Symphony by Niles Reddick

Niles Reddick is author of the novel Pulitzer nominated Drifting too far from the Shore, a collection Road Kill Art and Other Oddities, and a novella Lead Me Home. His work has been featured in eleven anthologies/collections and in over a hundred and fifty literary magazines all over the world including PIF, Drunk Monkeys, Spelk, Cheap Pop, The Dead Mule School of Southern Literature, Slice of Life, Faircloth Review, among many others. His new collection Reading the Coffee Grounds was just released. His website is www.nilesreddick.com

 

Symphony

for Gloria

 

When the Hospice nurse left Sam’s room, she told Iris, “You can go in now. He’s still awake.”

“Thank you,” Iris replied, adding, “for everything.”

The nurse smiled, walked down the hall to collect her purse and coat from the rack.

“Sam?” Iris called, pushing the door open. “You awake?”

“Sure, I’m awake.” His eyes were closed, but he opened them wide, turned his head, and glared at Iris. “I’ve already had a bath,” he told her.

“Yes, I know,” she said.

“Then, what do you want?”

“I thought I’d sit with you a while. We can talk or I could read the newspaper to you.”

“I can read,” he said. “What do you want to talk about?”

“We can talk about whatever you want to,” she said. She remembered how she’d done all the talking when he was stationed in New Jersey and they met at Atlantic Beach on the boardwalk. They’d had a hot dog at the stand, drank Cokes, and held hands. She was captivated by his Southern drawl, his yes mams, and couldn’t imagine moving South, where it wasn’t the heat that was so bad, but the humidity and insects.

“I don’t mind talking to you, but I see you’re wearing a ring,” Sam said. “Don’t you think your husband might get jealous?”

Iris thought he was lucid, that he was playing with her as he’d always done. “Oh, come on.” She touched his hand. “You’re my husband.”

“No, I’m not,” he said. He pulled his hand up toward him. “I don’t even know you.” Sam closed his eyes, and before Iris could stand and walk to the bedroom door, he was snoring.

Tears welled in Iris’ eyes, she pulled the door closed, and scurried to the living room, sat on the sofa, and bawled.  Iris knew it was the Alzheimer’s eating his memory, but the diagnosis and realization didn’t erase the pain she felt about losing him, of him not even knowing who she was. Even her believing he was between worlds, partly here and partly there on the other side in an afterlife, and that they would someday be together again, didn’t really help take away the feelings she had when he didn’t know her.

She walked over to the stereo. She was wearing a house dress and bedroom slippers. She turned on the best of Diana Ross and the Supremes, and as their harmony, music, and back-up played gently, she danced slowly, sliding her slippers across the wooden floor, imagining and remembering their dancing in this very spot draped in each other’s arms when they first bought the cottage sixty years ago, then just outside of town. Now, the town had sprawled and their neighborhood was considered a historical district, and even though Sam is in the other room moving closer and closer toward the exit door, she feels him, smells Old Spice, and hears the symphony she once felt.

 

 

Senescence and Other Poems by Barbara Meier

Barbara A Meier teaches kindergarten in Gold Beach, OR, where she continually frets over how to get five-year-olds to start a sentence with an uppercase letter, end with a period, and make sense. In her spare time, she looks for agates, petrified wood, and fossils on the beautiful Southern Oregon beaches. She has been published in The Poeming Pigeon, Cacti Fur, Highland Park Poetry, and Poetry Pacific.https://basicallybarbmeier.wordpress.com/

 

Alcohol Seas and Opiate Skies

Under the alcohol seas and opiate skies,
He fell asleep last night.
didn’t know I was checking
to see if he was breathing.

There’s a curl on his forehead he hates.
I brush it lightly to feel if his skin is warm.
He wakes with a gasp and mumbles something
in his sleep.

“Are you alive?”

He grunts yes, never remembering
he spoke.

If I could crawl down into his brain
I’d make him remember
and he’d care once more for me.

I’d whisper to him

“If you are lost out at sea,
I’d tell you to swim parallel to me.”

But you drift out to sea in a filmy haze,
never remembering the shore or the breeze
and the crabs dine on what’s left of you and me.

