Short Prayer and other poems by Wendy Carlisle

Wendy Taylor Carlisle lives and writes in the Arkansas Ozarks. She is the author of two books and five chapbooks. For more about her, check her website at www.wendytaylorcarlisle.com.

 

Short Prayer

God, if there is a god, bless Friday afternoon for the stack of wood I didn’t get cut, for the co-worker I unwittingly snubbed, for the party I skipped just because and for the sigh I heaved knowing it was three days until blessed Monday.

God, (same caveat), bless Monday for its upstart beginning, for the rejections stacked up over the weekend and for its optimistic heart, for its sentences that begin, this week I’m…. Bless this day since it has its tongue out for the first snowflake, its palm out for a raindrop. Praise Monday because there’s nowhere to go from there but on.

 

My Husband Asks, What Are You Thinking?

I’m pondering on
a rodeo man,
RCA belt buckle,
stiletto toes, arched back,
a tall skinny stranger
always waving
goodbye

 

I drank to drown my sorrows, but the damned things learned how to swim. 

                                  – Frieda Kahlo

Diego Rivera called his daughter, “Little Pinhead,”
Frieda Kahlo was barren

Rivera was a Mexican, a nationalist, a leftist.
Frieda was always in pain.

Rivera only painted her twice.
Frieda said, At the end of the day,

we can endure much more
than we think we can.

 

William, the Poem

When Stafford was asked
how he wrote a passable
poem each day, he answered,
Lower your standards.

 

After Great Loss

I have become the mistress of the unlit,
black dress formal, sad as a 2 car funeral.
What shall I do in all this somber dark
but dance and dance and dance
in my hallelujah shoes?

 

 

Poetry by Robert Okaji

Robert Okaji lives in Texas. His favorite knife is Japanese, as is his tractor. His guitar is Italian. He’s sure this signifies something to someone. The author of five chapbooks, his work has appeared or is forthcoming in Riggwelter, Sleet, Eclectica, The Zen Space and elsewhere.

 

Worms

Yesterday’s cored apple buzzes with light,
another vessel stored in sadness.

I have swallowed vows.

I have replaced air with earth
and enjoyed tongued flesh.

To think is to live. To live is to delay.

Burrowing through the soil’s rich
decay, this body,

accepted. Absorbed.

 

Self-Portrait as Question

Walking hand-in-hand with what,
who presupposes why, and when
huddles with where before skittering
off to its murky corner. Sometimes
I present myself as a shy minute
or a cloud’s effigy streaming across
a scruffy field. Few suspect the truth.
Answers ricochet from the limestone
wall, but no one nabs them. I react
quickly and offer the unknown, the
life I claim, my name, in return.

 

Love Song for the Dandelion

When you scatter
I gasp

aware that the windborne
carry truths

too powerful to breathe
too perfect
to bear

What is your name
I ask

knowing the answer
all along

 

Pinecone on a Pedestal, Open Poet

Look deeper. Within that grain, a mineral,
inside that word, a book
folding into itself,
leaf by leaf,

and farther back,
the cone’s imbricated scales
spiraling in perfect
sequence, or pressed
through another
time, strand by
strand, looming
in shared
simplicity.

Looking through my window I see a hundred trees
growing in the shade of one.

The juniper’s
berry is
no berry.

Bamboo is a grass.

My floor
is not cork
but bears its appearance.

Two halves share this one body.
Open it. What will you find?

Bench by Clyde Liffey

Clyde Liffey lives near the water.

 

Bench

“Where’d you say it is?” one of the men asked.

“Out back. Follow me.”

“You bet,” the younger man said as she swiveled down the hill.

“Nice place you got here,” the older man said.

She scrunched her nose. “You think so?”

She surveyed the unmown grass, the sticks and parts of branches scattered about it, the sickly trees, the untended flowerbeds. “I’d do more out here,” she said, “if he wasn’t so creepy.”

“Who?” the older man asked.

“My father-in-law: he just loves the bench you’re taking. He sits there all morning. He’ll be furious when he comes back from his walk and sees that it’s gone.”

“Looks like he didn’t get out today.” The older man poked the body prone on the bench. “Wake up, sir.”

She called her husband and recounted the above omitting the parts about the workman leering at her and the sympathy hugs.

