Poetry by Rich Glinnen

Rich Glinnen is a market researcher by day and a writer by night. He enjoys bowling, and drinking red wine with his cats at his home in Bayside, NY. He’s currently nominated for the 2017 Best of the Net Anthology. His poesy can be read in Kenneth Warren’s Lakewood House Organ, at foliateoak.com, petrichormag.com, and richglinnen.tumblr.com. His fiancé calls him Taco.

 

First Dance

It looms
Like Medusa,
Riddled in
Black tulle,
Enormous at the
End of
Summer

A hanging ghoul
To pass through—
Ice already
Pricks my
Chest

Day of:
The only eyes
I see
Are the 100
Reflected
In yours—two orbs
Chocked with
Tarantulas. Let us
Combust,
God

We’ll waltz
As one in
The sanctity of
Our own private
Burn ward—
Laden
With Vicodin,
Two arched
Willows
Staggering to
Radiohead
And a
Steady
Beep.

 

Touch of Gray

As flurries
Cake, trees
Grow cords
Of gray

Pantless, I watch
The massive
Deadheads
Sway.

 

Summer Cat

The long days smear themselves like
Sunshine across my face,
Carving wrinkled canyons and
Sculpting carcinoma

I’ve endured the northeast’s
Wild winters for a peek
At glorious gold, only to
Be slapped with rash,
Serenated by disembodied voices
While napping indoors.
When I stir awake, the cats
And I blink at each other
Until our bellies
Crave crackers—
Provide objective

Dozing and eating—
I am a summer cat,
Bound to home
Never to tan.

 

Stray Song

Its swampy song
Clambers through my window,
Rounding both of my cats
From slumber,
Inviting them
To screw

“They’re fixed,” I inform the
Stray, bare-bellied, barely buzzed,
“There ain’t nothin’ in them”

All three are undeterred
By this—what I deemed—
Useful information. Still
They stare—a standoff.

Perhaps the vagrant hopes
A certain melody
Will regenerate
Ovaries and testes
(Not sure how the
Stray swings)

Either way, its got
A better shot
At love
Than most.

 

MemorBrie

Ah, cheese—
Such variant goodness,
So dear to us
We utter her
Mouth-watering
Moniker
While photos
Flash—
Glommed onto
Memories
Through lippy
Smiles.

 

Unmade Man

Always thought I’d be further
By now,
Had dreams of psychology
And piles of sex and boats, office
Exploding swarthy wood

Was it ever realistic, for faces
Always haunted me—
The slightest brashness
Equaled sleepless nights,
What-if-they’re-right’s,
Meaning of truth,
Hatred,
Love—
But all the kinds
Disassociated
With success.

No boys allowed by Jessica Simpkiss

Jessica Simpkiss lives and works in Virginia Beach, Virginia with her husband and daughter. She studied Art History at George Mason University. She is currently an associate editor with the literary magazine 1932 Quarterly. Her work has most recently been published or is forthcoming in the Hartskill Review, Zimbell House Anthologies, The Write Launch, The West Trade Review and the Virginia Literary Journal, amongst others. Find more of her work by visiting https://jesssimpkiss.wixsite.com/whispersfromthesoul

 

No boys allowed

Clint was fifteen when an accident killed our father. I can still remember the look on my mother’s face as she tried to tell us that he wouldn’t be coming home for dinner. The fried chicken and mashed potatoes she’d already made sat on the table for nearly two days before she let us clear it to the trash. It had been my father’s favorite. She never made it after that, even though it had been my favorite too.

I tried to remember back to the summers before, when we’d still been kids, but it felt like it hadn’t been real. It was something I dreamt. When I was alone at night, lying in bed staring at the peeling paint on the ceiling, I would find snippets of our childhood memories in the rapid eye movements I made trying to fight sleep. I could vaguely remember the way the rope felt in my hands, just before I’d let go and fall into the dark water below. There was a split-second to make the decision to let it go and you knew if you didn’t the bank would erupt in laughter and taunting screams. When the angle was just right, I’d let go but the fibers of the rope would leave a lingering sensation on my skin, as if to say it wasn’t too late to grab hold again. No one ever grabbed hold again.

