Oxblood by Kevin Wayne Zerbe

Kevin Wayne Zerbe is a writer, photographer, and ecologist. His work is the welcomed burden of flowing water, cold hands, conservator of natal streams. His dedication to the conservation of natural resources informs all he does. The bodies of he and his wife are lost now in a megalopolis, but their souls roam the hidden valleys of the Northern Rockies.


OXBLOOD

Ox’s blood on my boots is stainin em.
Hair on the ground just
thin strands,
like straw.
Steel wire.

That dog’s barkin agin.
Lost in them hills.
White dog,
can’t find hisself in white snow.

His nose don’t work.
Snow been maskin my scent.
Wind been mufflin my whistlin.

He’ll catch the smell of meat,
that I’m sure of.
I’ll cook,
and he’ll come on home.

Morning Kill by Nancy Carpenter

Nancy takes writing seriously, attending workshops facilitated by published authors such as Barbara DeMarco-Barrett, Bret Anthony Johnston, Diana Wagman, and Dennis Palumbo. In her day job, she is a consultant, writing and editing internal communication for businesses, which has little to do with the her four completed novels, but a lot to do with the discipline of and satisfaction received from writing.

Morning Kill

One shot from Raid meant to kill flying insects and the spider rappels along a radial of his web, manufactures another filament (it should be his last), and plummets towards the rosemary hedge like a shimmering bauble from a shattered chandelier.

Incensed, he struggles under the weight of chemicals, beads clinging to flaying legs glistening in the backdrop of the sun. I appreciate his efforts as he fights to hold onto the thread, to life, greased as they both are with a compound of Permethrin and d-Trans Allethrin.

His intake of oxygen, now surely laborious, is wasted on appendages extending and retracting against the still air. I blast him again, watch with respect, imagine the decisions he must make, the synapses of his multiple brains strategically positioned in all those joints, snapping. To continue the silent churning, or to drop further into the asylum of the hedge. Is he allowed to know this option exists, or does he still desire the sanctuary of his web, sparkling and alluring like a thousand diamonds on a Tiffany necklace?

Another discharge of toxic ingredients and he grows still. I move in for a closer inspection, my hand solid on the gate, and blow on his sleek body. He rotates, bulb-like, star-like, bulb-like, star-like, his legs limp or stiff, impossible to determine. I deliver a final blast, satisfied, and place the can on the brick walkway where viscous dollops of the lethal ingredients, the size of inconsequential coins from third world countries, have assembled.

I go through the house to the garage to retrieve the broom. Approaching the gate with the sun now to my back, the web is invisible and thus was impossible to see when I first passed through. How easy our roles could’ve been reversed, I the victim, the spider the aggressor, had I not earlier turned, looked into the late morning sun that at that angle revealed the web.

He moves again, and I imagine he’s played possum, staring down the offending nozzle of Raid Flying Insect Spray intended for the common gnat, willing himself to not breathe, jubilant once I abandoned the can. He couldn’t know about the broom, and its fatal arching sweep that separates him from his web, pulling him to the brick, the bristles impaling him, dissembling his body.

I walk through the garage and house a second time, reach the gate, the sun again the back drop, to admire the web, still intact, twinkling under its noxious shroud before consigning it to the shrubs and indifferent brick, never to allow another spider to take residence.

I hide the can of Raid behind the staked “Welcome” sign. Guests will arrive in eight hours.


What the Spider Sees

One shot from Raid and I rappel along a radial of my web, expertly manufacture another filament (less flawless this time), and plummet towards the rosemary hedge. Coated in toxins, I look like a shimmering bauble from a shattered chandelier.

I allow myself a brief and fond memory of that web I built after scuttling indoors to escape last winter’s rains. I deflowered her newly cleaned crystal prisms floating over a shrewdly curated table setting, and escaped as she screamed in protest.

This time, I need to remember not to breathe.