 

A Little Death in Methow Valley

The moon through the clothesline wire.
Framing the river sheen and dusky leaves.
The coarse soil beneath my thighs
embeds the pain just a little deeper.

I hold my arms to the wire,
grasping the moon between my hands.
Wrapping the Emperor’s clothes around my breasts,
the silk buttons, the lacy neckline, the wire.

I am alone in the cold diamond light.
My tears, pearls dripping down the sky,
catching strands of snot in my hair,
rocking to the sobs of the Cicadas.

I wear the night, velvet on my shoulders.
Squatting to urinate in vintage lilacs,
while you masturbate on rubber vinyl.

What’s left of us grows slack between backyard and basement.
I weave the moonlight to cover what falls to the ground,
mindlessly chanting,

“How can I stay?
But how do I go?”

We fooled ourselves with our fantasies of brocade
that were really only polyester lies, linen fabrications,
and fairytales of silk.

I am alone with the Emperor’s moon,
naked in the diamond light.

 

Senescence

To lie with the forest floor,
Pine needles stabbing from back to heart.
One hand on the litterfall, digging to the O layer,
filling my fingernails with the fecal dead,
the other on the scabrous pine,
prying the puzzle pieces adding
to the L-organic horizon.

The 4 o’clock breeze rustles down the mountain,
scattering the canopy litter,
blanketing my body in duff.
I become one with the detritus:
a home for worm, beetle, leafhopper, millipede,
wood sorrel, trillium, salamander, shaggy mane, morel.

I settle.

Settle into the senescence of you?
Composting with the creatures and litter?
Or go with the new growth of Dodecatheon poeticum,
pushing up from the humus of my mind?

I am rich in death and decay.

 

 

Poetry by Sam Waszkelewcicz

Sam Waszkelewcicz is a writer and door to door salesman living in West Hartford Connecticut. His work has appeared only on scrap pieces of paper and notebooks that he tucks away in the back pocket of his Levi’s.

 

Twin Bed

You me and the dog
Crammed together in our twin bed
Us spooning
And the dog nestled in between our feet
Neither of us able to move
I always slept perfectly however
The type of sleep one dreams of having
And Now that the two of you are gone
I cannot sleep
For there’s far too much room
In this ocean of a tiny bed
That was once all ours
And is now
just mine

 

What a Juxtaposition

One day
Sitting in a chair
I straddled
The two realms of
the earths skin

To the right
It was lost long ago
Lost to the first butthole
Fucked in the city
Forgotten in a cubby hole of a bar
Where last call never comes

And to the left
I hear
I am the king of the house
I am the king of my dreams
I am kevin
Pizza!
As the swing goes higher and higher

We yearn for
The swing, to stay
With filtered eyes
And that purity
But at some point we all get up
And walk towards the black hole

Leaving all of that
School house stuff
Behind

 

Lottery

My space is nothing
but a hand ticking
A white walled straight jacket
There’s movement
In peripheral
But to touch
Or speak
Are a lottery away
Have you ever seen the odds
Of winning?
Please play
Responsibly

Three by Robin Wright

Robin Wright lives in Southern Indiana. Her work has appeared in The Literary Nest, Rune Bear, Event Horizon Magazine, Another Way Round, Ariel Chart, Bindweed Magazine, Muddy River Poetry Review, Indiana Voice Journal, Peacock Journal, Rat’s Ass Review, and others. Two of her poems were published in the University of Southern Indiana’s 50th anniversary anthology, Time Present, Time Past. She was a finalist in Poetry Matters’ contest for the Spring Robinson/Mahogany Red Literary Prize.

 

Cinderella 2018

She slides a plastic bag over the dress
worn to the ball when she won the prince.
The kids play with it now, pretend they sweep
ash from floors, sing a song with doves,
wait for fairy god-mother to tap her wand.

They have torn the lace and stained the satin,
shattered the glass slippers long ago. Cindy,
as she prefers to be called, rakes her face
across her sleeve. She has nowhere to go or to be.
Her hubby king out all day and many of his nights,
tending his crop of illustrious kingdom.

