“Left Turn” by Annette Freeman


Leave the house, going left, left for my daily walk, all that we’re allowed now. Trip over a sleeping dog, though it wasn’t sleeping. More like: lying-in-wait. Stumble, regain posture, upright again, kick at dog but it’s left.

Have no idea what day it is. Lost track last week, or perhaps last month. Some time around the time the call came, or the email came. That time. Closing down for the duration. Calling time. That’s it then. No more conferences, no more monthly service charges, no more arguments with the IT section, no more administrative assistants to schmooze. Handshakes done. Hugs are over. Avoid humans.

Streets full of people walking uphill to the park or downhill from the park. Most have a dog. Setters, spaniels, bulldogs. Any dog will do. Provide an excuse to be out. I should have a dog. Look around for the lying-in-wait dog, but it’s not lying-in-wait for me. Keep going uphill.

I will be grey-haired, going into this goodnight. I will be walking uphill tomorrow, and the day after. Phone bulges in pocket. Tracking. To make sure of us.

Person with dog approaches. I swerve out onto the grassy verge, out onto the road, wherever I have to swerve unto to keep my distance. To make sure. Hold breath so no droplets are breathed in. Then a deep breath to test lungs are working. Fine for now. Don’t like the sound of ventilator. Of intubation. Wish to avoid both.

Here is the park. Here are the dogs. Here are the exercising people. Here am I. Sit on a green-painted bench, make sure no policeman is watching. Exercise is all we’re allowed now. Not sitting. Take out phone. Remember tracking. Put phone away in pocket again.

Overhead, a cockatoo screeches on a dead tree branch. Spreads wings as if flapping a cloak, cocks sulphur-yellow comb as if flirting, stares at me as if crazy. Screeches again with dizzy joy. Seeing the bird, I wish to be the bird. Wish to live in a tree, in the clear air.

Things are not. Going to get better. Life is going to go. Not uphill, not downhill, but in a completely different direction. Left turn.

Cockatoo has left. Allowed to go where it wants. Take a deep breath to check lung function. Fear of droplets. Walk home downhill. Until tomorrow. Same time, same place.


Annette Freeman is a writer living in Sydney, Australia. She has a Master of Creative Writing degree, and her short fiction has been published in a number of international and Australian literary journals. She is working on a novel set in the back-blocks of Tasmania.
W: https://afreemanwriter.wixsite.com/website
T: @sendchampagne

“a home alone” by Katarzyna Stefanicka


as i left
only the hallway had something to say
it echoed the steps
before they were muffled
by the floor rug
and by the door they were locked
away


Katarzyna is a psychologist with an interest in psychoanalysis and writing. She lives, works and writes in London. Her poems are short and nearly always rhyme – this may be due to a fear of long prose ever since school.

“Hush Puppy” by Amanda Harris


Cornmeal and cooking grease violently clash-
a one-time ritual now lodged in a failing hippocampal vault
which crackles through a growing divide,
materializing in your frying pan,
at least for today.

The scent rises;
a batter-bathed cyclone of collective unconscious
circulating upward through vents
like generations of mountaineers summoning me.

I attend this hallowed call,
demon stop to your holy ghost tent revival
in the kitchen that is also a living room

You said, “Hush Puppy!”
A thick Appalachian rasp
sending its reverb off the drywall
and through the feather reeds
that only you can see.

Below the native aroma,
I sat pinstriped in the dull light cast through vertical, linoleum blinds;
(You sat in the feather reeds)
and we ate fried dough.


Amanda Harris is writer and faculty member at Seton Hall University and Caldwell University. Raised by an Appalachian single father in a well-to-do Southern Californian beach community, Amanda is interested in capturing the complicated process of negotiating regional identities that are seemingly at odds. She lives outside of New York City with her husband, sons, and shih tzu.

“No Science Today” by Ian Willey


They say one room in his house
was reserved for the mosquitoes
who were remarkably well-behaved
owing to the fact that the window
was kept open all night allowing
the mosquitoes to fly out and find
sustenance wherever they could
and come back at dawn to decorate
the walls in the thousands, bellies
plump with blood, and Mr. Baxter
would go in and walk among them
without causing a stir because they
knew and trusted him until the day
he cleaned the window and forgot
to open it and we were in homeroom
when the announcement was made.


Ian Willey is a sociolinguist residing in the inland sea area of Japan. His poems have been published here and there and a few have received some recognition.

“New Normal” by Marguerite Doyle


They say the butterfly bears a remnant, a recall
of some undulating shunt-hugging
grasp of branch and leaf. Sea greenness
of forest coral folding over memory
of silk-spun labour. Unconsciousness
before metamorphosis; broken threads
release each peacock eye like
an opening of sunrise. The butterfly beats
his wings of powdered ashes; scatters
his kaleidoscope of loss.


