Two by E. Martin Pederson

E. Martin Pedersen, originally from San Francisco, has lived in eastern Sicily for over 35 years. He teaches English at the local university. His poetry has appeared in Ink Sweat & Tears, Muddy River Poetry Review, Oddville, Former People, Trop Magazine and others. Martin is an alum of the Squaw Valley Community of Writers.


Nudists

I had to wait until my father died
and mother’s jigsaw puzzle pieces
to discuss what to do with the trailer
oh yeah, that old trailer
that they used to use summers
at some campground in Oregon
I’d never been or paid attention
then it came out that it’s a nudist camp
my parents have been visiting for 30 years
I never noticed or they never told me
or they told me indirectly but I didn’t hear

oh, to imagine
my parents, male and female
volleyball and ping pong.


Nausea of Numbers

Go to a baseball game
or watch people at an airport
a county fair
the mall on Saturday
Lots of beauties, huh?
prettier than the actors we crave
Some look like friends who are dead
Some like lovers lost but not forgotten
like people in a mosque
You’ll never see them again
They gorge your visual memory
then pass on forever gone
Leaving the nausea of numbers.

September 2, 2005 by Emily Stephan

Emily Stephan is a freelance writer and educator who reads too many books and watches too many movies. Her fiction and poetry have been published by Z Publishing House, Cheap Pop, and the Manchac Review. She is also a regular contributor to the Ultimate Action Movie Club website.


September 2, 2005

I remember trees, glass, streetlights littering the roads,
the grass turned to mud, “looters will be shot” cardboard signs
tacked to the front of Mr. Palmer’s house, the roof caved in,
an evergreen prostrate across the upstairs bedroom

I remember the queasy silence in the car,
the unbearable stretch from Baton Rouge to back home,
mama fiddling with her rosary, daddy’s knuckles white on the wheel,
the awful question hanging in the air, left unspoken

I remember us screeching to a halt in front of the house—
our great pine tree toppled across the lawn,
just skimming the siding, crushing the azalea beds,
a few brown shingles scattered atop the monstrous foliage

I remember the first time I ever saw mama cry, hands hiding her face,
and daddy bowing his head, relieved exhalation deflating his body,
myself shocked at the spectacle of their catharsis,
the final confirmation that grown-ups could be afraid

Ogre by Suzanne Verrall

Suzanne Verrall lives in Adelaide, Australia. Her flash fiction, essays and poetry appear in Atlas and Alice, Monkeybicycle, Archer Magazine, Lip Magazine, Poetry NZ Yearbook, Australian Poetry Journal, and others.      www.suzanneverrall.com


Ogre

The ogre lived in the dense damp core of the forest. His treasures – the sheep with their self-spinning fleeces, the unsnuffling pigs – were born and grew and died as they had for all memory. Only the ogre had no beginning or end.

A silver-skinned princess stumbled into the forest. She wore a look of terror as if having woken to find herself blind.

The ogre smelt her. He lumbered through the forest, crushing wildflowers in his haste to glimpse her amongst the green-black shadows.

Day and night he watched her scavenging for berries, sipping dew from bladed grass. He fell in love. She became more beautiful and his love grew until it reached the last unvisited corner of his mighty ogre heart.

At which time he took the princess in his trunk-like arms and squeezed every last drop of life from her.

It was what was expected of him.

Empty Rebus by J H Martin

J H Martin is from London, England but has no fixed abode. His writing has appeared in a number of places in Asia, Europe and the Americas.

Website: acoatforamonkey.wordpress.com
Instagram: @acoatforamonkey


Empty Rebus

I need to get my self
Back in line
Before it all gets out of hand

The reminiscing – the highs
The whatever – the when

These two flows
From one source
Which I am too foolish
To even recognise

This fire escape door
Which I can keep on pulling
But I am too blind to push

Tangled up
By convoluted nuance
And constricted by
This recurring imagery
I always
Overcomplicate the meaning
Only then to simplify

Just as front follows back
And short measures long
I am nothing more
Than this dull mid-June day
And this battered notebook

Of course – just by saying that
Makes these dumb words
Turn back in on themselves
To May and then April and then on
Back to the point

Come on fool – shut up
I am sick of the drifting
From that point to this and then back to there
All I want is to stop
All these dreams of yesterday’s world

So come on fool – shut up
Sit down and be still
Just let it all
Solve its own undisturbed mystery

The High Moral Tone by R. J. Keeler

R. J. Keeler was born in St. Paul, Minnesota. Lived in jungles of Colombia, S.A., up to age twelve. BS Mathematics NCSU, MS Computer Science UNC, MBA UCLA, Certificate in Poetry UW. Honorman, U.S. Naval Submarine School. “SS” (Submarine Service) qualified. Vietnam Service Medal. Honorable Discharge. Whiting Foundation Experimental Grant. P&W’s Directory of Poets and Writers. Member IEEE, AAAS, AAP. The Boeing Company. His collection “Detonation” will be published in December.