I struggle under the weight of chemical beads clinging to flaying legs. I’m incensed as I make every effort to hold onto the thread and my life, greased as they both are with whatever, exactly, that shit is.

My laborious intake of oxygen is wasted on appendages extending and retracting against the still air. This is not good. Yet the synapses of my multiple brains homesteading all my joints are still snapping. I waste no time deliberating her motivations or imagining the decisions she must make.

I can’t afford to be shortsighted. To continue the silent churning, or to drop further into the asylum of the hedge, those are my options. Screw the sanctuary of my web, sparkling and alluring like a thousand diamonds on one of her Tiffany necklaces.

I tuck and curl.

Another discharge of toxic ingredients and I grow still, a lesson learned from watching possums. She moves in for a closer inspection, her hand solid on the gate. She blows on my sleek body. I rotate, bulb-like, star-like, bulb-like, star-like, my legs limp or stiff, impossible for her to determine. Confused, she delivers, hopefully, her final blast.

Yes, she is satisfied. She places the can on the brick walkway where viscous dollops of the lethal ingredients, the size of bird poo, have assembled.

She retreats to the house. A beat or two and she exits the garage with a broom. This is not good. Had she approached the gate with the sun to her back, my web would have been invisible, impossible to see when she first passed through. How easy our roles might have reversed, I the aggressor, she the victim. What had made her turn earlier, look into the late morning sun that at that angle revealed my web?

No time for idle contemplation. I move again, newly incensed with the realization she used Raid Flying Insect Spray intended for common gnats on me. I could have stared down the offending nozzle, jubilant once she abandoned the can.

But the broom? I couldn’t have known about the broom, and its fatal arching sweep that now separates me from that isolated filament. The bristles harbor the potential to impale, to dissemble.

Screw her. I ball up again, tumble about in the thicket of bristles, roll into the rosemary until she claims victory.

She walks through the garage and house a second time, returns to the gate, the sun again the back drop. She pauses to admire my web, still remarkably intact, twinkling under its noxious shroud before she consigns it to the shrubs and indifferent brick.

She hides the can of Raid behind the staked “Welcome” sign. An invitation for my return.

Two Poems by Brandon Marlon

Brandon Marlon is a writer from Ottawa, Canada. He received his B.A. in Drama & English from the University of Toronto and his M.A. in English from the University of Victoria. His poetry was awarded the Harry Hoyt Lacey Prize in Poetry (Fall 2015), and his writing has been published in 275+ publications in 30 countries. www.brandonmarlon.com


Remembrance

Soldier, solitary in the gloom of your room
with a .45 fixed under your chin, stand down.
Soldier, replace the safety where it belongs.
Soldier, repatriated yet still war’s prisoner, cease fire.
Soldier, your next battle has begun, with the enemy within.
Soldier, buckling under the weight of memory,
lost in trauma and grief, haunted and hurting,
burdened with guilt, weary of life, persevere
through soldier’s heart, shell shock, combat fatigue.
Soldier, whose mind reels on endless replay, respire.
Soldier, let the noise and imagery flash by; these too shall pass.
Soldier, sob as much as you need to then some more;
let your tears flow like fine wine from its bottle.
Soldier, for whom the hours lour, outpour your pain
in words and purge all that consumes you.
Soldier, wounded warrior, your loved ones are nearby
and your neighbors stand by you.
Lean on your brothers- and sisters-in-arms, soldier;
they know best what you went through.
Soldier, let your pets save you; they sense your sorrow.
Soldier, fighting for survival, never, never, never surrender.
You may not get closure, soldier, but you will find peace.
Soldier, take this hand, all these hands, and rise to attention,
that together we might amputate the anguish.
Soldier, those who sent you salute you.
Soldier, we honor your service and sacrifice.
Soldier, remember that you are unforgotten.
At ease, soldier. At ease.