The first time, it didn’t even feel like water. It was more like falling through glass. The water would sting against my feet, slicing through skin, leaving a bloody mess to deal with on the mile and a half pedal home. But we would always come back, hungry for the feeling of freedom that only falling from forty feet above the earth could give young boys. It was the only time we’d ever tasted it.

I’d always wake up in the morning, wondering if the things I dreamed had really happened or if they were just wishful thinking. I’d ask Clint, sometimes, about my dreams and he would laugh as a thick film of nostalgia appeared at the bottom of his eyes. I’d lose him for a minute, sometimes a few. I knew better than to say anything in those moments, ruining for him what must have felt like even more distant memories. It didn’t really matter, if they were real or imagined. There was no getting them back either way.

 

The summer had become a death sentence. Each day took with it a little more of his innocence, a little more of the childhood we thought was promised. When we should have been ghosts in our mother’s eyes, at least while the sun was out, we had become homebodies, zombies, lurking around the house, tiptoeing around the elephant in the room. We were naive to assume that things always worked out. Things rarely ever went according to plan. Just ask my father.

Sonny, he whispered from above me one morning. I have something to show you.

I opened one eye and when there wasn’t any light sneaking in under the plaid curtain dressing the window I groaned assuming he’d woken me up far earlier than any twelve-year-old boy had ever woken up on a Saturday, even if our Saturday’s were numbered. But I’d had it all wrong.

 

We sped past the turn for the lake and kept going straight. Layers of heat still clung in the air above the pavement and we sliced through it like a knife in summer butter. Even in the dead of night, the heat was unforgiving. There was rarely a breeze enough to make any difference. The downhills were the only time we felt any kind of relief, both from the heat and the strain of pedaling halfway across Worth county.

At the end of the 409, we stopped at the faint remains of an old dirt road. The weeds and underbrush had almost claimed it as its own, but not completely. I could see a thin lane of tire marks worked into the remaining dirt and footprints that had trampled some of the grass. Clint told me to follow him with a hushed voice but said nothing else.

We ditched our bikes behind a sweet-smelling bush at the side of the road, and in the light of day I might have recognized it to be blackberry, but I couldn’t be sure in the darkness. I couldn’t be sure of anything. We dove further into the wood line and as we did, the only light we’d had to guide us trickled through the heavy treetops and was almost nothing by the time it reached us on the ground. I followed closely behind the sound Clint made in front of me, entirely sure I’d never make it out if I lost him.

Clint, I whispered hoarsely, where the hell are we going?

Shhh, he hissed back, you’ll thank me once we get there.

We moved like moss through the woods. Our steps over broken branches echoed through the silence. Small night time creatures scurried about, unseen but not unheard. Crickets sang to one another, letting those of them ahead of us know something was coming.

We came to a clearing and Clint stopped as if he wasn’t sure which way we were going.

Do you hear that? Clint asked, turning his face upward toward the night sky, it’s this way. He turned to the south and continued into the darkness. There was a faint hum drifting through the trees, and we followed it like bloodhounds until we came to a hindrance in our path.

When the trees shifted, bits of moonlight filtered down, enough to see the metal cattle gate and the signs that hung brashly on its face. I didn’t need the light to know what they said. They were the same on every gate you came to. Stay out, private property, no trespassing.

Clint sat, straddled on the top metal rung of the gate, looking back at me with a Cheshire smile I could barely see. A gentle wind blew through the trees, rustling the leaves and waking a hoot owl in the distance. The gray moon dribbled down through the branches and glinted off his white tee-shirt and the metallic finish of the gate, making it look like he was almost swimming in its light and I finally knew where he was taking me.

I jumped the gate like a thoroughbred instead of the common field horse I knew I was. The hum I’d heard before morphed into radio music and laughter the further from the gate we moved. I looked back in the direction we’d come and the moon was still shining down on the gate. Somehow, the empty backing of the signs that had tried their best to forbid us from moving past them felt more threatening than when I’d been able to read their warnings. The empty white space gleamed out at me in the hazy light. They were the only thing I could see clearly.

Listen, Clint whispered, you’re too young to be here, but …

He didn’t need to finish his sentence. I knew what he was doing and why.

