“What is Love?” by Katie Tran

What is love?

            If he had been asked sooner, when he was still a child, he might’ve said that love was the warm, orange feeling in his chest when he sat in between his dad and brother, listening to his fantastical stories. Bundled up by the fire, hidden from the falling snow outside, laughing at all the antics the heroes got up to on their way to their happy ending. Or he might’ve said that it was the breathless laughter as he ran down the halls, avoiding his brother’s much longer legs and pretending that he wasn’t going easy on him.

            A little older, and he would say that it’s a sweet taste that lingered in his mouth like the fried treats they sold in festivals near their home; warm and soft against the chilly wind, and taking advantage of the few times when they were all together again. Or maybe he would say that love was gentle and ever-present, all-encompassing, like the smell of plum blossoms. Even now the lonely plum tree his mom planted stands in the garden, its scent spreading like a ghost in the wind.

            Now, when he thinks of love, he sees blood and the pain cutting through his chest makes him lose his breath. He remembers screaming, metal crashing on pavement, he remembers being thrown out of the way, always protected, always the one left behind.

            Love and grief twist together into guilt, until he doesn’t know when one ends and the other begins. It’s love, until it’s not, until he’s heaving, trying to get the image of a twisted corpse out of his mind until he can breathe again. It’s grief, until it’s not, and he’s begging to a god he doesn’t believe in to take him instead, repeating over and over that it was his fault into an empty house with no one to hear.

            He can’t remember love without remembering everything after anymore, without breaking and cursing the empty halls.

            Once upon a time, his life had been filled with words of love. Now, the only time he hears words of love are in his dreams from the mouth of a dead man.


Katie Tran is a junior attending high school in California where she spends her time writing in whatever free time she can manage. For some reason, she can’t seem to write anything light-hearted?

“A Blue Sailboat” a prose poem by Charles D. Tarlton


We lived at the edge of the sea where sand and water lay and overlay, where quietly tectonic plates are grinding rocks to sand. Moonlight stippled tinselly on wavelets stirred up by the breeze. The scene topside, in darkness, was bright as by day — a blue sailboat, sea, and a sky streaked in silver, all danced underneath translucent clouds. Then purple and black came in and blurred the scene. It grew dark around, all up above and out to sea; shadows were revealing little, ghostly fragments set a mood. A little light came from the house but made no difference in the dark. My mind would not concede to darkness, though; so my thoughts assembled nymphs at play to suit—

Galatea, sea-foam blown in a wind surf,

Limnoreia, sad at the salt-marsh edge,

Psamathe, a sanderling’s sea-kiss. 

Dreams of loafing on the shore far from view and the whole of darkness and sea-blackness set me wondering. Out in the darkness, a sailboat’s rigging jingled and the yellow dot of  a lamp swung in an arc atop the mast, a silent metronome counting the sea swells. Were they getting ready to sail away? I imagined the boat’s blue striped sail unfurl in the same breeze that was bending the trees.


Charles Tarlton has a Ph.D. from the University of California at Los Angeles and lives now in Old Saybrook, Connecticut. His work has been seen in Rattle, Blackbox Manifold (UK), London Grip (UK), Illanot Review (Israel), and 2River.

“When Lillies Fade” by Patricia Saunders


I watch the moon rising over the cold lake,
casting the sun into shadow.
Home is far away now,
and lilies are fading.


Patricia Saunders-Carpenter was born in the UK and studied classical music in London. Now, she lives in the US with her husband and a vast quantity of books. Patricia teaches courses in Consciousness and Human Potential at Maharishi International University in the US.

“I Remember” by Mary Ann Castle


I remember a soft, gentle delicate light
a slight breeze on my face
This memory of when I last saw you
A feeling as if it were today

And, I remember
turning back to look at your
sleeping body,
curve of your shoulder

When I was young
when I was with you secretly
in those
nights


Mary Ann Castle lives in NYC.

“After Walt Whitman” by Charles D. Tarlton


Oh, the big voice is gone forever.
All we have left is the so long line
that he filled up with himself, always
telling us more than we wanted to know.
Every polity wraps itself in lies, exaggerations
stitching the social fabric,
and Walt
was one of our biggest liars, always
puffing us up.
You see now though how thin
it was—democracy.
There’s so little of it left.


Charles Tarlton has a Ph.D. from the University of California at Los Angeles and lives now in Old Saybrook, Connecticut. His work has been seen in Rattle, Blackbox Manifold (UK), London Grip (UK), Illanot Review (Israel), and 2River.

“Why Beauty” by Tanya Fenkell


The perplexity of joy and
jolting why of beauty: consider
the spiral, the raindrop, the branch;
poppies, pinecones,
the ocean.

That drift state before sleep,
the general ache of
wistful longing.
The exquisite pleasures
of love.

The treasure of attention,
unnamed gifts of unbearable gravity,
the numberless ways
suffering
inadvertently reveals.

Then, a tickle
on my arm, a
ladybug climbing my shoulder,
this tiny weight of
uncountable wishes.


Tanya Fenkell is a Canadian artist and writer. She lives in Toronto with her husband and three sons. As an artist, she explores solitude and solitary spaces. She exhibits her paintings regularly and her artwork is held in private collections in Canada and the US.

“The 2 Matildas” by Lawrence Ullian


Matilda Caruso was 93 years old. She was a quiet woman who had spent half her life in the service of her family. She knew nothing else but homemaking and had little experience with the world outside her home. She grew old, her husband died, her friends died, she grew frail. As Matilda aged, her children got guiltier. They had had to take care of her and assuage their conscience.

Matilda Grayson was a slight woman with snow white hair, which she wore in layered braids. She had aged and was now over 90 years of age. Her lined face framed her pale blue and ever alert eyes. In her earlier years, Matilda had been a teacher and then the town historian. She now had a room in the Zurich Care Facility – a title that reminded her, whenever she thought of it, that she was now warhoused like a vintage antique car.

Matilda’s sight had dimmed over the years so that she now had difficulty reading her Maigret mysteries. This gave her time to contemplate what it meant to be a “resident” at the Zurich Care Facility.Matilda had already concluded that residency was an empty category. She felt she was more like a transient…passing through, then on, then away was her likely outcome. She was simply being processed.


Larry Ullian has been called a writer, but he’s never published except as a curriculum designer/technical writer/grant writer. He is retired and now spends some of his time reviewing and rewriting pieces he’s written but not shared over the years. Now’s the time to try.

Two by Peter C. Venable


After Death:

“From dust we came and dust we’ll be”
The atheists’ mantra—
As worms sing chords
Of jubilee.

The rest: wish immortality
With some jolly Santa,
And hell is for
The devil’s devotees—
But never for good folks
Like you or me.


Family Circus

Savoring
cabernet
by the glass—

Italian
cuisine by
sunset beach—

Emma grabs
and sucks on
her big toe.

“Queens of the Night” by John Benevelli


Long we bore your downcast eyes
raining tears across the earth.
Your cold sun bleeding out our roots.

Once we believed you would learn
something, something
about beginnings and ends
fallings and risings
loving and returning love.

But no more.

Now we are inversed,
alone in the desert.
And when the sky opens
you retreat to pixelated lights
while we bloom and sing
to moonlight.


John F. Benevelli is a poet who grew up in Bethel, Connecticut, a small town near the Connecticut-New York border. He graduated from Boston College, where he studied philosophy, and The George Washington University Law School. John now works as a civil rights attorney at the U.S. Department of Health and Human Services. John also is a photographer. His photographs have appeared in several exhibitions in the Washington, D.C. area. John lives with his wife and son in their Washington, D.C. home, which they share with their lovely black lab, Shenandoah.