Poems by Kathleen Madrid

Kathleen Madrid is a poet who lives with her husband, three appropriately drooly newfies and a sawed off mutt named Whiskey outside Denver, Colorado.

 

Scorpion Brooch, Stuffed Chickadee, Rhinestone Belt

The memory box is better burnt, the books as well.
The dust and dirt, what could it hurt to let it all just
ash away? The clothes will never fit again and never
mattered anyway. The lotion, toner, exfoliant—mascara,
high heels, three kinds of scent. My grandmother’s things
would be hardest: rhinestone belt, scorpion brooch and way I
felt. Chester, that absurd stuffed bird—I would want him, feel
his loss as sign of every hole and haunt. No blue jay —yolk yellow,
matted, orange feet smudged to gray

Oh fire. Burn it all and let me go away.

 

All shall be well and all shall be well and all manner of thing shall be well.

– Dame Julian

The orchestra
The orchestra warms
You’re sitting in phlox,

On freshwater fish scales, beneath clusters of cayenne
The orchestra plays under
You’re sitting in phlox

Sap lacquer ambers peonies.
The orchestra plays under canopies of blackberries
Time reconciles flamingos, kudzu leafing from a cradle

The orchestra plays in canopies
The orchestra plays out cradles
This is lost

each is lost
one manner of thing is never lost
phlox flowers in the choir loft

 

chapel, with angels

stained glass eyes chord organ heart double lung bells
gills held a part sprung spring cuckoo bird ticking the time
carnation buttonholed weasel in shine feverfew nectarine
petunia wine forget-me-knot all will rot red clover rime

On a Summer’s Day by Peter Barbour

Peter Barbour loves to write. He is a retired physician, former Neurologist, living in Allentown, PA and has been writing stories for over 30 years. Peter is an active outdoors person, and believes that what comes from the heart goes to the heart.

 

On a Summer’s Day

At the top of the hill the grass was deep, knee high and deeper in some spots. Joe waded through the grass as it bent in the warm summer breeze. The air was dry, not terribly hot or humid as it would become later in the day. He could smell the dryness of the grass and the earth below. Small birds, hopping about in the grass eating insects and seeds, took flight as he waded through. Joe found a spot that looked comfortable, took off his backpack, placed it on the ground, and laid down. He placed his head on his backpack and enjoyed the sun’s warmth as he lay there. It was a nice respite after walking several hours through the morning.  He looked up at the clouds as they moved from horizon to horizon high above him and observed their white billowing caps gray cottony patterns, mounted on darker gray bottoms as they floated in a sea of deep azure blue. He imagined the clouds were a flotilla of great ships on a mission to the other side of the earth.  Intermittently, the clouds obscured the sun whose rays penetrated gaps in the clouds’ complex webs and poked through like long poles extending to the earth then disappearing as the clouds moved by. As Joe watched the ballet above him, he listened to the birds chirping and the hum of insects that swirled around him, but, thankfully, left him alone.

As Joe enjoyed his reverie,  a rabbit suddenly appeared at his feet.  Joe held his breath and didn’t move. The rabbit stood there. It’s soft fuzzy fur stood erect, long pink ears rotated forward listening, its nose twitched testing the air, and dark curious eyes looked at Joe. Joe let his breath out slowly and took another breath evenly measured moving as little as possible. The rabbit rocked back, sat up, scratched its face with its fore paws, looked around, and then back at Joe. The rabbit’s eyes met Joe’s eyes.

‘What is the rabbit thinking?’ Joe wondered.  He had an urge to touch the rabbit. ‘No. If I move, the rabbit will startle and hop away. I’ll enjoy this interaction as it is and not disturb this moment.’

High above, a hawk circled, wings extended, as it rode the thermals and surveyed the ground.  The hawk then folded its wings and dropped like a stone. There was a crack, like a bat striking a ball. The hawk gripped the  rabbit with its sharp talons, then swept it into the air. Joe screamed and jumped up. He reached for the hawk.  The bird was startled by Joe’s movement, but it was quickly beyond Joe’s reach.  The hawk maintained its grip on the rabbit and swiftly took off to the protection of its nest, its quarry secure.

Joe stood and watched the hawk disappear above the trees and into the woods that stretched out below the hill. His heart raced, and he breathed rapidly as he stood there shocked by the sudden violence and saddened by the ill fortune of the rabbit.  He wondered whether the rabbit would still be alive if he had not been there. Had he been a part of nature or interfered with it. The tranquility of this place was spoiled.  He no longer wanted to stay. He picked up his backpack, put it over his shoulder, and walked on.