Her sisters now sweep and weep in her employ.
She hears them plot against her. They want
her husband and her life. Some days she wants
to let them have it and run into the arms
of the sea.

 

Little Red Riding Hood 2018

She sits on a stump, tosses her backpack
onto the ground. Her grandmother made
this red velvet cape, not knowing her favorite
is actually blue. Though alliteration in her story title
speaks to her sense of poetic pride.

She unzips the bag, pushes away Plath, Sexton, and dreams.
Some think she’s living a high fine life, immortalized
for cobwebs of children to come. But she had to don
this red velvet cape, pull its hood snug over orange curled locks,
escape bright flashes from eager paparazzi.

She pulls out her tablet to rewrite her story. Her cape will match
the shade of her heart, Plath’s heart, Sexton’s heart.
Her grandmother will drive a brand new Corvette,
won’t be stuck in the woods waiting for her
to bring cakes and wine. Oh, yes, a wolf will appear,
the uncle who molested her.

 

Goldilocks 2018

She tap, tap, taps on the door,
leans against the frame, pulls off
a second-hand Skecher, turns it,
dumps a pebble, arches to relieve pain
that wails like an infant. Her day
spent scouring for berries and bending
to scoop hands for a drink from the creek.

Her stomach grumbles the same old tune
as a window pane shows bags
alive under her eyes. No one comes
to the door. She knows who lives here.
Papa Bear and Baby Bear play ball
in the yard until Mama Bear calls them in.

Goldilocks knows they stashed a key
under the mat that spells Welcome
in letters large enough to mean it.

Inside, the smell of roast catches her
in a net, a pot filled with mac and cheese,
pulls her straight into a land
where heroes and villains
eat straight from pans.

She’ll beg to sleep here, hope Papa Bear’s heart
is not too hard, that Mama Bear can soften him
or Baby Bear will say it’s the right thing to do.
She’ll tell them her time in the woods
made her late for a bed at the shelter.

 

Three poems by Julia Watson

Julia Watson is a poet from Atlanta, Georgia and coins her poetry as Millennial Southern Gothic. She holds an undergraduate degree in Creative Writing from Florida State University. When not writing, she spends her time cooking veggie-lover meals with her old grumpy sidekick, her dog Annie.

 

Terminal Dinner with a Side of Mac

She told me over mushroom stroganoff that it’s an incurable disease
in which the central nervous system attacks itself. It can be caused
by a multitude of things such as stress but do not worry, my love,
it is not always genetic and at that I ask if she’ll die before I’m thirty.
She shrugs yes and no but thirty is the last birthday until I’m pinning
calendars upside down and counting backwards instead of forwards
so its best she is gone by then anyhow. So we resume our meal as “Dreams”
plays in the background and Stevie Nicks asks me have I any dreams I’d like
to sell. She offered to join Tom Petty and the Heartbreakers somewhere
around 1981 but Petty turned her down saying “No Girls Allowed” and Nicks
went on to create Bella Donna and the two remained good friends despite the
rejection. And of course, he is dead long past thirty and Stevie is alive
for now so we clink wine glasses and wash up before my mom ties
her arm with a tourniquet like some heroin addict and injects this medicine
that will not save her tonight or ever so I set my alarm
and dream the way I was told to and in nine years when it rings,
I grab my late mother’s tourniquet and suffocate the clock
until it shatters like thunder

the rain soon follows.

 

You Ask to Write of Origin and I Present You with Cinder

it is thinning wall   it is chipped
furnace   it is spiral staircase screaming
with every touch

it is confederate trench   it is piss
stains from 1980   it is a Christmas
tree spine hunched

it is nursery   it was closet
it is cat and eight litters   it is summer
roaches

it is winter possums   it is ghost
with rifle   it is cries muffled
in dirty washcloth

it is brimming   it is barren
and I am only here
to take

and explode.

 

Mother Weeps

I love when it rains while the sun is shining
and the smell of fountain water on a hot day—

I love her passion, her healing, how
she loves everything and nothing
all at once.

Where I’m from, they say it’s the devil
beating his wife

but I would like to think
she had just heard Beethoven,
his Sonata No.14 “Moonlight,”
and could not help herself.