Marguerite is from Dublin, Ireland and is interested in exploring her native city and its surroundings in her poetry. Marguerite graduated from Dublin City University in 2020 with an M.A. in Creative Writing. She received a Special Mention for her submission to the Desmond O’Grady International Poetry Prize in 2020.

“My girlfriend’s place” by D.S. Maolalai


the walls are white
and clean
well dusted.
on the counter
the plastic bowl
full of snacks
untouched;
everyone who lives here
is careful
to be worried about their weight
(I am sleeping with one of them currently –
this doesn’t bother me at all).

and there are three laptops
on the table by the sofa – one is old
and only used
to project films on the opposite wall
but the others
are well maintained,
paid for
by jobs
in the tech sector.
them
I am not allowed
to touch
(I break things).

the windowblinds
are spotted with moths
trapped
when the things were rolled up
and there is always
laundry being done.

how wonderful
to look outside
and see into everyone’s apartment.
and how terrible,
knowing
they can look up
and see me
looking in.


DS Maolalai has been called “prolific”, though he refers to himself as “incontinent” His poetry has been released in two collections, “Love is Breaking Plates in the Garden” (Encircle Press, 2016) and “Sad Havoc Among the Birds” (Turas Press, 2019). He has been nominated four times for Best of the Net and three times for the Pushcart Prize.

“Matter” by Taryn Ocko Beato


We start with still-lives [this is expected]. Bowls of fruit arranged on tables, requisite apples, pears, grapes. A curious pineapple has snuck its way in. A thin vase with a lonely flower, child-sized chairs stacked just so.

I’m suspicious of stillness. I focus on stop-motion squirrels in the window, trees revered then forgotten, their limbs jutting into the horizon. My fingers bruised with purple ink—lefties never quite fit—I mix my colors into mud.

I am a valley among peaks, compressed before raised. Chronically razed. A blank page soaked, body curled, unqualified. A landline phone affixed, wire enjambed.

You see quirks where I know cracks, flip full magazine pages while I hold jumbled pieces. Newspaper clippings in halves, longing, flexed and ready.

I am voracious in my wanting to know, but knowing isn’t a crux. A diagnosis is just a notation, a string of digits for billing. A confirmation growing hazy, quickly [but also slowly] moving away. Unimportant in its arrival: a shrug, a nod.

I am quiet while you speak, watching. Not quite listening, while you explain to me what I have lived. I think of the Xanax bottle on the shelf, the set of new paints, unopened. To be enjoyed at the summit. Balls of clay in a box, lazily waiting. A bowl of apples, a single stem.


Taryn Ocko Beato is a writer, mixed media artist, and audiobook producer. She studied creative writing and film at the University of Rochester, and received a Master of Arts from the Newhouse School at Syracuse University. Taryn lives in New York with her husband, son, and sweet rescue dog, Darby.


“Wildflower” by Maxwell Porter


Paige trained for months. She wore out several pairs of jogging shoes in a bootcamp of her own design. Her skin bronzed, then burned in the hot spring sun. The songs she chose invigorated her for weeks, then grew redundant and boring. She picked new songs, and then new ones again. Eventually, she learned to listen to the wind.

She stretched, and hydrated, and ran, and stretched, and hydrated. Then, she’d await a new day. A new day, to run again. A vast field of wildflowers lay waiting for her. She needed only to run nine miles along the unimproved bank of a bayou, and the field would be hers. Hers to see, hers to run through. Hers alone, until she left.

She couldn’t see her success on the horizon at first, but it came into view with each passing day. Her body learned to take more oxygen from each breath, and how to store more water in her cells, so she didn’t have to carry it on her back.

Each day she ran a little further, testing the limits. She’d run so far that she wasn’t sure she could make it back. Then, she’d fight against her fatigue and her fear until she arrived back on her doorstep, promising to see the wildflowers on a different day.

The morning of her triumph didn’t feel different than any other morning. She still had so much more training to do before she could even imagine the eighteen mile round trip. But, she hydrated. And she stretched. And she started to run. From her front door, she passed tidy little rows of houses with manicured lawns that were all so close to each other. Then, the houses grew further apart. When she got to the bayou, there were only a few homes in sight, and their vast yards were wild. Some were cluttered with junk, others populated by lush, tropical trees. Some trees bore fruit. Papayas, figs, and others that thrived in the warm, humid climate.

Soon, there were no houses at all. Just tall grass, and a still bayou. Occasional birds, and jumping fish. A turtle sunned itself, but fled from Paige’s thumping footsteps. Her legs grew tired. Water fell away through her skin. The sun rose higher in the sky, and threatened to sear her flesh. She knew that she would need to turn back soon, if she hoped to get safely back home. But, onward, she ran. Further from safety, further from neighbors and papayas. Her legs shrieked with aches. Her heart thumped protests beneath her breast. Her brain sounded an alarm from thirst, yet Paige kept running.