I’d heard rumors about it. We all had. He’d make me swear not to tell any of my friends that he’d brought me there, or else they’d all be begging their older brothers to bring them too and it would ruin the everything.

The structure itself was dilapidated, leaning in more than one place. The tin roof was rusted in places and missing in others with falling down walls, none of which were matches for containing the sound coming from inside.

A boy older than Clint stumbled through what they used for a door as we stood outside while he told me the rules. I was only allowed one beer and if anyone asked I was fourteen and not twelve.

Inside, stringed Christmas lights replaced the wispy light from the moon and the stars we’d used to get there, but it was still dark enough that everyone was hidden in some level of shadow. An old radio in the corner blared the latest hits. Couples in the middle of the room danced too close to each other, their lips and tongues exploring their partners deeply. Other couples closer to the walls danced to music only they could hear as their bodies twisted and heaved in singular movements. Clint smacked me on the back of the head, telling me to stop staring with his eyes.

Here, he said, shoving a warm beer into my chest.

What am I supposed to do? I asked, feeling very much a kid out of place.

Clint smiled. Enjoy yourself, find a girl.

He winked and disappeared, becoming another face brushed with greens and reds and yellows as they danced wildly and without fear of parent’s eyes or ears learning their secrets. Our parents had been here or somewhere just like it when they’d been their age. It was a rite of passage in Worth. Boys become men and girls becoming women overnight. They all knew where their kids because they’d been their once too.

I stood in the corner and sipped my sour beer trying to be inconspicuous, which wasn’t hard to do. I became a fly on the wall inhaling the smoke from their cigarettes and listening to the music that would later define all their lives. I thought about the summers before our father had died, when we were still kids. Our biggest worry was the condition of our thrift store bikes and who was coming swimming. I watched the kids in front of me, desperate to become anyone other than the children they’d been or still were. They were stuck in the middle, too old for swimming all summer but not old enough to be adults in public. Except for Clint. Clint would be an adult in the morning when he showed up at the Feed and Seed for his first day of work. Even I wouldn’t be a kid anymore by then, at least not the same kid I was the day prior. It felt like we’d grown up overnight, but we were just too foolish to notice that it had been happening all along.

By the time the sun woke up, the air reeked of stale cigarettes and sex. The music had quieted and the dancers moved slower, like sleepwalkers moving in the night. We leaned on the wall, savoring the idea of being us one last time before the ride home when we’d become different people. But at that moment, we were just us, without a father who’d died and a mother who’d never recovered. We were just boys in the woods learning to be men before we knew what that meant.

 

Cryptic Crossword Poems by Holly Painter

Holly lives with her wife and son in Vermont, where she teaches writing and literature at the University of Vermont. Her first full-length book of poetry, Excerpts from a Natural History, was published by Titus Books in Auckland, New Zealand in 2015. Her poetry, fiction, and essays have also been published in literary journals and anthologies in the US, Canada, Australia, New Zealand, China, Singapore, and the UK.

 

Note: The clues in the first part of each poem yield the answers that make up the haiku in the second part.

 

Cryptic Crossword XIII

Clues:

Standing and glaring,
constant queue outside government camp
harasses addicts

squatting at asylum’s center, engrossed in scoring
smuggled intoxicants, keen on
oblivion or retreat to covers,
riots, upsets, or beliefs.

Hateful line starts to curse a number of
down-and-outs knocking back endless mescal base and glues.

Answers:

Rank lingering hounds
settling into sleep postures
loathsome vagabonds

 

Cryptic Crossword XXXVI

Clues:

Rookie officer at bar
listens to singers’ runs.
Alto vocalists go on to a scale out of the country

song on The Voice.
Quivering slow ebb reverberates
as banter at end of pitch
warm-up reveals police
joiner. Band, having no opener,
launches itself into medley in no time.

Croaky mumbly fellow does cowboy
drawls about redhead who captures
man’s fancy (devastated, wife leaves).
Chatty beginner cop exits, dropping “thank you” tips in Stetson.

Answers:

Colt canters away
Air wobbles with heat and flies
Horseman grabs his hat

 

Cryptic Crossword XXXVII

Clues:

Frenzied hives drone in English countryside.
When the scones are served, conversations about golfing start:

One game or another, albatrosses and eagles,
trimming, swings that produce a flyer.
Tan young man says
he’s singular in duffing and stands out
putting straight tap-ins. Draws,
common on the green,
reward golf that falls short, but beginner

delights, leaps foolishly around, positive
about being part of photo finish.
Youth prances, beams, filled with quiet lunatic smile.