The high moral tone that he used in the bequest speech was judged to be insincere and moreover was received by all the audience consisting of family and attorneys and friends as borderline insubordination but regardless of the tone we all had to agree with each other that it was delivered the language not the tone with exquisite precision and correctness in addition the grammar was absolutely flawless to the point where during the speech there were at least three phrases that stopped my attention cold and for them I had to focus and quickly in the moment form a mental image of the sentence in question and ask is that correct wow I must have been using that word incorrectly all these years furthermore the content to my ears and listening mind sounded expertly well-crafted and even a bit rhetorical one got the sense that the speaker had labored over the speech well into the night before he gave it and had gone over it in the privacy of his study again and again asking himself what do I want the audience to conclude from this speech and how therefore do I guide them invisibly to that desired conclusion at the end of this bequest speech or maybe an hour afterwards after the show of hands and the signing of documents I began to realize that the whole affair was so very well-scripted and designed as to be underhanded and to manipulate us all into innocent little lambs acceding to the agendas of the speaker but by then it was too late.

Diogenes, the Artist’s Friend by Jacob Kobina Ayiah Mensah

Jacob Kobina Ayiah Mensah is author the of new hybrid works, The Sun of a Solid Torus, Conductor 5, Genus for L Loci and Handlebody. His poetry has been accepted and appeared in many various literary journals and anthologies, including North Dakota Quarterly, Cathexis Northwest Press, Strata Magazine, and The Sandy River Review. He is an algebraist and artist and lives in the southern part of Ghana, Spain and Turtle Mountains, North Dakota.


Diogenes, the Artist’s Friend

Pay good money to be in Diogenes’ bed
where hundreds of drawings and paintings
are exhibited and auctioned by Sotheby’s;
pay good money to be in a barrel on a rubbish tip,
where a room for one of the hundreds of homeless families,
is cut out from a hard cardboard left behind;
the door is not ajar, or a window does it just lurks,
from the first rainfall you have flown about the cover
like bats in a belfry, their colours are convictions.
Now here is the light of fresh evidence to improve you
in no doubtful submissions when every numberplate
I wear for a face for a post office road is signed,
something is overshadowed above us like a cloud.
Time is not enough to come to anything.
Somebody must look for what sustains.
I have found him sitting down near me,
whispering to himself, an imaginary part,
I am trying to welcome myself back
among the commons with a nightcap,
I am ragged. I am listening to all with his attention.

Absolution in Her Red Eyes by Nicole Efford

Nicole Efford is a senior at the College of William and Mary, majoring in English and minoring in Creative Writing.

Absolution in Her Red Eyes

Mara helps her mother out of the pew, hoping nobody will notice them slipping out before the end of service. She’d realized her mom was high when she came back from the bathroom, ten minutes into service, with eyes red and half-closed.

“Hope, hi. How are you?” Todd Baker whispers, blocking the door. His hair is pomaded high on his head—reaching for Jesus, Mara thinks.

She smiles innocently and says, “My mom’s not feeling too well right now. I should be getting her home.”

Todd’s eyes linger on Hope’s arm, and then meet her eyes. She stares back at him, unblinking, then drawls, “You are a sinner.”

He chuckles and shakes his head, “Well, we all are. But Jesus absolved us, Hope, you know that.”

“Mom, c’mon.” Mara says as she tugs on her mother’s arm.

“That’s probably a good idea, Mara. Do you need any help getting her to the car?”

Hope watches the man grow a red tail, then jabs her finger into Todd’s face and shouts, “Get away from my daughter!”

“Mom, stop!” Mara grabs Hope’s hand and pushes past the exit. “She’s really not feeling herself!” she calls over her shoulder, rushing toward the parking lot.

Mara gets in their car but Hope does not.

There is a demon in her car—Hope knows it. God has visited her and He has given her the power to detect evil. Hope stares as the demon in the driver’s seat grows two red horns. It is talking to her but she cannot understand; she has too much Heaven within her to speak to children of Hell. She shakes her head at the demon, “I will not go with you.”

Mara stares at her mother in disbelief. “You need to come with me. How else are you going to get home?” She lowers her voice so nobody around the church will hear, “You can’t go walking the streets doped up, mom. Get in the car.”

Mara’s words get through to her mother, and Hope recognizes that the demon in her car is her daughter. The demon pleads again, “Please, mom, let me just take you home and get you to bed.”