Poetry by Rich Glinnen

Rich Glinnen is a market researcher by day and a writer by night. He enjoys bowling, and drinking red wine with his cats at his home in Bayside, NY. He’s currently nominated for the 2017 Best of the Net Anthology. His poesy can be read in Kenneth Warren’s Lakewood House Organ, at foliateoak.com, petrichormag.com, and richglinnen.tumblr.com. His fiancé calls him Taco.

 

First Dance

It looms
Like Medusa,
Riddled in
Black tulle,
Enormous at the
End of
Summer

A hanging ghoul
To pass through—
Ice already
Pricks my
Chest

Day of:
The only eyes
I see
Are the 100
Reflected
In yours—two orbs
Chocked with
Tarantulas. Let us
Combust,
God

We’ll waltz
As one in
The sanctity of
Our own private
Burn ward—
Laden
With Vicodin,
Two arched
Willows
Staggering to
Radiohead
And a
Steady
Beep.

 

Touch of Gray

As flurries
Cake, trees
Grow cords
Of gray

Pantless, I watch
The massive
Deadheads
Sway.

 

Summer Cat

The long days smear themselves like
Sunshine across my face,
Carving wrinkled canyons and
Sculpting carcinoma

I’ve endured the northeast’s
Wild winters for a peek
At glorious gold, only to
Be slapped with rash,
Serenated by disembodied voices
While napping indoors.
When I stir awake, the cats
And I blink at each other
Until our bellies
Crave crackers—
Provide objective

Dozing and eating—
I am a summer cat,
Bound to home
Never to tan.

 

Stray Song

Its swampy song
Clambers through my window,
Rounding both of my cats
From slumber,
Inviting them
To screw

“They’re fixed,” I inform the
Stray, bare-bellied, barely buzzed,
“There ain’t nothin’ in them”

All three are undeterred
By this—what I deemed—
Useful information. Still
They stare—a standoff.

Perhaps the vagrant hopes
A certain melody
Will regenerate
Ovaries and testes
(Not sure how the
Stray swings)

Either way, its got
A better shot
At love
Than most.

 

MemorBrie

Ah, cheese—
Such variant goodness,
So dear to us
We utter her
Mouth-watering
Moniker
While photos
Flash—
Glommed onto
Memories
Through lippy
Smiles.

 

Unmade Man

Always thought I’d be further
By now,
Had dreams of psychology
And piles of sex and boats, office
Exploding swarthy wood

Was it ever realistic, for faces
Always haunted me—
The slightest brashness
Equaled sleepless nights,
What-if-they’re-right’s,
Meaning of truth,
Hatred,
Love—
But all the kinds
Disassociated
With success.

No boys allowed by Jessica Simpkiss

Jessica Simpkiss lives and works in Virginia Beach, Virginia with her husband and daughter. She studied Art History at George Mason University. She is currently an associate editor with the literary magazine 1932 Quarterly. Her work has most recently been published or is forthcoming in the Hartskill Review, Zimbell House Anthologies, The Write Launch, The West Trade Review and the Virginia Literary Journal, amongst others. Find more of her work by visiting https://jesssimpkiss.wixsite.com/whispersfromthesoul

 

No boys allowed

Clint was fifteen when an accident killed our father. I can still remember the look on my mother’s face as she tried to tell us that he wouldn’t be coming home for dinner. The fried chicken and mashed potatoes she’d already made sat on the table for nearly two days before she let us clear it to the trash. It had been my father’s favorite. She never made it after that, even though it had been my favorite too.

I tried to remember back to the summers before, when we’d still been kids, but it felt like it hadn’t been real. It was something I dreamt. When I was alone at night, lying in bed staring at the peeling paint on the ceiling, I would find snippets of our childhood memories in the rapid eye movements I made trying to fight sleep. I could vaguely remember the way the rope felt in my hands, just before I’d let go and fall into the dark water below. There was a split-second to make the decision to let it go and you knew if you didn’t the bank would erupt in laughter and taunting screams. When the angle was just right, I’d let go but the fibers of the rope would leave a lingering sensation on my skin, as if to say it wasn’t too late to grab hold again. No one ever grabbed hold again.

