“Before Dark” by Ryan S. Lowell


I was sitting in the truck in the bumpy gravel parking lot watching Zeph play basketball with the other kids when my neighbor called me and asked: “You still thinking about taking a ride up the coast next weekend?”

“Thinking about it,” I said, though I was really thinking about when I was Zeph’s age and playing on that same court with my friends, practicing our shooting form in the morning and watching the older kids play and argue and goof around at night. So I said, “Lemme call you back a little later,” and flipped my phone shut.

It was the first eighty degree day of the year and Zeph looked good shooting the ball because we put a hoop up in the driveway last summer and I helped him work on his form, on those warm summer evenings when there was no wind and the sun seemed like it wanted to hang around a while longer, like it didn’t want to go down because it would disappoint my son and force him to go inside for dinner.

And presently with the afternoon sun lingering and Zeph and his friends playing two-on-two on one side of the court and the other side empty, that old saying surfaced in my head, Always aim for the back of the rim, which I learned on that same burning asphalt twenty years prior, exerting ourselves more mentally than physically at times because that’s how the game works. It began there during the summer before seventh grade when Mr. Thompson, our English teacher, told my friend Victor that he had a one in a million shot of making it to the NBA, coming from a small town in Maine. So every morning just after dawn I walked and dribbled the ball past dewy lawns and dazed paperboys to the basketball court where Victor was already shooting from two feet away and then four feet and back and back. There were times of serious practice: shooting and dribbling and running drills which must have appeared silly to the people driving by on their way across town to the dump or the redemption center; and then interludes of ludicrous jokes and shooting halfcourt shots and chewing on juvenile philosophy, eschewing limitations: “They tell you you have no shot or a one percent chance or whatever because that’s how they want you to think,” Victor said to me once. “You have to know you’re gonna succeed at whatever you’re doing, because what does anyone know about anyone else?  Nothing really.”

Which was true. But I hadn’t told Zeph that story yet because I wanted him to be old enough to understand that it didn’t necessarily have to be about the game of basketball. I watched him run towards me chasing after a loose ball and then grit his teeth when it bounced off the windshield. He picked the ball up and yelled out, “Sorry, dad,” as he skipped back towards the court; and beyond, on a dim court with frayed backboards and bare rims bent down slightly and old school rap music emanating through the open doors of Mick’s low-rider truck, my friends and I pacing around aimlessly as we caught our breath after a long and drawn out game of three-on-three. The sun had disappeared ten minutes ago and it was a night like a lot of other nights in our small mill town. I was supposed to be home before dark, but I wanted to stay, and I couldn’t help but question the definition of ‘dark’.  It was almost worth sprinting the three blocks home just to be sure, just to see if maybe I could sprint back and play another game. But then I relented; I was getting hungry.  “I gotta get home,” I said.  “It’s pretty dark.”  Mick gave me a quick look of disappointment, and then he smiled and looked up at the sky as though searching for something and said: “It’s not dark – it’s just – very – not light.”

The basketball court in our town was a moving canvas: a game of fluidity rolling back and forth and a cigarette smoker standing underneath the basket cracking bad jokes and the guys in their pickup trucks nearby drinking Mountain Dew, talking about their lift kits. I remembered the time when Derek Taber tried telling a joke after spending a year in prison downstate: “I saw your mom kicking a can and I asked her if she was moving”, and no one laughed; a few seconds of awkward silence passed and then Victor said to him quite seriously: “Man, you have been gone awhile.” I remembered watching Dan Lovell dunk the ball and hang on the rim and then slap the backboard afterwards. I remembered watching Sherwood inadvertently drink urine out of a Pepsi can because Lovell put it there, and then Sherwood reacting with a laugh and a mild curse word. I remembered sitting on the porch with Victor just before Zeph was born and trading stories already known and told, because they never got old, because the fire tends to spread as you age, though only if you remember where it began.

