“Queens of the Night” by John Benevelli


Long we bore your downcast eyes
raining tears across the earth.
Your cold sun bleeding out our roots.

Once we believed you would learn
something, something
about beginnings and ends
fallings and risings
loving and returning love.

But no more.

Now we are inversed,
alone in the desert.
And when the sky opens
you retreat to pixelated lights
while we bloom and sing
to moonlight.


John F. Benevelli is a poet who grew up in Bethel, Connecticut, a small town near the Connecticut-New York border. He graduated from Boston College, where he studied philosophy, and The George Washington University Law School. John now works as a civil rights attorney at the U.S. Department of Health and Human Services. John also is a photographer. His photographs have appeared in several exhibitions in the Washington, D.C. area. John lives with his wife and son in their Washington, D.C. home, which they share with their lovely black lab, Shenandoah.

“Money Tree” by Maggie Harbrecht


Deep underground, where sun doesn’t go,
and people haven’t been, and nothing will grow,
is the root of a money tree.
Even deeper still, the root grows thicker and darker and strong.
The tree grows past all the people who it did wrong.

Past the hare and the turf and the gravel,
the root of the money tree begins to unravel.
It gives off shoots and blossoms despite no light,
and grows all the time, every day and every night.

The people above don’t hear or see
the roots of the money tree that won’t set them free.
They paw at the branches and pull at the leaves
hitting and kicking and acting like thieves.

Above where the sun shines and people go about their day
the tall, thick money tree continues to sway.
Back and forth and up and down, the money tree gives its shade to the ground.
That is, after all, where the first leaf was found.

The people don’t see what danger they’re in.
The money tree stays quiet and lets their heads spin.
“How did this tree get here?” the people cry
Pg. 2
while the rest of the world goes awry.

The money tree goes very far down.
It reaches and moves and doesn’t make a sound.
No one would know the danger they face
unless they saw the origin of the money tree and that awful, terrible place.

See the money tree is old, it goes very far back.
It saw before the moon walk and Columbus and fire, it remembers when it was all black.
Then along came Good and made people, the perfect subjects for the tree’s ferocious plan:
Take their good nature and watch the fall of man.

“In the beginning”, a good place to start.
Adam and Eve, perfect for the part.
The money tree had no time to waste
It only took one prompting and their spotlessness was erased.

The money tree works much the same way today as it did back then.
It can play its dirty game again and again.
Grab your attention and never let it go.
Give it some time, the feeling will grow.

The more you love yourself the more you’ll forget
what others have done for you, how much you’re in debt.
The money tree is insidious and only needs fertile ground to grow.
If you aren’t careful, you’ll start a garden and not even know.

Say your prayers and don’t let your soul out of sight
because the money tree grows without any light.


Maggie Harbrecht is, among many things, a student and a novice writer. She lives on a hill in Pittsburgh (as most Pittsburghers do) and finds inspiration in religion, medicine, and the kingdom Animalia.

“Code Words” by David Williams


If one line of a sonnet was a password
It might require Shakespearean skill to crack
And your security could rest assured,
Safe even from a brute force app attack,

So if my hackers chose to wax poetic
By trolling around in my predilection,
They now know that I also am strategic
In my use of 14 line misdirection.

It’s true that lines from sonnets do have uses
For purposes outside of electronics,
(i.e.) words quoted from the lofty muses
Might cool hurt lovers abject histrionics,

But whether parsed for digits or for passions,
Iambs have applications for what happens.


David L Williams is recently retired from 34 years teaching high school English in Lincoln, Nebraska, his primary residence since going to college there in the 80s. For inspiration, he enjoys sitting on the two steps leading down to their patio and looking out back. He shares the home with his 30 year living partner, Mary, who unknowingly models for some of his poems.

“Lepidoptera” by Nik Rajagopalan


In different dimensions we exist
Side by side
Threads of fate tangling and interweaving
We walk,
Side by side
Our footsteps follow each other
But we could not be farther apart

I am you, if only you
Slept in five minutes
Listened to a different song on the subway
Missed that left turn

The rules are different for each of us
But each small difference gives us a chance
To make things right
In our own way

Butterfly wingbeats become typhoons


Nik Rajagopalan is a biochemistry student who enjoys writing poetry, motorcycling, candy making, and playing with his dog Tashi. He hopes to one day explore scientific ideas through poetry.

“Time’s A Wastin'” by David Williams


The many little corners of a day
Are stuck in places that you’ll never find
Until you’re ready to come out and say
Exactly what was furthest from your mind.

When nighttime comes you shouldn’t shake your head
At spaces you refused to enter in,
But know your willful choice to climb in bed
Will slickly end what you never began.

Smack in between these times of indecision
Just stop and take a moment to suppose
What might be lost without your lone revision,
The little whiffs only under your knows.

The empty spaces on a calendar
Are not just there so you’ll know where you are.