They had a late cold supper. Their son was asleep in his chair. Her husband said, “Dad had a bad heart. It was time for him to go. At least he died where he loved to be, on that rickety bench. Do you remember how he said they’d have to take it from him over his dead body?”

The boy woke up. “But wasn’t the bench under his body?”

Cuidado by Desmond White

Desmond’s prose and poetry has appeared in the Tishman Review, HeartWood, Theme of Absence, and Whatever our Souls. He holds an MLA from Houston Baptist University, where he founded the student literary magazine Writ in Water, and he’s currently the editor-in-chief of Rune Bear, a magazine devoted to the strange and speculative. Desmond White lives in Sugar Land, Texas, with his wife and her two cats and the two thousand strays she feeds by the car.

 

Cuidado

A dónde vamos? she says
as he walks to her.
But he is not a train coming to station.
There’s something weird
in his eyes
and his feet are aimed
to take him past her.
He is a train in passing.
This station—quarantined.
Yellow ribbons of Cuidado, Cuidado, Cuidado
wrap her breasts;
abandonada stamps her head.

A dónde vas?
she says
before a black bottle
which reads: Tratar con cuidado,
which reads: No poner en los ojos,
and in sober black:
Sulfuric Acid
(ácido sulfúrico)
before this bottle appears in his hand,
or maybe it was always there.

 

The Will of the Rain by Rebecca Nestor

Rebecca Nestor double majored in Psychology and Creative writing at Southwestern Oregon Community College.  She has a passion for creating stories that are deeply personal, yet entirely relatable.  Her work has appeared in Red Weather Literary Journal and LEVITATE Literary Magazine.

 

The Will of the Rain

The dessert has a way of becoming a part of one’s very existence. The sun settles in your bones and claims your flesh as synonymous with the wind and sand. It was suffocating at first, but eventually my body conceded, and it even became euphoric. Pheonix had a way of pausing time in more ways than one. The Lonely cacti serve the perfect testament to this, waiting patiently for months for the monsoon rains to come. Every summer, I watched the dust and pollution settle in the crevices of the sidewalks and buildings in the city. This always made the first rain of the season smell like freshly unwrapped clay.

The first time I saw an Arizona sunset was when I had just moved to the city from a small town in Oregon. I had been out drinking and trying to give the big city life a try. I stumbled outside for a smoke and watched the entire sky bled. It was brilliant, and artistic, as if someone had carelessly painted it in hues of purple, pink, and gold. I stood watching it for what seemed like hours before I decided to walk home. On every street corner was another apartment complex. I could smell the chlorinated pools and laundry soap seeping from behind these gated communities. The heat seemed to magnify every scent to a degree that I had never experienced in Oregon. Perhaps my heightened senses are why everything felt more real in the dessert. It was as if everything had been a dream until that point.

I was still drunk by the time I climbed the stairs to my apartment. I dug through my pocket for my key and slumped on my futon in the living room. My new home was empty and bare. The only furniture I owned besides the futon, was an old tv missing the remote and a dresser. The tv sat on top of the dresser a few feet from me. Too drunk to move, I fell asleep staring at the black screen.  That night I dreamt of the Oregon coast, a place I had called home for almost ten years. I was back at Bastendorff beach. The sand was cool and pleasant between my toes, but there were dark clouds on the horizon and the waves were getting more and more treacherous. I saw the wave in the distance. It was gaining speed and size too quickly. Behind me grew a massive rock wall too high to scale. There was nowhere to run. The ocean swallowed me whole and I drifted amongst the seaweed. My limbs felt too heavy to move and I knew I would soon drown. On the surface was something white, hot, and blinding but I couldn’t quite reach it. I gasped in salty water and choked. My throat was so dry. The salt made me so thirsty.

I woke to my throat feeling like sandpaper and my head throbbing. I staggered to the kitchen to fill my palms with tap water from the sink. I choked it down, coughing when the slight hint of rust reached my tongue. I rubbed my wet hands on my face, hoping it would cool me as it evaporated. The water hit my empty stomach like a ton of bricks and it cramped and heaved the cold water back into the sink. I felt like shit. I needed food, but I knew the cupboards were bare. I would have to walk to the local store. It was a beautiful day for a walk, hell, In Arizona it was always a beautiful day for a walk, but on the way I found myself wishing for rain I knew wouldn’t come.