Eventually the high school kids filtered in and it was nearing dinnertime so I waved Zeph over. He came over, caught his breath, and said: “Can I stay dad, please?”

“Your mother’s gonna have dinner ready in about ten minutes,” I said.

“I’ll walk home before it gets dark.  I just wanna watch, please?”

“Before dark,” I said. “No later. I’ll keep some green beans warm.” I smiled. He didn’t like green beans. But he didn’t hear me. He muttered, “Thanks, dad,” and ran back. I knew my wife was going to give me a little hell when I came home alone, but I couldn’t say no to the kid. I envied him.


Ryan S. Lowell is a novelist and short story writer. His work has appeared in Underwood Press: Black Works and the Workers Write Journal. His story Random Uncertainty is forthcoming in the Workers Write Overtime Series, and he is currently working on a novel based in rural Maine. He lives with his wife, son and a crew of rescue pets in South Portland, Maine.

“Depression” by Kristin Eade


Green tea sediment
at the bottom of my cup
swirling like a murmuration
of starlings
across a shallowing sky.
The closest I will get
to going outside today.


Kristin Eade is a writer and editor from Seattle, Washington. She has an ardent love for words, especially those that need a good edit, and enjoys daydreaming, playing with cats, and being in nature. One of her greatest accomplishments is memorizing all the lyrics of Bohemian Rhapsody.

“An Email Never Sent” by J. M. Allen


I wrote an e-mail; it was how I reacted.
I was about to hit Send, but a text got me distracted.
The content came to me fast, as my anger slowly rose.
I just kept on typing, with the sharp words that I chose.

I detailed my complaint, didn’t leave anything out.
It got very detailed; put in everything I could think about.
I wanted it to be clear, I wanted it to be concise.
But one thing I didn’t try, that was to be nice.

I would have sent it, if it wasn’t for my phone.
But I like to get notifications, especially if I’m alone.
And so after the delay, my draft e-mail I re-read.
And then it struck me – I should just call him instead!


J.M. Allen is a 50 year-old living in Rochester, Minnesota who started writing a bunch of rhyming poems (the best kind?). He has three kids, who are approximate teenagers that give him much poetry inspiration!

“Sha Qi” by Celine Low


Sometimes a step too early
becomes the right step out of
inevitability.

Read my pen so eager for the paper it plants
the first kiss before my command
and with every kiss destroys the delete key.

If it takes too much effort to find new paper then
our love can
only go on …

Let’s see what forest grows out of cut trees.
A forest of cacti is
still life
even if, in Feng Shui, they would say it is full
of 杀气—
the kind of breath that kills.

Celine Low is a nomad writer, painter, dancer and secret bathroom-singer currently housed in India.  She holds an MA in English Literature, and her writing is either published or forthcoming in the Muddy River Poetry Review, Beyond Words, and Quince Magazine, among others. Read more of her poetry on Instagram @_ckye. 

“In May” by Mike Dillon


Purple wisteria,
a red rhododendron
color a lush green world
in a thin afternoon rain.

A brown horse steps
over the far field
with the slow fluency
of a mind at peace.

Rain patters the new leaves.
Rain falls through some archaic memory
not your own. Someone stood here
in another century.

And will again.


Mike Dillon lives with his wife of 40-plus years in Indianola, Washington, a small town on Puget Sound northwest of Seattle. He is a retired community newspaper publisher who comes from a newspaper family. He walks, reads, writes, and in summers swims in the cold waters of Puget Sound.

“dame blanche” by Katarzyna Stefanicka


they saw her in the forest
looking for what she had lost
between trees the bare pieces
of white and thin cloth
the more she walked
the less of her there was
her body was traced later
by a good local cop
they probably saw her
the birch pale that she was
she mixed in well with leaves
and the background noise


Katarzyna is a psychologist with an interest in psychoanalysis and writing. She lives, works and writes in London. Her poems are short and nearly always rhyme – this may be due to a fear of long prose ever since school.