David L Williams is recently retired from 34 years teaching high school English in Lincoln, Nebraska, his primary residence since going to college there in the 80s. For inspiration, he enjoys sitting on the two steps leading down to their patio and looking out back. He shares the home with his 30 year living partner, Mary, who unknowingly models for some of his poems.

“Choose or Not” by Howard Zugman


It’s quiet as Hell
The telephone rings
Ignore it or not
Either way your life changes
You pick it up
A deal is made
You’re unaware
but your path is now clear
Later your need will be great
And will be met


Howard Zugman an 82 year old man who has never written poetry before. He has recently written about 40 or so short poems to his girlfriend who thinks he should share them. So he’s sharing. This is his first move in that direction. What do you think?

“Hitting the Wall” by Keith Polette


isn’t it always like that
a blackbird in a headwind
blown back by something
it cannot see

your heart crushed
blindsided
by a bus suddenly
out of fog

your best intention
acres of corn crop
bitten by blight
ploughed under

where do you turn
in a world
that makes as little
sense as a scarecrow
in ballet shoes

Keith Polette has published poems in both print and online journals. His book of haibun, Pilgrimage, was published by Red Moon Press in 2020.

“A.M.E.N.” by Valerie Flanagan


Awake. Breathe in sound to
surround the blue sky
spilling life unto the ground.
Make. Laughter in waves of
tidal green leaves
shaking the wings off demons.
Energy. Crying toward the moon
spinning laps of waltzing
rhythms home in phases.
New. Sleep against the sun
springing backward the molecules
marching across the path of time.

something new and good
about being you


Valerie Flanagan is an associate professor and graduate chair of education and mom to two boys who hold her heart. She enjoys reading novels and poetry of various genres, while waiting for poems to share their words with her.

“0430 Hours” by Bob Brussack


He lay among
the background hums of deep night
on this more inhabited world,
anonymous machines vaguely at large,
gears and wheels and rotors
spinning in service of the sleeping
and the sleepless,
the half-life of jet lag
yawning before him,
with days to go before he’d be
accustomed again
and ready for the routines
of this other place,
his feet willing enough,
notwithstanding
the Greek chorus
of dead French philosophers
he kept squeezed
into silence
on an untended shelf.


Bob Brussack is oldish and therefore burdened with the usual accumulation of reasons to grieve. He lived in Manhattan first, then Long Island, then in the southern reaches of the ancient foothills of the Appalachians, and mostly after that in Athens, Georgia, teaching law. Now he divides his time between Athens and a sea town near the coast of the Celtic Sea.

“Cute But Deadly” by Anne-Marie Delaunay-Danizio


The April night of 2013 when a young security guard was shot and killed in front of the MIT campus, Jazz was worried because their two cats were after a mouse in the basement. Jane was glued to the TV, preoccupied with the news. Also, perhaps because of her rural European background, she was prone to a fatalistic attitude about cats and mice, and did not move immediately to rescue the small rodent. Later, her six-year-old daughter called on her again: “Mom, they got him, but he is still alive.”

Jazz held the mouse in her hand on top of a paper towel. The little critter was not moving yet still breathing and apparently intact. Relenting to her child’s pleading eyes, Jane picked up a container. She added two pieces of cereal and punched holes in the lid with a fork. After gently placing the mouse inside, she hid it away from the cats on the top of the fridge. “I hope he will be okay, sweetheart,” she said.

She wished she could do something to reassure her little girl and bring a smile to her round face. Five years ago she had brought her home from a Chinese orphanage and called her Jasmine. Within a year, the lively baby named after a fragrant flower had become Jazz.

The massive hunt for a wounded mass murderer on the move continued on the following morning. When she checked on the mouse, Jane found that he was dead and, following the lockdown, did not dare to venture outside of their house to bury him in the backyard.

For the whole day mother and daughter were stuck inside with a dead mouse and the TV streaming the same announcements over and over again. Restless, bewildered, aimless, unable to focus on domestic chores, Jane, while checking on Jazz and feeding the cats dead food, checked the mouse’s description on the web: white belly, gray, round body.

According to the description, the little critter was defined as cute but deadly as a possible transmitter of a serious respiratory disease. Ouch! Jane hoped that his presence in the basement was just a rare, individual occurrence.

By nighttime, the fate of that poor little thing made her think of young Dzhokhar, the surviving Marathon bomber. She even felt a short-lived surge of tenderness and compassion toward the sweet-looking, puppy-eyed young man who, after causing such a deployment of armed police forces, lay hidden a few blocks away, bleeding to death inside a white boat.

“Yes,” Jane told herself after turning off the TV, “cute but deadly.”


Anne-Marie Delaunay-Danizio has a B.A. in English Literature from Emmanuel College; a master’s in Art History and a master’s in Museum Studies from Harvard Extension School; and an MFA in Visual Arts from the Institute of Art and Design at New England College. A visual artist, her artwork was accepted in the SEE|ME Winter 2020–2021 Exhibition at the Yard, Flatiron North, New York. Her writing is published in Atherton Review. Anne-Marie enjoys sculpting, painting, and practicing Reiki.