The heat played tricks on my mind as it rose from the sidewalk and created the illusion of waves in the air and puddles in the distance that would always turn out to be more of the same cracked sidewalk. Along the way I saw numerous dead birds, downed by pure exhaustion. Dead animals in large numbers always reminded me of the Biology class I took in Oregon. One morning my teacher had opened a heavy metal door that lead outside, only to discover a sickening amount of squished tree frogs lining the door frame. I watched him scrape one of them off the door frame with a ruler and fling its corpse at a student that was talking during the lecture. I had been so deeply disturbed by it that I remained on my best behavior for the rest of the school year. I studied hard, but soon discovered that it wasn’t necessary to pass the tests. Mr. Shank had designed each test with a hidden pattern and to pass each test, one simply had to figure out the pattern. I found myself admiring how clever and analytical he had to be to come up with that. It was in his science class that I learned two things that weren’t on the curriculum, one being that there is a fine line between crazy and genius, and two that to be able to discover the patterns, I must be toeing that same line as Mr. Shank.

I finally reached the air-conditioned store and grabbed some granola bars, oranges, and a few bottled waters. I opened my wallet to pay. I was down to my last two hundred dollars, but rent was paid for the next month. I asked for an application before leaving. I paused outside the grocery store doors to break the seal on my water and take a big drink. Water spilled over the bottle lip onto my dry hands, leaving clean trails where copper colored dust had been. A clean slate. That was all I had wanted from this move. Part of me hoped that I wouldn’t settle like dust on this restless city. Part of me still hopes to carry the will of the monsoon rain that can carve rocks and wash away the past.

Poems by Kathleen Madrid

Kathleen Madrid is a poet who lives with her husband, three appropriately drooly newfies and a sawed off mutt named Whiskey outside Denver, Colorado.

 

Scorpion Brooch, Stuffed Chickadee, Rhinestone Belt

The memory box is better burnt, the books as well.
The dust and dirt, what could it hurt to let it all just
ash away? The clothes will never fit again and never
mattered anyway. The lotion, toner, exfoliant—mascara,
high heels, three kinds of scent. My grandmother’s things
would be hardest: rhinestone belt, scorpion brooch and way I
felt. Chester, that absurd stuffed bird—I would want him, feel
his loss as sign of every hole and haunt. No blue jay —yolk yellow,
matted, orange feet smudged to gray

Oh fire. Burn it all and let me go away.

 

All shall be well and all shall be well and all manner of thing shall be well.

– Dame Julian

The orchestra
The orchestra warms
You’re sitting in phlox,

On freshwater fish scales, beneath clusters of cayenne
The orchestra plays under
You’re sitting in phlox

Sap lacquer ambers peonies.
The orchestra plays under canopies of blackberries
Time reconciles flamingos, kudzu leafing from a cradle

The orchestra plays in canopies
The orchestra plays out cradles
This is lost

each is lost
one manner of thing is never lost
phlox flowers in the choir loft

 

chapel, with angels

stained glass eyes chord organ heart double lung bells
gills held a part sprung spring cuckoo bird ticking the time
carnation buttonholed weasel in shine feverfew nectarine
petunia wine forget-me-knot all will rot red clover rime

On a Summer’s Day by Peter Barbour

Peter Barbour loves to write. He is a retired physician, former Neurologist, living in Allentown, PA and has been writing stories for over 30 years. Peter is an active outdoors person, and believes that what comes from the heart goes to the heart.

 

On a Summer’s Day

At the top of the hill the grass was deep, knee high and deeper in some spots. Joe waded through the grass as it bent in the warm summer breeze. The air was dry, not terribly hot or humid as it would become later in the day. He could smell the dryness of the grass and the earth below. Small birds, hopping about in the grass eating insects and seeds, took flight as he waded through. Joe found a spot that looked comfortable, took off his backpack, placed it on the ground, and laid down. He placed his head on his backpack and enjoyed the sun’s warmth as he lay there. It was a nice respite after walking several hours through the morning.  He looked up at the clouds as they moved from horizon to horizon high above him and observed their white billowing caps gray cottony patterns, mounted on darker gray bottoms as they floated in a sea of deep azure blue. He imagined the clouds were a flotilla of great ships on a mission to the other side of the earth.  Intermittently, the clouds obscured the sun whose rays penetrated gaps in the clouds’ complex webs and poked through like long poles extending to the earth then disappearing as the clouds moved by. As Joe watched the ballet above him, he listened to the birds chirping and the hum of insects that swirled around him, but, thankfully, left him alone.

