“Moth” by Amanda Kelvey


Motherhood is expected to be beautiful
A butterfly touching the lives of all who see it
Graceful, perfect, and camera ready
But here I am, an ugly cousin
A nuisance, a copycat
Trying so hard to be something
Meet an expectation
A moth
While a butterfly will rest with its wings closed
I’m here with mine open
Open and exhausted
Exhausted and exposed
There is no filter to change the appearance of these drab colored wings
For what I thought they were was the reality that no one speaks about
They are not all the times my child has chosen dad over me
They are not all the tears I shed alone in a dark corner of a room
They are not the times I thought I wasn’t enough
They are not the times I thought I wasn’t doing it right
Instead, they are the embodiment of my soul transforming into a strength that is more powerful than a butterfly could ever be capable of


Amanda Kelvey is a family medicine physician practicing in a community health center in Fall River, Massachusetts. She’s a born and raised New Englander who just can’t bring herself to stomach the renowned seafood cuisine. She considers herself an amateur cyclist and mindfulness enthusiast. When she isn’t reading or writing she can be found learning about bravery and strong-willed determination from her toddler son Owen. She is currently working on her debut novel.

“Saying Farewell” by Kelly Sargent


Chlorophyll surrenders, and
Royal Red Maple foliage sways its way onto the shimmering water beside my cabin.
A crimson canopy parts to allow sunlight a dappling on my doorstep at dawn.
Autumn proudly stands its ground.

A Quaking Aspen trembles in even the most well-intentioned breeze,
and bequeaths a quilting of gold to my pond.

Dewdrop tears cling to blue reeds stooping over my sun-lit water.
Morning mourns the moon.
“She returns tonight,” reassuring ripples whisper. “I promise to hold her
until you return to say your goodbye.”


Born and adopted in Luxembourg, Kelly Sargent grew up with a deaf twin sister in Europe and the United States. Being hard-of-hearing, she blissfully enjoys playing the piano and a pink ukulele for an audience of one.

“Rusty” by Melissa Baron


Cogs and wheels creak and turn
in a young overworked mind.

Spindles rusted, unused and protesting,
overwhelmed by emotion
that has sent these dormant contraptions
into the harried state her mind is now in.

She is not used to this.
Chilled air
rushes
goose bumps down her arms,
a short walk away from the source
of her terror.

Muscles move like marionette strings
torn between moving forward
toward what she wants in her heart,
(the strongest marionette string in her body)
and running away.

Oh, that would be safer, wouldn’t it?
Blood pumps faster
rushing to her cheeks
mind flashing to luminous blue,
a captivating smile.

Her breath stutters.
Closer now.
Curtain’s almost up and her mind fills
with panic and giddy terror stuck in the spokes
rendering those wheels useless.

The source comes in sight
and it is too late to run.
He turns a smile on her
as she works up the courage
that will allow her to speak.


Melissa Baron is a fiction writer living in Chicago with her cat and partner. She is an avid road tripper, a Book Riot contributor, and a sometimes rock climber.

“Soulmates” by Melody Young


Say it again,
over the noise—
under your breath.
Let’s go back,
maybe just for today.
And I know it isn’t right
to linger there too comfortably.
Even so, forever,
souls remain entwined.


Melody Young is a working mom desperately trying to balance work life, mom life, mental health and creativity. She has no formal literary education or experience, and is just trying to send her thoughts out into the world to free up more headspace for day-dreaming.

“analogue” by Katarzyna Stefanicka


my voice
a record of times gone
cracks sustained
in places enjoyed the most
all along my face
a photo of good times gone
colours faded
in places exposed to life
on its own


Katarzyna is a psychologist with an interest in psychoanalysis and writing. Most recently her work appeared in Spectra Poets. She lives, works and writes in London.

“My First Time” by Steve Sphar


“Dad, I’m going to take the car over to Matt’s.” 

I tried to make it a casual statement, but the electricity running through my body made it come out like a question.  That morning, a driving test examiner had officially declared I was fit to drive.  By myself.

He hesitated, then said, “Ok.”  I was out the door.  “Bye.”

