The Martyr’s Palm by Dale Stromberg

The Martyr’s Palm

Paper-based billing, unlike automatic bank transfer,
compels one to decide whether to do what one must.

At the supermarket, only two cash registers are operating. After evaluating the customers and cashiers, trying to guess which line will move faster, Beatrix Sakakino tentatively chooses the one on the right.

Is the world mist? she wonders. Or am I the mist?

She remembers his hands. His elbows. His substantial shoulders.

If I’m only proud of myself when I’m quiet, why can I never stay quiet?

His skin smelled like tobacco. His breath when asleep was irregular and turbulent.

Am I doing the same old thing for a brand new reason?

She has come to buy milk—that’s her pretext, anyway. The walk from her apartment was refreshing. The year is just warming.

Does another person’s shame give me the right to behave shamefully?

She likes her neighborhood. It’s a quaint street, a mix of tiny shops and modest homes. It all has to end.

Should I hate him? Am I in love with being in love? Is self-destruction really so romantic?

The year will run out. Winter always comes back. And she’s going to leave this neighborhood. She wants to—it’s a great comfort to plan to leave.

Am I just a pocket of lukewarm air?

Sometimes the least painful way to leave somebody is for them to leave you.

Do people really mix their souls together?

A look at the other cashier’s line shows that it’s moving faster than hers. Which gives her a moment longer.

I never have.

Dale Stromberg studied writing with the novelists Richard Bankowsky and Doug Rice in Sacramento, and lives in Malaysia now with his family.

‘There’s No Secret’ by Shehrbano Naqvi

Everyone says you never know until it happens to you. As if once it happens to you, a lightbulb goes off, shedding light on all the dark corners, on all the unanswered questions you had before. 

As if until you lose a leg, you never know how life will go on from that moment onwards. But for those who do, you see them somehow still alive and so it becomes a secret only they have. Like a secret treasure-of-a-consolation prize they get to keep to themselves while others just wonder “how do they do it?”

I thought that whenever I heard about a tragic death. Let me be clear; anyone’s death is saddening. But some are more tragic than others. You see someone’s forty year old father suddenly never wake up from his sleep, and you wonder how they’ll ever move on. Someone’s sister gets hit my drunk driver. Someone’s mother gets cancer. Someone’s brother, someone’s best friend. And yet you see them living their life, somehow having figured it out. They have a secret they don’t let the rest of us in on.

When my brother passed away two months ago, I thought I would be finally be let in. I thought something transforms you on the inside, you go through a radical journey, and you come out a new person on the other end, somehow still alive and breathing and smiling. From the moment I heard of my brother’s hanging, I thought about this. I waited for the lightbulb, for a signal or for some divine intervention that would guide me and tell me what to do next. But nothing came.

Nobody told me there’s no secret.

For the first week, every morning when I would open my eyes, I would remember my brother’s body lying cold in the funeral home. And I would wet my pillow enough for it to be the first wash of the day every day. I thought that maybe I don’t know what to do yet, how to move on from here yet, because I am still in shock. So I waited some more.

I waited till after his funeral. Till after his burial. Till after his memorial. Till a whole month somehow passed, and yet I was still peeking into his room on my way downstairs every single day, waiting for him to pop into my visual, smoking a joint, asking me to join him. But the room just sighed back as I walked past it.

A few days later I met an old school friend who had also lost his sister in an untimely accident a few years ago. That was another tragedy. We were in middle school, and even then my prepubescent-self had looked up at my friend that day in awe and thought, “Look at him. How is he standing up right? How is he so stoic? Surely he must know something we don’t.”

And now here we are, years and tragedies later, looking at each other as if we both are a part of a pathetic club, and we both pity each other’s inadvertent membership. I looked past his sincere smile and saw the hollowness that weighed him down. He knew nothing. Nobody had told him either. He was just here, figuring it out. So was I. There we stood together in silence, hollow, but alive and breathing and smiling at each other.

An Ode to the Galaxy of Smoke is a collection of (unpublished) poems I wrote in honour of my late brother who died of suicide last year. Although I have been expressing myself via writing for over 17 years, my style and connection to it has only strengthened over the past year. Poetry and prose have both been my aids in every journey I have ever been on, and this submission reflects the roles they play in my life, through three different pieces.