As Joe enjoyed his reverie,  a rabbit suddenly appeared at his feet.  Joe held his breath and didn’t move. The rabbit stood there. It’s soft fuzzy fur stood erect, long pink ears rotated forward listening, its nose twitched testing the air, and dark curious eyes looked at Joe. Joe let his breath out slowly and took another breath evenly measured moving as little as possible. The rabbit rocked back, sat up, scratched its face with its fore paws, looked around, and then back at Joe. The rabbit’s eyes met Joe’s eyes.

‘What is the rabbit thinking?’ Joe wondered.  He had an urge to touch the rabbit. ‘No. If I move, the rabbit will startle and hop away. I’ll enjoy this interaction as it is and not disturb this moment.’

High above, a hawk circled, wings extended, as it rode the thermals and surveyed the ground.  The hawk then folded its wings and dropped like a stone. There was a crack, like a bat striking a ball. The hawk gripped the  rabbit with its sharp talons, then swept it into the air. Joe screamed and jumped up. He reached for the hawk.  The bird was startled by Joe’s movement, but it was quickly beyond Joe’s reach.  The hawk maintained its grip on the rabbit and swiftly took off to the protection of its nest, its quarry secure.

Joe stood and watched the hawk disappear above the trees and into the woods that stretched out below the hill. His heart raced, and he breathed rapidly as he stood there shocked by the sudden violence and saddened by the ill fortune of the rabbit.  He wondered whether the rabbit would still be alive if he had not been there. Had he been a part of nature or interfered with it. The tranquility of this place was spoiled.  He no longer wanted to stay. He picked up his backpack, put it over his shoulder, and walked on.

 

Starlight by Travis Schuhardt

Travis Schuhardt resides in Freehold, New Jersey and currently attends NYU’s Gallatin School of Individualized Study, where he is pursuing a concentration in literature and poetry. When not writing, he can be found asleep in his bed.

 

Starlight

I’m not a very observant person –
I can’t, for example, tell you
what the stars looked like
on any given night,
or what you were wearing
the last time I saw you.

Instead, I just imagine
us laughing in the moonlight,
in some empty field,
after driving hours and hours
to find the perfect spot

which, to me, will look like any other spot
of a picture I never took,
but I’ll try anyway, to capture
you and the trees and the stars.

So please forgive me for staring
at your hands in the parking lot of your college dorm,
or at your dress that I think was blue, but can’t remember,
or, if we’re being honest, at your lips
shining just a little in the night air

like starlight bending around the tops of the nearest trees
just far enough away to touch.

Two poems by Jacqueline Jules

Jacqueline Jules is the author of three chapbooks, Field Trip to the Museum (Finishing Line Press), Stronger Than Cleopatra (ELJ Publications), and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her poetry has appeared in over 100 publications including The Broome Review, Sow’s Ear Poetry Review, Hospital Drive, Snakeskin Poetry, and Imitation Fruit. She is also the author of 40 books for young readers. Visit www.jacquelinejules.com.

 

The Fisherman’s Wife

Not satisfied
with the cottage
the fish conjured
in place of a shack,
she requested a castle.

Luxury not enough,
she demanded power.

We all know
where her greed ended—
in the hovel where she began.

But what is the warning for me?

Not to ask too much if by chance
I meet a magic fish?

Or to remember that cottage or castle,
there is always someone with more.

And if I lose sleep
over what I do not have,
I will never rest again.

 

Wabi-sabi

Wabi-sabi, the Japanese art of finding beauty in imperfection.

Purple stain on the couch.
Broken latch on the back gate.
Suspicious spot on an MRI.

Can a Jewish woman
married to worry
learn wabi-sabi?

Can she admire the character
in the cracked coffee mug,
press her lips against
the cool ceramic, unafraid
of the jagged chip on the rim.

My blemished cup
still holds warm liquid.

A thin line shows
something broken
was repaired.

Beauty mark, not flaw.

