“Mourning in the Park” by Paulette Callen


I saw a muskrat in the park
lying at an entrance to her home,
oval mound of underbelly exposed,
tiny feet with long shapely nails
curled gracefully in death.
Her buck teeth protrude slightly
between parted lips.
Her chestnut hair, rustled by the breeze,
still glistens.

There are no wounds.
Poison, then.

Feeling ill, did she try to make it home
and get only this far –
to her doorstep?
Or was she underground,
and did she want to die in the sun?


Paulette Callen has returned to her home state of South Dakota in retirement, after 30+ years in New York City. Varying degrees of culture shock in both directions — but always, the space she returned to has been made home by a dog.

“Morning in the Park” by Paulette Callen


I saw a muskrat in the park
chewing grasses with perfect attention
in a pool of sunlight that rendered gold
the tips of her glistening chestnut hair.

I’d seen her before
at just the end of the dark
swimming the shallow stream that
arteries the park –
just a smooth parting of the water,
then her endearing waddle
as she brought from the bank
the right twig, longer than herself
and fringed in new leaves.
Clasping it firmly in delicate jaws
she melted into the water and swam again
and with a flip disappeared
into a hole in the bank.

I was pleased to know she was there
going about her business,
and confident in her wisdom
to come out only before dawn,
before joggers and dog-walkers,
before skittish mothers could cry “RAT!”
to the park authorities in their ill-fitting green costumes.

Today she sits in the sun.
Civil and lovely.
Surely she deserves to sit in the sun?

Does she think people so kind?


Paulette Callen has returned to her home state of South Dakota in retirement, after 30+ years in New York City. Varying degrees of culture shock in both directions — but always, the space she returned to has been made home by a dog.

“Dragon” by J.M. Allen


I’ll need to persevere – not give up again.
I’m going to start now – stop debating when.

I’ve decided anew to accept the fight.
I’ll summon all my internal might.

I’ve got my sword, and I’ve got my shield.
I’ll ride steed across the open field.

The smoke is still visible, a distance away.
Up in a mountain, too high some say.

To calm my nerves, a drink from my flagon.
And I promise this time, to slay my dragon.


J. M. Allen is a 51-year old, who recently started writing a bunch of rhyming poems. The author is a long-time resident of Rochester, Minnesota.

“Disolving” by Gabija Kertenyte


what is this genre modern women sing
at times and always write the truest words
that meddle stagnant muscles in my heart
revealing memories unknown to them
and tearing down the norms that yell we must
conform to trite aesthetics locked in form
and not rebuild through substance our own flaws
what they reveal is between me and god
who comes to me in ill-assorted thrifts
and says “please shush it only I can judge
I wore plaid boots cause truth and joy is one”
I blink, read on, forget as idols blur
I bathe in time. Obeying only the air my fingers held
when I met words that made me melt and melt is melt


Gabija Kertenyte writes poems and creative nonfiction. In her free time, she likes to psychoanalyze herself and work on healing. She’s currently working on an oral history project.

“Remedial Work” by Karen Miller


Sometimes you feel a little
cranky without any particular cause:
you want to kick the cat for having
whiskers or yell at someone for
breathing too loud.

You know it’s not reasonable
but who cares: its
like the whole world is chewing
with an open mouth, making
squeaky sounds on the

blackboard and just won’t stop.
In such a case, it’s good to have an outlet
for your petulance, something
you can do alone so you don’t
alienate everyone else, like
chopping wood

or digging a grave.
Personally, I find that
there’s nothing like the presence of
death to get me in a better mood.


Karen Miller is a 76 year old retired lawyer living on Lake Champlain in Vermont with her cranky but lovable husband and Izzy the cat. In the summer she gardens and swims. In the winter she looks out the window.

“To Shirley!” by James Barr


In a Chicago suburb, late afternoon was sliding into early evening. This cozy village had been around for 150 years and stately old elms lined its streets. The British, Dutch and French colonial homes, all circa 1920, sat in stately comfort alongside each other.

It was late November and rain was speckling our windows. The icy wind, fresh from nearby Lake Michigan, swirled and twirled around those elms, stripping them of their final batch of foliage.  

The lawn and sidewalk already had layers of large, wet leaves. They were so layered, I couldn’t walk to the mailbox without several of these wet hijackers sticking to my Sperry Top-Siders.

Fortunately, we had places to go and things to do that unpleasant Saturday night. Neighbors were having a dinner party and six couples were invited. It was to be a fairly fancy shindig and required a bit of closet choreography in order to get an outfit put together.

Arriving wet and chilly just three houses down, we slipped off our dripping wet outerwear and began to mix ‘n mingle. The neighbor I saw a couple hours ago up on a ladder, putting up holiday lights, was now complete GQ cover material in his Brooks Brothers turtleneck, velour jacket, Scottish plaid pants and jodhpur boots.

Following the ding of a proper little bell, we were asked to move into the dining room.

I must say that the candles reflecting off the hand-cut Waterford glasses, the flower arrangements, Wedgwood china and abundance of wine decanters told me this was not Denny’s. There would be no “Moon Over My Hammy” served here.