Editor’s note: Two poems from ‘Ode to the Galaxy of Smoke’ were published on December 13.

Poetry from ‘An Ode to the Galaxy of Smoke’ by Shehrbano Naqvi


maybe

maybe.

maybe there is another home for us. a home a lot like this but instead of a rich blue canopy above it’s a deep glistening golden, like fresh marmalade generously spread over so that every thunderstorm is a saccharine shower.

where grass can grow higher than skyscrapers so that children run barefoot in the summer between their towering emerald blades, singing to the tune of the wind out loud, and the rivers always go upstream because this world doesn’t know the word ‘down’.

a home where stars sizzle out loud instead of shining bright and the sun sings itself to rest and the moon toots his own horn and men and women walk with their hands flat on the ground but birds stand amongst them tall and proud, and on the stoop of a six-dimensonial house shaded by tall grass blades from the sugary rain, maybe in this world you aren’t underground, but sitting on this stoop with me as I rest my pig-tailed head on your dainty shoulders sleepily. maybe that home still feels familiar, because in our home here, the sun has gone down too early and the stars are clouded by confusion and the grass around your tombstone has also somehow died already.

but maybe there’s another home for us.


The Day You Died

The day you died
I made a list
to remember you by
writing down all
that made you, you

Bitter powdered cocoa smell
stirred in with laced tobacco
crescent-like half a smile
loud, cackling, hyena laugh
tall, lanky, binding hugs
flushed hot chocolate skin
the grooves of your glasses
indenting your stubby nose
purpled lips from years of smoking

The day you died
I made a list
to hold all that
you were
but tonight
it feels too light

The teeth violently grind
and I line the green crystals
just like you taught me
neatly in the paper’s fold
licking the line
rounding it into a tube
lighting one end
and exhaling the other
holding the list foolishly
thinking it can hold all of you

The day you died
I scrambled to capture you
shoving you on paper
before you slipped away

The mint plays on my tongue
and the smoke settles deep
I think of bedtime stories
with angels on our shoulders
and godmothers all watching
and late loved ones as stars
away from this world
and out of my reach –
my palm crumples the list
only to let it float right down

The day you died
I thought of how
I could keep you
in this world with me
when all you wanted
to do was leave

But the last of the smoke
pushes out with resistance
I stub the end out on the list
till the blank canvas in the dark
glows eerily from the center
with a scattering of ambers
kissing and igniting the paper
and for a second I wonder
if the sequins of stars above
are the millions of cigarettes
you stub through the sky every night
just to keep us in your sight

An Ode to the Galaxy of Smoke’ is a collection of (unpublished) poems I wrote in honour of my late brother who died of suicide last year. Although I have been expressing myself via writing for over 17 years, my style and connection to it has only strengthened over the past year. Poetry and prose have both been my aids in every journey I have ever been on, and this submission reflects the roles they play in my life, through three different pieces.

Editor’s Note: The short story from this collection, “There’s No Secret” is scheduled for publication on December 15.

Frightened by Steve Meador

The mustangs closed the distance between us rapidly. Against the wind the tail of each was straight, pointing at the clods and dust behind. Manes were flagging wildly. In the short time I had I put my camera in its pack, checked to make sure the GPS was activated on my cell–my wife makes me do that–then placed it in the pack, zipped it up and tossed it to the side a few feet. What they say is true, about thinking about your life when death may be imminent. I thought of my family and my transgressions and the things I would change if I had a do-over. It was quick-fire thought and clear. I heard the approaching horses, but my mind had images of other life matters. I did not think about the good I have done. I don’t know if that is normal. I don’t know if a person is supposed to plead, to level the scales of good and bad, or tip it to the good. It did not matter, at the time. It seemed that in the wild there is no place for worrying about what comes next, after the end. There is only the current, the instant where you are bare before the universe. It had been a long day, full of hours that were unremarkable, no longer available. It was dusk when the mustangs came, galloping across a range that has been grazed nearly bare. The quake from their hooves stronger with each stride. I turned to stone, to granite, in hope they would pass, but they did not. The group stopped and sniffed and nuzzled me. They were tame. They liked the smell and licked my leather jacket to get a taste of it. I have no photo of the happening to download, only stiff, hot coffee from the thermos in my truck, the shame of fearing friendly beasts and the realization that my age is sprinting ahead of me. Faster than the gallop of the mustangs.

