“40 Acres” by William David


Just a small piece of ground,
just 40 acres, it ain’t that much.
I’ve heard it told before,
homesteaders got 40 acres, sometimes more.
Just enough space all around,
for my peace and privacy and such.
I just want to be a little out of touch.
I’m not looking for total isolation,
just enough room to be left alone.
Some time for some self-inner examination.
It is my speculation that if my dream was known,
I’m telling you it’s true,
I think 40 acres would due.
A buffer to the outside world at times,
away from the madness, the craziness, and the crimes.
Some say the world is going to Hell,
some say it’s going in a handbasket.
I know it’s far from peachy keen and all is not well.
I don’t need all that hate and negativity, I’d blow a gasket.
So, just give me those 40 acres, I’d be a happy man.
Now to figure out how to get those 40 acres, and if I can.
Yes, I think I’d then have it all,
just my little dot on the map,
-there I could get away from it all.
and there I ‘m sure I could have a real ball.
Or, I could just go and take a nap,
on this summer day and sleep until Fall.


After a successful career as a Senior Designer working with international mining companies, William David is retired now and living in Tucson, Az. He likes spending time now devoted to his passion: writing poetry.

“The Watch” by Elizabeth Merrick


Every day the delicate gold
circled my wrist, a gift
from someone loved a long time ago.
Today, the watchband clasp
mysteriously gave way,
watch tumbling through the air
from the stairs above the subway tracks.
My arm still felt its presence,
yet it had already hurtled
down onto the tracks,
the time vanished in which I could have changed
anything, fixed that clasp before it failed,
prevented the falling,
the losing.


Elizabeth L. Merrick lives in Somerville, Massachusetts. She and poetry have stayed together through thick and thin. She loves poetry that sees deeply into everyday moments, and that is her fondest aspiration for her own writing. Elizabeth is also a clinical social worker and health researcher.

“Avalon” by Caitlin Gemmell


A silvery mist
like cobwebs of feathers
wind brewing shivers
glided solemnly,
engulfed me.


Caitlin Gemmell is a writer and artist living on top of a hill in upstate New York. When not writing or creating, she spends her days: drinking tea, foraging for wild edibles, tending her garden, and wrangling her child, chickens, and a pig (who wandered here one summer night and never left).

“Elegy for Ernie” by Frank William Finney

(In Memory of Ernie Minichiello)

First time among friends
I didn’t hear you laugh.
All I could hear
were the engines outside
humming a dirge
at the traffic lights.


Frank William Finney is a New England poet who taught literature at Thammasat University in Thailand (1995-2020). His work appears in many small press magazines, journals, and anthologies.

“Moth” by Amanda Kelvey


Motherhood is expected to be beautiful
A butterfly touching the lives of all who see it
Graceful, perfect, and camera ready
But here I am, an ugly cousin
A nuisance, a copycat
Trying so hard to be something
Meet an expectation
A moth
While a butterfly will rest with its wings closed
I’m here with mine open
Open and exhausted
Exhausted and exposed
There is no filter to change the appearance of these drab colored wings
For what I thought they were was the reality that no one speaks about
They are not all the times my child has chosen dad over me
They are not all the tears I shed alone in a dark corner of a room
They are not the times I thought I wasn’t enough
They are not the times I thought I wasn’t doing it right
Instead, they are the embodiment of my soul transforming into a strength that is more powerful than a butterfly could ever be capable of


Amanda Kelvey is a family medicine physician practicing in a community health center in Fall River, Massachusetts. She’s a born and raised New Englander who just can’t bring herself to stomach the renowned seafood cuisine. She considers herself an amateur cyclist and mindfulness enthusiast. When she isn’t reading or writing she can be found learning about bravery and strong-willed determination from her toddler son Owen. She is currently working on her debut novel.

“Saying Farewell” by Kelly Sargent


Chlorophyll surrenders, and
Royal Red Maple foliage sways its way onto the shimmering water beside my cabin.
A crimson canopy parts to allow sunlight a dappling on my doorstep at dawn.
Autumn proudly stands its ground.

A Quaking Aspen trembles in even the most well-intentioned breeze,
and bequeaths a quilting of gold to my pond.

Dewdrop tears cling to blue reeds stooping over my sun-lit water.
Morning mourns the moon.
“She returns tonight,” reassuring ripples whisper. “I promise to hold her
until you return to say your goodbye.”


Born and adopted in Luxembourg, Kelly Sargent grew up with a deaf twin sister in Europe and the United States. Being hard-of-hearing, she blissfully enjoys playing the piano and a pink ukulele for an audience of one.