Signs by David Joseph

David Joseph’s writing has been published in The London Magazine, Wall Street Journal, LA Times, Doubletake Magazine, and Rattle. A recipient of the John Henry Hobart Fellowship for Ethics and Social Justice, he spent the past two decades as an educator and nonprofit executive in Los Angeles. He is a graduate of Hobart College and the University of Southern California’s Graduate Writing Program. He has taught at Pepperdine University and at Harvard, where he was awarded a Derek Bok Award for Distinction in Teaching. He currently lives in San Roque, Spain with his wife Karen and their sons Jackson and Cassius.

 

Signs

Looking back, there were signs, signs that things might take a turn. But they were so hard to see, particularly since we were only twenty years old, in college, and experiencing the highs and lows of young adulthood as we moved towards an uncertain future alongside an army of peers.

Still, there was something a little different about him. He was darker than the rest of us. He had seen more, lived more, and this made him somehow harder, more cynical, then we seemed to be. If I really think about it, he talked like a man closer to the end even though we were only at the beginning. It was as if he had already lost, as if he understood in a different way than we did that everyone loses eventually, that no one gets out alive after all.

He didn’t carry so much a burden as a sense of downbeat enlightenment that had been born through the loss of something that had already been taken from him. This came through in moments of negativity, not so much despondency as much as a bleak reminder of reality, the stark reality, of all our existences. And while we carried ourselves within the beautiful delusion of invincible youth, he carried himself with the inevitability of death, eventual death, that awaited each of us sooner or later.

Not surprisingly, he was a young man of science. He would never be a man of faith, not after watching the last breath snuffed out of his dad, not after being there so young, not after standing completely powerless in the room and witnessing the evaporation of life. He could invest his time in numbers and calculations, concrete data, equations and solutions, but he’d never again believe in anything that couldn’t be proven demonstrably.

I was just the opposite. I tried to find meaning in words and art and philosophy, all the things you couldn’t ever quite answer definitively. I was drawn to the beauty of the subjective, the mystery of the unknown, and the delight in ruminating about things that could never be solved, only felt or perceived. I was a dreamer, and I chose dreams over despair not so much out of faith as out of hope. He didn’t have that luxury anymore.

When he got a dog, he went to the pound. He picked the dog at the front of the line, the first on death row, and he brought him home to our house. When I asked him why he saved this dog from his death when it was inevitable just as ours was, he remarked that dogs weren’t aware of their mortality, that this unwanted dog had no idea of what was in store for him in the coming hours. The dog still had his innocence, true innocence, and that was worth protecting.

Soon after the dog came home with him, the training began. Bloodhounds aren’t easy to train, but the dog had some shepard in him too along with whatever other breeds were mixed in his blood. It wasn’t easy, but he trained that dog to protect him and he did. In return, the dog became the recipient of all his affection. He poured his love into that dog. At the end of every day, after long hours inside the science laboratories, there was the dog, waiting patiently for him to come home.  He couldn’t give that dog enough, and he took pride in the simplicity of the dog’s needs, the buoyancy of his spirit, and the depth of his loyalty. Although he had saved the dog, it was the dog who seemed to rescue him from the darkness.

But sometimes the pull of gravity is too strong. Sometimes inevitability has its own timetable. And sometimes we simply don’t get the opportunity to obtain all the answers, no matter how hard we try.

When they found him, he was living in California, wearing shorts as he always liked to on warm days, along with a white t-shirt. His hair was still young enough to remain dark, and the curls of his youth were still there on the day of his death. He had performed the act sitting down. He hadn’t  dressed like an officer or laid out clothes and belongings perfectly on his bed. He had simply been defeated in a war of attrition. He hadn’t so much given up as given in, to forces stronger than he could keep at bay. His dog had alerted the neighbors the moment it happened, and the dog was whimpering at his side when the authorities arrived on the scene.

I always bristled when people told me what he did was so selfish. Of course, I understood where they were coming from, but he wasn’t selfish. He wasn’t driven by personal motivations. He always put others before himself, and he put that dog before himself. Always. Although this was one of those moments I would never fully understand, and one I would never be able to make peace with, I could rest assured that it wasn’t done out of selfishness. Quite the opposite I am certain, as he left a carefully written note specifying only that his dog was to go to his sister’s family. He was always considerate, and even right up to the end there was consideration.

Perhaps he felt that humans were already beyond repair, that our fate was sealed, and that there was nothing left to say. But there was consideration for his dog, the dog he had rescued, who remained beautifully unaware of his own mortality, even though he had now tasted loss, real loss, for the first time.