Answers:

Devonshire teatime
Birds wing; sun shines, paints park gold
Pleasures of springtime

 

Cryptic Crossword XXXVIII

Clues:

Asinine dare and lover
cataloguer, inebriated liar in bar –

advance unfinished plot about nothing:
you and me; America;
good character;
rehashed, bland musing; or a coming of age story

concealed by half-illusions. “Enough
empty ululations!” we object.
Finished, boy escapes pub, retreating
in possession of a tiny bit of scrappy
dignity, left with piles of delusions.

Answers:

Dear librarian
loan us a bildungsroman
fill us up with dreams

Stars and Strictures by Paul Reyns

Paul Reyns has been published in a handful of venues.

 

Stars and Strictures

The first time I saw a Confederate flag
was on the back of my uncle’s pick-up
after we got out at the hardware store.

“Nice,” I said, because the paint job
was in fact impressive.

“Bet you don’t see those too often,” he told me.
I took a photo with my camera and sent it to my father.

In the lumber yard my uncle took the call.
“Are you kidding,” he said, “it won’t get him shot
– this is the South.”

“What was that all about,” I said, carrying two-by-fours under my arm.
“Your father thinks I’m going to turn you into a plantation owner.”

“I wouldn’t say that,” I told him.

We fixed a tenant’s door frame.
Then my uncle went to Walmart to pick up labor.

When he returned he pulled me aside and told me they were Mexican.
“They won’t know the difference,” he said.
I asked him what he meant.
After that, I gave one of them my toolbelt.

We worked until the sun went down and then kept on.
Dinner we ate on top of the folded-down flag.

“Been here five years,” the taller one said.
“Isn’t anywhere we get better treatment than with your paps.”

I let him make the connection.

Do I still ride in my uncle’s rig?
There’s not a day goes by
I don’t tell myself I know better.

Poetry by Sarah Bigham

Sarah Bigham teaches, writes, and paints in the United States. A Pushcart nominee, Sarah’s poetry, fiction, and nonfiction have appeared in a variety of great places for readers, writers, and listeners. Find her at www.sgbigham.com.

 

Recipes I have never made

Hardtack from a cookbook I insisted on buying at an historic grist mill, despite my attempt at a gluten-free “lifestyle” in the hopes of improving multiple health conditions (a complete failure).

Oatmeal Griddlecakes with Cider Sauce from the B&B where my wife and I got married, and the food was delicious, but I feared that making any of the recipes myself might somehow spoil my magical memories.

Newt’s Hamburger Casserole from the second edition of an advice columnist’s “cookbooklet” recipe collection that I kept on a kitchen shelf for years, thinking that someday I might need to use it for some kind of hostess emergency.

No Peekie Stew from edition one, with a notation that this dish is popular with men and could be served over white bread instead of the noodles listed in the recipe.

Sister Mildred’s Creamed Potatoes from a cookbook I excitedly bought at the bookstore of the only Shaker community with living members.

Blue-Ribbon Black-Powder Buttermilk Biscuits from a gorgeous book produced by the owners of an incredibly remote restaurant in Utah that we happened upon after exploring national parks.

I gaze longingly at the luscious pictures as I nuke a dispiriting leftover takeout meal.

 

The accounting

I.
The silence befuddles some. Why no outcry, or reporting? The pit of guilt, dark and lonely. Unwanted advances from a man supposed to be a mentor, more than 50 years her senior. Who and what to tell? Quiet. Swallowed.

II.
#metoo

III.
Convictions say speak. Obituary says dead.

IV.
Media coverage beatifies. So many photos with young women, kindness in their eyes.

V.
A second shame, wondering if her voice could have prevented others from planting their own gardens of guilt.

Three Poems by Todd Heldt

Todd Heldt is a librarian in Chicago. His first collection of poetry, Card Tricks for the Starving, was published by Ghost Road Press. Other things written under various pseudonyms have appeared in print, on the internet, and on movie screens. Since becoming a father his biographical statement has less time to be interesting.