Transit

The train rumbles and wends across the city center
at a precipitate pace, its bowels clogged
by reticent commuters lost in private thoughts
of to-dos, aches, deadlines, sleep, debts, losses,
things to have said in long-gone conversations.
Then without warning she steps off the platform
onto my rail car and sits opposite me, wearing red,
redolent of lavender, a conspicuous birthmark
complementing lips puckered and glossed, skintight
nylons catching my eye as she crosses her legs
and, succumbing to her suasive ways, I lose my train
of thought to imagine what her name is and who she is;
what it would feel like to have her body,
prone or supine, pressed against mine;
the expression on her face when her toes reach her ears;
the pitch of her panting as we climax in tandem.
I bypass my stop by seven or eight hopeful of a glance,
a connection transitory or lifelong, and when she alights
I gulp sour sighs, detesting the tang of what if.

One Second Venom by M.E. Proctor

M.E. Proctor worked as a communication professional and freelance journalist. After forays into SF, she’s currently working on a series of contemporary detective novels.


One Second Venom

There isn’t much to do for entertainment on moon base Alecto. Yes, I know. You’re going to say that I’m an ungrateful jerk, that with free access to all the OBS ever invented complaining about the lack of entertainment is like complaining about the booze at a party with an open bar. The point is Out of Body Simulation is what I do for a living, every single damn day. To say that it doesn’t give me a kick anymore is a huge understatement. When I disconnect from work I don’t feel like plugging myself back in, even if it’s to pretend going down Niagara Falls in a barrel. The operative word is Pretend. As our team shrink, Doctor Ling, is fond to say, “Humans are wired to do things.” What he means is that you cannot happily fool your brain all the time or for a very long time. That’s why Roger, our boss, has taken up quilting. It was a little surprising, frankly, but who am I to decree that some hobbies are better than others? We’re not making fun of Roger, we understand what drives him. Besides Roger is built like a tank and you don’t cross a tank. Anyway, I didn’t learn crochet or needlepoint, I learned fire breathing.

Why? You ask. Isn’t it dangerous? Yes, it is, especially if you don’t know what you’re doing, like spitting whisky on a flame, that kind of thing. Idiots have set themselves on fire that way. The alcohol in their blood contributed as much as the alcohol that hit the flame. I have completely given up drinking. Fire breathing is a very healthy pastime. I recommend it.

Anyway, I was entertaining my colleagues in the rec room one evening last week when a guy I’d never seen before heckled me. He didn’t call me a charlatan, not exactly, but he dismissed my accomplishments and he was extremely rude. My kind of fire was nothing according to him; it was an illusion, a cheap trick. I wasn’t really breathing fire–of course I wasn’t, I never pretended to be the Son of the Dragon or such nonsense. Moreover, he said, I didn’t know what a real burn felt like. I offered to show him my blisters. I had painful ones on my tongue and the roof of my mouth. I had been experimenting with fire eating lately, feeling I had to beef up my act to keep myself and my audience interested. That slowed down my critic but not for long. The guy was persistent. His argument was that I could never stand real burning pain because the worst burn was not from flames but from food. I thought my colleagues would laugh him out of the room but Doctor Ling, of all people, came to his rescue. Our resident scientist, it turned out, had personal and painful knowledge of very hot peppers. A variety from his village in the Himalayas had a lethal reputation, its colorful name–roughly translated from dialect–was One Second Venom. Doctor Ling had not tried it; he had tasted a tiny sliver of Ten Seconds Venom, and that had been more than enough to put him out of commission for a week.

I’m sure you guessed what happened next. I couldn’t refuse the challenge.

This morning the Earth shuttle delivered a crate to Doctor Ling. It contained a dozen peppers. Two would have sufficed. The ominous vegetables are displayed in a refrigerated glass case in the rec room. They are red and ugly, covered with warts, and perfect stand-ins for the toads in the witch’s brew. All the employees of the base have paid their respects and contacted their bookies. I am considered the favorite, by a pepper seed.

