“The Cruelest Month” by Tamra Plotnick


anxiety hangover
leaves the bones brittle
covered with surprise April snow

trees under that snow
flaunt their grace
a thousand white fingers pointing everywhere
but their sap has frozen

life is present
yet in abeyance
like aging blood
standing still
while babes flicker
or rage

their heat
is no match for this awkward storm
or the squall, perhaps
simply a sketch of brilliance
one flash point in a trillion digital blips
only iconic
to the tender
of eye, mind and flesh

the elders rigid
as if dropped to knees
on the icy blanket
praying for a lesson
a clean path
to purity

they seek a hearth
to come into
to melt
and recall
the suppleness


Tamra Plotnick’s poetry and prose works have been published in many journals and anthologies, including: Serving House Journal; The Waiting Room Reader, Global City Review and The Coachella Review. She has performed her work in multimedia shows at a range of venues in New York City where she lives. She dances samba and raqs sharki, teaches high school, and malingers with friends and family when not writing poetry.

“Pendulum” by Christina DeSouza


I fear heights and highs
as depths and lows come after.
Unshakeable certainties,
absolute truths and forever sureties scare me,
in my head, the world is an eternal question mark.

Coffee and the endless possibilities of a new day
delight me in the mornings. I dislike too much sun
or not enough rain and afternoons that exhale gray.
Seasons move into one another, cold and warm,
warm and cold, months alternating in front of my eyes
that follow the unceasing circle of faraway nature.

So, I imagine a short poem,
for not having many likes or dislikes,
life’s evenness makes it fair in my mind.
Thus, I write my uncertainties, regrets
and misgivings mixed with solace,
peace and quietness.

My life is a balance of contrasts,
swinging like a pendulum,
back and forth and with each turn,
left or right, I open my ears
to Mozart, Chopin and Bach,
my eyes to Picasso, Van Gogh and Miro
and my sense of smell to the fragrances of my mother’s cooking.
And these music, colors and scents arouse my spirit.

For life won’t become more beautiful
because of my sensorial experiences, but
they add pleasure to my existence.
Rejoicing with that, as blues and grays are part
of the same rainbow and sunny days and rainy nights
are in the same spectrum of weather, I live these differences
as if I hadn’t noticed them
and that brings me comfort.


Cristina DeSouza is a physician and poet who holds a MFA in creative writing/ poetry from Vermont College of Fine Arts. She has had multiple poems published by several literary magazines such as Sheila-Na-Gig, Raw Journal of Arts, Poetry Pacific, Edify, to cite a few in the US. She also writes in Portuguese and has had poems published by Mallamargens, Capitu, Vidraguas, Macondo in Brazil. She had a book of poems published by The Main Street Rag in November 2019, titled The Grammar of Senses. Her email address for contact is colo2309@gmail.com.

“MS Lonely Planet” by Thomas Simmons


The rooms are less than luxurious. Indeed, there are no rooms as such. Instead, an assortment of pup tents greets each visitor.

Pitched there haphazardly among the campsites nearest the inclines are numerous swirling corrosive mists. There, one almost stumbles upon them – the tents; rows of them but none too straight. Bent. Tarpaulin triangles with lightweight poles thrust harshly through ringlets in the canvas. Those poles will scrape away the gills from the fishless tourists – even the casual ones. As if there are any other kind.

The cheeky hurricanes overpopulating the less attractive neighborhoods are as insufferable as the boulders masquerading as maître d’s. They’ll tire you out before you’ve escaped the train depot. On a positive note, however, they rarely demand a tip.

Leave your gills at home or at least secured in your Samsonites with their adorable little locks and undersized wheels since the surface temperature exceeds the highest setting on most household ovens by 400° and the atmospheric pressure is 90 bars, making the possibility of palms trees, coral, or even seraphs remote at best. And a consular mocking at worst. It’s hot.

One’s luggage locks will be replaced by soldered teardrops before one resets one’s wristwatch. And the wheels will drop out of their chassis like pregnant peaches. There are no flies in the ointment because the flies are bits of ash. Torn bits of muscle. Poorly crafted limericks. Jots. Invariably, they’ll stick in your teeth. Bring floss.

The black and white photographs of the country’s navel reveal something like the inside of a backyard grill that’s been left on all night to cook itself to death. The color photographs disclose tints from the smeary mustard sands. Smeared vindictively. It’s as if she’s cooked her own navel and served it to herself on a platter too hot to touch and then finger-painted on herself with a slightly rotted flaxen rouge. It’s all rather banal.

The coastlines are ignored by the locals and for good reason. The surf is irredeemable, the jellyfish are commonplace, and the sharks guest host Food Network programs.

If it was a kiln it would bust apart. Hotter than an apogee furnace into which someone might cram an accidentally suffocated corpse – to remove any trace of it. To make it go away. To make bones bygone. So, consider a few smart linen outfits; leave the wool blazers in Amiens.

‘Cooking long after the springs are punched out. Roasting without rest – Unpacking, you’ll find a too-thick-hot-soup,’ reads a rival travel guide (tactfully omitting the wrench-like mercury-filled bread sticks from the menu).

Another competitor notes: ‘No grasses sprout, no breathing-into-nostrils-of-dust-balls was ever even contemplated; it’s pristine’ (mercurially pretermitting the inorganic fescue).

Another: ‘Spare, terse, desiccated, uncompromising.’

“A life-changing destination for the suicidal,’ wisecracks the last.

Accordingly, we recommend arranging one’s exit visa prior to arrival. Don’t rely on the expertise of their functionaries. The agents are irredeemable. It almost seems as if custom and immigration forms haven’t been invented there yet.