Steve Meador has three books of poetry published, the full length “Throwing Percy from the Cherry Tree” and two chapbooks, A Good Sharp Knife and Pack Your Bags. His work appears regularly in print or online journals, resulting in numerous nominations for awards. However, he has yet to see his name at or near the top of any list, so, he continues to sell homes, in the Tampa area, for a living.

Harlem 1994-2004 by Shaina Phenix

Harlem, does it fester like a sore or sugar over like a syrupy sweet?

Monday through Friday is Harlem after Langston Hughes. A school teacher
questions, what happens to a dream deferred? We quick         rising suns and gap
teeth begging for dictionaries. There are bones fading in the cement
on Lenox Avenue. We are stray bullet bodies praying the safe
arrival of dream despite our sable skins. Us girls fall in love

with the first woman since our mamas and argue about whether
it is pronounced An-jill-o or On-ja-loo, who laugh like she got gold
mines diggin’ in her backyard.
We are spread chests and small hips, we think us
women for the first time. Phenomenal in peter pan collars and
pleated skirts, milk mouths, and box braids. Saturday night is 101 West

131st Street, my mother smells of sweetened rum, spritz, maryjane, and
lavender perfume. Us with bellies full of oodles of noodles and oil-damp
pork chops. Lil Kim reminds the women         not to worry
about a man, cause he      aint worried          about them. The women say
amen, stomp their heels into the floor, and squat. Thighs gaping, and tongues hang

from the painted lips. They rap as if Kim be kin or a god. When they leave,
pile into taxi cabs for the club. Us girls are in the mirrors—small
thighs gaping and kool aid tongues hang from our lips, rapping or praying.
Sunday morning is Antioch Baptist Church and Sarah is
a testimony-throat, she a biscuit and molasses ballad. Lord do it

for me – then, a riot of black hands wind amongst the stained glass windows.
You’ve read the story about the blind man and one day he heard Jesus
was passing by. He said, lay your hand on me.
The holy spirit is
a plague. Here, a collection plate of praise, prophetic patois heavy
feet on blood themed rugs and we restart. Bullet bodies budding allay.

Shaina Phenix is a poet, educator, and Virginia Tech MFA poetry candidate from Harlem, New York. Before pursuing her MFA she taught middle and high school humanities for two years.

Evening by Elsa Bonstein

There was a night when friends were near
and, Oh Christ, we laughed as the jokes were told.
Funny quick lines of turned-around wit,
long rambling stories of salesmen weary and maidens willing.

We drank beers and smoked cigarettes, one after another
and the laughs were like that, easy, one after another.

Later, the talk turned sad, someone would lose a mother,
a child was ill and the Flanagans would be transferred to Saudi Arabia.

When the evening was over, we remarked upon the fun.
Nothing was done or undone, the world remained the same,
but God, did we laugh that night.

Elsa Bonstein is the only child of Finnish immigrants. She grew up on a farm in rural Maryland where she devoured books in between farm chores. She dreamed of becoming a poet someday. It’s never too late to late to try.

Brunch by Gale Acuff

I wish Miss Hooker could marry Jesus
and that they’d adopt me so I’d be
the son of the Son of God, she’s my Sun
-day School teacher is Miss Hooker but she’s
25 and Jesus is so old He’s
immortal, maybe even God’s own age
if in fact He’s God to boot, some folks be
-lieve that though I’m not always sure what we
hold to in our church, at least what I hold,
I only think about religion one
day out of every seven and if
I thought about it every day of
the week I guess I’d be dead, my body
anyway, my soul would be in Heaven
or, more likely, Hell, I sin a good deal
for just ten years old. Then there’s the matter

of my parents, they’d have to give me up
for adoption, though I suspect Jesus
could force ’em to, which is kosher with me,
my folks don’t even come to church, they sleep
late and sometimes when I return for lunch
they’re still in bed and they’re not too pretty
when they finally come forth, Lazarus
-like you might say, smelling musty and slur
-ring their speech and frowning and sounding un
-grateful they they’re not really dead. Maybe
Miss Hooker and Jesus could have other