The rec room is too small to hold everybody and the techs have hauled in the recording equipment used once a year for the official State of Alecto address. Rumor has it that interest in our little contest has gone galactic. I feel like a boxer about to enter the ring. I have an entourage of supporters and groupies. Roger gave me a cape he designed for the occasion. It features a plump pepper on a background of flames with the caption Fire Inside. It is inspirational. I’m moved. The entire medical team is on standby, oxygen masks and defibrillators at the ready. They might need hoses and fire extinguishers too. My opponent is a little green and sweating profusely. I know I don’t look much better, even if the odds favor me.

We take our seats at the table set on the podium and Micaela, the cute engineer from Surface Ops, brings the poisonous plants and several gallons of milk. Two large metal buckets are under the table for emergency relief. The audience falls silent. Doctor Ling, the referee, makes the official introductions. I shake hands with Gustav, my opponent, and there we go.

I bite only once and swallow immediately. The sensation is pure horror. Fire inside, indeed. My entire face goes numb and a long red-hot iron spear slashes my throat and everything below down to my knees. Gustav was right. This is worse than a rocket fuel mouthwash with a side of nitro. Give me my blisters anytime. I love my blessed blisters! I am vaguely aware of a nurse prying my mouth open to pour a tidal wave of milk down my throat. After that everything goes dark because my head is in the bucket.

#

Doctor Ling says I will be fine because I got rid of everything. He credits this miracle to my training as a fire breather. I apparently have a remarkable gag reflex. Gustav, poor slob, is not so lucky. He’s in the hospital wing, on an IV drip. The prognosis is bleak. Specialists in internal medicine are monitoring Gustav’s plumbing. He’s already famous—the only man who ever swallowed a whole One Second Venom. Me? I’ve taken up origami.

Hungry

James Kowalczyk was born and raised in Brooklyn but now lives in Northern California with his wife, two daughters, and four cats. He teaches English at both the high school and college levels. His work has been published in print as well as online


Hungry

The truck’s crusher-mouth rotated its blades chomping, debris before swallowing the bone and cartilage it had already picked up from the neighborhood butcher shops.The driver rolled the last drum of the day off the curb and hoisted it into the churning debris when suddenly his apron began to tug at his neck. He tried to free himself.

He didn’t even get a chance to scream.

This Should Never Happen by Andy Betz

With degrees in physics and chemistry, Andy Betz has tutored and taught in excess of 30 years. His novel, short stories, and poems are works still defining his style. He lives in 1974, has been married for 26 years, and collects occupations (the current tally is 96).


This Should Never Happen

It is Saturday and on Saturdays, I go to see Karen.  Today is her 67th birthday.  I am bringing her favorite desert (red velvet cupcake), but no candles.  The home Karen lives in does not permit any fire source (safety issues).

Karen began slipping away from me when she turned 62.  Her doctor says her Alzheimer’s is progressing rapidly and her time is short.  I will have to schedule as many days as I can between now and her final day to make the most of the time we have together.

Sometimes I bring the grandkids with me.  It was easier when they were little and she still remembered details about each of their lives.  However, as they grew, they noticed their grandmother making mistakes.  At first, it was simple things.  She mixed up the names of the boys.  She forgot about Lucy’s (her granddaughter) school play.  They starting asking the embarrassing questions about Karen and then asked embarrassing questions in front of Karen.

I asked my brother and sister if they wanted to come see Karen.  They told me this was solely my job.  I know this sounds hurtful, but just like the grandkids, they also have their own life.

When I am with Karen, I take my time to make sure she is comfortable.  I have heard horror stories about these types of homes.  Years ago, I worked for the state as an inspector.  I no longer have any authority, but I still am keenly aware of the details that will make her remaining days as comfortable as possible.

Karen talks with me, not with a parent-to-child bond, but more of a friend-to-friend ease that only time can cement.  I may have to reintroduce myself each time I come to visit, but her eyes sparkle when she realizes I am someone who cares.

If only those eyes would sparkle if she could recognize me.

That was unfair of me to even utter that.

