bee asked, fascinated to think about these two people possibly just seeing the effects of the pandemic for the first time. Maybe that’s what the feeling had been about when she came into this little garden, the feeling almost of having gone back in time.

‘This city’s fucked,’ Dan said. ‘The lines, the tenuous food systems, the businesses gone under, but rents are still never gonna drop enough for real people to afford it.’

I’m not coming back,’ Iz said. ‘I can’t.’

‘Me neither,’ Deidre said. ‘It’s felt so good to be disconnected these past months. To just unplug and live simply.’

The three of them were nodding at each other, but Bee felt an awkwardness in the silence.

‘Do you ever think about getting out of here, Bee?’ Dan finally asked.

‘Sure,’ she said, but in truth she didn’t know where she’d go. ‘But I mean, this has been my life, and anywhere you go right now, isn’t it kind of fucked?’

‘Not this place,’ Dan grinned.

‘You mean that property?’

‘Okay,’ he said with deep breath. ‘We didn’t know how to approach this, but I’m going to level with you. The three of us have been up there since the middle of March. It’s true that Deidre was on the pot farm, but then I introduced them.’

‘We’re in love,’ Deidre exhaled, beaming at her, then at Iz.

‘I’m sorry,’ Dan continued. ‘We just didn’t want you to feel cornered. But this property’s so amazing. We’re ready to live there for the long haul. In fact, I’ve got to be out of this place by the first.’

‘I know we haven’t talked in a while, Bee,’ Deidre chimed in again. ‘But you’d love it up there. We just want to share it. And a few weeks ago I told them about the night you and I met. About the beach and the swimming, and,’ she nodded to Dan, ‘he got the idea that you might be spontaneous enough to come with us.’

Bee felt her head beginning to swirl. ‘So all this…’ she gestured to the table.

‘An invitation,’ Dan said.

‘But,’ she began, pausing to try and wrap her head around this. ‘Weren’t you worried about the virus? Coming here, hugging me and everything?’

‘It was a risk we were willing to take,’ Deidre said. ‘But you’re not working. You don’t have to take the bus anymore. Though I was a little worried when I saw your posts. The one thing is your roommate. She’s the risk.’

Bee thought for a moment. She had complained on social media about the smoking on the stoop, and the visits back and forth with her boy toy, knowing it was a private page. But seeing there was a hidden agenda behind this whole brunch, she couldn’t help feeling manipulated.

‘Remember that night?’ Deidre continued quickly. ‘Sharing that towel, watching the sun rise, talking about our lives? Bee, you were complaining about Cammy even then. And you’re still there? How long can you live like that?’

Deidre was right, she’d been unhappy with Cammy for a long time, but she hadn’t the faintest memory of complaining to Deidre then, to a woman she’d just met. Looking at her now, Deidre seemed almost as much a stranger as she did then. Who was this woman, really?

‘I’m so sorry we didn’t tell you right away, Bee,’ Deidre added, seeing her face sour. ‘But we wanted you to feel what it could be like with us, happy, unafraid, eating amazingly. We’re all about respect up there, without dogma or anything, and you fit the profile perfectly of what we want to create.’

‘Profile?’ Bee asked trying to maintain a polite mask while inside she was really beginning to spook.

‘I guess I don’t really mean profile. But you’re young, Bee. You can still have kids.’ Deidre glanced at the other two as Dan shook his head with a guilty look. ‘I know I’m getting way ahead of myself here,’ she scrambled, laughing uncomfortably, and shrugging Dan’s way. ‘But we thought it all out. We want to do this right, raise children close to the land, close to what’s essential, with art in their lives. You heard we each have kids already, so we see how it could be done better, away from all of–’

‘Do you have a bathroom I can use?’ Bee stood with her purse in her hand, breath quickening to panic. What were these people starting, some type of cult?

‘Of course,’ Dan said with that same look. ‘It’s the third landing, past the kitchen on your right.”

***

Without making eye contact with Deidre, she was able to fashion her lips into a smile as she made her way to the stairs, but her legs were shaky, her hands almost numb. Holding the worn wooden railing all the way up, it wasn’t until she was nearing his small peeling deck leading to his kitchen that she turned and saw the fishbowl of other apartment buildings facing a grid of slouching fences crisscrossing the interior of this block. She didn’t even have a yard to share, so seeing these made her at once envious and a little sad that such an interior was so divvied up, more fence than space, really. It also reminded her how many people surely touched this rail with neighbors packed like sardines, much like her place with Cammy. At that, she promptly lifted her hand.