“Carp and Piranha” by Ian Willey


Not knowing the difference
between carp and piranha
I was sure my life was over
when I tumbled into the water
and the fish surrounded me
mouths agape but dad’s arm
came down like an anaconda
and lifted me dripping to the bank
where I stood amazed my limbs
were still there minus one shoe
which fell off in the commotion
and dad was about to trudge in
to get it but I grabbed his arm
with the strength of an anaconda
because I still didn’t know the difference
between carp and piranha.


Ian Willey is a sociolinguist residing in the inland sea area of Japan. His poems have been published here and there and a few have received some recognition.

“Mind the Gap” by Marguerite Doyle


Like the sixty-first minute, or the twenty-fifth
hour,
this time will be recalled as the eleventh year of
the decade.
A leap across the breadth of a new dawn, an era of
legacy.
In six months we have grown so old; our children
cannot sleep,
and look how the light falls on the balcony, the
hospital, the street.


Marguerite is from Dublin, Ireland and is interested in exploring her native city and its surroundings in her poetry. Marguerite graduated from Dublin City University in 2020 with an M.A. in Creative Writing. She received a Special Mention for her submission to the Desmond O’Grady International Poetry Prize in 2020.

“Left Turn” by Annette Freeman


Leave the house, going left, left for my daily walk, all that we’re allowed now. Trip over a sleeping dog, though it wasn’t sleeping. More like: lying-in-wait. Stumble, regain posture, upright again, kick at dog but it’s left.

Have no idea what day it is. Lost track last week, or perhaps last month. Some time around the time the call came, or the email came. That time. Closing down for the duration. Calling time. That’s it then. No more conferences, no more monthly service charges, no more arguments with the IT section, no more administrative assistants to schmooze. Handshakes done. Hugs are over. Avoid humans.

Streets full of people walking uphill to the park or downhill from the park. Most have a dog. Setters, spaniels, bulldogs. Any dog will do. Provide an excuse to be out. I should have a dog. Look around for the lying-in-wait dog, but it’s not lying-in-wait for me. Keep going uphill.

I will be grey-haired, going into this goodnight. I will be walking uphill tomorrow, and the day after. Phone bulges in pocket. Tracking. To make sure of us.

Person with dog approaches. I swerve out onto the grassy verge, out onto the road, wherever I have to swerve unto to keep my distance. To make sure. Hold breath so no droplets are breathed in. Then a deep breath to test lungs are working. Fine for now. Don’t like the sound of ventilator. Of intubation. Wish to avoid both.

Here is the park. Here are the dogs. Here are the exercising people. Here am I. Sit on a green-painted bench, make sure no policeman is watching. Exercise is all we’re allowed now. Not sitting. Take out phone. Remember tracking. Put phone away in pocket again.

Overhead, a cockatoo screeches on a dead tree branch. Spreads wings as if flapping a cloak, cocks sulphur-yellow comb as if flirting, stares at me as if crazy. Screeches again with dizzy joy. Seeing the bird, I wish to be the bird. Wish to live in a tree, in the clear air.

Things are not. Going to get better. Life is going to go. Not uphill, not downhill, but in a completely different direction. Left turn.

Cockatoo has left. Allowed to go where it wants. Take a deep breath to check lung function. Fear of droplets. Walk home downhill. Until tomorrow. Same time, same place.


Annette Freeman is a writer living in Sydney, Australia. She has a Master of Creative Writing degree, and her short fiction has been published in a number of international and Australian literary journals. She is working on a novel set in the back-blocks of Tasmania.
W: https://afreemanwriter.wixsite.com/website
T: @sendchampagne

“a home alone” by Katarzyna Stefanicka


as i left
only the hallway had something to say
it echoed the steps
before they were muffled
by the floor rug
and by the door they were locked
away


Katarzyna is a psychologist with an interest in psychoanalysis and writing. She lives, works and writes in London. Her poems are short and nearly always rhyme – this may be due to a fear of long prose ever since school.