I have no right to make even the slightest demands upon her.  She didn’t ask for her lot in life.  She didn’t do anything wrong to deserve this decay.  My Karen deserves so much more than what life has offered.

The orderly pokes his head in to give me the two minute warning.  Visiting hours go by so fast.  I tell Karen I will return again next Saturday morning.  She just smiles the smile I always remembered her having.  Her smile is the same smile her mother had when we met 68 years ago.

Karen doesn’t remember that story of how her mother and I first met.

So, I will remember it for the both of us.

Divination by Laura Voivodeship

Laura Voivodeship was born in the UK and currently teaches English in the Middle East.


Divination

I torment our maps
with these ballistic
pendulums. I uncover

something new
with every undulation.
With a haste

we can’t be sure of,
we are running away
from our reflections. We

strain our destinations.
All the exits
will be swept away

by a surge of safer choices.
On this map, beginnings
and endings converge

in disappearing topographies.
It is strange
to spit up a home.

Shovels by Dan A. Cardoza

Dan has an MS Degree in Education. He is the author of three poetry Chapbooks, and a book of fiction titled Second Stories.


Shovels

I tell the salesclerk I’m just looking, and like any valued host he says, take your time.  You know where to find me. By the way, we have more coming in next week.

I think, “What a good steward.”

The shovels are all stacked in their designated boxes, row, one next to the other, diverse. Some reveal smooth hickory handles from the Richland Company, in Arkansas. Others disclose fiberglass handles, manufactured in Bristol Virginia, yellow and orange. They’re a few short shovels presenting grip handled ends, for a more confident fit, purpose, maybe ambition. The hardware shop boasts square shovels too, for down under the cold, one painted black for trenches that narrow, two that seem serious about shoveling deep snow, with names like Ames, Seymour, and Bond.

Most designed for all sorts of depth, width, and length of what was whole, in advance of shoveling any specification or design of hole. All their resumes nearly perfect, light use, all with warranties ensuring long life or replacement if broken.

Before backhoes, shovels boasted a celebrated reputation, more dignified.  In their heyday, they buried the strong, the fragile, even children. Designated duties were somber, yet renowned, performed to honor, often cause for literary mention in poems and novels.

Most contemporary shovels are designed for vocations in mind, less occupation, mainly for renewal as seen in the hardware stores of spring. Chores include the planting of carrots, tomatoes, maybe corn, maybe fill a few post holes.

Or perhaps for digging up the past, so curious children can dream big, to dig clear to China through a pile of sandy loam, or if very lucky, discover the tip of a devil’s horn. 

With time, it’s difficult to keep the past covered up, like the real reason for my enthusiastic shoveling, chase for imaginary discovery, so mother could speak to the Chaplin, alone.

In the Civil War, they buried soldiers, and slaves, and elbows and legs, and stallions in fields where fifes played Dixie and drums beat Yankee Doodle Dandy, both instruments loved and hated. In World War two, at Normandy, they buried the honorable, where each spring locals swear not to stare at the hills, because the yellow yarrow will blind you like sun. And in Vietnam they dug foxholes for G.I.’s who lay in a fetus posture, crazed and low through the dawns early light, begging for mother.

As I fix my eyes on the shovels they begin to dim, as a string of fluorescent lights click, switch off, then out, then row, after row, after row, the way the November sentinel moon zigzags and snaps through the tall gaps in the stand of shaky Sycamore, at Arlington Cemetery.  Grave row lights switch off, dim, row after row, this way the dead can rest in the dark, not anxious to close a hardware store, to go home with their family. So can they dream, while I do the math of how many shovels that wait their throw will it take to back fill the craters that pock the moon?  

Negative Capability by Bruce Alford

Bruce Alford received a Master of Fine Arts from the University of Alabama and was an assistant professor of creative writing at the University of South Alabama from 2007-2011. He currently lives in Hammond, Louisiana. Before working in academia, he was an inner-city missionary and journalist. You can find out more about Bruce and his work at his website, bruce-alford.com, connect with him on Facebook and on Twitter @bruceealford.