I stepped out into the cold evening and ran to the car.  Snowflakes sparkled yellow through the streetlights, giving the night a touch of magic.  The electricity leapt from my fingers to the door handle to the steering wheel to the seat cushion.  The keys felt cool and solid in my hand as I slipped them into the ignition.  The engine came to life but it had a different sound tonight, alive and responsive. 

The snow crunched as I eased the car backward out of the driveway.  I turned toward Matt’s.  Then, it became real:  I was driving.  I was an adult. 

The plastic dash, the lighted dials, the radio buttons, the leather seats, the metal ball at the end of the stick, they all shared the same smell, a glassy, metallic, slick, soft smell of potency and freedom.  If I was not an adolescent boy I would have called it a perfume, but it had the same affect – I was high. 

I was not about to squander this sense of maturity.  I drove with a care and self-assurance that showed the world that I was competent, an old hand.  The test examiner had said so.  “Nice going, you passed on the first try.”  I even nailed the parallel parking.  Anyone I passed, if they looked, would guess from my calm, detached expression that I was much older. 

The hours and hours of training had settled into my muscle memory.  The car responded to the coordinated actions of my hands, wheel, gas, feet, clutch, stick, brake.  I could feel the road through the car, everything responded to my will.

I came to Matt’s place, slowed and turned the wheel.  Traffic had cleared the snow from the road but on the driveway there was still about an inch.  That was just enough.  Friction abandoned me for about eight feet.  The tires, pointing in one direction but sliding in another, did not obey my hours and hours of training or my muscle memory.  I slid across Matt’s yard and into a four inch maple tree.  

The hit was dead center, as if I had placed the car with intent.  The test examiner would have been impressed.  Matt and his dad heard the sound and came out to look.  The grill was pushed into the radiator.  There would be no more driving this car tonight. 

The electricity had left my body, replaced with a limpness that did not want to move.  Dreading the talk, but knowing that this was a now part of the adulthood I had been initiated into, I went inside to call Dad.

“Hi Dad.  I’m ok.  But I hit a tree.”

With a trace of resignation, but none of the anger I half-expected, he said, “Yeah.  When the phone rang, I thought it might be you.”


Steve Sphar is a transplanted mid-westerner living in Sacramento, California. He is a leadership coach and business consultant whose creative expressions include writing poetry and creative non-fiction and playing Irish fiddle. His writing brings the interior of life to the surface where it can breathe. He has previously published work in “The Same” and “The Penwood Review.”

“Morbid Rondel


I asked “When? When are you going to die?”
To grandma, grandpa, other grandmothers.
Not soon, I thought, if I’d get my druthers.
Death discovered, though, I did not think why.

I did not ask if death were proud or sly,
Nor did I inquire if death took lovers,
Whether death asserted false alibis,
Or given death, why the living bother.

I only knew that death is when we die.
A tautology test for a toddler,
Confused the grown-ups left me to proctor,
I asked “When? When are you going to die?”
To grandma, grandpa, other grandmothers.


Anne Babson’s poems are published in journals on five continents. She is the author of multiple chapbooks and three full-length poetry collections — The White Trash Pantheon, Polite Occasions, and Messiah. Her latest collection, The Bunker Book, about the pandemic and the rise of fascism in America, is under contract with Unsolicited Press and should be released this winter.

“Enough” by Marni Hill


A full-cream girl in a skim-milk world, she stands upon the scales with much trepidation, the events of the previous weeks weighing her mind down ever further. In a monotonously static loop, the cravings had caused another cave-in, tripping her up and down towards the weak-willed conclusion of failure. Unwanted questions failed her latest doctor’s visit. Above everything else was the ongoing saga of the ‘Close Enough’. Presentable would have to do. The thought swirled in her mind as she wearily gazed down to witness her scales announcing another truthful lie.

         Another time, she wore a dress out of hard-won daring, anxiety having been pushed back like a nervous broodmare separated from her foal. She hoped it would be worth seeing the reactions of her friends (they never occurred), to see them stunned at such an uncharacteristic statement being made (it washed over their heads). Perhaps even a compliment, even as simple as mentioning the colour choice would settle the beatles fluttering in her ego-

         Her hair. Her shoes. Her glasses. The same praises for the Never Changed.