“Rusty” by Melissa Baron


Cogs and wheels creak and turn
in a young overworked mind.

Spindles rusted, unused and protesting,
overwhelmed by emotion
that has sent these dormant contraptions
into the harried state her mind is now in.

She is not used to this.
Chilled air
rushes
goose bumps down her arms,
a short walk away from the source
of her terror.

Muscles move like marionette strings
torn between moving forward
toward what she wants in her heart,
(the strongest marionette string in her body)
and running away.

Oh, that would be safer, wouldn’t it?
Blood pumps faster
rushing to her cheeks
mind flashing to luminous blue,
a captivating smile.

Her breath stutters.
Closer now.
Curtain’s almost up and her mind fills
with panic and giddy terror stuck in the spokes
rendering those wheels useless.

The source comes in sight
and it is too late to run.
He turns a smile on her
as she works up the courage
that will allow her to speak.


Melissa Baron is a fiction writer living in Chicago with her cat and partner. She is an avid road tripper, a Book Riot contributor, and a sometimes rock climber.

“Soulmates” by Melody Young


Say it again,
over the noise—
under your breath.
Let’s go back,
maybe just for today.
And I know it isn’t right
to linger there too comfortably.
Even so, forever,
souls remain entwined.


Melody Young is a working mom desperately trying to balance work life, mom life, mental health and creativity. She has no formal literary education or experience, and is just trying to send her thoughts out into the world to free up more headspace for day-dreaming.

“analogue” by Katarzyna Stefanicka


my voice
a record of times gone
cracks sustained
in places enjoyed the most
all along my face
a photo of good times gone
colours faded
in places exposed to life
on its own


Katarzyna is a psychologist with an interest in psychoanalysis and writing. Most recently her work appeared in Spectra Poets. She lives, works and writes in London.

“My First Time” by Steve Sphar


“Dad, I’m going to take the car over to Matt’s.” 

I tried to make it a casual statement, but the electricity running through my body made it come out like a question.  That morning, a driving test examiner had officially declared I was fit to drive.  By myself.

He hesitated, then said, “Ok.”  I was out the door.  “Bye.”

I stepped out into the cold evening and ran to the car.  Snowflakes sparkled yellow through the streetlights, giving the night a touch of magic.  The electricity leapt from my fingers to the door handle to the steering wheel to the seat cushion.  The keys felt cool and solid in my hand as I slipped them into the ignition.  The engine came to life but it had a different sound tonight, alive and responsive. 

The snow crunched as I eased the car backward out of the driveway.  I turned toward Matt’s.  Then, it became real:  I was driving.  I was an adult. 

The plastic dash, the lighted dials, the radio buttons, the leather seats, the metal ball at the end of the stick, they all shared the same smell, a glassy, metallic, slick, soft smell of potency and freedom.  If I was not an adolescent boy I would have called it a perfume, but it had the same affect – I was high. 

I was not about to squander this sense of maturity.  I drove with a care and self-assurance that showed the world that I was competent, an old hand.  The test examiner had said so.  “Nice going, you passed on the first try.”  I even nailed the parallel parking.  Anyone I passed, if they looked, would guess from my calm, detached expression that I was much older. 

The hours and hours of training had settled into my muscle memory.  The car responded to the coordinated actions of my hands, wheel, gas, feet, clutch, stick, brake.  I could feel the road through the car, everything responded to my will.

I came to Matt’s place, slowed and turned the wheel.  Traffic had cleared the snow from the road but on the driveway there was still about an inch.  That was just enough.  Friction abandoned me for about eight feet.  The tires, pointing in one direction but sliding in another, did not obey my hours and hours of training or my muscle memory.  I slid across Matt’s yard and into a four inch maple tree.  

The hit was dead center, as if I had placed the car with intent.  The test examiner would have been impressed.  Matt and his dad heard the sound and came out to look.  The grill was pushed into the radiator.  There would be no more driving this car tonight. 

The electricity had left my body, replaced with a limpness that did not want to move.  Dreading the talk, but knowing that this was a now part of the adulthood I had been initiated into, I went inside to call Dad.

“Hi Dad.  I’m ok.  But I hit a tree.”

With a trace of resignation, but none of the anger I half-expected, he said, “Yeah.  When the phone rang, I thought it might be you.”


Steve Sphar is a transplanted mid-westerner living in Sacramento, California. He is a leadership coach and business consultant whose creative expressions include writing poetry and creative non-fiction and playing Irish fiddle. His writing brings the interior of life to the surface where it can breathe. He has previously published work in “The Same” and “The Penwood Review.”