The first time, it didn’t even feel like water. It was more like falling through glass. The water would sting against my feet, slicing through skin, leaving a bloody mess to deal with on the mile and a half pedal home. But we would always come back, hungry for the feeling of freedom that only falling from forty feet above the earth could give young boys. It was the only time we’d ever tasted it.

I’d always wake up in the morning, wondering if the things I dreamed had really happened or if they were just wishful thinking. I’d ask Clint, sometimes, about my dreams and he would laugh as a thick film of nostalgia appeared at the bottom of his eyes. I’d lose him for a minute, sometimes a few. I knew better than to say anything in those moments, ruining for him what must have felt like even more distant memories. It didn’t really matter, if they were real or imagined. There was no getting them back either way.

 

The summer had become a death sentence. Each day took with it a little more of his innocence, a little more of the childhood we thought was promised. When we should have been ghosts in our mother’s eyes, at least while the sun was out, we had become homebodies, zombies, lurking around the house, tiptoeing around the elephant in the room. We were naive to assume that things always worked out. Things rarely ever went according to plan. Just ask my father.

Sonny, he whispered from above me one morning. I have something to show you.

I opened one eye and when there wasn’t any light sneaking in under the plaid curtain dressing the window I groaned assuming he’d woken me up far earlier than any twelve-year-old boy had ever woken up on a Saturday, even if our Saturday’s were numbered. But I’d had it all wrong.

 

We sped past the turn for the lake and kept going straight. Layers of heat still clung in the air above the pavement and we sliced through it like a knife in summer butter. Even in the dead of night, the heat was unforgiving. There was rarely a breeze enough to make any difference. The downhills were the only time we felt any kind of relief, both from the heat and the strain of pedaling halfway across Worth county.

At the end of the 409, we stopped at the faint remains of an old dirt road. The weeds and underbrush had almost claimed it as its own, but not completely. I could see a thin lane of tire marks worked into the remaining dirt and footprints that had trampled some of the grass. Clint told me to follow him with a hushed voice but said nothing else.

We ditched our bikes behind a sweet-smelling bush at the side of the road, and in the light of day I might have recognized it to be blackberry, but I couldn’t be sure in the darkness. I couldn’t be sure of anything. We dove further into the wood line and as we did, the only light we’d had to guide us trickled through the heavy treetops and was almost nothing by the time it reached us on the ground. I followed closely behind the sound Clint made in front of me, entirely sure I’d never make it out if I lost him.

Clint, I whispered hoarsely, where the hell are we going?

Shhh, he hissed back, you’ll thank me once we get there.

We moved like moss through the woods. Our steps over broken branches echoed through the silence. Small night time creatures scurried about, unseen but not unheard. Crickets sang to one another, letting those of them ahead of us know something was coming.

We came to a clearing and Clint stopped as if he wasn’t sure which way we were going.

Do you hear that? Clint asked, turning his face upward toward the night sky, it’s this way. He turned to the south and continued into the darkness. There was a faint hum drifting through the trees, and we followed it like bloodhounds until we came to a hindrance in our path.

When the trees shifted, bits of moonlight filtered down, enough to see the metal cattle gate and the signs that hung brashly on its face. I didn’t need the light to know what they said. They were the same on every gate you came to. Stay out, private property, no trespassing.

Clint sat, straddled on the top metal rung of the gate, looking back at me with a Cheshire smile I could barely see. A gentle wind blew through the trees, rustling the leaves and waking a hoot owl in the distance. The gray moon dribbled down through the branches and glinted off his white tee-shirt and the metallic finish of the gate, making it look like he was almost swimming in its light and I finally knew where he was taking me.

I jumped the gate like a thoroughbred instead of the common field horse I knew I was. The hum I’d heard before morphed into radio music and laughter the further from the gate we moved. I looked back in the direction we’d come and the moon was still shining down on the gate. Somehow, the empty backing of the signs that had tried their best to forbid us from moving past them felt more threatening than when I’d been able to read their warnings. The empty white space gleamed out at me in the hazy light. They were the only thing I could see clearly.

Listen, Clint whispered, you’re too young to be here, but …

He didn’t need to finish his sentence. I knew what he was doing and why.