Past the kitchen, she found the bathroom and scrubbed her hands. She then splashed water on her face, peering at her bloodshot eyes in the mirror. The champagne and the pot were competing in her for dominance, it seemed, along with so much else in her head. Maybe it was from being such a shut-in for so long, but for that first hour she’d felt so light, thrilled to be living like they used to, with that joy instead of constant fear and vigilance, with physical ease instead of the glitchy unease of online dating. One guy she’d met had actually sounded a little like Deidre just now, the way he seemed to be ticking down an off-camera list for the trajectory of his future life.

When she came back to the kitchen, she noticed two huge empty duffel bags and a stack of folded paper grocery bags on the floor. The counters were covered in pots and pans and cutting boards, and yet, because no one had been living here, the space still felt spare. The only sign of having raised a kid in here at all were some old stickers in the window of the open door to the porch. Outside, she could hear their voices. No one was laughing anymore.

Scanning the empty apartment, she saw Dan’s front door. She knew she could walk right out and put an end to this bizarre morning, but she couldn’t seem to move. And yet this feeling of immobility was exactly what Deidre was calling out—her willingness to hide and complain well before the pandemic came along. Suddenly it was clear how venting, on social media and off, had deflated her into a kind of torpor. In that sense, walking out now could be an act of empowerment, a way to take control of her life and set its new course. But she knew she couldn’t force Cammy out, so she’d probably have to move.

Into her hesitation came the sound of footsteps. The panic returned as she saw Dan slowly ascending the back steps with a frown. When he saw her he stopped below the landing, hands on both railings. He was about ten feet away with the open back door between them. That fishbowl flanked him on both sides, shaded by another small wooden landing above him with more stairs leading up.

‘I don’t know what she was talking about,’ he began. ‘Deidre has her own ideas, I think, maybe from her daughter being in whatever courtship she’s in. See, they’d always been so close.’

Bee felt herself nod, getting bit of vertigo seeing him beside a banister that looked quite low for his body on those rickety stairs.

‘Leaving the city for good is so freeing, I’ve discovered,” he said. “But it also brings a sense of loss. Of mortality, too, for whatever heyday of youth you had feels like its behind you. The highs seem higher, and the lows get romanticized.’ He looked at his feet. ‘That’s not a great pitch for coming with us, I know. I’m a terrible salesman, but I’m just trying to be honest. And the highs up there are something else. Seeing baby ducklings take to the pond for the first time, then watching them grow, along with the trout we stocked and the fruit on the trees—we’re just starting out, but learning to solve problems like any small farm or garden would have, and seeing things flourish—it’s unlike any feeling I’ve ever had.’

Bee flashed to her mother in her garden with a smile across her face like she’d never smiled before. Oh how she wished her Dad could’ve seen that.

‘All that fruit on the table,’ he continued more pointedly. ‘Those strawberries and nectarines on the pavlova, and more I didn’t even bring down–’ Now he motioned inside and she backed up as he dipped into the kitchen, his hand reaching toward a bowl. ‘We grew these,’ he said, holding up some blueberries. ‘I can’t believe I’ve never grown anything in my life before, anything I could eat anyway. All I did was chop things, heat things, kill them. It’s like I was living with one hand behind my back. Life was so limited here.’

‘I feel like I’ve had both hands behind my back these past months,’ she blurted, sighing.

He gave a short laugh as he leaned against his sink, fully in his element, yet seeming bewildered too. ‘Meanwhile first responders and healthcare workers have all had both their hands full,’ he said. ‘But if we can reduce density in these cities, and therefore the severity of this next wave, while putting less strain on the food system, on supply systems of all kinds, then we’re helping, we’re second responders by getting out of the way.’

She hadn’t thought of it like that. Except hadn’t there been frustration in rural communities from such an influx of new people these days? ‘I wonder how the Fort Gregg area feels about all that,’ she said.