Simmons is a lawyer, a law professor, and a lifelong South Dakotan. His scholarship and teaching focuses on trusts and estates.. His poems can be found in El Portal, Corvus Review, Nebo, North Dakota Quarterly, Nine Muses, The Write Launch, The Showbear Family Circus, and elsewhere. His first full length collection titled “Tod Browning Loose-leaf Encyclopedia” was published by Cyberwit in 2020.

“The (Husband’s) Secrets to a Successful Marriage” by David Grenardo


After twenty years I gathered the clues,
I’ve put them together right here for you.
The secrets to marriage you’ll want to hear
To use with your wife, your honey, your dear.

Our wives don’t want us to solve their issue.
Let them vent while you give them a tissue.
Women already know what they will do,
Just listen to them as they talk things through.

Speaking of speaking, you must lose the tone
Or else for that night you will be alone.
The way I fix my tone is an old one:
Less or no talking, silence is golden.

Roses and diamonds first make her heart swoon
Those may work fine up through the honeymoon.
But as you get older pick up a broom,
Do dishes and laundry, vacuum a room.

Do chores and tasks that will relieve her stress
Put your wife first, that is always the best.
No training to put the toilet seat down,
One night you’ll fall in and you’ll almost drown.

Why would you argue? You’ll sound like a grouch.
You’ll lose anyway and sleep on the couch.
Be humble and bring her humor each day,
Make joy a main goal and keep it that way.

Encourage your wife, be her biggest fan.
Support her and be a part of her plans.
You should act as a team, partners in life.
Stick up for each other, it’s only right.

And if you’re not sure what to say or do.
Things get too heated or she’s feeling blue. 
Remember, just use phrase one or phrase two.
One is I’m sorry, two is I love you.


David A. Grenardo is a professor of law at the St. Mary’s University School of Law in San Antonio, Texas. He was a four-year letterman in football at Rice University and earned his J.D. from Duke Law School.

“First Date With Herman Melville Reincarnated” by Valerie Nies


So intimate with Ishmael and Bartleby,
he must have been Herman Melville reincarnated.
Character analysis, plot, symbolism—so
enamored with his own voice,
so adamant about the
single
right
answer.
All I wanted
was to wander around words
and split a slice of cheesecake.
So when he asked
if I wanted to go out again,
I told him
I’d prefer not to.


Valerie Nies (she/her/hers) is a comedian, writer, and gluten enthusiast whose work has been featured in McSweeney’s, Reductress, and Oddball Magazine. Find her in Austin, Texas, scanning WebMD and ridding her clothing of cat hair. She’s also on Twitter/IG @valerieknees and at valerienies.com.

“Dark Messages” by Diane Elayne Dees


Dragonflies perched
in trees, crows screeching
as though tortured,
empty bluebird nest
bottles—all of nature
quivering with terror.
Toxic mutations wrap
the Earth in a crazy quilt
of shredded holy promises.


Diane Elayne Dees is the author of the chapbook, Coronary Truth (Kelsay Books), and has another chapbook forthcoming. Diane, who lives in Covington, Louisiana–across Lake Pontchartrain from New Orleans–also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world. Her author blog is Diane Elayne Dees: Poet and Writer-at-Large.

“Door #2” by L. J. Walker


Things you should’ve said
or said twice or said
every day until they sunk in
too deep
say yes this time
say orange say millimeter say
bamboo
say anything and mean it or
say everything and mean I
just didn’t want it to be quiet any longer I
just wanted the silence to die
raspberry rosemary rochambeau
bumblebee bubblegum bleat
why don’t the floorboards creak anymore
why don’t the stairs moan under our feet
peppermint juniper radish July
saucepan, simmering
soup.


L. J. Walker was born and raised on the west coast. She loves words, party supply stores, and black shoes.

“To a Stranger” by Stephen Jackson


You pass me smiling,
as if you’ve known me for years
and haven’t seen me for longer —

and something wakes inside me,
something that makes me smile
as I glance back, as if

for ages we have been lovers
who are sharing some inside joke,
and then just like that

you are gone — and I
have known people my entire life
who have given me less.


Stephen Jackson live and writes in the Pacific Northwest. As the sole proprietor of the Seattle small press So Many Birds publishing (SMBp), he championed the work of other writers through the publication of individual author chapbooks, the biannual literary magazine Harness, and the quarterly chapbook series Future+Present, showcasing previously unpublished local writers. His own poems have appeared or are forthcoming in a variety of online and print publications. @fortyoddcrows.

“Imagine” by Ute Kelly


On the table, this morning, remains of
last night, of a fire with friends for his
birthday: one more sleep till fifteen.
I clear up, make some coffee, sit down
with the Saturday paper: When I think
that it won’t hurt too much, I imagine
the children I will not have
. Choose not
to have, given fears and predictions and
knowledge of impact. I too have carried
these facts, felt their shape, the grief
and the longing. Mostly, a child is so
abstract to me.
That too I remember.
That and the moment it turned: suddenly
none of it abstract. Things I can’t now
unimagine: his voice, just starting to
break. His moods and his migraines;
his quirks. The way he loves jazz and
his playing of it and the way he debates
other worlds: the questions they raise
and the answers they don’t.

On the table, tonight, we play poker,
Stan Getz in the air. For now, it is this:
gambles and improvisation.


Ute Kelly started writing poems on her phone during lockdown, often while out walking in the woods or on the moors she can get to from her house. Sometimes while sitting in trees.

“Sheridan Red Line” by Caitlin Chismark


A little light in the distance
A place I once called home
A low balance alert
A heartbreaking sigh
A bend in the tracks
A few lost tears
One lost year
The key that I still have to your apartment


Caitlin is a Chicago native with a newfound passion for written word. She spent time during the pandemic to learn more about the events industry through obtaining a Digital Event Certification and writing through self-reflection. She recently visited Utah to recharge and hopes to visit more national parks for inspiration.