 

Starlight by Travis Schuhardt

Travis Schuhardt resides in Freehold, New Jersey and currently attends NYU’s Gallatin School of Individualized Study, where he is pursuing a concentration in literature and poetry. When not writing, he can be found asleep in his bed.

 

Starlight

I’m not a very observant person –
I can’t, for example, tell you
what the stars looked like
on any given night,
or what you were wearing
the last time I saw you.

Instead, I just imagine
us laughing in the moonlight,
in some empty field,
after driving hours and hours
to find the perfect spot

which, to me, will look like any other spot
of a picture I never took,
but I’ll try anyway, to capture
you and the trees and the stars.

So please forgive me for staring
at your hands in the parking lot of your college dorm,
or at your dress that I think was blue, but can’t remember,
or, if we’re being honest, at your lips
shining just a little in the night air

like starlight bending around the tops of the nearest trees
just far enough away to touch.

Two poems by Jacqueline Jules

Jacqueline Jules is the author of three chapbooks, Field Trip to the Museum (Finishing Line Press), Stronger Than Cleopatra (ELJ Publications), and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her poetry has appeared in over 100 publications including The Broome Review, Sow’s Ear Poetry Review, Hospital Drive, Snakeskin Poetry, and Imitation Fruit. She is also the author of 40 books for young readers. Visit www.jacquelinejules.com.

 

The Fisherman’s Wife

Not satisfied
with the cottage
the fish conjured
in place of a shack,
she requested a castle.

Luxury not enough,
she demanded power.

We all know
where her greed ended—
in the hovel where she began.

But what is the warning for me?

Not to ask too much if by chance
I meet a magic fish?

Or to remember that cottage or castle,
there is always someone with more.

And if I lose sleep
over what I do not have,
I will never rest again.

 

Wabi-sabi

Wabi-sabi, the Japanese art of finding beauty in imperfection.

Purple stain on the couch.
Broken latch on the back gate.
Suspicious spot on an MRI.

Can a Jewish woman
married to worry
learn wabi-sabi?

Can she admire the character
in the cracked coffee mug,
press her lips against
the cool ceramic, unafraid
of the jagged chip on the rim.

My blemished cup
still holds warm liquid.

A thin line shows
something broken
was repaired.

Beauty mark, not flaw.

Signs by David Joseph

David Joseph’s writing has been published in The London Magazine, Wall Street Journal, LA Times, Doubletake Magazine, and Rattle. A recipient of the John Henry Hobart Fellowship for Ethics and Social Justice, he spent the past two decades as an educator and nonprofit executive in Los Angeles. He is a graduate of Hobart College and the University of Southern California’s Graduate Writing Program. He has taught at Pepperdine University and at Harvard, where he was awarded a Derek Bok Award for Distinction in Teaching. He currently lives in San Roque, Spain with his wife Karen and their sons Jackson and Cassius.

 

Signs

Looking back, there were signs, signs that things might take a turn. But they were so hard to see, particularly since we were only twenty years old, in college, and experiencing the highs and lows of young adulthood as we moved towards an uncertain future alongside an army of peers.

Still, there was something a little different about him. He was darker than the rest of us. He had seen more, lived more, and this made him somehow harder, more cynical, then we seemed to be. If I really think about it, he talked like a man closer to the end even though we were only at the beginning. It was as if he had already lost, as if he understood in a different way than we did that everyone loses eventually, that no one gets out alive after all.

He didn’t carry so much a burden as a sense of downbeat enlightenment that had been born through the loss of something that had already been taken from him. This came through in moments of negativity, not so much despondency as much as a bleak reminder of reality, the stark reality, of all our existences. And while we carried ourselves within the beautiful delusion of invincible youth, he carried himself with the inevitability of death, eventual death, that awaited each of us sooner or later.

Not surprisingly, he was a young man of science. He would never be a man of faith, not after watching the last breath snuffed out of his dad, not after being there so young, not after standing completely powerless in the room and witnessing the evaporation of life. He could invest his time in numbers and calculations, concrete data, equations and solutions, but he’d never again believe in anything that couldn’t be proven demonstrably.