children, not adopted like me but from
their own bodies so I could have brothers
and sisters even though they’re not really
related to me but then again may
-be they are, Love thy neighbor as thyself
and all that Bible-jazz, maybe even
Miss Hooker’s related to me, not my
mother or sister or aunt or cousin but
if there truly is a human family
the maybe we’re a lot closer than I
realized, and I’d like to marry her
myself although I wouldn’t cut Jesus
out for anything but I guess in Sun
-day School I learned today, at least I figured,
all by my lonesome that if everyone’s kin
then it’s okay to marry someone of
your own flesh. Or something like that. Maybe
my confusion is the Crucifixion’s
purpose, not that I’m not still bewildered
but if I have to die, which I do, then
I won’t have to die for being baffled.
So I made lunch for me and Mother and
Father but for them it’s what they call brunch.
And it satisfied–they cleaned their headless
plates. When they went back to bed, I joined them.

Gale Acuff has had hundreds of poems published in several countries and is the author of three books of poetry. He has taught university English in the US, China, and Palestine.

Clarification by Gale Acuff

One day Jesus is coming back is what
they swear at Sunday School and Amen and
Hallelujah and Amen-and-Amen
but No man knoweth the hour and neither
does no woman, any woman I mean,
there’s no mention of children there and all
I can remember of kids is Suffer
the little children to come unto Me
but why should they make me suffer to get
me to go–Hell, I’m suffering as it
is so I asked Miss Hooker to explain,
she’s our Sunday School teacher and she laughed
and then smiled, I think I would’ve smiled and
then laughed but what do I know and then she
said Jesus doesn’t mean suffer like you
think He does but I’m happy, Gale, that you
brought it up so that I can clarify
it for your classmates next week, “clarify”
means wriggle off the hook, I guess, then she

went on to explain did Miss Hooker that
Jesus meant encourage the children to
go to Him and forbid them not which is
fancy for and don’t try to stop ’em, there’s
nothing to fear about the Son of God
unless you’re a devoted sinner and
deny Him not only three times but many
and never ask Him to forgive you to
boot, then you’re in a Hell of a jam says
Miss Hooker, though she didn’t say Hell and
cursing’s a sin, I may not know about
what’s good but I do know something about
sin, I kind of pride myself on that, I
guess I learned it the hard way and I’d learn
it to Miss Hooker if I thought that she
was mature enough to handle it and
come to think of it what about Jesus,
how could He know about sin unless He
committed a few, too? Miss Hooker said

that I’m coming close to blasphemy so
I should go home and pray starting after
lunch and not letting up until supper
and after supper though she didn’t men
-tion dessert I should take it up again,
prayer that is, And while you’re at it, Gale,
she said, try taking up the Cross as well.
I said Yes ma’am but I haven’t got one,
a cross I mean and as for taking it
up I’m not even sure what that means, I
thought that it’s the Cross that took up Jesus.
I was halfway on my walk homeward
when that came to me, I almost doubled
back to tell Miss Hooker but I was so
hungry I had to live by bread alone.

Gale Acuff has had hundreds of poems published in several countries and is the author of three books of poetry. He has taught university English in the US, China, and Palestine.

Hard to Get by Gale Acuff

In Sunday School class I see Miss Hooker
–and God and Jesus and the Holy Ghost
though I don’t really see them except in
Miss Hooker herself. That is, God made her
and Jesus saved her and the Holy Ghost
inspires her to be the best damn teacher
I ever had. And the most beautiful,
red hair and green eyes and all those freckles.
And she can tell a Bible story like
nobody’s business. I like the one where
Moses parts the Red Sea and Pharoah sends
his charioteers across to slay them
but the slaves cross over just in time and
then the Sea folds in upon itself and
all the bad guys drown. The movie’s good, too.
But Miss Hooker tells it like she was there.
I never thought I’d bite my nails over
the Bible but I never thought I’d like