Negative Capability

The slant of a dot moves up and down, like someone descending stairs. The boy blinks, and waves of heat move around his hand, and his mother steps in the doorway, smiling, and holds a long knife near his head.

Al Jolson sings on the radio.

Everything is lovely … when you start to roam.

It always makes him imagine walking among some slim trees or lifting a stone. For a while his problems vanish. And he shuts his eyes and tries to see

With his fingers on his eyelids, he feels those balls inside their sockets, moving side to side. Disturbing little tears come out of the cracks of his eyes.

Look, he stands at the house, and sparrows trace its spine in deep concentration. He marks the riddle of their flight. He tightens his lips, and you can see his skull under turgid veins today and the letter M at his temple.


Bewildered, nauseous and withered, he cannot eat

Forks abandon his fingers. So, he sits next to the house and writes in dirt. At the finger’s tip, cursive blends into earth. God gives him this faith, god gives him this gift. It has no meaning

Silent and miraculous. Everything he believed, he always believes, but now, he gets glimpses of time without end. Make sense or don’t, he tells himself.

Act as though you believe in miracles, mythologies these enchantments in your tea, the many ways of being, with little conviction or sense, or with great meaning, based on your freedom to decide


To make sense or not

At last, a dot appears at the end of the road. And the dot moves up and down, like someone ascending stairs, and the dot unfolds until it turns into a figure of a man.

Somebody is coming. But who can tell.

Bacon and Bitter Coffee by Yueying Guo

Yueying Guo is an English Major from New York City. She has been published in Eunoia Review and Linden Avenue and won first place for poetry in both Newtown Literary and the Penguin Random House Creative Writing Competition in 2018. She also likes art, philosophy, and books.


Bacon and Bitter Coffee

When Nathan told me that he was married after five months of going out, I was afraid to feel. There were so many things I could feel: hatred, anger, jealousy, sadness—but I didn’t feel anything. I only remember thinking that the air conditioning in the cafe was turned up too high, that I didn’t eat breakfast yet and the mushroom omelette in front of me looked delicious, and that Nathan looked good in his casual striped shirt.

He continued on talking, frantically, when he didn’t see my expression change or any reaction. “…I divorced her two days ago and I’ve been gathering up courage to tell you it ever since. I know it’s shameful of me to ask this of you, but—if you still love me—will you stay with me?”

At that moment, I started crying. Adultery was the same thing that brought my dad to hit my mom that day, to leave us, and for my mom to drive into a river.

There was so many things I could tell him at that moment: the fact that if he was fine committing adultery now, about about the future? The fact that if he was keeping it a secret from me for the five months we were dating, were we really in love? Did he really trust me? Or I could simply say no—but I didn’t.

It was only when I remembered my mom’s face that I couldn’t take it anymore. Tears came out of my eyes, my teeth chattered, and I stood up. Nathan was saying something and tried to grab my hand, but I slapped him away before grabbing my bag and running out of the cafe with its bright lights and alluring scent of bacon and bitter coffee. 

I ran through the streets, aware of the people looking at me, smudging my makeup as I rubbed my face, high heels unsuited for running slapping the concrete ground, skirts swishing at my legs. I wish I hadn’t dressed up for today, for him. I had even been so excited to use the new perfume I brought last week, and had wished he would notice it. I even wore pink lingerie because he said pink looked best on me. I tried so hard for him. Yet this whole time he was married. 

Once I was on the train, I had finally stopped crying and trembling. I rested my head against the window and watched the world flash by. All I could do was think. I was committing adultery this whole time, and I didn’t even know it. The very thing that killed my mom and killed half of my heart. I thought about how I felt when I saw my dad’s cold eyes the day he left us. I thought about how I felt when I saw my mom sit on her unmade bed for days after he left and before she died. Mostly, I thought about how for a moment, I was about to say ‘yes’.