When I Steal by Ayşe Tekşen

Ayşe Tekşen lives in Ankara, Turkey where she works as a research assistant at the Department of Foreign Language Education, Middle East Technical University. Her work has been included in Gravel, After the Pause, The Write Launch, Uut Poetry, The Fiction Pool, What Rough Beast, Scarlet Leaf Review, Seshat, Neologism Poetry Journal, Anapest, Red Weather, Ohio Edit, SWWIM Every Day, The Paragon Journal, Arcturus, Constellations, the Same, The Mystic Blue Review, Jaffat El Aqlam, Brickplight, Willow, Fearsome Critters, Susan, The Broke Bohemian, The Remembered Arts Journal, Terror House Magazine, Shoe Music Press, Havik: Las Positas College Anthology, Deep Overstock, Lavender Review, Voice of Eve, The Courtship of Winds, Mojave Heart Review, Foliate Oak Literary Magazine, Tipton Poetry Journal, Rigorous, Rabid Oak, and Headway Quarterly. Her work has also appeared or is forthcoming in Straylight, The Roadrunner Review, and Helen Literary Magazine.


When I Steal

When I steal, I steal big.
I steal the spring
And the birth of flowers.
I capture the giving,
A child’s crush—
Innocent and generous.
I secure the frames of nature
That travel through my flesh—
A hive for bees of steel.

Stealing is a sacrifice
For the nations apart, the pith
Uncrossed, lines untangled. Tangle,
Then untangle this sacred oracle.
Know your worth, the smell of your fear,
The gleam of my kiss on your neck.

I steal big and bravely
For your days
That do not know
Of the atonement
Of my many Mays,
The wait, the ebb
In the anatomy of buildings,
The delicate crossroads
On the fields of war. I bless
Most the loss of beauty—
My incipient babes
I hold dear in my bosom.

My times of yore are of physiques
Immature because of their anima.
The poles of ambience are even.

Lonely Lou by Karen Walker

After listening to long long tales of woe all day at her job, Karen Walker comes home and writes short short fiction.


Lonely Lou

Standing in Lou’s smoky, sweltering apartment, Officer Berg fanned his face with his notebook as his partner Munroe tried a new approach.   

“How are you feeling? Anything going on that’d make you hear sounds?” Munroe asked.  

Berg rolled his eyes, mumbling about the psychobabble being taught to recruits these days. 

Bubbles of saliva popped at the corners of Lou’s mouth. “I’m telling you there’s a wailing coming from next door. The sound gets loud, and then it stops. Like right now.” 

“And the three other times we’ve been here this week,” Berg said.

The old man dropped into his chair, jostling a little table. A remote fell to the floor. “I’m not nuts!”

“Sure it isn’t your TV? Some crime show?” Berg smirked. 

“No! Someone’s in agony in there. Maybe being held hostage. You have to investigate!”

Munroe spoke slowly. “Lou, we told you yesterday we found nothing next door. The place is empty. We don’t want to come back again.”

As the officers stepped into the dim hallway—“Wait! Wait!” Lou calling after them—Berg pointed to Munroe. “Take one more look that way. I’ll go this way past the ‘wailing door.’” Leaning in, his ear almost touching the door’s peeling red paint, he grumbled: “There. I’m investigating.”  

A long, ripping, tormented cry pierced the door. 

“Hello. Police. Open the door!” Berg yelled, pounding.  

The wailing rose to a scream. “Open it now. Police!” 

As Munroe sprinted back, calling for back-up on his radio, Lou peeked into the hallway. “You hear it!”  

Berg kicked and kicked the door. Crack by splinter, it weakened until, with two last booming hits by Munroe, the lock snapped. Guns drawn, they stormed into the apartment.  

Lou chuckled as he sat down with a tea. He listened to the wail and smiled. Then, picking up the remote, he pushed the device’s volume button and faded the sound away. Next door, Berg and Munroe were shouting. Outside, tires were screeching and sirens blaring as strobe lights whipped the building. Lonely Lou settled back. His show had finally begun.    

Anatomy of a Cover Up by Kristen Langereis

Kristen Langereis is a Dutch-American writer living in Amsterdam. With no pets or children, she still finds ample time to fall behind on daily tasks. She is of the opinion that a sandwich tastes better when made for her by someone else.

  Anatomy of a Cover Up

   I knew a lot about death, even then, including what a dead body smelled like. It’s a fun way to open a conversation. I could tell you what embalmed flesh looked like. It’s flaked skipjack.

     You see, Dad could only eat white meat tuna – albacore packed in water. He took it with bread and butter pickles and too much mayonnaise. He wouldn’t touch skipjack, nor would my mother. She wouldn’t even buy it because it’s poor people food. Dad said skipjack reminded him of the cadavers he worked on in school. He mentioned it every time she made him his tuna sandwich, which was every Friday, and he only finished about half before he’d get that look which said the good tuna had turned from safe to dead in his imagination. So, I always ate that extra half sandwich – thinking it would be a shame to waste it when my mother took such pains to open both a can and a jar.