She began to doubt. Panic welled within her as the thought crossed her mind that this may be her last run. She bargained with herself, then pleaded. Spring will last a few more weeks. There’s no reason you need to finish today. Go back home. Hydrate, and stretch. Tomorrow’s a new day, and we’ll go further still. We’ll see the flowers before the summer sun scorches them. We’ll see the flowers.

Paige’s spine bent with exhaustion, and she forced herself to straighten her posture. In the distance, she could see a haze on the ground that looked different than the tall grasses she ran through. It must be the flowers. She silenced her inner protests, and her legs simply ran, and her heart just beat, and her brain only processed the ever approaching field. Each part of her body knew that it must help Paige get there, if there was any hope at all of her getting back. Under the forced march, she became an efficient machine.

An occasional wildflower appeared as she trekked. Small patches of leggy, struggling flowers became larger patches of stronger flowers until suddenly she was in the midst of an infinite expanse of yellow and orange and blue all growing together in a kaleidoscopic symphony of God and Nature and Paige. She ran deeper into the field, and was overcome with oneness. Euphoria gripped her and swallowed her whole and she was no different than the flowers or than the air. The field and the universe and the body were all one. They were all hers, and she was all theirs.

Paige slowed from a jog, to a walk. Then, she stood still. In a fleeting moment of self-awareness, she looked around, to see if she was alone. Then, she pulled off all of her clothes, and laid them neatly together. She walked deeper into the field, and lay down.

The clouds overhead formed a tapestry of cotton, and Paige reached her hands to the sky and pulled down a blanket, and wrapped herself in it. She lay naked in a field, bundled in the clouds, and breathed in the world around her.

A bee scavenged for nectar in a flower near her head, and then searched a different flower, bringing with it just a few green specks of pollen on its fuzzy little body. Then, the bee moved on to yet another flower. A bird emitted a single chirp, crying out to itself or another. A steady wind gusted across the field, and the flowers pressed against Paige’s body, then the wind changed directions and they pressed against her body again.

Paige felt that she might have run too far. She might not be able to get back home. She wasn’t even sure she’d be able to get back up in the first place, or even try. But, why would she want to? The field is hers until she leaves.

She saw no reason to go.



Maxwell Porter is an author who lives in New Orleans. He and his wife are on a constant mission to find natural beauty together, and to support each each other in their spiritual fulfillment. They often sit together, with her painting a picture of trees or flowers, and him writing stories of them.

“Bones” by Japhy Mitchell


The winds switch faster than
The clouds can circle.

Under avalanches of ink.

Saviours and Saints all
Buried beneath.

Invisible tombstones.
Prophets bones mixed
with dionysian delusions
.

Bound and bold
Eating them for life
Stuffing the fluffy
And meaty words
Deep into my belly
Hoping it sits well.

Does plot thicken the bones?


Japhy Mitchell is a poet and librarian. He also enjoys Sword Fighting, Rollerblading, Board Games, Snowboarding, Caving, and about 75 other hobbies. You can follow him on instagram @poetjaphymitchell.

“The Light” by Jade Braden


We counted days by the automatic porch light outside our apartment. Sensor activated, the bulb flashed on once the sun vacated the sky. Our living room was awash in the artificial glow coming through the plastic slats of our cheap blinds. Some days, we sat with baited breath, looking on as the other lights in the complex clicked on, one by one. The light was the only event we could wait on with certainty. It was a small joy; all other aspects of life had reached a standstill. Some days, we were caught off guard by the light, and we deflated, knowing that another day had slipped past us unnoticed. Eventually, we gave up counting days and just let the light delineate day from night.

Nights passed in tosses and turns, fitful snatches of disturbed sleep. The light radiated so brightly that the blinds glowed as if it were always dawn. I slept and woke in limbo. Neither my roommate nor I owned curtains; they had never made it into the budget. I once tried to hang a blanket over the window with thumb tacks, but it was so thin that light streamed through just the same.

The light was supposed safety. Cost-effective and eco-efficient assurance that cut through the Appalachian nights. But all we ever got were spiders scrawling moth-catching designs and a number of burglaries that never got investigated. Our downstairs neighbor had her car broken into for a half-empty carton of cigarettes. Some others got broken into for spare change.

The long-limbed leasing agent said it is for our own good that the lights stayed on, but it was just policy made by the landlords who lived in a different state. They got to pretend to be protectors while threatening tenants with fines should anything happen to the lights. It was their assurance, not ours. They’d fine anyone who added an extra lock to their door either.

Sometimes we liked to watch things with wings dance in the glow after dark. Humming softly until caught in the well-placed webs. The spiders oblige in the free meal, having made such a fortunate home in the harsh glow. It is all we can do hurry outside and untangle brittle wings from sticky silk, to hope they fly far, far from here. But how foolish it would be to expect them to evade for long. There had been a time when we were entranced by their shining certainty too.


Jade Braden is an author and artist, based in Ohio. She is currently working on her undergraduate creative writing thesis at Ohio University and often explores gothic, religious, feminist, and queer themes in her writing.