 

The Gardener

Pesticide garden, ocean of plastic.
But soil crescent moons crown her fingers.
Her hair swims the carbon monoxide clouds.

 

Breath

Trees taken from the wind
and buildings burden the clouds.
Silence sounds the language of ants
out of air, dead breath in our ear.
Boxes of plastic flowers line
the concrete sidewalk, and we
are the heel that crushes us.

 

Acceptance

In the grocery store the everything
wells up inside you, hollows your gut,
and dizzies your head with the vastness
of love so useless it cannot hold
pins to a map or people to the earth.
There you are in the produce aisle
scavenging among the somnambulant,
knowing that we all will die,
that the sun one day will swallow
the earth, and the ones you love
are incandescence in your eyes,
like these fluorescent lights that float
above the stench of the back aisle butcher.
You did all you knew how to do. Now
slip some ice cream into your cart,
a flavor you’ve never tried.
Take it home for your kids to devour.

 

 

Kind by Mark Antony Rossi

Mark Antony Rossi’s poetry, criticism, fiction, creative nonfiction and photography have appeared in The Antigonish Review, Anak Sastra, Bareback Magazine, Black Heart Review, Brain of Forgetting, Deep Water Literary Journal, Dirty Chai, Enclave, Expound, Farther Stars Than, Flash Fiction, Gravel, Indian Periodical, Japanophile, Journal of Microliterature, Kulchur Creative Journal, Mad Swirl, On The Rusk, Purple Patch, Scrivener Creative Review, Sentiment Literary Journal, Snapdragon, Syzygy Poetry Journal, The Sacrificial, Toad Suck Review, Transnational, Vine Leaves Literary Journal, Wild Quarterly and Yellow Chair Review. He is the Editor in Chief, Ariel Chart

 

Kind

I’m not an animal hater. I got a dog, two cats and two goldfish.

But I’m still deeply suspicious of people who turn pets into family members. I wonder how much humanity has disappointed them. Are they more disposed to be humane towards animals than their own kind?

I am not trying to start a fight. But I don’t give a hoot about a stray cat when homeless vets sleep under a leaky bridge. Not too impressed with blowhards blabbing about human rights abroad while stepping over vagrants to rescue Taco Bell dogs here in the homeland.

If I hear another lecture regarding lizards I going to beat a hippie with their nasty hemp sandals until they declare hygiene is not against their religion. And by the way I don’t give a flying frack about frogs in the ecosystem. And no, plants don’t have feelings. I do you dickheads.

But let me share this episode. When I was young I dogsitted for a woman so darn old she left her purse in the Garden of Eden. She said “take care of Alice for me. I love her more than my last husband.”

Which didn’t surprise me. She let the dog pee on her husband’s plot. And once Alice broke a frame with old guy’s photo in it. None of this raised her blood pressure. The dog could do no wrong,

This is probably where I started to see animal obsession as a replacement addiction like religion or alcohol. Hamsters are not the only creatures running on that wheel. People become puppets to their own insecurities.

The tell-tale sign of that ancient woman is she died and left her proceeds to the animal shelter and Alice. Her dog got $50,000 her grown children with children of their own got nothing. Alice is running around in the park right now oblivious she’s a bit player in a human drama meant to exclude humans.

I volunteered one day to walk the dog and promptly drove her to the old lady’s plot. Alice left a heaping pile of steamy crap right in front of the tombstone. Was it justice or just jaded junk? I don’t know and neither does the dog. That’s the point. Animals are animals. They should never be mistreated. They are not substitutes for the broken hearted. They are not surrogates for lost loves. They are animals. Be kind. But wake the hell up!

Poetry by WK Lawrence

WK Lawrence is the author of the novel The Punk and the Professor. He holds an MFA from the Southampton Writers’ Program and a doctorate in education from Northeastern University. Born and raised in New York, he has also lived in Oregon, Virginia, Florida, and Rhode Island. He currently lives in North Carolina, teaches writing at NC State University, and directs the NC State Young Writers’ Workshops.