I was just the opposite. I tried to find meaning in words and art and philosophy, all the things you couldn’t ever quite answer definitively. I was drawn to the beauty of the subjective, the mystery of the unknown, and the delight in ruminating about things that could never be solved, only felt or perceived. I was a dreamer, and I chose dreams over despair not so much out of faith as out of hope. He didn’t have that luxury anymore.

When he got a dog, he went to the pound. He picked the dog at the front of the line, the first on death row, and he brought him home to our house. When I asked him why he saved this dog from his death when it was inevitable just as ours was, he remarked that dogs weren’t aware of their mortality, that this unwanted dog had no idea of what was in store for him in the coming hours. The dog still had his innocence, true innocence, and that was worth protecting.

Soon after the dog came home with him, the training began. Bloodhounds aren’t easy to train, but the dog had some shepard in him too along with whatever other breeds were mixed in his blood. It wasn’t easy, but he trained that dog to protect him and he did. In return, the dog became the recipient of all his affection. He poured his love into that dog. At the end of every day, after long hours inside the science laboratories, there was the dog, waiting patiently for him to come home.  He couldn’t give that dog enough, and he took pride in the simplicity of the dog’s needs, the buoyancy of his spirit, and the depth of his loyalty. Although he had saved the dog, it was the dog who seemed to rescue him from the darkness.

But sometimes the pull of gravity is too strong. Sometimes inevitability has its own timetable. And sometimes we simply don’t get the opportunity to obtain all the answers, no matter how hard we try.

When they found him, he was living in California, wearing shorts as he always liked to on warm days, along with a white t-shirt. His hair was still young enough to remain dark, and the curls of his youth were still there on the day of his death. He had performed the act sitting down. He hadn’t  dressed like an officer or laid out clothes and belongings perfectly on his bed. He had simply been defeated in a war of attrition. He hadn’t so much given up as given in, to forces stronger than he could keep at bay. His dog had alerted the neighbors the moment it happened, and the dog was whimpering at his side when the authorities arrived on the scene.

I always bristled when people told me what he did was so selfish. Of course, I understood where they were coming from, but he wasn’t selfish. He wasn’t driven by personal motivations. He always put others before himself, and he put that dog before himself. Always. Although this was one of those moments I would never fully understand, and one I would never be able to make peace with, I could rest assured that it wasn’t done out of selfishness. Quite the opposite I am certain, as he left a carefully written note specifying only that his dog was to go to his sister’s family. He was always considerate, and even right up to the end there was consideration.

Perhaps he felt that humans were already beyond repair, that our fate was sealed, and that there was nothing left to say. But there was consideration for his dog, the dog he had rescued, who remained beautifully unaware of his own mortality, even though he had now tasted loss, real loss, for the first time.

Two Poems by Carl Boon

Carl Boon lives in Izmir, Turkey, where he teaches courses in American culture and literature at 9 Eylül University. His poems have appeared in many magazines, including Posit, The Maine Review, and Diagram. A Pushcart Prize nominee, Boon recently edited a volume on the sublime in American cultural studies.

 

Hot

It is very hot and I am not
going to tell you you are beautiful
and I am not going to say I’m impressed
because you’ve read Proust or Goethe
or even weary Dostoyevsky who
contemplated certain corners
of the universe in worn boots.
It is very hot and you are not
more beautiful than Merve who
checks my eggs and beer and detergent
through register 3 at the grocery
and writes heartfelt letters to a man
in Bursa that say the weather is hot
and I am not as beautiful as you who
crosses the shadows of the Ulu Mosque,
a shadow yourself in dark clothes.
It is very hot and you don’t matter
and maybe I don’t matter
but a brick falls and a bat swallows
two or more mosquitoes and maybe
everything is just all right.

 

Metonymies

My father became a blue suit
that smelled of tobacco and mint.

My mother had a body, but she
became a library book, a mystery—

ink and use and coffee with milk.
They spoke adult things while I

rearranged my Legos into a thousand
definitions of what might be.

I was carpeting becoming cologne,
and that bad gum smell in packs

of baseball cards. Only later I’d be
the avocado lotion of the girl

I loved, and she a home long after
it had burned. On those summer days

when the frequent swallows tore
against the sky, we all were lake-

water and Welch’s grape juice,
and the plastic that seals tubs

of Reiter sour cream. My father
heaped it on his baked potato, feeling

sad, the jazz in his skull blooming
then fading. After dinner, dishes,

my mother rose, Dean Koontz
in her hand, the smell of impatiens

everywhere inside the Ohio dark
as the city gassed the mosquitoes

and that gas made us all the same—
doubts and intrigues and flesh.