‘Sure, there’s some moaning about people like us,’ he said. ‘But we’re really pretty self-sufficient, and we’re planning on bringing things to the farmers’ market when we’re more set up. You know, give back to the community, be a part of it.’

She considered his plan, surveying again all the effort he’d gone to. It was creepy for sure, but at the same time, in one of the most isolated moments of her life, a little endearing. ‘But why me?’ She had to ask. ‘I mean, why not throw a bigger brunch and see who’s interested?’

‘We did, Bee. We didn’t want to have too many people here space-wise, but there were two others we reached out to. And you were the only one to come. What does that say, that you were the only one to actually make the first step?’

What did that say? Still, she needed to gauge his response to something. ‘Were they both women my age?’ she asked.

‘I mean, yeah, give or take,’ he said with that guilty look again.

She thought of Deidre. This was all too weird. She needed air. She walked out onto his landing. In the row of backyards, several people were outside puttering or watering. Two girls were fighting over a hula hoop.

‘But that’s not why.’ He scrambled behind her. ‘They’re both already friends.’ But she was only half listening as she peered down at the table and saw the sunflowers gazing up. Her mother had sunflowers too, in her raised beds of squash, cherry tomatoes, climbing peas, lettuce, and mint for mint juleps. At once, an image seized her of her mother kneeling alongside. Now there was a woman in control of her life.

Peering down at the table again, she realized Deidre and Iz weren’t there anymore. But she couldn’t see the whole space. She started down the first set of five steps holding the low railing. At the turn she’d be able to see the whole yard, like that enticing photo in the email.

But frightening her nearly out of her skin were the two of them crouched low on the steps. Even as she put it together that they were only eavesdropping, her body recoiled as if attacked.

All she saw next was the table swollen with fruit, flowers, mimosas, the pavlova and the French toast she never got to try. The colors of it pinwheeled as her breath caught. Now they were the colors of her mother’s garden, with her mother smiling in it. Her arms went out, reaching, but there was only rotten wood, splinters, nothing to grab a hold of. As she floated above the space for a moment, she felt what it would be like to leave the city, the leap of it, the loss, the mortality, but also a shedding, the fresh naked power in facing whatever came next. Yet around her the city was closing like a mouth.

Just then she felt hands on her legs. She was being held by the ankles.

‘I’ve got you,’ Deidre hollered with Iz behind her. ‘Holy shit, I’ve got you.’


From Oakland, California, J.Z. Wyckoff holds an MFA in Creative Writing from San Francisco State University. His work has appeared in The Santa Clara Review, Art Practical, 90ways and elsewhere, and was recently long-listed in the 2019 Fish Short Story Prize. He used to haul art around the country for museums and galleries, but now he is a tutor and advocate for homeless and highly-mobile youth. He’s also beginning to shop around his novel about a city where rising seas, the tech industry, homelessness, and autonomous vehicles all collide.

“The Quinzicals” by Cole Plunkett

My mother’s name is Moira. Her husband is Quadrey. Their last name is Quinzical.

            My name is Quincey. I was born to Moira and Quadrey Quinzical on Friday, February thirteen, 1976. Well—actually—I was born to Quadrey Quinzical and Moira Quellentine. My parents were unmarried at the time I was birthed. Had I been born on February fourteen, the names of my parents would be Moira and Quadrey Quinzical, and Quinzical only. They aren’t devout Catholics.

            I spend a reasonable amount of time with my parents, but it could be more. Moira Seven doesn’t work on Wednesdays and Saturdays, so those days aren’t available. And the days when I must go to the store. I hate going to the store. The cashiers always give a weird eye when checking out my list, and people always take a step away from me in line as if I don’t wear deodorant. I do.

I’m not quite ready to introduce Moira Seven to my parents. Soon, hopefully. I just need the courage.

            “I’m leaving, Quincey,” Moira Seven says from the front door, wearing her purple scrubs and a pink fanny pack.

            I walk to her, and we peck each other on the lips before hugging. I could crush her bones if I want.         

“Have I ever told you that you look great in purple?” I say.

            She drops her head and blushes like an embarrassed child.

            “Every time I wear it,” she replies. “I love you to death, Honey Bunches of Oats.”

            “Promise?” I say.