     I was nine when I thought for sure I would know how a decomposed body might smell. When pilfering a third, or fourth popsicle from the back freezer I had left the door ajar. The majority contents, stuffed every which way next to Lean Cuisines, bags of party ice and popsicles of every flavor were the individually-wrapped remnants of a butchered whole cow. Dad had traded the cow for oral surgery more than five years prior. I remember thinking we were going to pick up an actual, living breathing cow when Mother drove us to the ranch south of the city. I should have been tipped off by the two big coolers she brought, I suppose. But I was young, and happy to be allowed in the front seat next to the air-conditioning. The cow traveled home with us disassembled.

     The steaks, tenderloin, and roasts had been eaten first and the remnants, garbage-meat as Mother called it, lived in our utility room freezer. My carelessness caused everything in the freezer to defrost and dozens of cherry-mottled white butcher paper packages, some visibly stamped Heart/Short-Ribs/Tripe, mingled their bloody juices with a corn syrup rainbow. Mom screamed and shut the door. She said we must to wait until nightfall, while Dad slept, to bring everything to the big black garbage can in the alley.

     When he started to snore she grabbed my hand and a roll of black garbage bags. We snuck out back to clean and dump it all. I think we both knew that even though there was slim chance our family would eat tripe, especially cooked by her, that he still wanted to hang on to it, just in case. I was sworn to silence. But, as it goes with crime, eventually someone finds out. Weekly garbage collection had just happened a few days prior. Everything we hoisted that night into big black garbage bags festered, cooked, and decomposed further within the big black garbage can. Our across-the-alley neighbor called 911 because he thought someone had dumped a dead body. Since he was a cop, I figured he should know. I figured that a dead body smelled like old, dead cow parts, cherry popsicle frostbite and panic.

     I tell that story to this day, never mentioning that now I really know what is the real smell of death, and adding that Dad never thought that the huge amount of dumped meat which had caused a minor neighborhood ruckus was indeed his. Even at the end, we kept that from him too.

Another Star is Born by James Barr

James Barr is a freelance writer who created TV commercials, radio spots and ads for a variety of clients. He now loves writing these stories without a client peering over his shoulder or trying to fit 60 seconds of copy into a 30-second spot.


Another Star is Born

All Andy wanted was a quiet night at the movies. But you don’t always get what you want. Instead, what Andy got was a starring role in an acrobatic drama played out in front of a packed house. Andy also had no idea that the lady with the long blond hair seated in front of him, a complete stranger, would become his unwilling co-star.

On that fateful night after work, Andy stopped into the local cinema to see the latest hit. The theater was packed. With a long movie ahead of him, Andy hit the men’s room, and then stopped for the requisite tub of popcorn. All this made him late to the darkened, crowded auditorium. Crawling slowly down the main aisle toward the silver screen, Andy was almost to the very first row before he spotted a seat. Of course, it was inconveniently located in the middle of a very long row.

So Andy began doing the familiar stooped, slow motion sideways crablike shuffle to his seat. Along the way, juggling the overfilled tub, Andy dribbled fresh, hot buttered popcorn down the backs of people in the first row. Finally reaching his seat and just before he sat, Andy realized his fly was open. Somehow, with the tub now under his arm, Andy did a quick zip and began to sit, spilling even more popcorn.

Just then, the woman in front of him screamed and jerked her head back. It seems a long strand of her hair had become entangled in Andy’s zipper as he tried to zip it shut. The plot thickened.

Trapped in this frozen moment, the two unwilling co-stars paused in what appeared to be a very bad yoga pose. The woman’s head was tilted toward the ceiling. Andy was locked in a half seated position, not wanting to actually sit and risk pulling out half of his co-star’s hair. The house lights came on. Ushers rushed from every possible door. The audience stood and for a tiny moment, the whole world stopped.

Seeing the problem, one of the ushers arrived with scissors, but the woman was adamant. She was not having any of her hair cut by an usher. Therefore, a slow motion sideways limbo began. In perfect unison, Andy and the entrapped woman slowly shuffled step by step to the aisle, the hair being passed over the lowered heads of a row of seated moviegoers. With each step, the film stars maintained their frozen poses on their way to the aisle.

Then, they continued their easygoing limbo shuffle up the main aisle, out to the lobby and into the manager’s office. There, someone with adroit fingers and arcane zipper knowledge forced the zipper to release most of its captured hair. A perfect Hollywood ending.

After the police were convinced that there was nothing criminal about this event, the woman returned to her seat while receiving a standing ovation from her loving fans.

Andy, on the other hand, has never been heard from again.