Two Poems by Brandon Marlon

Brandon Marlon is a writer from Ottawa, Canada. He received his B.A. in Drama & English from the University of Toronto and his M.A. in English from the University of Victoria. His poetry was awarded the Harry Hoyt Lacey Prize in Poetry (Fall 2015), and his writing has been published in 250+ publications in 28 countries. www.brandonmarlon.com

 

Country Barn

Cockcrow’s rays against red-painted siding
add a fiery tincture, stark and arresting,
to an otherwise monotone surround
of swidden and forests pruned and pollarded,
a quiet haven redolent of timber and hay
where each thread of sound
is distinctly discerned and townspeople
come to rusticate or else when lost.

At prandial hours, grazing livestock mosey
along through sliding doors, past tractors
in various states of disrepair, keen on ensilage
to supplement their diets;
they casually disregard the ranch hand,
immersed in the sudorific ardor of labor,
forging a brand in the refiner’s fire.

All the stalls and chutes are in adequate fettle,
although silos display the toll of the elements.
Pewter wind chimes, decorative and melodic,
taunt the aged weather vane with their newness
even as the windpump bemoans its missing blades.

Local folk, salt of the earth, humble as a pebble,
heave bales and inhale the breeze,
glad to disburden their backs
every so often and munch by the porch
smoked jerky, guessing at the spice rub,
an unorchestrated symphony of neighing,
lowing, bleating, crowing, and clucking
constant in the background, reverberating off
lofty rafters where spiders oversee proceedings.

 

Airport Lounge

Sometimes reaching the designated gate
is a micro feat that feels macro, a private triumph
for those surpassing the hectic havoc
of an international terminal at midday,
where people vie, jostle, queue,
sardines rushing to be canned in metal birds.

This assembly of assorted cross-purposes
is but a symphony of haste and angst,
a community of wanderers, random and non-replicable,
its members anxious for destinations
while reluctantly resigned to journeys,
the real price we must pay.

Many consider lounge a misnomer,
for this is a hall of tension and dread;
not all the duty-free liquor, smartphones, or flat screen TVs
looping muted newscasts can distract the mind
from its uneasiness, from the sense of being
corralled and harried, demoted to sheeple.

In such a way station, where there are alternately
way too many seats or none available whatsoever,
the wise befriend strangers so that time flies
faster even than the 747 now preboarding
passengers with small children or special needs,
its jets set to entirely alter the atmosphere.

Peeling Teeth by Madeleine De Pree

Madeleine De Pree is a 19-year-old undergraduate student at Furman University in Greenville, South Carolina. She has appeared in five different publications, the most recent of which include The Thing Itself and Little Rose Magazine.

 

Peeling Teeth

When your adult teeth grew in, your mouth was too small to hold them. So the dentist had to pull eight teeth.

During this pulling, the dentist accidentally dropped two teeth down your throat, which you swallowed on reflex. I tell you that this is hilarious, because it is. You are missing a quarter of your adult mouth.

***

You think a lot about science and death. These are the only pursuits worth following: science and death. You tell me this while we sit in your parked car. And I disagree. What about art, I say. Doesn’t art matter. You tell me that art is too virile. Too nebulous. It is not wholly safe.

***

It’s dark again. We’re walking close along a sidewalk. You laugh. And I ask What. But you shake your head and smile, not answering. You point at my pink shoelaces instead. Double-knotted.

You laugh again. And again I ask why. You say Life. You say Life is a life experience.

***

You say Sometimes I feel ruined. And I ask How do you mean. I know what you mean. I see it moving around behind your eyes, not settling. But you won’t say it. So I think Fine. And I think Maybe I’ll just leave. But I don’t. And we stand outside by the water.

The air comes close and presses against us. It smells like cigarettes and nothing and lake.

***

I don’t think I care about you. You say this one night. Or if I do, it’s not in the right way. You say you are sorry. You know you are wrong.

I should say that I love you. That I feel like a naked grape. Peeled. With my nerve endings exposed to the air and everything stinging. But instead I put my hands in my pockets and shrug. And I think about your body. Cloth scraps. The feeling of pins.

***

Later that week you will buy a margarita. I will not see you before or after. And you will not have me.

But you will have someone. Someone and a salt rim.