 

Closed

These are the vapors around the rising sun—
The common man that opens learning eyes.
The strong rise on what the weak rely on
Until they speak with new leader high
Above with the great spirit on his side
And victory follows upon our time
Of world peace and unity
And we have made greatness our companion
Until the hourglass is once again flipped
When the common man closes his eyes to the sun.

 

The Court Yard

The sycamore speaks in the night.
Rhododendrons in full bloom below
And beside a brick wall
With ivy running up and around
Choking the wall, masking it.
Unmendacious and inscrutable.
There’s a beast who goes in and out
A hole in the wall along the bottom
Without paying a single toll
Unfazed by what is on either side
Waiting for it to fall into the teeth of consequence.

 

Book of Faces

Read this book of faces
a common determiner of fate
a place to show your fears
in the very way you hide your tears
in photographs that don’t measure
the loneliness in the room
or the addiction to bodies, parties,
just people in a room
to save you from the thriller
of an empty space
where most don’t go until they’re dead
because they wouldn’t know how to survive
with a door closed
long enough to get to know themselves
so it’s a show
and tell
ring the bells of lunacy
waste your time
in a world of buoyancy.

Letter To My Replacement at the U.S. Park Service by Elaine Gavigan

Elaine is an unpublished* writer, although earlier versions of this story won a trio of kind rejection letters. She is an active member of Grub Street, a fantastic, inclusive writing community and school in Boston. One of her greatest reading aspirations is to become an Amazon Top Book Reviewer. (She’s currently only at #639,167, but she enjoys a challenge.)
Elaine has also completed a suspense novel about corporate and political intrigue in Boston that centers on the decline of the newspaper industry. As a veteran of a community newspaper, she worries who will comfort the afflicted and afflict the comfortable if newspapers disappear.
*Editor’s note: previously unpublished.

 

Letter to My Replacement at the U.S. Park Service

 

Help Wanted

The United States Park Service seeks a Junior Park Ranger, to start immediately. Area of coverage: Beaver Dam Wash National Conservation Area and West Mountain Peak, Utah. No experience necessary. Low pay. Must enjoy camping.

Dear Applicant,

The Park Service won’t tell you about the snake bites, not during the interview at least. They’ll ask if you own a pair of thick hiking boots–and mark a ding on your application if you don’t.

They won’t tell you because the 1.5 million acres of southwestern Utah that you’ll be covering are home to the Western Sidewinder snake, one of the most venomous reptiles in the continental U.S. They don’t want you knowing that Sidewinders can kill a person with a single bite until you’ve sold all your personal belongings and moved across the country to a cheap motel in Shivwits or Gunlock, where the engines of the long-haul trucks on Old Highway 91 will keep you awake all night.

They also won’t mention that, due to budget cuts, the supply of antivenom has not been replenished in years. After the Great Recession in 2009, Congress cut funding by thirty percent, making syringes and antivenom luxuries that the Park Service can no longer afford.

As I unfortunately discovered, the biggest snake of all is Ranger Magilla. He conducts the final interview and he’s the reason you must like camping. Pity there’s no antivenom for him.

Ranger Magilla practices the opposite of Equal Employment Opportunity hiring. He insists on only hiring women, the younger and more wide-eyed the better. Each applicant must submit a photo and he devotes a good portion of the interview to staring at the interviewee’s breasts, as if assessing whether they’ll bounce under the olive drab shirt that would be her new uniform. Rumor has it he has never yet hired an A-cup.

If you’re like me, you’ve experienced one college internship, spending the summer before graduation in a bleak cubicle farm. You struggled to stay awake during afternoon PowerPoint presentations, envying your less-employable friends, who texted from Cape Cod describing intense games of Frisbee on the National Seashore. While they played Beer Pong, you fielded customer complaints for Chief Service Officers and wrote marketing copy for product brochures. As they rode the waves, you endured a stiff censure from the Human Resources Director the one time you were caught surfing the web during work hours.

You emerged in September a sickly shade of pale that only fluorescent lighting can produce. You’d gained ten pounds from sitting all day and your once-supple muscles, which aced the Peacock pose in college yoga class, make a mockery of the company’s ergonomic chairs.

You returned to campus desperate to avoid a decades-long stint answering emails, rushing to strategy meetings, and dreading your annual performance review. You’ve always loved animals and hiking, so you dream up the idea of escaping the grinding boredom of Corporate America by becoming a Park Ranger. All senior year you fantasize about an exciting career fording cold mountain streams and exploring ancient Native American settlements. You long to commute by horseback, not subway.