“You are not my child anymore,” Hope spits. She gets on her knees and pulls the cross up from around her neck to ward away the demon. “You, child of the Devil—with the power of God the Almighty, I banish you back to Hell!”

Mara glares at her mother, and then notices the silence surrounding them. She looks in the rearview mirror: Service has ended and people from church are staring. “I’m sorry, mom,” Mara says. She backs out of the spot, slowly, so that she doesn’t hit her. She puts the car in drive, and leaves her mother in the parking lot.

Hope gets off her knees and tucks her necklace back under her cardigan. The Devil has gone. She has saved her church. She smiles, sits back on the parking lot ground, and smiles up at the sky.

CXXXV by Terry Brinkman

Terry Has been painting for over forty five years. He just started creating Poems, he has had five poems in the Salt Lake City Weekly paper.

Sonnet CXXXV

Vain gestures in the air
Maze of dark
Porters Creek Park
Pot of honey bear
Chalk-scrawled somewhere
Sewage breath lark
Flites of spark
Crucified shirt solitaire
Ann’s house
Joust of life
Field mouse
Death bed afterlife
Human shells grouse
Old man Jack Knife

Silent Crushes by Nils Reddick

Niles Reddick is author of the novel Pulitzer nominated Drifting too far from the Shore, a collection Road Kill Art and Other Oddities, and a novella Lead Me Home. His work has been featured in eleven anthologies/collections and in over a hundred and fifty literary magazines all over the world including PIF, Drunk Monkeys, Spelk, Cheap Pop, The Dead Mule School of Southern Literature, Slice of Life, Faircloth Review, With Painted Words, among many others. His new collection Reading the Coffee Grounds was just released. His website is www.nilesreddick.com

Silent Crushes

The teenage girls decided to end their semester at school with a spend-the-night party. They ordered pizza, made sugar cookies, drank hot chocolate, and decided to watch Hallmark movies. Mostly, they talked about boys who they thought the teachers liked better and who mostly ignored them and preferred sports, hunting, or video games.

The parents who allowed them to flop at their house in pajamas too short for anyone never heard the kitchen door shut or the teens pile in two cars parked by the street and leave the subdivision to head directly into another subdivision. The parents had nodded in recliners, exasperated from repetitive, negative news. The girls parked by the curb of a house whose owners they didn’t know, made sure the lights were out at Nicholas’ family’s house next door, grabbed rolls of toilet paper, and draped the pin oaks in front, the holly that flanked the corner of the house, and the azaleas in the landscaping. Some of them giggled while others shushed them.

            Like adult burglars, they piled into the same vehicles and drove to the next house of a boy they all liked, but who also ignored them, and repeated the toilet paper escapade. They papered a third yard before calling it a night.  The three targets–Nicholas, Martin, and Clay—never had a clue anything was happening outside their windows. They wore headphones and were yelling at their friends who were all played a game on the X-box.

            It wasn’t until dawn that any of the boys’ parents realized their yards were draped in toilet paper. The drizzle started about three in the morning and made for quite a mess when neighbors, out for an early stroll with dogs, saw, shook their heads, and were thankful it wasn’t them who had to clean it up.

            Annoyed more than angry, the parents woke and told their boys what their friends had done, but they had no idea it was sweet girls from their class who had silent crushes on the boys.  Some of the mothers, though, knew what their daughters had done. They had the Life 360 app on their phones and tracked the whereabouts of their daughters. Two of the mothers noted where they had been at ten at night and confronted them.

            “We were watching Hallmark movies, drinking hot chocolate, and eating sugar cookies,” one daughter lied to her parents. She lost her phone and car keys for a week. The other daughter confessed what the friends had done, but the parents told her to avoid that sort of thing in the future, that it was illegal, that if they were caught, it could affect their college admissions.  Plus, the parents had done it themselves in a time when the only app was nosey neighbors who called parents to tell.

The Truth in the Tale by Anna Lachelt

Anna Lachelt is an English Major at Colorado Christian University. Her focus is creative writing, predominately Fiction and Poetry. Her poetry is often inspired by the characters she writes about in her fiction or are self-contained stories within the poems themselves.

The Truth in the Tale

One day they’ll tell the story of a hero.
I swear one day the world will know your name.
But I can’t tell them everything. I can’t
Show them a soul like yours, a soul that glowed
With sun-like warmth and lit the sky at night.
You were a heart that beat out love, the hero
they needed. They will never understand
You like I did, my friend and my beloved.
You’ll only be a story on a breath,
A whisper in the wind, a tale they tell
By fire light and on cold winter nights.
But here’s the truth as I stand at your grave,
You always were the angel in my story.