Her Favorite Element on the Periodic Table by Audrey Wick

Audrey Wick  is a full-time professor of English at Blinn College in Texas. There, she is a writing teacher who writes. Her first women’s fiction novel FINDING TRUE NORTH released from Tule Publishing April 12, 2018, and its sister story releases July 26. Her writing has also appeared in college textbooks published by Cengage Learning and W. W. Norton as well as in The Houston Chronicle, The Chicago Tribune, The Orlando Sentinel, Writer’s Digest, Southern Writers, and various literary journals.
She believes the secret to happiness includes lifelong learning and good stories. But travel and coffee help. She has journeyed to over twenty countries—and sipped coffee at every one. Readers can connect with Audrey at her writing website of audreywick.com, and on Twitter and Instagram @WickWrites.

 

Her Favorite Element on the Periodic Table  

That summer she became a chlorine mermaid. In a friend’s pool that overlooked the San Juans, strawberry hair fanned behind her, tresses like peacock feathers. Bubbles floated to the surface faster than her thoughts. She stayed suspended in counts that increased with each attempt.

Fifty-two, fifty-three, fifty-four . . .

“Young and sweet and only seventeen,” her lungs fortified and her body adjusted to sub-surface existence every time she practiced. And for what was she practicing? Was this Stoicism? Or her version of it?

Sixty-seven, sixty-eight . . .

Awareness was hers but no one else’s. The audience rimming the deck of the pool had long dissipated. It was her, the water, and her breath.

Eighty-one . . . And then she could count no more.

Labored and spent, she parted her lips, accepting the rush of cool water. She tasted an altered state, change rolling on her tongue like waves of relief. She drank with tight-shut eyes the water that was not made for drinking.

Poetry by Katharine Coggeshall

Katharine Coggeshall is a technical writer-editor living in the mountains of New Mexico. She dabbles in everything from writing newspaper columns to R&D 100 applications to poetry. There is no adventure she is unwilling to try.

 

Inferiority Complex

I think it’s a nonrestrictive clause, I say, defending my twinning commas like a mother defends her children who are far too old to be dressed alike but desperate to receive attention, even if it’s negative attention, like a soggy potato chip or some other disingenuous psychobabble spouted by pediatricians with no kids. DINKS, they’re called—dual income no kids—living a life of caviar and feasting on their judgements, overstuffed to the point of no longer seeing their feet or seeing the path my feet have tread. Perhaps I have said too much with my commas, laying my hand on the table and revealing no more than a pair of twos. My cards slip from my clammy hands just as my colleagues all murmur their agreement, ending my lifetime inferiority complex.

 

First Date

“On occasion” is my go-to,
my red lipstick in my bag,
my speed-dial for all topics,
my translation for the perfunctory.
I spritz this two-word statement,
comb it through my hair,
before donning the obligatory
LBD and kitten heels.

You get used to telling half-truths,
to flossing out the rest
and finding all the depth
still plaqued upon your teeth.
But the words that I choke back
would only choke him more
as he suffocates from plunging
to levels down so deep.

I am sparing lives
every Friday, half past nine
with my reticent retort—
“on occasion”—
on my tongue.

 

Something Good

I need something good to happen today. I’d pay 50 cents for a miracle. Or use those silver circles to replace the blue-black ones beneath my eyes. Though the silver would drip down my throat and choke me like my silver spoon always does, eroding my molars with the acid, creating holes in my already cracked self-image. It’s a high price to pay, but we’re talking about a miracle after all.

There’s something in the sky that whispers no miracles are to be had today, by me or any other “worshiper-when-convenient” K-mart patron of God who only acknowledges His existence in dire times (or when wrapped around a toilet bowl). The Norse and Greeks harnessed the power of statistics when weighing their potential for miracles; my scale is far more lopsided and inclined to deny me donuts…and miracles.

So I’ll keep my 50 cents and try my luck at the lottery instead.

 

Farewell to Confidence

On a full moon fortnight,
wicked wind wills
up my spine, through my hair,
around my ear, and to my mind
where it spreads like cyanide
through the folded cornfield maze,
shadow cast upon the screen
camera-lensed against my eye
and focal-pointed straight at me.
I’m a precision shot—
arrows fly, daggers rain.
None survive the wicked wind.
From outside, a peaceful scene
while cornfields die in hurricanes.
Farewell, my confidence.
Until we meet again.