When you accept the job as a Junior Park Ranger, life appears bright. Your salary is so low you’re advised to apply for food stamps, but you hear the mating call of Western Bluebirds as you arrive at work each morning. Even though you constantly need to remind tourists—who never listen—not to feed the wildlife (“Patting a cougar is a terrible idea,” you say to a New Yorker with deep gouges on his arms), you wear a badge, the wind tussles your hair all day, and sunlight warms your cheeks from dawn to dusk. Sure, Ranger Magilla blows on the nape of your neck when no one’s looking, but you’ve survived lecherous professors. You can handle him.

Everything changes the day you’re assigned a black bear survey, with him supervising. The Park Service is concerned that the population of bears is exploding, so you win an entire week alone with him, following trails of reeking scat and counting bears through your binoculars.

When you’re told of this assignment, your stomach lurches, but he prepares like it’s high school and you’re his C-cup prom queen. The morning you leave, he’s slapped on so much Brut cologne that your eyes sting. He’s even dyed his combed-over hair dark brown and wears it gelled, like his idol Tom Cruise, whom he resembles in no way whatsoever.

He jumps into the driver’s seat of the Park Service Jeep and inserts his favorite CD, “Greatest Love Songs of the 1980’s,” into a boombox. You sit in the passenger seat, jammed against the door. Whitesnake screeches “Is this Love?” as you roar up the mountains on Hell Hole Pass Trail. While a California Condor circles overhead, you remove his liver-spotted hand from your knee and decline—politely, of course—to call him “Top Gun.”

It’s only when you reach the most remote forest in the Beaver Dam Mountains that he will announce that he has forgotten his camping tent. Darn it. He’ll have to share yours. You debate stealing the Jeep and fleeing back to headquarters in New Harmony, but you don’t. A stint in Timpanogos State Prison on a grand theft auto conviction just wouldn’t look good on your resume.

You awake hour before dawn, stuck 7000 feet up a canyon, with him begging to climb inside your sleeping bag. A Western Sidewinder is slithering into your thick hiking boots and, outside the tent, a black bear is scratching his itch on a Joshua Tree. Trust me, as you fend off Ranger Magilla, the snake and bear will strike you as preferable adversaries.

So, best of luck on your application. I’m going to give him a swift kick in the ass and then I’m becoming a yoga instructor. I wish us both success.

Namaste,

The former Junior Park Ranger

Single Women in Threes by Travis Stephens

Travis Stephens was raised on a dairy farm. He earned a degree at University of Wisconsin-Eau Claire, before departing for the West Coast. Stephens became a sea captain and now resides in California. He has been published in the Upriver anthology, NOTA, Stoneboat Review, Crosswinds Poetry Journal, Havik, and Pennsylvania English. His was a Poem of the Week for Silver Needle Press and other work will appear in The Dead Mule School of Southern Literature the winter of 2018.

 

Single Women in Threes

watching three women drink coffee
seated outside
beneath a summer awning
bright one in black lace
blouse might be mother,
a straw hat, purple lipstick
the daughter in a jean jacket
line of turquoise studs along
the curve of upper ear,
that color of black hair that
shines dark blue. Eyes too.
Her friend a
curly swirly brown girl
with serious
judgmental brows
that speak of promise,
of promises questioned for lack of detail.
Single women in threes
in the shadow of an elm,
beneath the silent orb of a
camera set to watch the
sidewalk strollers,
furtive pigeons and me.
The little sister of my first wife
had hair black as thought,
eyes too, led groups of
Swiss visitors through the
New World wonders of America.
They teased her, of course, and
she answered in perfect Bernese,
until they pressed phone numbers
of grandsons and nephews to her.
Alas, she married in Wisconsin
and soon divorced.
She comes to mind for the way
she wore her hair in
loose curls, waves and smiles.
Not like this one under the awning
with her fierce bangs
a straight line cut into my heart
while she, her mother and even
her friend looks casually away.
Buses wait and kneel.
Cars touch the curb.
Like the camera I will watch
and do absolutely
nothing.