         Alright then. Back to jeans tomorrow. Time to return to shopping strictly in the Special Place. She is tried shopping in the Normal Place. She had to walk straight back out of the Normal Place. She is not considered normal in the society-shaped Normal Place. She does not fit and neither do the clothes. These idioms are sturdily drummed into her head. Back to the status quo. Another day in the Just-Enough. 

         It is the plus-sized way. The maximum effort to blend in only achieves standing out like a sore thumb. She is the elephant in the room, the fat lady and yet she cannot sing to bring an end to the countless awkward encounters. It bears down on her, threatening to pressure her internal world into crashing down. The elephant trumpets out its anguish and yet not a single soul can hear it. 

         As she stands upon the scales, those dreadful scales telling those truthful lies, she realises- one cannot expect others to listen unless one learns to hear themselves first. 

         She is angry at the truth the scales dared to divulge. The truth cannot be dismissed, but certainly can be changed. So, she takes the anger, rips it in half with metaphorical hands and devours it with her ego. She is set alight with furious dissatisfaction. It is Not Enough. Away she throws the anxiety. It is Not Enough. Away she tosses the overlooked dress, half of her kitchen’s content and the silhouette of her elephant. It is Not Enough.

        Sweat and aches and breathlessness, motion to motion, the anger propels her forward. Cravings are beaten back with a vengeance, all trepidation channelled into months, weeks, hours, and days of fuel just to get close to Satisfied. Inner train chugging along, she falls off-track with an easy shove, but she always manages to scramble back on. She never stops getting back on.

        (It is Almost Enough.)

       Green tea in a skim-milk world, good lord, she has consumed enough of it, the scales ever so slowly begin to reveal more joyful truths. Cravings continue to plague, but they are for sustenance of life, not for the stomach. By the time her friends noticed, the compliments came in tidal waves, yet there was no anxiety to be found, no reason to care. Close Enough, then Never Enough, became Just Perfect. The journey is far from over, but she loves it nonetheless as sweat and exhaustion lead to improvement, leading into contentment.


Marni Hill is an aspiring Australian poet with a BA in Literature. She is driven through life by her love of history, music, film, and dogs, not necessarily in that order. For her, poetry is structured imagination that can entice and intrigue all walks of life and that is exactly what she hopes to achieve.

“Brain Chemistry Spats (OCD in the Kitchen)” by Allison Hunter


I stare at the salsa jar.
It mocks me.
The safety button only works
once –
I cannot check it.
There is no video.
There are no witnesses.

I stare at it, and it
stares back,
daring me to take a bite.
Perhaps
I will wait for David to come home –
If it is poisoned, at least he will be able to
call an ambulance.

Don’t you know, you say, how
unlikely
that is? How
uncommon
it is to buy poisonous food?
Yes, I say.
I know.
I know.
What I Know, however, is frequently in some spat or another
with What I Fear, and some days it is
awfully difficult
to get them
to talk.


Allison Hunter is an affectionate girlfriend and cat mom, attending college for English and hoping to slow down her life to experience it more deeply. Reading and writing poetry is part of that process. She loves the earth, the arts, and her loved ones extremely deeply.

“Lift” by Carla Cherry


Before plugging
my laptop
into the socket
to work on my poem,
I found a tiny
crimson and black
spotted hump
on the windowsill.

Whispered, “ooh, a ladybug”.
As if my alto
could shatter her antenna.

Got busy
googling symbolism.
Plotting on the luck
that’s on the way.
Foot-rubbing love,
here to stay.
Pontificating on what
other good fortune lives
beneath God’s feathers and wings.

Forgot to open
the window
so she could get back
to climbing her rose bushes,
the delight of aphids.

I found cloak,
faded to the
color of brick.
Seven black spots
of sorrow.


Carla M. Cherry is a veteran English teacher who is studying for her M.F.A. in Creative Writing at the City College of New York. She has written five books of poetry; her latest is Stardust and Skin (iiPublishing 2020). She is a vegan who loves to go Chicago-style stepping.