God, either. He scares me. He’s too much like
death and I sure as Hell don’t want to die
but if you’re going to go to Heaven
you just about have to. I guess it’s like
jumping into the pool when the water’s
too cold but if you’re going to swim then
there’s no other way. Father jumped from planes
in the Big One, World War 2. I asked him
how he was brave enough to do it. Well,
he said, I’d gone to all that trouble to
pack my parachute and it would have been
a shame not to use it. Now he teaches
geography, so there you go. He met
Mother in Atlanta after the war.
Mother was dancing professionally.
I ask her what kind of dances she did
but she’s never told me. I ask Father

but he just smiles. It’s more like a goofy
grin. Then he takes off his eyeglasses and wipes
his eyes and puts them on again, his glasses
I mean, and clears his throat and asks me, Son,
did I ever tell you what I did in
the war? After Sunday School is over
I’m just getting warmed up. Last Sunday I
waited until my classmates left the room
and went up to Miss Hooker in her chair
where she was rearranging the bookmarks
in her Bible and said, Miss Hooker, I
got something I wanna tell ya, and she
looked up at me and into my eyes and
I mean with her eyes, too, and smiled and asked
What is it, Gale honey, so I looked down
as if I was saying the Lord’s Prayer,
leading the class in it, maybe, and saw

my Sunday shoes, black and shiny and two
years old. I only wear them once a week
so if I die as I’m walking back home
they’ll be good enough to be buried in,
and said, I love you, but she took it wrong,
I meant Sweet Romance but she just meant love
like you get from God and parents and aunts
and Santa and your dog and maybe your
cat and your favorite stuffed animal,
not that I have one anymore, only
a G. I. Joe, and he’s not a doll, he’s
something else. I forget. Then she stood up
and kissed me but not on the lips. Goodbye
I said, and turned and walked right out the door

hating her guts. So what if I’m just 10
and she’s 25? We might’ve worked it out.
Maybe I should wait until I’m 16
and try again, though she’ll be halfway
dead, 31. That my mother’s age now.
So I guess there’s more than one way to make
a boy a man even though I wonder
what that other way is. That other way
has something to do with having babies.
I wonder how that’s done. My folks don’t know
or they don’t want to say. It’s a secret.
I might ask Miss Hooker next week if I
come back–she kind of embarrassed me or
maybe she’s just playing hard to get so
there’s a purpose for all my suffering.
Last night I dreamt I died and Miss Hooker
showed up at my funeral and cried and
cried and sputtered, Gale, it was only you.
Then as I watched from Heaven the police
took her to the pokey. I don’t know why.
That’s when I woke up. And I’m still waking.

Gale Acuff has had hundreds of poems published in several countries and is the author of three books of poetry. He has taught university English in the US, China, and Palestine.

Wolverine by Abby Jordan

A descendant of a lengthy lineage of simple creatures
So it’s no surprise I’ve made waves in their
Lives of smooth sailing and waist-deep wading while I
Dove to depths far over my head
I called to the preacher as he bellowed from his pulpit
Built of chestnut oak and ego and I
Softly but mightily asked questions which
Elicited nervous laughter from the congregation who had
Either never pondered such a whim, or they had
But never dared to ask it aloud
And when it came time to dance, I was out of step on the stage
I was a colonial girl frolicking about on the prairie like
The one in those books I wasn’t supposed to be reading yet and I
Threw my chin up to the sun and my arms out like the wings of the newly hatched and I simply
Flowed
Off beat but in presence
I wiped the lipstick from my mouth and painted over my skin
The face of a creature unseen
By the rest of them, anyways
Many nights, I called on Mama and Daddy to come and
Listen, that they might hear it, too
The wild world beyond the walls of our little house on the hill
Calling on me to come and join it so that I could
Run free
But they heard only my quickening breath, racing heart
Kissed my cheek and promised me that monsters aren’t real and that’s how I
Knew that only I could grasp the dialect in which Mother Earth spoke
So when the blue ridge beckoned to me from its highest peak
Yearning for me to return home so the stars could sing to me
Their holiest teachings, their humble praises
I kept their secrets safe with me

Abby Jordan is a young mother, aspiring writer, and recovering addict from South Carolina. Lover of all things magical, she teaches yoga and studies the stars because it allows her to find the sacred in the small things.