I’d heard rumors about it. We all had. He’d make me swear not to tell any of my friends that he’d brought me there, or else they’d all be begging their older brothers to bring them too and it would ruin the everything.

The structure itself was dilapidated, leaning in more than one place. The tin roof was rusted in places and missing in others with falling down walls, none of which were matches for containing the sound coming from inside.

A boy older than Clint stumbled through what they used for a door as we stood outside while he told me the rules. I was only allowed one beer and if anyone asked I was fourteen and not twelve.

Inside, stringed Christmas lights replaced the wispy light from the moon and the stars we’d used to get there, but it was still dark enough that everyone was hidden in some level of shadow. An old radio in the corner blared the latest hits. Couples in the middle of the room danced too close to each other, their lips and tongues exploring their partners deeply. Other couples closer to the walls danced to music only they could hear as their bodies twisted and heaved in singular movements. Clint smacked me on the back of the head, telling me to stop staring with his eyes.

Here, he said, shoving a warm beer into my chest.

What am I supposed to do? I asked, feeling very much a kid out of place.

Clint smiled. Enjoy yourself, find a girl.

He winked and disappeared, becoming another face brushed with greens and reds and yellows as they danced wildly and without fear of parent’s eyes or ears learning their secrets. Our parents had been here or somewhere just like it when they’d been their age. It was a rite of passage in Worth. Boys become men and girls becoming women overnight. They all knew where their kids because they’d been their once too.

I stood in the corner and sipped my sour beer trying to be inconspicuous, which wasn’t hard to do. I became a fly on the wall inhaling the smoke from their cigarettes and listening to the music that would later define all their lives. I thought about the summers before our father had died, when we were still kids. Our biggest worry was the condition of our thrift store bikes and who was coming swimming. I watched the kids in front of me, desperate to become anyone other than the children they’d been or still were. They were stuck in the middle, too old for swimming all summer but not old enough to be adults in public. Except for Clint. Clint would be an adult in the morning when he showed up at the Feed and Seed for his first day of work. Even I wouldn’t be a kid anymore by then, at least not the same kid I was the day prior. It felt like we’d grown up overnight, but we were just too foolish to notice that it had been happening all along.

By the time the sun woke up, the air reeked of stale cigarettes and sex. The music had quieted and the dancers moved slower, like sleepwalkers moving in the night. We leaned on the wall, savoring the idea of being us one last time before the ride home when we’d become different people. But at that moment, we were just us, without a father who’d died and a mother who’d never recovered. We were just boys in the woods learning to be men before we knew what that meant.

 

Cryptic Crossword Poems by Holly Painter

Holly lives with her wife and son in Vermont, where she teaches writing and literature at the University of Vermont. Her first full-length book of poetry, Excerpts from a Natural History, was published by Titus Books in Auckland, New Zealand in 2015. Her poetry, fiction, and essays have also been published in literary journals and anthologies in the US, Canada, Australia, New Zealand, China, Singapore, and the UK.

 

Note: The clues in the first part of each poem yield the answers that make up the haiku in the second part.

 

Cryptic Crossword XIII

Clues:

Standing and glaring,
constant queue outside government camp
harasses addicts

squatting at asylum’s center, engrossed in scoring
smuggled intoxicants, keen on
oblivion or retreat to covers,
riots, upsets, or beliefs.

Hateful line starts to curse a number of
down-and-outs knocking back endless mescal base and glues.

Answers:

Rank lingering hounds
settling into sleep postures
loathsome vagabonds

 

Cryptic Crossword XXXVI

Clues:

Rookie officer at bar
listens to singers’ runs.
Alto vocalists go on to a scale out of the country

song on The Voice.
Quivering slow ebb reverberates
as banter at end of pitch
warm-up reveals police
joiner. Band, having no opener,
launches itself into medley in no time.

Croaky mumbly fellow does cowboy
drawls about redhead who captures
man’s fancy (devastated, wife leaves).
Chatty beginner cop exits, dropping “thank you” tips in Stetson.