            Quincey Quinzical fiddles with a gold ring while staring out the front door. He waits for Moira Gaylewood’s red PT Cruiser to drift away from the replica of his childhood home.

            He runs to the bathroom he and his girlfriend share—outside their separate bedrooms—and takes a key out of the bottom drawer on his side.

Quincey inserts the key into the basement door.

            The smell of it is never pleasant, even for biology professor Q, but the pure joy that elicits from his skin in the form of goosebumps of getting to see his parents—his dear mother!—always instantly eradicates any negative feeling he could possibly feel from something so minor as a fume. It is also quite frigid. Because of the meat freezer, of course. There is also a gun on a desk to the side.

“Do you want some food, Mommy? You’ve got to be starving! I’ll make some popcorn.”

Life is better when Moira Seven is gone and I’m with my parents. Sometimes, I think about getting rid of her so I can spend all my time with my parents.

(Pop. Pop. Pop.)

Moira Seven is my first girlfriend. I found twenty-three of them on the online dating site I used, and I went on a date with every single one of them. Well, I would have, but I stopped on Moira Number Seven.

She was Date Number Three on Day Two of my originally planned week-long dating spree. She was perfect.

(Pop, pop, pop)

I planned all my dates at the bowling alley. On that day, Moira Number Five was first at 12:00 post meridian. She was close—no question.

“If you could meet one person in history, who would it be?” Moira Five asks.

“Freud,” Quincey replies, prepping to bowl, ball centered in front of his face.

“Of course,” Moira says as Quincey releases the ball. “The greatest psychologist—scientist, if you will.”

Quincey turns with a smirk, bowling a strike.

“Of course.”

But she beat me in our second and final round of pins, and I couldn’t have that.

Moira Number Six arrived at 3:03 post meridian when she should’ve been there at 3:00. I wasn’t always particularly fond of my father—his greatest quality is that Moira Quellentine loved him—but he did offer me an important piece of advice: “Always show up at least five minutes early to your occasion, and—if you reallycare—be there fifteen minutes early.”

“Will you leave?” Quincey demands.

“But we have one more game le—”

“I can bowl for you.”

Moira Seven, however, showed up to the lanes at 5:22 post meridian… thirty-eight minutes before our date was supposed to begin.Of course, I’m a man of my word—as she is, but a woman—so we waited to start the date until the official time of 6:00.

(Pop pop pop)

During this time, I continued to hash up my skills in lane thirteen of twenty-six while she sat in a wooden chair behind the pool tables. I knew it was her because each time I laid my eyes on her, she would shrivel in her seat, and her face would convert to the color of a ripe mango.

It was a relatively silent date—the best kind. We played our two rounds of pins, her complimenting my every move, just like Mom would, while I proved to her my remarkable bowling skills. I don’t think her teeth were ever covered by her lips the entire time we played.

(Poppoppop)

I called Moira Number Eight to tell her to not bother coming to the bowling alley at our scheduled time of 9:00 post meridian. I had found my Moira.

(Popopopopopopopopop)

What struck me most deeply about Moira Seven was how closely resembled she was to my mother. Black hair that was shorter than mine; skin as pale as a vampire’s; deep, dark brown eyes that have a specific beauty that can only be seen by the ones that love them most; and a body that could probably be snapped if they wore a dress that was a size too small.

(Pop… pop… pop…)

Beauty. Pure, utter beauty.

(BEEP! BEEP! BE—)

Quincey Quinzical sits between his parents on the couch. He feeds Quadrey and Moira by forcing the popcorn down their throats. With the same hand he uses to prod the popcorn through his parents’ mouths, he eats some of the popcorn himself, licking his fingers afterward so he isn’t wasting any food.

He also feeds them Kool-Aid. It gets sticky quickly, but he makes sure to clean the mess with his shirt. He recycles the shirt back onto his body.

Quincey is playing The Shining this morning—his favorite movie. His favorite scene in The Shining is the bathroom scene with the lady in the tub. He makes his mommy cover his eyes with her hand when the nude woman arises from the tub, but he always manages to peek through the hand like shutters in a window. He has always been more interested in what the woman becomes, really.

After the movie, it is nighty-night time—Quincey’s least favorite part of the day.

After Quincy returns his parents, they pray together, and they talk about how lucky they are to still have each other. And he gives his mother a goodnight kiss.