As the evening moved along and those wine decanters emptied and refilled, all was going well until my wife, seated two people to the left, asked them to pass her empty glass to me for a refill. There was a decanter directly in front of me. I filled the glass, turned to the guy on my left and paused. This guy apparently had completely forgotten that just moments ago, he’d passed me the glass. He and the woman next to him were involved in a vigorous discussion and I didn’t want to interrupt.

When their conversation continued and I was sitting there with a glass of wine going nowhere and my warm meal going south, I had an idea. Waiting for them to grab a breath, I wanted to say, “This is Shirley’s empty wine glass which you just passed me and apparently forgot about. I just filled it. Would you kindly pass it back to Shirley? Thank you.”

Instead, I condensed it, turned toward him with the glass held upright and said, “To Shirley.”

Still not fully understanding the situation, he paused. Then lifted his glass and tinged it with his fork.“Of course,” he said. “Attention, everyone. To Shirley!”

With that, the entire table lifted their glasses to toast Shirley. But of course, Shirley didn’t have a glass.

Y’know what? Sometimes it’s just easier to eat at Denny’s.


Jim was a creative director at two prominent U.S. ad agencies where he created TV commercials for a variety of well-known consumer products. Today, he’s become adept at channel-switching whenever a drug commercial appears along with its disclaimer, disclosing the drug’s dreadful side effects.

“Debris” by Gene Brode, Jr.


The 6:30 am train moans its way along the Mahoning River, steel on rusty steel.  

The odor of human liquids and solids waltzes into the camp, worming its way into your borrowed tent. You pull the sleeping bag over your face but the smell of old sweat triggers your gag reflex.

You begin to stir. The pills should have kept you out cold longer, but your mind is active, increasingly alert. Thoughts long to be thought. You don’t consider the events that brought you to tent city, the cocktails of booze and meth and heroin, the yet-to-be-named substances. You don’t ponder all the things you’ve done to get those drugs. The begging. The selling of possessions and self. Lying, stealing, conniving. You can’t recall the shameful deeds committed in the dark, not this morning, lying in the shared filth of a homeless camp under the bone bleached Sycamores of downtown Youngstown. But the day will come when you remember all these things. And more. Then you will know the penetrating grip of regret. 

You will also know love, forgiveness. But before they come there will be pain. This thought of pain comes at the gut level. A deep ache rises in your belly. A mixture of hunger and intestinal discomfort. Your liver? You wonder if the harm is reversible. One day you will know this too. Not today though.

You crawl your way out into the overcast city morning, stumble your way to the woods and promptly throw up on a windblown piece of plastic. No one hands you a rag to wipe your mouth or a cup of coffee to wash away the bile. You’re out of cigarettes, and you’re jittery and awake. Of all the things you could be thinking, a song comes to mind. And you are sitting on a dead tree by the river humming Jesus Loves Me, watching the flow of water carry debris away.


Gene Brode, Jr. is a Northern Virginia native residing in Ohio. He studied Spanish and literature at GMU and works on fire alarms for a living. You can find him alteredplanepress.wordpress.com and at facebook.com/GeneBrodeJr/.

“Self Defensive” by Karen Miller


woke up one day scared
here I am: old lady
end of a dirt road
don’t know karate
kitchen knives are dull
neighbor is deaf
cat is a coward

said to my husband
I want a gun

Bought a small black pistol
went to the range
shot my gun until I
hit the target
pretty well, call it a cluster
peppering the red circle
I call it a cluster

put the gun in my sock drawer.
if necessary
the cat knows where to find it.


Karen Miller is a 76 year old retired lawyer living on Lake Champlain in Vermont with her cranky but lovable husband and Izzy the cat. In the summer she gardens and swims. In the winter she looks out the window.

“Sedona” by Taylor Stoneman


I close my eyes
and imagine Sedona,
the red rocks warming me from afar
the vortex sucking me in,
my soul my skin aflame in that
red safety net.
Don’t you know?
That home in the stars
once shielded me,
shielded you,
from him, from the smell of alcohol on his breath,
from the love that was never enough.
A woman, now, grown
Wings
no longer clipped
Shield
no longer gripped
like a vice.
I put down the armor,
bruised from overuse.
Do you see me now?


Taylor Stoneman is an attorney by trade, but a poet by heart. She currently resides in San Francisco and is exploring the overlapping layers between her past and present.

“Extended” by Gabija Kertenyte


The smell of New York City Morning
on her breath and the smile
of an afternoon in Houston in her eyes:
It’s been a year and a half now
she’s almost forgotten
how to create herself through stories,
she’s almost forgotten how to leave.
She skims the news vigorously, wishing
peace to her and hers. She cleans her hands
with near frozen water but it scolds. She wants
to be content. She hopes that heaven
isn’t a whole five hundred more in rent.
She counts the days under her breath,
guesstimating a new end point each morning.
(Seattle Winter in her soul, outpouring)


Gabija Kertenyte writes poems and creative nonfiction. In her free time, she likes to psychoanalyze herself and work on healing. She’s currently working on an oral history project.