Answers:

Colt canters away
Air wobbles with heat and flies
Horseman grabs his hat

 

Cryptic Crossword XXXVII

Clues:

Frenzied hives drone in English countryside.
When the scones are served, conversations about golfing start:

One game or another, albatrosses and eagles,
trimming, swings that produce a flyer.
Tan young man says
he’s singular in duffing and stands out
putting straight tap-ins. Draws,
common on the green,
reward golf that falls short, but beginner

delights, leaps foolishly around, positive
about being part of photo finish.
Youth prances, beams, filled with quiet lunatic smile.

Answers:

Devonshire teatime
Birds wing; sun shines, paints park gold
Pleasures of springtime

 

Cryptic Crossword XXXVIII

Clues:

Asinine dare and lover
cataloguer, inebriated liar in bar –

advance unfinished plot about nothing:
you and me; America;
good character;
rehashed, bland musing; or a coming of age story

concealed by half-illusions. “Enough
empty ululations!” we object.
Finished, boy escapes pub, retreating
in possession of a tiny bit of scrappy
dignity, left with piles of delusions.

Answers:

Dear librarian
loan us a bildungsroman
fill us up with dreams

Stars and Strictures by Paul Reyns

Paul Reyns has been published in a handful of venues.

 

Stars and Strictures

The first time I saw a Confederate flag
was on the back of my uncle’s pick-up
after we got out at the hardware store.

“Nice,” I said, because the paint job
was in fact impressive.

“Bet you don’t see those too often,” he told me.
I took a photo with my camera and sent it to my father.

In the lumber yard my uncle took the call.
“Are you kidding,” he said, “it won’t get him shot
– this is the South.”

“What was that all about,” I said, carrying two-by-fours under my arm.
“Your father thinks I’m going to turn you into a plantation owner.”

“I wouldn’t say that,” I told him.

We fixed a tenant’s door frame.
Then my uncle went to Walmart to pick up labor.

When he returned he pulled me aside and told me they were Mexican.
“They won’t know the difference,” he said.
I asked him what he meant.
After that, I gave one of them my toolbelt.

We worked until the sun went down and then kept on.
Dinner we ate on top of the folded-down flag.

“Been here five years,” the taller one said.
“Isn’t anywhere we get better treatment than with your paps.”

I let him make the connection.

Do I still ride in my uncle’s rig?
There’s not a day goes by
I don’t tell myself I know better.

Poetry by Sarah Bigham

Sarah Bigham teaches, writes, and paints in the United States. A Pushcart nominee, Sarah’s poetry, fiction, and nonfiction have appeared in a variety of great places for readers, writers, and listeners. Find her at www.sgbigham.com.

 

Recipes I have never made

Hardtack from a cookbook I insisted on buying at an historic grist mill, despite my attempt at a gluten-free “lifestyle” in the hopes of improving multiple health conditions (a complete failure).

Oatmeal Griddlecakes with Cider Sauce from the B&B where my wife and I got married, and the food was delicious, but I feared that making any of the recipes myself might somehow spoil my magical memories.

Newt’s Hamburger Casserole from the second edition of an advice columnist’s “cookbooklet” recipe collection that I kept on a kitchen shelf for years, thinking that someday I might need to use it for some kind of hostess emergency.

No Peekie Stew from edition one, with a notation that this dish is popular with men and could be served over white bread instead of the noodles listed in the recipe.

Sister Mildred’s Creamed Potatoes from a cookbook I excitedly bought at the bookstore of the only Shaker community with living members.

Blue-Ribbon Black-Powder Buttermilk Biscuits from a gorgeous book produced by the owners of an incredibly remote restaurant in Utah that we happened upon after exploring national parks.

I gaze longingly at the luscious pictures as I nuke a dispiriting leftover takeout meal.

 

The accounting

I.
The silence befuddles some. Why no outcry, or reporting? The pit of guilt, dark and lonely. Unwanted advances from a man supposed to be a mentor, more than 50 years her senior. Who and what to tell? Quiet. Swallowed.

II.
#metoo

III.
Convictions say speak. Obituary says dead.

IV.
Media coverage beatifies. So many photos with young women, kindness in their eyes.

V.
A second shame, wondering if her voice could have prevented others from planting their own gardens of guilt.