“How was your day, Honey Bunches of Oats?” Moira Seven says—she always says—every time she enters through the doors of my home and sees me sitting on the couch.

“Fine,” I always am. “Nothing spectacular happened today,” I always continue.

“That’s great, honey!” she always ends, and then our actual conversation always begins.

“So,” she starts in a tone like one of a parent who is about to tell their child they have a surprise for them. Unfortunately, I know the surprise, and I am not fond of it. “Are you excited for tonight?”

I make my way to the kitchen to pour a glass of red wine.

“Elaborate,” I reply.

“It’s our date night, honey!”

“Oh yes, oh yes. That’s right. But don’t you have work in the morning?”

“Honey,” she drags with a hint of frustration, “you know I don’t work on Saturdays.”

“Oh yes, oh yes. That’s right.”

“Are you excited?”

“Yes, yes.”

“Yay! I’ll be getting readyyy.”

And before she goes to her room: “I love you, Quincey,” she says in the same way she always says it: like it’s the final time she’ll ever get to say it.

“I know you do, Moira.”

I smile, and she does too—teeth uncovered.

I cannot remember the last time I put on makeup. Wait! Yes, I can. It was two-hundred and fifty-five days ago—on the night I united with the love of my life, Quincey Quinzical. What a lovely day that was.

Quincey doesn’t like to go out often. I’d say that it is his biggest flaw. Not that it’s really a flaw at all. Some people just aren’t “people people”, if you know what I mean. As long as he likes me, everything is fine.

I really hope he wears that turtleneck again tonight. Not to say that he doesn’t have a nice neck.

I’m Moira, by the way! Moira Gaylewood. Sorry for jumping in on the conversation like that, all willy-nilly. I just really enjoy talking to other people. I’m a “people people”. A Leo. What can I say.

I want to go to Japan one day. I got this jar after I watched the original Godzilla movie when I was thirteen, and I’ve put a dollar in it every day to save up to go. The culture is just so fascinating! Way ahead of America, I would say. The ‘United States’ America, that is.

What am I supposed to put on first again?

Oh, this white powder is so obnoxious. It’s perfect!

I love Quincey. Just the sight of him every day after work makes my heart flutter. I truly believe we were meant to be together forever; and, I know he can be a little blunt sometimes and seem like he doesn’t care, but I really believe he feels the same way.

Ugh, I’m crying. How embarrassing!

This powder tastes horrible!

But don’t you think so, too? That he loves me?

Oh my God! Where did this unibrow come from?

Moira fumbles with everything on the desk, searching for tweezers. After failing to find any, she leaves her room for the bathroom.

Quincey is in a deep sleep. A Rubik’s cube lays on his chest, and Beauty and the Beast is playing on the box TV.

Moira digs through all the drawers on her side of the bathroom, unable to find any tweezers. She hesitates for a moment, and then scavenges through Quincey’s side—all the way down to the final drawer.



“Moira,” Quincey calls, zipping up his blue Banana Republic pants. He’s not wearing the turtleneck. “Moira?”

Quincey leaves his bedroom for the living room. Moira is nowhere to be seen.

Quincey knocks on Moira’s bedroom door. He looks around cautiously before entering. He has never been in there before.

It smells so much of lavender, it can almost be tasted. The dark purple walls are covered with flags and pennants of different countries. Above her pink bed, the Japanese flag is framed.

Quincey tiptoes through a litter of extravagant dresses toward the closet. He stops at her desk.

Makeup cases cover most of the space—along with the jar—but what catches his eye is what is on the wall above the desk. A calendar is at the top. Every date before today is marked out and has a number that signifies a countdown, and today’s date is vibrantly colored with the words “DATE NIGHT” on it. Below the calendar are pictures of men and women. There is an ‘X’ in red sharpie through each picture. All except for Quincey’s picture on the far right.

His eyes fall to a yearbook that is propped up on the corner of the desk. He snatches it and scans through the pages.

More pictures are marked out—even entire pages. The first page like this he encounters shows the girls basketball team. Most of the girls are pictured performing impressive feats, such as making a jump shot or pulling off a difficult dribble move. Moira’s picture, however, shows her taking a hard screen, and the caption below it screams, “DETERMINATION”.

The next page marked out shows a cafeteria. Moira sits in the corner by herself, eating a salad.

The last marked-out page Quincey sees is of prom night. While the king and queen, Quincy supposes, are doing their dance, Moira is pictured in the back, fallen on her rear. The people around her are silently giggling, some less obvious than others.

Quincey props the book gently in its original positioning. Then, he stands still, contemplating. A smile forms on his face before he leaves the room.

He scampers through the entire house, leaving no room unchecked. Except for one.

Then, faintly, as if the voice were coming through one of those whisper phones you made as a child, I hear a cry.

            I open the door to beauty.

My mother and father lie on the ground in their usual décor: my father in a standard, black and white tux, my dear mother in her favorite short, strawberry red dress. Moira Seven stands behind them in a white wedding dress—with a veil and everything—with her head aimed down. The desk sits to the side with its sole decoration.

“You like Japan,” I say.

            She picks up her head. Her makeup is perfect.

            “Yes,” she replies.

            “You want to go there.”

            She nods. She squats down and strokes my mother’s hair.

            “Your mother is beautiful,” she says.

            “I know.”

            “I look a little bit like her.”

            I nod.

            “What are their names?” Moira asks.

            “Quadrey and Moira.”

            I find the ring in my pocket and roll it across my fingers.

            “What a coincidence,” she mutters.

            Moira stops brushing my mother’s hair and stares at me—fatigue in her eyes.

            “Why didn’t you introduce them to me before?” she says.

            “Never found the right—”

            Her eyes release from mine and back to my mother, and she says in a voice so blunt, I think it is coming from a being within her, “Why did you never tell me?”

She stands up swiftly and walks to the desk. She picks up my silver, chrome handgun.

“Who are the people in the photos?” I say in a voice that probably isn’t mine either.

Moira whimpers. The gun dangles loosely in her hand.

“I was always the loser, Quincey. The freak. The girl who was going to grow up and own a bunch of cats.”

A violent sob escapes her mouth.

“I don’t even like cats,” she says incoherently, then inhales sharply.

“I know you don’t.”

“I know I’m weird, Quincey.”

She laughs and wipes her nose. Snot fills her forearm.

“But I think you are, too,” she finishes.

“Who are the people in the photos, Moira?”

Tears are fighting to leave her eyes. The gun dangles loosely in her hand.

“They’re my exes, alright! I’m sorry, Quincey, honey. I didn’t mean to yell at you—”

“Why are they marked out?”

She laughs—genuinely.

“None of them compare to you, Quincey!” I almost can’t understand what she is saying, she speaks so quickly. “None of them loved me like you do.”

This time, I laugh, and she laughs with me.

“You know,” I say, “I thought I wanted to kill you.” Her laugh sprouts even higher, and mine goes along with it. “But now,” I contemplate, “I want you alive.”

“Oh, it’s too late for that, Honey Bunches of Oats,” she laughs.

My stomach drops to the floor, and my mouth follows it.

“Wha-what do you mean, Moira?” I ask. I try to hide the worry in my voice.

She smiles my favorite smile. And the gun goes to her head.

“Moira, I don’t want this anymore. I—I…”

Tears finally drift down the corners of her eyes, but not too many. A new smile forms on her face—an ugly smile with a crinkly face that I love even more. The gun remains.

“Quincey?” she says, barely louder than a whisper.

My collapsed throat is barely able to croak, “Yes?”

“Take me to Japan one day.”

I charge for her, but it’s too late.

The blood leaks onto the floor like a faulty fountain that looks to require maintenance, sputtering here and there, as it escapes Moira’s head. It permeates through her dress.

            Quincey slowly approaches Moira, a few tears flowing down his cheeks, a hand behind his back. He gets down on one knee if front of her and reveals the ring to her.

            He slips the ring onto her finger, and then they dance with no music playing. After they are done, he lays her down next to Moira Quinzical.

            For the last time, he puts his father into the meat freezer; then his mother; then his fiancé.

            There is one more spot available.

He grabs the gun and takes all but one bullet out of the chamber. Then he enters the freezer with the rest of his family. He positions the head of the gun to his forehead, unwavering.

            “I gave her your ring, Momma. She’s a Quinzical now.”